MELODIES « SECTION I To be used with Section I of all other chapters These melodies contain simple modulations, more each melody is clearly defined. Some phrases are complex thythms, and diatonic skips in a variety of longer; some are less symmetrical; syncopations are contexts. As in Melodies, Section 1, the tonality of __ introduced; and the vocal range is extended. 4 RNS Thenext six melodies introduce skips in the V? chord, ip both major and minor. 142. Andante 143. Andante P 144. Andante con moto mf 146. Allegretto f 147, Andante Pw GE we Ne ee te PNWSection II 29 148. Con moto af f —— FF —_= Ff p 149. Larghetto 151. Andantino f P 152. Con moto30 Chapter One _/ Melodies 153. Ballando mf = f 4 Sy { > SAW ® Thenext five melodies introduce less frequently used meters: §, 8, % and §. 5 154. Andante cantabile 3 > > P > 155. Doux et expressif > f —~{ 2 P — mf } 156.’ Larghetto 5 > > P PP z PP > 157. Pastorale > > > 3 eouuwSection It 31 158. Andante con moto mf = nf 1 S28 BE @_ BY Teplets are included in the next three melodies. > 159. Maestoso oP — See a f —_32 Chapter One / Melodies > 162. Andante > > > mp > : ete fe f ° SS 163. Ziemlich schnell 4 €F85C. poco a poco — f 38% & Skips of all diatonic intervals up to an octave are included from this point on. 164. Andante con moto we wwe VEG eee UWE Y innit. —~ | POCUR YOY EY Ue YOU UE EU 166. Langsam‘Section It 33 97 S& @ W Ties are included in many of the melodies from this point on. 167. Allegretto dO 168. Andante Sal fine 170. Allegro . -34 Chapter One / Melodies 171. Allegro f 172. Alla marcia as 173. Andante 3X B® BV The next six melodies begin with upbeats 2) or 7, 174, Allegro marziale riten. f rif vo Pe 8 wo POPP Ge vue we YE OY YY VOY Eu BECSection It 178. Andante pastorale 177. Con moto 179. Gaio a 3536 BX % 8 syncopations are introduced in the next six melodies. 180. Allegro J Chapter One / Melodies f / 181. Sustained 182. Gaio 183. Largo —s P eresc. S subito 184. Lively 185. Brisk dim.” “p Vv Pe YY IW WU WII UI DU ww Wo eR DOUGSection I 37 c - 186. Andante . 187. Andantino (in one) ' - 188. Andante 190. Allegretto38 Chapter One / Melodies —~ > 191, Allegro ¢ . PwiUIUG. 192. Valse (in one) ' Ww vw > 193. Andantino grazioso > S82 ®& Thenext four melodies include chromatic neighbor notes. 194. Andante > — Sf 195. Andante :Ye} & Section It 39 196. Andantino piacevole 197. Moderato f. A a 198. Massig und 2art 199, Lively40 Chapter One / Melodies 200. Moderato con moto 201. Allegretto 1 202. Cheerful fF Se P sub, Si @ W The next four melodies, in the minor mode, move'through the relative major. Before singing, find the point where that motion begins. 203. Allegro DNA A SA Ned NAN ADDS we CEE YEE VEY UW YEE 3Section I Al yd 204, Allegro moderato S 206. Andantino mf P “af ? 7 S 4 842 Chapter One / Melodies 208. Waltz tempo a a “2.2 Vw 5 > 4 rall. 4 be > y ‘a tempo f oP > Ser > f P 5 > 209. Allegro moderato 5 F pesante r P mf érese. St P > SS -@ SW Thenext three melodies include chromatic passing'notes. 210. Moderato con moto. SfSection I 43 211. Andante con moto 212. Allegro non troppo mf psf —— > 213. Lileing \ 214. Ben'ritmico mf f44 215. Maestoso Sf SS 216. Animé f Pe 217. Lento 218. ‘Slowly P with expression mf 219, Andante con moto mf trese. cresc. Chapter One / Melodies PIU Gwe Ge GORY YY YY UY Uw Geese POUSection II 45 SN % ® The next three melodies, in the major mode, move through the dominant. 220. Allegretto grazioso mp . ft 221. Fanfare f 3 222, Allegro assaiChapter One / Melodies >) 46 223. Allegro e ben marcato > f > 3 3 5 f 224. Allegro gioviale 4 wee U a & 225. Andantino f f 2 226. Allegro moderato se RE ye et Oe Gunwy aw Section I 47 D.C. al Fine P subito 227. Minuet 228. Modéré 229. Allegro gioviale nf FP ? a =48 230. Briskly fo 231. Etwas gedehnt 232, Allegro lunatico Chapter One / Melodies f 233. Scherzando mf 3 3 D.C. al Fine 3 8 Pee ee Oe we WY