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a in bread (as well as in tread) does nothing. You might as well spell it bred except that
then it looks too much like the past tense of breed. So don't do that. A is similarly indefensible
A in aisle and aesthetic.
Most silent b's come at the ends of words and just
after m: bomb, climb, comb, crumb, dumb, lamb, limb, numb, plumb, thumb, tomb. Just when
one starts to feel comfortable with the relative regularity of these, debt and subtle show up like
B a couple of toughs.
C may as well cede all power to s in words like science and scissors, but we'll also point out
C that it's not doing much of anything in acquire, indict, or muscle.
D is shirking its auditory duties in handkerchief and mostly doing the same in handsome. Its
D appearance in Wednesday can only be seen as some kind of cruel joke.
The most indecent of the silent l words is surely colonel. The word sounds identical to kernel,
which is an honorable, respectfully spelled word. L is also silent in could, should, would, as well
L as in calf and half, and in chalk, talk, walk, and for many people in calm, palm, and psalm.
One can get through much of life never encountering m in its silent form. By the time a person
M is ready for a word like mnemonic they have likely come to accept the vagaries of silent letters.
We will admit to some small appreciation of x's discretion in its orthographic indiscretion. Its
X silence seems perhaps calculated in faux and faux pas.
We cannot blame y for its gratuitous presence in beyond. The letter may, in fact, believe itself
to be essential in the word. It cannot be ignored, however, that the word would reasonably
Y have its same pronunciation if it were spelled "beond," "beeond," or "be-ond."
There will surely be attempts to blame the French, and yet the following have been fully
established members of the English language for centuries now: chez, laissez-faire,
Z and rendezvous. We cannot look the other way, Z.