Mae eesSw THE COMPLETE ORCHESTRAL REPERTOIRE SERIES by RAYNOR CARROLL Principal Percussion - Los Angeles Philharmonic ORCHESTRAL REPERTOIRE ror rH GLOCKENSPIEL, VOLUME I (BT-2501 58 pages) $14.95 Debussy: La Mer, Delibes: Indian Bell Song, Mahler: Symphony No. 4, Mozart: The Magic Flute Prokofiev: Alexander Nevsky, Piano Concerto No. 1, Ravel: Daphnis and Chloé, Respighi: Pines of Rome, Rimeky-Karsakoo: Russian Easter Overture, Saint-Sains: The Carnival of the Animale, R. Stvause: Also Sprach Zarathustra, Stravinsky: Pétrouchka (1911), Tehaikousky: The Sleeping Beauty, Wagner: Foresi Murmurs, Wotan’s Farewell and Magic Fire Music. ORCHESTRAL REPERTOIRE For THe GLOCKENSPIEL, VOLUME II (BT-2502 58 pages) $14.95 Dukas: The Sorcerer's Apprentice, Glazounov: Violin Concerto, Kodily: Hary Jénos, Mahler: Symphony No. 5, Ponchiell: Dance of the Hours, Prokofieo: Romeo and Juliet, Scythian Suite, Rachmaninov: Symphony No. 2, Ravel: Mother Goose, Respighi: Fountains of Rome, Seriabin: The Poem of Ecstasy, R. Strauss: Don Juan, Tehaikoosky: Capriccio Italien, The Nutcracker, Wagner: Dance ofthe Apprentices, Siegfried’ Rhine Journey. ORCHESTRAL REPERTOIRE Fos tii SNARE DRUM (BT-2503 110 pages) $17.95 Bart6k: Concerto for Orchestra, Bloch: Schelomo, Borodin: Polovetsian Dances, Debussy: Nocturnes, Kodaly: Hy Jans, Nielsen: Concerto for Clarinet, Symphony No. 5, Prokofiew: Lieutenant Kijé, Peter and the Wolf, Symphony No. Ravel: Alborada del Gracioso, Bolero, Daphnis and Chilo, Rapsodie Espagnol, Rimsky-Korsakov: Capriccio Espagnol, Scheherazade, Rossini: La Gazza Ladra Overture, Schuman: New England Triptych, Symphony No. 3 ‘Shostakovich: Festive Overture, Symphony No.7, Symphony No, 10, Sousa: The Stars and Stripes Forever, J. Strauss: Emperor Waltzes, Stravinsky: Pétrouchka (1911 & 1947) ORCHESTRAL REPERTOIRE ror BASS DRUM anp CYMBALS (BT-2504 82 pages) $14.95 Berlioz: Roman Carnival Overture, Symphonie Fantastique, Bizet: Carmen, Debussy: La Mer, Doordk: Carnival Overture, Enesco: Rumanian Rhapsody No. 1, Mahler: Symphony No. 1, Symphony No. 3, Mussorgsky: A Night On Bald Mountain, Prokofiev: Violin Concerto No. 2, Raclmaninov: Piano Concerto No. 2, Rimsky-Korsakov: Capriccio Espagnol, Scheherazade, Rossini: William Tell Overture, Sibelius: Finlandia, Stravinsky: Pétrouchka (1911 & 1947), The Rite of Spring, ‘Tehaikovsky: The Nutcracker, Romeo and Juliet, Symphony No. 4 ORCHESTRAL REPERTOIRE ror THE XYLOPHONE, VOLUME I (BT-2505 64 pages). $16.95 Barber: Medea’s Meditation and Dance of Vengeance, Britten: The Young Person's Guide to the Orchestra, Copland: Hoe-Down, Hindemith: Kammermusik No, 1, Holst: The Planets, Kabalevsky: The Comedians, Messiaen: Exotic Birds, Prokofiex: Scythian Suite, Saint-Saéns: Danse Macabre, Schuman: Symphony No. 3, Shostakovich: Symphony No, 5; Stravinisky: Firebird (original), Firebird Suite (1919 ), Pétrouchka (1911 & 1947), ORCHESTRAL REPERTOIRE ror THE XYLOPHONE, VOLUME II (BT-2506 64 pages) $16.95 Bartok: Music for Strings, Percussion and Celesta, Copland: Appalachian Spring, Hayman: “Pops” Hoe-Down, Kabaleosky: Colas Breugnon Overture, Kodaly: Héry {énos, Prokofiev: Alexander Nevsky, Ravel: Mother Goose, Revueltas: Sensemayd, Saint-Saens: The Carnival of the Animals, Shostakovich: Cello Concerto No. 2, Violin Concerto No. 1, The Golden Age, R. Strauss: Salome’s Dance, Stravinsky: Les Noces ORCHESTRAL REPERTOIRE ror TAMBOURINE, TRIANGLE aNo CASTANETS (BT-2507 126 pages) $16.95 Berlioz: Roman Carnioal Overture, Bizet: Carmen, Borodin: Polovetsian Dances, Brahms: Symphony No. 4, Britten: Four Sea Interludes, Chabrier: Espafia, Debussy: Iberia, Dvorak: Carnival Overture, Slavonic Dances (opus 46 & 72), Symphony No. 9, Grieg: Peer Gynt, Liszt: Piano Concerto No. 1, Prokofiev: Piano Concerto No. 3, Ravel: Alborada de! Gracioso, Daphnis and Chloé. Rapsodie Fspagnol. Respighi: Pines of Rome. Rimsky-Korsakov: Capriccio Espagnol. Scheherazade, Rossini: William Tell Overture, Saint-Saens: Danse Bacchanale, Smetana: The Moldau, Stravinsky: Pétrouchka (1911 & 1947), Tehaikousky: Capriccio Italien, The Nutcracker, Symphony No. 4, Wagner: Die Meistersinger von Niirnberg Prelude, Tannhituser Overture and Venusberg MusicORCHESTRAL REPERTOIRE &TLOPHONE VOLOME I XE RAYNOR CARROLLCover photograph, book layout and design by Raynor Carroll. ‘Music engraving by Raynor Carroll using Finale ‘97 by Coda Music Software. ORCHESTRAL REPERTOIRE ror tHe XYLOPHONE, VOLUME I 2nd Edition Printed and published in the United States of America by: Batterie Music PO. Box 90014 C Pasadena, California 91109 USA ‘Tel/Fax: (626) 798-7144 E-mail: battmusik@aol.com www.batteriemusic.com Copyright © 2000, 1998 by Raynor Carroll All rights reserved. No portion of this book may be reproduced, stored or introduced into a retrieval system, transmitted or distributed, in any form or by any means (electronic, mechanical, photocopying or otherwise), ‘without the prior written permission of the publisher. ISBN 0-9650322-6-4Table of Contents Preface... 15 Samuel Barber Medea’s Meditation and Dance of Vengeance a Benjamin Britten The Young Person’s Guide to the Orchestra..... Aaron Copland Hoe-Down from “Rodeo” ..... Paul Hindemith Kammermusik No. 1. Gustav Holst The Planets ed enemies 20 Dimitri Kabalevsky The Comedians, Suite .... Olivier Messiaen Oiseaux Exotiques Sergei Prokofiev Scythian Suite Camille Saint-Saéns Danse Macabre ... William Schuman Symphony No. 3 ... Dimitri Shostakovich Symphony No.5... Igor Stravinsky The Firebird, Ballet (1910) . The Firebird, Suite (1919) ... Pétrouchka (1911) .. Pétrouchka (1947)Ack: 1 eme: Thanks to my family for their continued love and support. Thanks to the library staff of the Los Angeles Philharmonic - Ken Bonebrake, Kazue Asawa ‘McGregor and Steve Biagini for their helpful assistance. Additional thanks to Ken Bonebrake for music proofing. Thanks to Karin Gustave for text proofing. Thanks to Boosey & Hawkes, European American Music, Theodore Presser and G. Schirmer for reprint permission. And thanks to God for all of His blessings. This book ts dedicated to my sister-in-law, aad Catheiine Thuasher CauollPreface the works presented in volumes I & II of this collection represent some of the most prominent orchestral parts written for the xylophonein the symphonicliterature. However, thiscollection, by no means includes all such repertoire. Instead, the intent of this collection is to provide material that: 1) is typically required of percussionists at an audition, and 2) the percussionist (professional or otherwise) will most often be required to perform with a symphony orchestra. Compositions by George Gershwin such as Porgy & Bess, An American In Paris and the Concerto in F could not be included in this collection due to copyright restrictions. The percussionist is encouraged to include these and other works of Gershwin in their repertoire of study. Each part is presented in its entirety. Extended periods of rests are abbreviated with “Tacet” indications. Cues and instrument entrances have been added wherever possible. Metronome markings, which were omitted from the published parts, have been taken from the score and included in this collection. Footnotes indicated with a cross (t) are from the original part. Footnotes indicated with an asterisk (*) are those of this collection. The instrument for which the work was written is indicated on each part and includes: Holz & Strohinstrument - German Silofone - Italian Silofono - Italian Xilofon - Italian Xilofono - Italian Xylophon - German Xylophone - English, French Every attempt has been made for accuracy of the material contained within. In some instances mistakes in the original parts have been corrected, however, some errors may still exist. Itshould also be noted that some of the works (e.g. Shostakovich: Syraphony No. 5, Stravinsky: The Firebird, Pétrouchka, etc.) have been published in differing editions. In preparing literature for an audition or performance it is recommended that the player obtain a score and listen to various recordings, in addition to learning the given part. The following page offers some ideas and suggestions on practicing.Have short- and long-term goals in mind. Be focused and patient in working toward your goals. Know beforehand what you intend to accomplish in each practice session. Never sacrifice the basics. Count and make sure that your rhythm and tempo are steady (with and without a metronome). Listen to the sound you are producing. Strive to achieve the best sound possible. Make sure that you are using the proper stroke technique and striking the bars in the correct area. Record and listen to yourself regularly. Be very critical and demanding, Use a mirror to check hand position, stroke technique, mallet height, etc. Practice on a regular basis. It is much more productive to practice daily for an hour, as opposed to practicing once or twice a week for a few hours. Allocate your time properly. In each session apportion time to: * Warm-up properly. Begin by playing repetitive exercises such as scale patterns and arpeggios slowly. As you loosen up, gradually increase the tempo. Don't play too fast too soon! It is very important to stay relaxed and to maintain control. Always strive for note accuracy and consistency. * The lesson plan (etude, excerpt, solo, etc.). First, get an overall idea of the piece by playing through it slowly (see sight-reading below). Then locate and isolate the difficult passages. Use a metronome to sub-divide the beat; and practice each passage very slowly. Make sure that you are accurately playing the notes, rhythm, dynamics and phrasing in addition to using the correct hand position, stroke technique, sticking, etc. If problems persist, divide the passage into smaller segments and play them even slower. After practicing the passage correctly several times, gradually increase the speed of the metronome until the desired tempo is reached. Be patient, don’t play the passage while repeatedly making mistakes. If you do so, you are practicing to make mistakes! * Sight-reading. Before the end of every practice session take the time to read through a piece that is unfamiliar to you, Choose a piece that is neither too difficult nor too easy. Before you begin, carefully check the key signature, time signature, tempo markings, repeats, dynamics, sticking, etc. Find the most difficult passage and set a tempo accordingly. Take your time. Don’t try to play the piece too fast. Keep a steady tempo. Once you start, do not stop until you have played through the entire piece. When finished, evaluate yourself. It's all righ: to go back and play through or practice the piece, but this now becomes practicing and is no longer sight-reading, Keep in mind that the reason you are practicing is not merely to play the notes, but ultimately to make musiMedea's Meditation Xylophone and Samuel Barber Dance of Vengeance (1910-1981) Broadly, from the distance, «= 60 soto by b =3— HD U3 3 3 P pe mp Moving moderately «= 76 3 4 5 (violin solo) (Ist clarinet) (Gute) (flute) 3 4 5 6 = 8 (violin solo) soft sticks poco ral. pitt mosso, supple += 126 7 Se ee Morendo _ [7] Slower += 60 3 4 5 (triangle) ‘Copyright © 1956 (Renewed) by G. Schirmer, Inc. (ASCAP) International Copyright Secured. All Rights Reserved. Reprinted by Permission. ai hard sticks = a “ppp _—— _ foo e333 brillante be 72] Mysterious, moving ahead +=92 SO 3 intenso 13} (violins) — + i anguished ‘ombre with dignity J=58 15) allargando 16] 77 (cimpani) PPP 7g] Pitt agitato (trumpets)= —6— - e—T, 8 be £h, stringendo PP cresc. poco @ poco ee ee se | te Zz a tempo primo agitato <= 200 allarg. 20] with gradually increasing intensity (snare drum) =3—_ FP ita forea 2-96 2i| [22] 23) 24| (snare drum) (snare drum) é i 25] piu agitato, 26] moving ahead slightly(27] (Gnare drum)238 with mounting cere peer frenzy : a i ote esr a 32 Sostenuto «= 69 [33] Molto pitt mosso += 112 (trombones) nf (gx)----------------------, stringend fino al fineTHE YOUNG PERSON'S GUIDE Xylophone TO THE ORCHESTRA Benjamin Briten (1913-1976) THEME A Allegro maestoso e largamente Be i) t (woodwinds) THEMED vi (brass) (Strings) Cut this bar if com mentary isnot spoken. THEME E i THEME F Sp te ete = tit oS rs 2 = © (eimpani & percussion) Dr Presto Tacet until VARIATION M (Percussion) Moderato h {timpani) 3 6 = Se ee 5 ° ow ° t) Play 1 only if commentary is spoken. 2 if commentary is not spoken. Copyright © 1947 by Hawkes & Son (London) Ltd. Copyright Renewed. Reprinted by permission of Boosey & Hawkes, Inc. a(cimpani) 6 ee {b.d., cyms.) (tamb., tri.) (s.d., ch.blk.) (cast, gong) ~~ (tutti perc.) p ‘PPP attaca PP : ‘pir p FUGUE —, Allegro molto = £ PPP - attacca (piccolo) 4) Play 1 only if commentary is spoken. 2 if commentary is not spoken. 2A B Cc (utes) (oboe) (Clarinets) é (bassons) (Voting) (wiles) Sr) I K [] (ombones) (French horns) (trumpets) IM # oe Con slancio }=D(('istesso tempo) Animato allargando molto -13-Xylophone (wiangle) HOE-DOWN from Aaron Copland "RODEO" (1900-1990) u 2 (wood block) Copyright © 1946 by The Aaron Copland Fund for Music, Inc. Sole Licensee Reprinted by permission of Boosey & Hawkes, Inc. 413 iq 15) i 8 — (oboe) ( snare drum) (Giano) (snare drum) (piano) 19] rit. molto (Ist trombone) f ze (triangle) fKammermusik Nr. 1 Xylophon Paul Hindemith (1895-1963) Sehr schnell und wild =_— Ss Fi] (cumped 4 Used by kind permission of European American Music Distributors Corporation, ‘sole US. and Canadian agent for Schott Musk International, -16-IL. - I. TACET Finale: 1921 Lebhaft 10} 20) 30] [40] (snare drum) LF l 90) 60) 70) (snare drum) 7 43 ff [80] (90) 100) (clarinet) 110) Furioso 12 (snare drum) Sf 7brillant §»-- 160| 170) 155, (snare drum)Stretta, bedeutend schneller (snare drum) 3 eS eee —— e gr (wood block) (wiangle) accelerando 70 267, StThe Planets Xylophone Suite for Large Orchestra Custay Hote (1874-1934) I. -V. TACET VI. Uranus, the Magician Allegro 1) (French horns) oT Ooo (horns) (cymbals) (timpani). (hors) Copyright © 1921 (Renewed) by Goodwin & Tabb Ltd. Transfered to J. Curwen & Sons Ltd International Copyright Secured. All Rights Reserved. Reprinted by Fermission of G, Schirmer, Inc. (ASCAP) -20-s rall. (woodwinds) (eumpets) | 7] atempo IF Rall. 8 | Lento Allegro Largo 9 VII. TACET -21-The Comedians Silofono Dimitri Kabalevsky (1904-1987) 1. Prologue Allegro vivace «= 184 (rumpets) DS a be = (oboe) = (French homs) 3 6 a Copyright © 1946 (Renewed) by G. Schirmer, Inc. (ASCAP) International Copyright Secured. All Rights Reserved. Reprinted by Permission 22. Gallop Presto ¢=200 2 gf 2 3 4 5 i] 12 > re (bass drum) Df -23-2 2 > == =. —— a ¥ = f 3. - 9. TACET 10. Epilogue Allegro molto e con brio J 168 fal (72) 73] lt —— 75| 8 25} 76) 6 — e (earings) [77| Senza ritardando 78 Gtrings) 79] (clarinets) ————— (triangle) (bs, eyms.)(aute) wy) (French horn) = = ee ee Gy Jf -25-Oiseaux Exotiques (Exotic Birds) Xylophone *) Olivier Messiaen (1908-1992) Presque lent settee 3 Cadenza - Piano solo Un peu vif 2) 132 (piano) (rived Calorie) A ida 3 (piano) Cadenza - Piano solo +) Sounds 1 octave higher than notated. Utilize 4 mallets. Copyright © 1959 by Universal European American Music Dist nn (London) Ltd,, London, Copyright © renewed. All Rights Reserved. Used by permission of tors Corporation, sole US. and Canadian agent for Universal Edition (London) Ltd, London, -26-Un peu vif 2-132 (piano) 3] Un peu lent Joss om (tam-tam) a e (tam-tam) -27-Gh == yt ———F vir 144 an (Troupiale des vergers) Si come (Pinson a couronne blanche) 8" ee cee 2 es == oe | 9 -oe ¢ : ee = ae “ f(Troupiale des vergers) 13} a~ : : : he te -29-(Pinson chanteur d’ Amérique) (Pinson & couronne blanche) ae : 16) be ig he = fs fe = — =e ee PP (eee ere es) Pinson dailesbaies) . i b 5 2 2 : Gas us Fai eee = = oe e SSS P PP -30-31it Te 0 6 9 » © be 2 » 6 6 + » » ig (Bruant renard) if f “32(Pinson a couronne blanche) he Un peu lent 2-58 [Ba] Tet25 Cupidon des prairies) ma P ° p (entan) aa (piano) Cadenza - Piano solo 33°Presque vif = 132 48 25) aS a s i Ss 28] Bliss. gliss. +) The glissando on the xylophone: quadruple glissando with 4 mallets. Begin on the 6th. Glissando all the time, and without an attack on the last not. Dito all similar passages 34(Alouette oreillarde) oe mf (Viréo gris-olive) aoe aa mf (Troglodyte de la Caroline)Cadenza - Piano solo (piano) Plus lent «-72 b (Garrulaxe de Himalaya) Presque lent «)=69 = fal Se ie ei Ser gq -36-SCYTHIAN SUITE Xilofono Sergei Prokofiev (1891-1953) I, L'adoration de Véless et de Ala Allegro feroce Poco meno mosso 1 pocorit. [2 Sf Tacet to the end dim. mp Copyright © 1923 by Hawkes & Son (London) Ltd. Copyright Renewed Reprinted by permission of Boosey & Hawkes, Inc -37-II. Le dieu ennemi et la danse des esprits noirs 2| 20] 21 Allegro sostenuto Garings) (Gimpani) (French horns)(ambourine) _(timpani) SF ff If accelerando III. La nuit - TACET IV. Le départ glorieux de Lolly et le cortege du Soleil ‘Tempestoso 52 [53] Un poco sostenuto (ambourine) (timpani) -39-54] lies = Bliss. —Sff - ff 55 iG] Allegro (Quasi doppio movimento) —— ee (snare drum) (2nd violins) 97) 58 4 8. + 1 6 = : 4 eo (glockenspiel) (2nd violins) (2nd violins) P Pp 63} (641 (clarinets)68) ritard, [Ba] Andante sostenuto P (glockenspiel (Glockenspie!) 70) 71 (French horns, trombones) (elockenspiel) i 4 we ee de ie bdDANSE MACABRE Xilophone t Symphonic Poem Camille Saint-Saéns (1835-1921) Mouvement modéré de valse _____ 24 — (violin solo) A gg (Ist violins) (violin solo) (violin solo) Cc D) (Ist violins) (ymbal)__(timpani) (violin sole) (violin solo) (ve. eb) 4) Instrument of wood and strat that can be found in Paris at MM. DURAND & SCHOENEWERK, 4 Place de la Madeleine. Copyright © Durand S.A. Used By Permission Sole Agent US.A. Theodore Presser Company 42.G (woman 1 (timpani) é : Tacet to the endSYMPHONY No. 3 Xylophone in Two Parts William Schuman (four Movements) (1910-1992) Part J. a) Passacaglia and b) Fugue - TACET Part II. c) Chorale - TACET d) Toccata plesaiero d= 10s-112 ( (snare drus 145) 157| 171] (bass clarinet) (oboe) ssp er sreny 200) 208) (ampan a8 a (woodwinds) (lower octave optional) 230 = ao ‘tee ie on bebe} Copyright © 1941 (Renewed) by Associated Music Publishers, Inc. (BMI) International Copyright Secured. All Rights Reserved. Reprinted by Permission 44(ga Energico 246; P (st violins) ~~ Tacet until o ca (crumpets) - went (strings) (woodwinds) (lower octave ad lib,) 310q_(6nare drum) 379 be TEE bina -45-409 © (bass drum) IBS ay SF ge s20p_b@% (ad tbitum) (ad libitum) ce orSymphony No. 5 Xilofono Dimitri Shostakovich (1906-1975) Moderato 2-76 G Tacet until : Poco sostenuto «= 126 al STRATA SALES [es] J © (snare drum, timpani) (woodwinds) SSS == oe poco stringendo 1 8 31 = ee ee 4 ade ee G = = 132] #= 138 33] 3a] 5] (French horns) 1 a Sf Largamente <= 65 8 ritenuto Copyright © 1939 (Renewed) by G. Schirmer, Inc. (ASCAP) International Copyright Secured. All Rights Reserved. Reprinted by Permission -47-a2] 65] molto ritenuto a tempo con tutta forza Jed 38] las 2S SF Pitr mosso 4-84 rallentando [39] rn) i] _Glockenspie!) Moderato 4-4 43] a4 45] 46 a7] IL. 48] Allegretto J= 138 (bassoons) 1 2 3 4 5 6 67| : (st violins) (bassoons} (Ist violins) -48-Il. 75| Largo 4-50 é Tacet until (timpani) Largamente 1 Poco pitt mosso «= 72 (83) (ve. cb) (ve., eb.) -49-J wi Jeso ie poco calando (clarines) (strings) (ute) (lockenspiel) (B7] +50 (38 = Tacet to the end Iv. Allegro non troppo «= 88 iol Pit mosso J-72 97} 08] er 108] crumpet) bd J Tacet until S 1 : 3 4 6 ‘Tacet to the end -50-The Firebird Silofono (Original 1910 Ballet) Igor Stravinsky (1882-1971) Molto moderato -)- 108 302 SS S——SSSSSSSSSSSS Tacet until [45] Meno mosso += 54 7 1 2 3 4 1 tr 7h 2 > veee (French horn) Ss ad SS NJ assoons) Tacet until Glockenspiel) T - a 2 3 0a] zpg Meno mosso (Tempo giusto)« =4 d=80 (French horns) (tpts., tbns.) Copyright © by B. Schott’ Soehne, Mainz (worldwice). Used by permission. 51.114) mp (bassoons) (112) Presto, Feroce «= 168 (timp., bid.) Tempo I J=63 P Andantino stringendo rallentando [115] dolente «'= 100 116] ji7] Largo +=50 [10§|Sostenuto 4-607] 113] a tempo (ump., bd) mf 2 110} (timp., b.d.) mp (timp., b.d.) Poco meno mosso .= 63 rallent. Pitt mosso 416 (125) 121) 122) (123) 124] [Tig] Allegro = 152{120] Glockenspie) (cymbals) 126| 1 (English horn) Allegro 4-152 (futes) -52-S possibile Alllegro feroce «= 168 ther flee fetes [33 Oley ee Se Sip SS -53-(134] 135] 136] (bass drum) - (clarinet) 138) (139 140) (141) Sf (1st violins) (utes) (French horns) [142] 143} (144) 45) 2 (violins) (French horns) (wrws., brass) 116 solo 147] 149} [150| Poco pitt sostenuto «= 152 [151] (Wiotins) (French horn) 152) 753] POCO a poco accelerando F7gq) Poco pitt mosso (tutti){157] Pit mosso (Tempo I) «= 168 yr P= (strings) (timp. bd.) 158) (159) 160] (trumpets) F (eumpets) a (elarinets) mf - 165 Tacet to the endFirebird Suite Xylophon (Re-orchestrated 1919) Igor Stravinsky (1882-1971) Introduction L'oiseau de feu et sa danse Variation de l'oiseau de feu Ronde des princesses -TACET- Danse infernale du roi Kastchei d= 168 (timpani) Z sete EF pe (French horns) (bass drum) z 3 4 8. = S a —s - (flute) ff Sf of (st violins) (act) (French horns) (trumpet) (wws., brass) 3 a go. (violins) Copyright © by B. Schott’ Sochne, Mainz (worldwide). Used by permission. -56-(Ise violins) (French horn) 17) 18] 19] 20] 21] (imp. ba.) Ft a P * (violins) 7 (impani) (cumped) (cumpet) 2) 23] eT eT (French horns) [24] 5 a ef f é Tacet to the end z SSSI Berceuse Final -TACET- -57-PETROUCHKA Xylophon (Original 1911 Version) Igor Stravinsky (1882-1971) Vivace J= 138 = oe Tacet until Allegro giusto = 116 Ba] (Ais piee) 37) 38| = Peepteee Seeetone 6s : ~ 3 ss = 5 5 2g 2g 2. B 2 4 5 6 7 Copyright © 1912 by Hawkes & Son (London) Ltd. Copyright Renewed. Reprinted by Permission of Boosey & Hawkes, Inc -58-(violin solo) [ar > LF fee (piano) poco a poco cresc. 2 f Poco meno (tranquitlo) pochiss. accel. a tempo Tempo I (CAttegra giuste) (piano) 44 (eutti) 45) (woodwinds) + Say cresc. ed accel. For ending ge For continuing 7] Motto stringendo <= om 99] Molto meno «= 50 Allegro 4-76 (clarinets) 50) fl Furions é-108 (piano) . F (tambourine)2] Adagietto 2-54 Accel. ma (impani) (piano) Pp 3] Andantino 4-81 SSS Tacet until [123] _ (timpani) : (French horn) Poco allarg. Meno mosso «= 100 124] [125 os Ty Gerings) _ (Glarinets)__(rumpets) 7 (English horn) 129] Lento 4=50 Tacet to the end -60-PETROUCHKA Xylophone (Revised 1947 Version) Igor Stravinsky (1882-1971) Vivace «= 138 4 é Tacet until e S 6 (bass drum) (bass drum) (Piano) (fute) Copyright © 1948 by Hawkes & Son (London) Ltd. Copyright Renewed. Reprinted by Permission of Boosey & Hawkes, Inc. 61___ (violin solo) ae (80] Allargando f [81] Meno mosso 2) ‘Tempo I B) yy (woodwinds) ‘PP sub. crescendo a For ending, For continuing Doppio valore 4-50 {96} 97] faq) Impetuoso 4-100 [93] 94 pn & ~ (clarinets) ; (piano) Pitt mosso «= 76 [99] [98| — F (ooare drum) -62-fa A =o . ee (Piano) [102] Andantino 2-80 103] ___Tempo giusto «.= 63 {oboes) (T6l] (ion 162| (ccumpets) EE Tacet until -63-L'istesso tempo <= 72 (cimpani) (French horn) [246] 2 3 4 5 ‘Tempo di rigore, ~ non accellerando!| Fo, continuing (strings) (Clarinets) (eutti) (trumpet) Meno mosso «= 100 252) (English horn) , 253) (cumpet) 255)“ allarg. 258) Tacet to the end + Ending for concert performance —Raynor Carroll has been playing timpani and percussion for the Los Angeles Philharmonic since joining the orchestra in 1983. He has performed under such conductors as Carlo- Maria Giulini, André Previn, Esa-Pekka Salonen, Leonard Bernstein, Pierre Boulez and Zubin Mehta. Mr. Carroll records motion picture soundtracks for Hollywood studio composers including Maurice Jarre, David Newman and Arthur Rubinstein. Mr. Carroll teaches timpani and percussion both privately and at California State University, Los Angeles where he has served on the faculty since 1984.PERCUSSION Music by RAYNOR CARROLL Principal Percussion - Los Angeles Philharmonic TRAL IRE ORCHESTRAL REPERTOIRE For rit GLOCKENSPIEL, VOLUME I (BT-2501 58 pages) $14.95 Debussy, Delibes, Mahler, Mozart, Prokofiev, Ravel, Respighi, Rimsky-Korsakov, Saint-Saéns, R. Strauss, Stravinsky, Tehaikoosky and Wagner. ORCHESTRAL REPERTOIRE ror THe GLOCKENSPIEL, VOLUME II (BT-2502 58 pages) $14.95 Dukas, Glazounov, Kodély. Mahler. Ponchiell, Prokofiev, Rachmaninov, Ravel, Respighi, Scriabin, R. Strauss, Tehaikeosky and Wagner. ORCHESTRAL REPERTOIRE For THE SNARE DRUM (BT-2503 110 pages) $17.95 Bartok, Bloch, Borodin, Debussy, Kodély, Nielsen, Prokofiev, Ravel, Rimsky-Korsakov, Rossini, Schuman, Shostakovich, Sousa, J. Strauss and Stravinsky. ORCHESTRAL REPERTOIRE ror BASS DRUM an CYMBALS (BT-2504 82 pages) $14.95 Berlioz, Bizet, Debussy, Deorék, Enesco, Maller, Mussorgsky, Prokofiev, Rachmaninov, Rimsky-Korsakoo, Rossini, Sibelius, Stravinsky and Tohaikovsky. ORCHESTRAL REPERTOIRE For re XYLOPHONE, VOLUME I (BT-2505 66 pages) $16.95 Barber, Britten, Copland, Hindemith, Holst, Kebaleosky, Messiaen, Prokofiev, Saint-Saéns, Schuman, Shostakovich and Stravinsky. ORCHESTRAL REPERTOIRE For THE XYLOPHONE, VOLUME II (BT-2506 66 pages) $16.95 Bartok, Copland, Hayman, Kabaleusky, Kodaly, Prokofiev, Ravel, Reoueltas, Saint-Saens, Shostakovich, R, Strauss and Stravinsky, ORCHESTRAL REPERTOIRE ror TAMBOURINE, TRIANGLE AND CASTANETS (BT-2507 126 pages) $16.95 Berlioz, Bizet, Borodin, Bralims, Britten, Chabrier, Debussy, Door, Grieg, Liszt, Prokofiev, Ravel, Respighi, Rimsky-Korsakov, Rossini, Saint-Saéns, Smetana, Stravinsky, Tehaikoosky and Wagner Marimba ‘TEN PROGRESSIVE ETUDES ror THE MARIMBA (BT-2100 16 pages) $6.95 Beginning to intermediate level rending etude for the mallet player. ‘IMPANI METHOD EXERCISES, ETUDES Anp SOLOS For THE TIMPANI (BT-1500 160 pages) $18.95 Contains more than 500 exercises, 100 etudes and 17 solos. Timpani SOLos DIRGE (FoR 1Wo DRUMS) BT-1201 $2.95 GALOP (fox TW0 DRUMS) BT-1202 $3.95 SCHERZO (rox TWo DRUMS) BT-1203 $3.95 (CHACONNE (For Two DRUMS) BT-1204 $5.95 RIGOROSO (ror THREE DRUMS) BT-1301 $2.95 VARIATIONS (For THREE DRUMS) BT-1302 $2.95 MISTERIOSO (Fox THREE DRUMS) BT-1303 $2.95 ALLEGRO MARCATO (Fox THREE DRUMS) BT-1304 $3.95 MODULATION (Fox THREE DRUMS) BT-1305 $2.95 FANTASY (Fo THREE DRUMS) BT-1306 $2.95 KALIMBA (Fos FOUR DRUMS) BT-1401 $2.95 PESANTE (FoR FOUR DRUMS) BT-1402 $3.95 BRIOSO (FoR FouR DRUMS) BT-1403 $3.95 PRELUDE (For Four DRUMS) BT-1404 $3.95 WALTZ (FoR FOUR DRUMS) BT-1405 $4.95, ADAGIO-ALLEGRO (For Four DRUMS) BT-1406 $4.95 CHORALE (For Four DRUMS) BI-1407 $2.95 * All timpani solos are included in the method book. Batterie Music P.O. Box 90014 C Pasadena, CA 91109 USA Tel/Fax: (626) 798-7144 Email: battmusik@aol.com _ Web site: ww:batteriemusic.comCree Perera tte) ana REPERTOIRE %YLOPHONE VOLOME I VOLOME IT Samuel Barber Beli Bartok. Medeals Meditation and Music fr Strings, Percussion Dance of Vengeance and Celesta Benjamin Britten ‘Aaron Copland The Young Persoris Guide Appalachian Spring tothe Orchestra Richard Hayman Aaron Copland pes tee Der Hoe-Down from "Rodeo Dimitri Kabalevsky Paul Hindemith ‘Colas Breugnon Overture Kammermusik No. 1 Zan Kesly Gustav Holst Hary Jénos, Suite ed Sergei Prokofiev Dimitri Kabalewsky ‘Alexander Nevsky, Cantata The Comedians, Suite ere Olivier Messiaen Mother Goose, Ballet Oiseaux Exotiques ee Sergei Prokofiev Sensernaya Seythian Suite Camille Saint Saéns CCarile SaintSaens ‘The Carnival ofthe Animals Danse Macabre Dimitri Shostakovich Wiliarn Sehurnan Concerto No.2 for Cello Symphony No. 3 Concerto No. 1 for Violin The Golden Age, Ballet Suite Dimitri Shostakovich he olden Oe Eo ous Symphony No. 5 Richard Strauss Salomes Dance from the Igor Stravinsky mes The Firebird, Ballet (1910) ae The Firebird, Suite (1919) Igor Stravinsky Pétrouchka (1911) Les Noces: Petrouchka (1947) I Te te ae ene A ena Pe a Tce PT re ere ee en ee ISBN O-Su50322-b-4 Bkclubively Distributed by CARL FISCHER, LLC 7illgg0) 810304 6Nlo BT-2505 $16.95 eee ered ‘Batterie MMuale PO. Box 90014 C Pasadena, CA 91109 USAGel Bax (626) 798-7144 E-mail: batthmustk@ aol.com wivw_batteri@mnsiecom