luciano berio epifanie (1959 = 61) revisione 1965 partitura ue 13217 universal editionluciano berio epifanie (1959-60 revisione 1965 ORCHESTRA 4 Flouti (Pe 4° anche ottavina) 3a 3 clorinetti in sib (P anche cl, piccolo in mib) 1 lorinetto basso in siby 3 fogot 1 controfagotto trombe in do tromboni (3®tenore bass) trombone contrabesso glockenspiel celeste ope vibrafono (anche xilofone) ‘ 4 3 1 1 tube tenore (anche tuba basso) 1 1 2 1 1 fone 3 cesecute 1 = 2spring colls, 2 tom-tom, 1 tomtom, 5 temple-blocks, 2wood-blocks, caisse claire (ce e sc),2 bonges, timponi, 3 almglocken, compane I = 2spring coils, 1 tam-tom, 3 tomtom, 1 timpono acute, 3 wood-blocks, caisse claire (ce e sc), claves, ‘giro, sonagli (greléis), 5 cencerros, 3 plattisospesi, 2 bongos, 3 almglocken, | snare-drum ML = 2spring coils, 1 tomtom, 1 bet-drum, 1 snore-drum, frost, coisecloire (cc © s), tomburo barco (tom brine), 2 congas, 3 eimglocken, 3 gong cinesi seete=e= a A 8 violin’ B jolini CEPIFANIE is composed of the following sec Quoderni Is A+B +C Quoderni MI: D+ E+ F Quoderni Il: G+ D+ C end ay by cr dy For EPIFANIE the following orders are possible: WAcBcFEdGDebC 2AeBbCcDdEC GF BAe Be bDdeEFGC Ac Ao Bd FbCeEGD 5.GAaBdFbCeEGD &GAeBeEcFADbC 7aBcAbFeGEDdC &GEcrAGBbe DAC %DbeGoBFeAEAC W.GAcrFeBDCdebE A performance of the single pieces A, B ond C must have the title QUADERNI I. A performance of the single pieces D, E and F must have the title QUADERNI Il. A performance of the single pieces G, D and C must have the title QUADERNI III. le to perform Quademi |, II ond Ill or Quaderni | and Il, Any other order of the Quademi is not possible, A performance of Quaderi |, Il ond Ill with the vocal parts a (M. Proust), b (B, Brecht), c (A. Machado), d (J. Joyce) fond e (C. Simon) must have the title EPIFANIE (see ebove). ‘There is to be no pause between the individvel ports, either in QUADERNI or in EPIFANIE. It is also poss When EPIFANIE does not begin with part G (se orders 1=4, 7 and 9 above), the singer must read a short text by E, Son guineti ("Triperuno") during the fint tree bars of port G. All instruments ore notated o they sound, Double boxtoon ond contrabass ore nototed on octove higher, Glockensiel, Celeste and Piccolo on octave lower than the actual sound. IMPORTANT: The violins C must stond in a single line ot the farthest edge of the stage, behind ll the other struments, The percussion instruments must be as far eway os possible: percussion | at the extreme left, percussion Il middle, percussion II ot the right. ‘The marking ¢——— on G page 3 indicotes that the tone should be held forthe duration of one breath orbow At the morking n+ (e.ge, G page 1) it is not necessary for the parts to coincide, NV + non vibrote Vt vibrato ‘At G page 3 the players go on playing the port between the repect signs until the conductor interrupts and gives @ new tentronce (see diagram on G poge 3.) After each interruption the performers resume playing where they left off, without worrying about the time relationships to the other parts. Notes: © (M. Prout) 4 The ployer should hold two very soft sticks in each hand. He should hold each pair like a fork ~ one stick over ond cone under the end ofthe keys. The notes ore to be therefore quickly tremoloed in such g way thet, with alight action of the wrist, the sticks strike altemately against the upper end lower side of the keys. =S'. This should result in an almost continual sound ‘= This port should be performed by the player of the Glockenspiel. With the music-stand in an appropriate position, the ployer should place himself so that the high and middle registers of the marimbaphone are to his left. The player should hold two very soft sticks in his right hand. For the manner of performance see remark #4 Tremolo inside the bell with o very soft stick.EPIFANIE (Quaderni 1/1) A. attrosbaus LUCIANO BERIO J.104"o).50 sco OM ny gop Manda ‘ 43 sft Valin Vel B Violins Vocal bap = Copyright 1969 by Univers Edition (London) Ud, London Universal Edition Nr.19217 Miod UE 13217we a Ee a aE UE 19217 M4UE 19217UE 207 MiUE 1227 Me‘bees er etre pee UE 13217Ue 19217 MiUE 19217 MiUE 19217 Mia Apes r= — UE 19217 "UE 13207 Mi1B Ue 13217 miUE 19217 Mi8 UE 132176 d-86 ® e112 ; -132 — moe Je tat aeUE 13217ne te = r= ue 19217ve 19217UE 13217a UE 19217UE 13217 Me ate cena Sol pat g go coe ina!EPIFANIE 1 (m.Proust) a L.Stein LUCIANO BERIO Lento” [on lem} Copyright 1969 by Universe Edition (London) Utd. London Universe Edition Ne.13217 MiUe 19217 MiUE 13217 mi(sau) UE 13217 MeUE 19217 Mioo (at) | Pree rr rr ferme per Ue 13217ve 19217 M0UE 19217 MiEPIFANIE (Quaderni 1/2) B a amoseni LUCIANO BERIO * Salo per “Epifnia® Copyright 1969 by Universal Edition (London) Ltd. London Universal Edition Ne.19217 Wiue 19217UE 19217 MiUE 13217UE 13217 Mi1 Li [om ud (end) wB we UE 13217UE 13217 Miueace, nd. 132. cong oe ork ™4 or Te fips frp 2 [Meme [Mime [nthe wa WB ne UE 13217 6UE 13217 MiUE 13217 mi2 same pe | fapst xbwe x{svit x[ su nA (pa) wp (p=) wc (pine) Ue 19217 MiUE 19217ve 10217 mi5 UE 19217 MiEPIFANIE C (AMACHADO) & Cathy LUCIANO BERIO Copyright 1967 by Universal Edition (London) LW. Condon Universo Edition Nr 13217 MiUE 13217 MiUE 19217ve 13217pe «6 af _ Fett ve 19217 MiUe 19217 MiEPIFANIE (Quaderni 1/3) F amcieten LUCIANO BERIO fit BE 400 ® aera Teo Mar Thee SE = = ee == afi Fe : = £ Copyright 1969 by Universal Edition (London) Ltd, London Universo Edition Ne. 13217 icong. ue a2i7UE 13217UE 13217 MiUE 13217 i~T Oyo ve 19217E @ EBour 3 240 2 o EPIFANIE (Quaderni 1/2) P= = ——~ pp LUCIANO BERIO O,—3—= combundo 902 3 pcre Copyright 1969 by Universal Edition (London) Ltd. London Universal Edition NE-13217 Mining a —, ue 19217Pf 5 UE 13217UE 19217wa WB ne Ue 19217———— ve 127 —ue 19217 Mi| ve 19217ve 19217 Mia I | 7 Ue 19217 Mi" UE 19217 MiWB ne ery TUE 3217 miWB we aF a int, fg @y.10, -P UE 13217 msTila, Voce” {eine foes fed me nB ne He, fa Sole per “Epifanie” UE 13217UE 13217 Mivoce Bishouf in the street UE 13217 mi6 bohere sul carehia ve 19217 i(UE 15217 HiUE 13217 MiUE 19217(d-112) ace. ele subito ral -72 # = ® meee Se # a “a nB ne UE 13217 MiEPIFANIE i uovce) seit LUCIANO BERIO Copyright 1969 by Universol Edition (London) Lid, London Universal Edition Ne13217 Mipe peopl ery yl Voce fF ep Ue 13217 MiUE 13217 Mive 19217 MiUe 19217¢ re ee = ee ae a va ans . Voce | yy pimatiiiter ceo Btls treevepattt atest a UE 19217 MiTERE UE 13217 MiVoce WC (cord) UE 13217Voce ne. (eed) long fair aie as gerlsh and gi lish and fouched ihe wonder of mer Baw-ty her face 5 UE 19217 MiEPIFANIE (Quaderni ti/1) G sasenice LUCIANO BERIO Voce iansioso) gh (dsse) ree se ETE RT Eos ELE aD acre mite Mesum pang Sik Set Bompet sone ttt mort oo ‘asc Sone eats, EL Romer Ret pete mat. (E, Sanguimeti) (questo testo deve ester atic durante le prime 3 battle) Copyright 1969 by Universal Edition [Lendon) Ltd. London Universal Editon Nr.19207 APe ote 2 8 a UE 13217 MiMer anal pe ats otnd ma send ne, bs ne Gora he cor Me (oral & Daring mpeds ey seco Ue 19217EPIFANIE (Quaderni Ii/1 - Quaderni lIl/2) D a vemtyon LUCIANO BERIO © [Springent afro ¥ Sprig i Copyright 1969 by Universal Edition (London) Utd. London Universal Edition Ne 13217 Miue 19217 Miwe (sore) ous fates para fa- ab cl. pdoe del pie UE 19217 MiPP UE 19217 MiUE 13217 Mive 19217 MiTub Pena 1 Men Tom E [Sere BU ae, uB ne UE 19217 Miee we Doty % ined Tat x [seemget 1 [springs [spingel "A “zB ne UE 19217 Mia [Sorc na WB ne UE 13217ago maaiy's O—ccugck oy Ue 132171 [Towne 1 [im-ton [sured UE isa07 PPie UE 13217 Mi3 UE 13217 Mi“ UE 19217Ue 13217UE 19217v7 UE 19217Rw Cor FS =a st ao — 20 UE 19217 MeUe 19217 MiEPIFANIE © (csIMON) & UEco LUCIANO BERIO Voce Fx erarar & arp Tepe 1d pe pid aca pom 2. abeate pope 1} Ss tenuto pope Copyright 1969 by Universo! Edition (London) id, London Universal Edition NI3217 Mi[ra sord UE 19217 MiEPIFANIE (CLAUDE SIMON) Cette expression de surprise stupide des morts, Ia bouche bétement ouverte, les yeux ouvests aussi regardant sons lo voi cette étroite bande d univers qui s’étend ce méme mur oux briques rouge foncé (les briques trapues, courtes et épaisses, d’une matitre grenue, les plus claires tachetées de sombre sur un fond couleur roville, les plus foncées couleur de song séchés <’un pourpre brundtre allant parfois jusqu’ou mauve sorbre, presque bleu comme si lo matibre dont elles étaient faites avait contenu des scories Ferrugineuses, du méchefer, comme si le feu qui les avait cuites avait i quelque chose comme, songlante, minérale et violente, de lo viande & I’étal 4’ un boucher (mémes nuances allont de I‘orange eu violacé), le coeur méme, la dure et pourpre choir de cette terre B laquelle il était collé pour ainsi dire ventre & ventre, les joints plus cleirs fits d’un mortier grisdtre dons lequel il pouvait voir, enchdssés, les grains de sable, une herbe souvage, d'un vert délicot, poussont irrégulitrement tout, contre la base du mur (comme pour dissimuler la ligne de jonction, la charnitre, Vorréte du ditdre formé par le mur et le sol), et un peu en avant, le déport des fortes tiges dont lo visitre de son casque I’empéchait de voir le haut, la fleur (eu les bourgeons: peut=8tre des roses trémibres ou de jeunes toumesols?): 2 peu prds de I’épaisseur du pouce, rayées de stries, quelque chose (Ge détochont sur les briques regueuses, minérales et songlantes) dincroyablement tendre, immatériel, les brins d’herbe 2 peu pres immobiles seulement ogités porfois d'un faible frisson, les tiges vigourevses des hautes plontes absolument immobiles elles, les lorges fevilles palpitant mollement de temps & outre dans I'air calme, tondis que, de la route, continucit toujours 2 porvenir ce gigantesque vecorme: pas le canon ‘on ne Mentendait plus maintenant que lointain, sporadique, dons la poisible et pure fin du jour, ‘comme les demiers soubresouts, sans conviction, cottordés et convertionnels de Ia bataille ~ comme ces gestes, ce simulacre de travail, cette activité de facade que des employés ou des ouvriers devent lui, ve 19217 miEPIFANIE b (B.BRECHT) & H.Strobel LUCIANO BERIO 60) - — =r = Me. Cana ord = _ ——F B o. = coe ~ FP Copyright 1969 by Universal Edition (London) Utd. London Universal Edition Ne 13217 Mi2 Tbe Pept Bop 1 [bn Ton sal caine a[Ba-om Ue 19217 MiUE 13217UE 19217 Mi oa 2 ~~UE 13217EPIFANIE (Quaderni /3 - Quaderni III/3) ©} ae senguinet LUCIANO BERIO 42. Copyright 1969 by Unis Etion (London) Utd, London Universal Edition Ne. 19217 MiUE 19217 Micat The f Hy UE 13217 Mi104 J @ x(Gmtn| wa WB _— i UE 19217 MiUE 13217 MiUE 19217 MiUE 13217ve 19217Ue 13217 Mi 462 ace. = = ==. = = a =. “4. 26 a x a 2 [thin is = % ar a + [2vemd bad salsa > ue 19217oe ad. d= 2 3 [thd hd bade = UE 192172 ue 19217 meGe. ¥ ene] Tuas i tar [Time EL TomTom afte Ue 19217 Mi