AIN T NOBODY BUT NV AMERICA C'EST LE BI THE QUIETEST MOME BYE STRANGER IT'S | LOGICAL SONG LORD} US WAITING SO LON¢ RIGHT BREAKFAST IN DREAMER EVENS A LITTLE BIT Ge2s): YOU ARE LADY} 34 WAY HOME Tle BABAJI BLOODS Wiz CRIME OF THE! ae FOOL'S OVERTUR' ING AGAIN KNOW WH MINE TAKE THE LONG NOBODY BUT Mi AMERICA C’ THE QUIETE BYE STRANG LOGICAL SON US WAITING Si RIGHT BREAKFA CRIME OF THE CENTU FOOL'S OVERTURE Gi} ING AGAIN KNOW WH MINE TAKE THE LONG NOBODY BUT ME BA| AMERICA C'EST LE BI THE QUIETEST MOME BYE STRANGER IT’S | LOGICAL SONG 122" US WAITING SO “=” RIGHT BREAK YOU ARE LADY WAY HOME DREAMER EVEN IN TI A LITTLE BIT GOODB| YOU ARE LADY THE L WAY HOME TWO OF i: - o: ont. «some HT BREAKF jy) TAMER E.)2 5. & AGAIN KNOW W INE TAKE THE LO! N’T NOBODY BUT | JERICA C’EST LE Bi QUIETEST MOMEN STRANGER IT’S RA CAL SONG LORD IS SITING SO LONG Alf RIGHT BREAKFAST Y DREAMER EVEN E A LITTLE BIT GOt D YOU ARE LADY Ti h WAY HOME TWO | | BLOODY WE OF THE CENTU! TEST MOMEN NGER IT’S RA SONG LORD IS IG SO LONG AlN riT BREAKFAST Y DREAMER EVEN E A LITTLE BIT GOC D YOU ARE LADY TI » WAY HOME TWO ¢ ABAJI BLOODY WE THE CENTUI ERTURE Gi} IN KNOW WE TAKE THE LO? -=,OBODY BUT f --__ OVERTURE Gi} f AGAIN KNOW WE MINE TAKE THE LON l’T NOBODY BUT Nne ee a a ee ee ae Pe ee Oe ee ee EXCLUSIVE pISTRIBuTORS: Tis €00% no. caren 1908 av LIGATIONS Peta ee UR ORDER NG, A as DESIGNED BY PEARCE MARCHEANKC STUDIO “COMPILED BY PETER EVANS. WEE gues coMP.eTE caraLonue Lr moves oF [TILES AND Is ptee FFM YOu LOCAL MulsIO HOG SE DGEC, RCW MUSIC SACESUtrED, PLEASE SEND & GreCME Qe POSTAL ORbEs FOW £1190 FOR POSTAGE TO WOSW SALES OMiTee, a9 FRITH STREET, vOnBON WV ate D REPRODUCTION vrs AU CREWE? fy BERS IMEWoNG oTOCoryNc SAN INFRINGEMENT OF COPY PRINTED aN ROUND Ny GREAT aaTTAN BY SUS LTD. TROWAAIDGE, WTS NREAIN'T NOBODY BUT ME BABAJI BLOODY WELL RIGHT BREAKFAST. IN AMERICA CESTLE BON CRIME OF THE CENTURY DREAMER EVEN IN THE QUIETEST MOMENTS FOOL'S OVERTURE GIVE ALITTLE BIT GOODBYE STRANGER IT’S RAINING AGAIN KNOW WHO YOU ARE LADY THE LOGICAL SONG LORD IS iT MINE TAKE THE LONG WAY HOME TWO OF US WAITING SO LONGRIME OF THE CENTU DOLS OVERTURE Gi iG AGAIN KNOW Wh INE TAKE THE LONG OBODY BUT ME BA MERICA C’EST LE REAMER EVEN IN® LITTLE BIT GOOD OU ARE LADY THE Ll VAY HOME TWO OF ABAJI BLOODY WEL RIME OF THE CENTU OOLS OVERTURE Gil iG AGAIN KNOW Wh lINE TAKE THE LONG OBODY BUT ME.BAI MERICA C'EST, HE QUIETEST YE STRANGE| OGICAL SON' S WAITING ¢ « IGHT BREAKFAS REAMER EVEN IN Ti _ LITTLE BIT GOODB) OU ARE LADY THE Li VAY HOME TWO OF ABAJI BLOODY WEL IN’T NOBODY BUT NN (MERICA C’EST LE B HE QUIETEST MOME YE STRANGER IT’S | OGICAL SONG LORD; IS WAITING SO LONG IGHT BREAKFAST IN REAMER EVEN IN TE | LITTLE BIT GOODB) OU ARE LADY THE UJ i, ee ee QUIETEST MOMENT. STRANGER IT’S RAIN CAL SONG LORD IS I NITING SO LONG AIN" BREAKFAST IN AMER EVEN It ITTLE BIT GOOL ARE LADY THE { HOME TWO OF MBPLI BLOODY WEL! IME OF THE CENTURY DOL'S OVERTURE GIVE G AGAIN KNOW WHC MINE TAKE THE LON( N’'T NOBODY BUT ME ERICA C'EST LE BO *"IETEST MOMENT: ~ RANGER IT’S RAII s SONG LORD IS I IG SO LONG AIN” * BREAKFAST It AMER EVEN It |c A LITTLE BIT GOO! D YOU ARE LADY THI E WAY HOME TWO 0! FABAJI BLOODY WEL! IME OF THE CENTURY DO'S OVERTURE GIVI G AGAIN KNOW WHC ate TAKE THE LONC om) ‘S0DY BUT MI j. C'EST LE BOI 3 BREAKFAST It FAMER EVEN II ITTLE BIT GOO! ARE LADY TH! B WAY HOME TWO 0 !ABAJI BLOODY WEL IME OF THE CENTUR DOLS OVERTURE GIVI G AGAIN KNOW WH MINE TAKE THE LON( or RINDARY DIIT IMIa ee ee ee, ee ee ee aes OF ee eS ee ee eS | Se a BLOODY WELL RIGHT Hectme piano sot a His ice thaw shoes ae beans fe suite) scahvant pp tthe) as(Bbbus) ain tin i — air) ge f “own © cory te nonnor MUSE 4oHOW ED DELTE MUSCITO 4Instrumental solo satan bi remo suoen aE suites ee " “on a obtawy ir aco te aacghtas) tt autho » sycshoes) iit zB End solo. GBhe 6 @0 @ fe, 30 thnk-yourstoot- Ines phoney, Write your prob-lemedown in detail, ay ma Ea & es ‘5 iy ay You sty it all_— de- pends_on You'vehad your ery 00 Lahoud «n't say” wall ge & 6 the & andwho is in your fam-ily tree, Right, right, you're blood: y well ight, you in Ghe mean time, hush your face. —— 2 (Quite) b, ao r Ee a know you got a right to say Right, you're blood-y well right, you know yougot a rightto say.HB af ae ri Ha ha, you're bloody well right, you know you're right to say. ‘Yen,yeb, you're bloody well-right, you know you're right to say a oven) a pba To insrumencal fade ad tb, ae You got a blood-y right.to sayREAMER \Wonns & MUSE: FICK DAVIES ANO ROGER HODGSON : a fe = pees = Seee: youknow you ares (Instrumental) a oy ES a Wellyoucan put your hands in yourhead, oh no, a” eB, os you're nothing but a dream pyte) hhands in your head, oh no. (© copyRair 1974 RONDOR Music LONDON) LTD E DELCATE MUSICLTO. LE MicrTs MERVED. NTERAATIONAL COPYRIGHT SECURCD.ayear, a ite it is mo ann) eyae 9) sie, Hy ‘well you know youhad ago ow youputyour head ono, {in your hands, oh no,eS ce SS ee eee ee oe ee eee eee ee peteas ge ae EE e a year, 4 089) wellyou know you had it coming to Mnsoramiental) Well work itout someday, 410 laugh it is a you,cbs) FE Teould'sce some thing, (Well Yours see ‘ikingyou want boy.) Cchoin) peicoae HT T could be some - one.(Youcanbe an. y-one, (Groin) a could do some - thing, (wellyou can do some. thing)If 1 coulddo an-y-thing-(well you can do some thing (Choin, (Chott) Dreamer 7-4 Mlof this world) welltake a dreamon a Sun welltake a life, take pce ‘sigs(Chit) (Dream) dream (dream) dream (dream) dream (dream) dream (con a aa a ax o ee aie" sco a” ay (Croiny dream 4 -Jong (comes - long) co s sr" cou eae” ake and 13.ies) inet) af a you know you are a dream i Can you put your o a a a” Ihands inyourhead, oh no; you're noth-ing but = et fan you putyour hands inyourhead oh (Instrumental) cia CRIME OF THE CENTURY © copymatr 1976 Rondon muss LONDON LT & DELICATE MUSIC LTD, il RIGHTS RESERVED. ROTENNATIONAL COPYRIGHT SEGURED. 15quia) 0, they've gone from bad 16But that's not 7gen) 1 1s(To fade)AINT. NOBODY BUT ME Moderately slow, in 4 ET etme tell you where Pm way out of range: Its a+ bout 2 man who's cruel and mean, af Poaoffaif itd cS = = aaa — (© CORYRGHT 1976 RoNDOR MUSIC LONDOW LID & DELICATE MUSICLTD. "AL aGHTS RESERVED. WTESOUATIONAL COPYRIGHT SECURED.‘Then heav-en help.the ones you love; there's no one needs the stars ug ET gi Well, you can run you know hel find you; You see, I got a double dis-po -i - tion; it, don't mat - ter now, just look be - hind you. some-times I'm mean,some-times I'm vi = cous. anYou had your ing, you knew the score; Tm Doc - tor kyl and Mis - ter Hyde; you got her drunk, and that means so if you want to stay a= Bor fie to treat_me rough; you've got to give. your ex - pla-na-tion’snot enough. and then per-haps.t'll let you live 4s 20me gonna ti for you, gon-na_ die for you. ¢ é Ain't. no fish gon-na sigh foryou, foryou, gon-na_ lie for you, gon-na die____ for you. foryou, ——gon-nafor you, Gh Db fu (Whisper:) (Hush,) Now ba - by, stop your cry-in’. (Oh, yes.) 1 know that T've been lyin’ Four times ab Db ie 1.0, (Hush) Now ba ~ by, stop your cryin’ ‘Repeat and fade ET > Repeat and fade 24TWO OF U: Worn & MUSIC RIEK DAVIES AND ROGER HODGSON Moderately Guitar —+ 4 Phin 71A {Capo 1s fret apo ——» Fa Gmt/7Bb Look at_me— I'm a speck of and T'mbuild - ing dreams in a Ev - ‘ry time— that I'm feel - in’ well, they pick me up. and they Pala BA ie cm7/Bb Eb/Bb + en's land. Tell_me, why do I care, tell me, why me round. Tell me, where do we 0, tell me, where © copymiict 1979 RoNDOR MuSie LoNDOR) LTD & DeLIcATE Music 1D. "ALLIIGHTS RESOIWED WTESOATIONAL COPYRIGHT SECURED. 25What are we gonna find out, what are we gon - na When is man gon - na find of when are we gon - na that this Jone = Ti - ness find out what the ul = oni - verse is) just wait - ing to —i— meet 9, Final? 34 SF obmayz Just as long as there's two. just as long as there's —— —3I— zi] Peer D9, Ergust it) we. oe + D Fae Won't you hold. —— =p 267 AMIE Ti D.S.$ al Coda Dm? Fomaj? Bomt/¥ 3— chmaye just_as long as there’s two. well car = ty 27_WoRDs & MUSIC: RISK DAVES AND ROGER HODGSON. Bm Moderately fast acy (adap) the wa > ter, well, don't you think you on, you bet- ter get a you com: in’ ‘ross you bet- ter get a move ‘be wait- ing a while? you bet - ter walk straight.Are you act = ing 1 sid, Ta = dy, is noth-ing gon-na won't youtake me as you hold. you find. me? where to on what your heart has told_you; ‘oh,take me if you want_me; Bm ie from fij-ing a way2___ Ah ha, Oh, I'm need-ing your love. so bad, fly- ing a - I'm need-ing your though the road _— oS—— is out stretch- ing be - fore. ther you g0,— T said ain't noth. in’ gon- na get and you know just__who you Know that there’ssome-thin’be - tweens, and you likegi ; Ea tell that you're not gon- na turn well, I can tell that you're not gon- na tum back, and don’t you32D Deust tak- in” the long way,she's tum you're tak- in’ the long way, she’s ay takin’ the long way,she's tum-in’_a- bout; you're tum in? a + bout. Bm— bm bm bm tak = in? the long wayshe’s turn-in’ a= bout, You're tak: in’ the long way, she’s tum: in’ a - bout; you're tak- in’ the long. way.— 33EVEN IN THE QUIETEST MOMENTS Moderately gi bes) Dba a Hi rh Towih f knew. ‘The Quiet et Mo and the @ = evans deep.= ven In ven though. the stars vipgipeem ipa what 1 had 1 just go 1f—? Abas) and oe though— the sn is ning, And then 1 ate the = ie 2, gone sy you'be- come. the — ? gD bam nu{D bus) n(G tos) you showed 35poiFtios) etoes) aniG bas) Re was oul ter brings casas) (0 bas) g let -ting me find. ys ste boy: ture's own — shadow of doubt— that’s not wonder of fel - ing I'm na (Gb) mu + sic that you gave. stil) the tears Keep falla” Es Jan - guage of my soul, —___ Lord, 1 wan-na be with-you, won't you rain - ing from the sky. Well, there’s2 lot of_ me got to go ted Jet me come in—— from the der be-fore— 1 get eats 9) FEED be —— you let the —— you let the 37(asa9) & ios) you let the — sun you let the sun ing won't you ing, mo, you . Sa (ada 9) ote) fig tae) agom et can't be leay~ ing my Say— that you won't be leav = ing_-myi mom Fe is s =e Se + f= = =} ¥ a life. Say won't you please, say. won’'tyou please. Lord won't you please, Say won't you please, say won't you life? Lord won't you asa fa i en come and getin - Si won't you please, come and get in won't you please, i geo fy And ¢ ven when the song. isgio i, where have goes dream? And — though your door. where do 1 giDmiso ane bos may please SyBABAJI ‘WoRds & MUSIC: ROK DAVIES ARD ROGER HODGSON Medea Tom aaa ; asic tas) that you were list « cw 265) ico) wateh-ing for ways to help— s2iCtas in tune, © SoPYRIGIT 1577 MMO MUSIC CORP & DELICATE MUSIC, USA ‘GHTS FOR THE UK ANO Eine CONTROLLED BY RONDOR MUSIC CONDON) LTD. ‘ALL HONS RESERVED. "SOPYRIGHT SECURED. apnts) ci sae = Lord of my dreams,_________al-though con - fu-sion Keeps try ing to de-ceive,— of that makes me be cp re ban) 42ce iC bas) oh, won't you come to it's not ‘too good. for have you a song for help me to face — float inthe sea world of its guard ~ : oh, Bring it ‘oh, won't you to be a to tell the ‘oh, how you 0 we cansec sing it out, help us to find’ it be fore we lose com fort me by showing mets aif Frent sto. sing it out Oh, must you al ~ ways re = main a tran At night —__ wher the stars arencar and there's no - Your light in the dark is real and I know At night when the stars____are near and T long fone to keep—— you from com + ing here that you know it is now = Teed for de - a+ sion to dis ap - pear,st a is To Coda one to ahd — me before your eye — the re-flee = tion that's in your eyes, — the re-flee - tion that'sin your eyes, it time — is it time it mine, is it mine, 45pris DAS. alt Coda Focal Improvization ae Repeat and fade a7GIVE ALITTLE BIT Moderately Slow . 1.3. Give A Lit- te Bit, Give A Lit-tle Bit__of your love_ ¢ fe be es oa Fi Give A Lit te Bit, TGive A Little Bit__ of my love to you. TilGive A Little Bit of my life for you 1977 ALMo Music con” a DELICATE MUSIC USK 2 commie ‘CHS FOR THE UN AND Ei CONTROLLED BY RONDOR MUSIC (LONDON) LTD "ALL HGHTS RESERVED. WTERRATIONAL COPYRIGNT SECURED. iaTotomn & ‘There's so much that we need Uo share, — send asmile and show_ ‘Now's the time — that we need to share, — %0 7 ts yu care 2. PNGive A Lit - Ue Bit, A Little Bit_ of my_ life for you.Fh So, Give A Little Bit, © to me See the man—_with the lone a anh bes) php 4 i ey if Lv oe sont be pee take his hand, (This Section Optional) HE Give A Litde Bit-4-3yourself, we're on our way ack homie go-in’ home. Oh, yeah, _ we got -tasing, 51FOOLS OVERTURE "WORDS & MUSK RICK DAVIES AND ROGER HODGEONE es D.C. al Coda 5 times and fade out. Bode ce cgaisrnen =. sob 4 tempo, Moderately (4 lunes)Half Tempo (JJ ) Strong Beat etabiew 9, - se oy ga tert) am feats u 12 BBR BE feeae? a pea bas) great_the fall_ean be, — stripped him of — his pride. — ev - ‘ry-bod -y'ssleep - ing the boats put out to sea Ey ~ ‘ry-one was laugh - ing up un-til the day_— he died.nbs) eg (A bass) borne___ on the wings of time itseemed_ the an ‘Oh, tho’ the wound went deep —still_— he's call ice ae in swers were soea - sy to find. the prophets ing cusout_ of our sleep we're not a heis - land's sinking let's take to. the sky he waits. in si - lene: to lead us all home. - pertinent So you tell me that you find it hardgrow, well, | know, TE know. fknow And you tell me that you've man-y seeds fo sow well know, : «utd 9) se ey eee eas ie 2 Pfft Se — == = a ee 87exiF bas) a tempo, Moderately Can you hear So you found what Pm your so - lu tion,—— that Pim play ing? Ho Wyman, rock «ee man, con - ti = bu = tion? Live it up, rip it up, come on queen ie, je + ker man, spi - der ma why 50 oso pi it dish blue eyed ‘mean ie, let's go era ry, yeah!BREAKFAST IN AMERICA ca look at my__ giel- friend kip-pers for break-fast,ee 2 i ae ey see the girls in Cal-i-for-nia, I'm hop-ingit’s goingto come true, but there's not a lot_. I can do, T'm_a loser, whata jok-er. I'm play-ing my jokes.up-on you while there's noth-ing bet - ter to do. —— Y 7 ee BE - ba-da-dow,— cba = dow -di-dow— di-dow.— Ba-be-da-dow,____ba-ba-dow-baba- dow di-dow—_di- dow. Nana na, Coda fo » ones DS. % at Coda Fe st (3rd verse) % Bu-bade-dow,._ba-badow-bebs- 62oh ores oh, hey_ oh, —— hey. oh. Nana ba-ba-dow-bacba Hey_ ca iat = dow-di-dow - di dow.— rot hey. oh, —— = oh, hey po se Grd Verse Don’t you look at my gielfriend: she's the only one I got Not much of a girlfriend, Inever seem to get a lot. Take a jumbo ’cross the water, like to see Amer see the girls in California. I'm hoping it’s going to come true, but there's not a lot Ican do. 63THE LOGICAL SONG Moderate Rock 2 sent_me aw: how to 1. When [was ye e life was so be a mir- a -cle, oh, it was beau-ti- ful, mag: i log- i + cal, ‘oh, ___te-spon-si- ble, prac. ti birds in the trees well they'd be sing ing so hap-pi- yy showed me_‘a_workiz where.’ could be_go" de - pena - Bi .© COPYRIGHT 1979 ALMO MUSIC CORP & DELICATE MUSIC, USA, RIGHTS FOR THE OM AND EE CONTTOLLED BY RONDOR MUSIC (LONDON) TO, in "SorvmGit SEUMED. cal, And all, the cal And they oh, jay-ful- fy, oh tint ealoh, play- ful - ly watch-ing me. fob, in-tel - lee - tu -al, eyn- i cal. 2 x when all the ques - tions run too. deep. Db mic bm Fav/ay a 65Amn se please tell =o me what we've learned? — scisigelle ss ee aves i tt = Se plewe tele who Tam it sounds ab - surd_— = s_ ae ee I 1 sai,Fmvay Db Fave Bom Emvas Sed Verse said, Now watch what you say or they'll be calling you a radical, liberal, oh, fanatical, criminal. Oh, won't you sign up your name, we'd like to feel you're acceptable, respectable, oh, presentable. A vegetable! ath Verse INSTRUMENTAL (To 2nd Chorus) 7GOODBYE STRANGER Moderate Rock brad Sa i ear-ly morn-ing —yes-ter- day, Twas upbe- fore. the dawn. — 1 be-lieve. in what you say— is the undis-pu - ted teuth.— Se iat — ——— SS bray Ab joyed my stay but Tmust be mov - in’ on. my own way just to keep me in—_ my youth... .@-comrmiutt 197 ALMO Music CORP a DELICATE MUSIC, USA muro Ea AE Cw oy Mono NC DON TTS RESERVED. TERNATIONAL COPYRIGHT SECURED. 68Abrich oot King with- outa cas = tle, “tke. @ queen without a throne, Iman ship with out an an- chor, ike 2 slave. with- outa _ chain, just the ear-ly_mom-in’ lov-er and I must be movin’ on,— Now thought of those. sweet ladies sends a ASG shiv-er through.my veins. And I will go on shin -ing— —shinvin’—_like-brand new.. MaAbrsiGb re” 4 ta fee: Good - byestran - ger, its been Tried to see your point of Hope you'll find your hope Your dreams will =p the —— see ee ee " Ea] dd og She 1 dd para dive Good - bye Mary, good - bye Jane all come true. — tion, Wsniot for me. Just give me mo~ di id Will we ev. er meet a-gain?_____ Feel no sor - row, tion ‘and set me free.— And thelandand the 0 - ccan, fara - onFai ff Apiiab oe dd no shame, is the life Poe chaser 1 feel a 3 AbTOGE ‘Bom a meet a+ gain? Coda A, da Good - bye Mar tion leavin’, =. so 2 abrejch pa ‘ie 1 4 a i's nol for me.— got to go, — to Coda! 2D > 2 a feel no pain, —___ 2x And sweet de-vo - iq ev-ry day. of 18.5 ot Pode (3rd verse) take 2nd endings Now di 4 a4 weev ser and set me free Will PUsay it once @ good - bve Jane. Just give me mo - tion hit the road, nBom Eb Ab Abteic a ae a : 11 ds Da a dd no shame. is the life Poe got to a+ gain’. Feel no sor - row, ‘And thelandand the — 0 -cean, fara - Oh yes L'm leav- got to 1 Fo? Bm eb ab me ad 4 yo Ne ed + dd to-mor - row, Feel no pain, ——__ Good- byeMar - yy cho-sen every day. ———_ Andnowl'm— —y good-bye 0. Pm sorry 1 must tell you. Na ae Abreigb i z dd Will we ev - er meet a- gain? good - bye Jane. Jane Will we ev- er ‘meet a- gain? 2Abma i> fa Repeat and fade 3rd Verse Now some they do and some they don’t and some you just can’t tell. ‘And some they will and some they won't. With some it’s just as wel You can laugh at my behavior, that'll never bother me. the devil is my saviour, Dut I won't pay no heed. (To cHoRUS) 73TAKE i m oO 2 HE LONG WAY HOME i i 5 i ; i I cu aye a Moderately HC © pyc © ae : 2 i : Fl (Ply 23°) cm pyc HC ¢ So you think you'rea Ro = me- play-ing a part in a pic - ture show, well ake the When lone-ly days tum to lone - youtake a trip tothe cit - y lights, and take the += Se ee long way home, take the long way home. long way home, take the long way home. 7An f diet a ‘And then your wife seems to think you're part___ ofthe furn - i - ture,- But then your wifeseemsto think you'relos - ing your san - i - ty, r ; patFe Cause you're the joke of the Younev-er see whatyouwantto see,— pyc long way home, Jong way home, eur En Chorus Butthere are times that youfeel you're part— t ‘And when you're up on the stage it's so 76 why should you care if you're feeling good, well take the for - ev er play - ing tothe gal-ler-y, 7 *_f © Ee take the long way home. take the long way home. Pen eee ca of the un - be pASo, when the day comestoset - tle down. ‘well, who's to hlame if you'renot _a-round? You took the yc Aye atm long way home, youtookthe long way home. re Vere at Ee Jong way home, youtookthe long way home, you took the 7long way home, 3rd Chorus Well does it feel that your life's become a catastrophe, oh it has to be for you to grow,boy. When you look through the years and see what you could have been, ‘oh what you might have been if you had hhad more time.LORD IS IT MINE, ‘Daddd > Moderately Slow Rallad git (L)1 know that there's a rea + son why 1 when T feel a - fraid_ to face the D iB a need to be. a- lone,— need to find a si ~ lent place that bat - tles of this life, you show me there's. a way to li a 1 can call my own) Is it’ mine, is it hove the cit - y's strife. EPDageo > ——F thing's Garey dark. thers. ath, 7 He you dont hese2 Daado es and there's no Coda Ds Bors Verse, 2nd EEE ending) al Coda @) faabe > if tala Gafeel your sweet ~ ness thru— the day,— the love that shines a - round me could— be Em So give us an We — know what 82ai on a BoA ‘There must be 3rd Verse I never seem to wonder at the ‘cruelty of this land, but it seems a time of sadness isa time to understand. sit mine, oh Lord, is it mine? 83ITS RAINING AGAIN Moderate'y # =120 with a steady beat ry eb wa n 3 2 Ea ar re a ea ie F Inst. solo ad tb ‘Chorus: un a Bh cna fr st oH Ee vain - ing a~ gain. Oh ney, Too_bad,, a am HE love's— at an ond, ‘Oh no, it's rain= ing a- gain. los ing, a friend He a a qh FRR hard to pre ~ tend. heart —_ev- op mend. (2 copymoit 1902 peueArE Music. USA, owinistenen Br Te A Moko music cone, ura on TEU AN ERE STORED yma LONDON TD. IGhrs RESERVED, NTERAATIONAL COPYROGHT SECURED 84eb cmt ri You're old___ ple say, tho signs, and walk ly time_ that heals_ B cnt ft ff 7A fie a and makes. the sun___ come out__ a ~ gain. cm 7 ab eb fl Ee He fe af ae rain - ing a ~gain. love's__ at an end, 2nd time inst. solo ad ib 3ews Bb Eb cmt fd si ‘Too bad, a a Sa peer i ' fe Es ae ge Jos - ing a friend, Da da da da da da da— Whoa. ‘end solo 2nd time = shag a omaityB> ai (Bkgrd.) Ah,AWB Ebmai7/ Bb get Ht Be IS Come on you lit - tle FF9sus F cmt er, EBS oR Ee Ht Bal i fight ~ ers no need to get up tight -er. cmi/E F Fas 5 Ret beck — up. i of 2 87at Eemaj7/D cnt WBS EE Fe Bb eb i rr Bh Repeat ad lib and fade rt 2 pesempre staccato = 3 — Did you get all_ you want? __ 2. (see additional lyrics) i (crosshands) © copymair 1982 DeLesTE Music usa ADMINISTERED BY ALO Mus CORP, RIGHTS FoR THEUK AND ERE CONTROLLED BY RONDOR MUSK: LONDON) TO,mem-o- ies fade Vd love those old days — a to you.not strong. - © icine = L Et Fr 2. Did you Noth- ing new, it’s just the same old thing. — a13. Anegry mu-sic, words of Emt Em = fire; — painted fac - es filled with rage; 4, (See additional lyrics) nf 7 ‘sempre staccato 92a [must be set in my—old ways. 5. Yes,l've been waiting such along time just for some thing to ring — rath - er taste the old — than mess around with some-thing 93And the blind-ness_goes ———— Bea bassq the blind-ness goes inlay the blind -ness goes the blind -ness goes on, — —3—the blind-ness goes —3— Verse 25 Did you say what you mean? Do you mean what you say? About this new scene, Isit really that way? But the blindness goes on, The blindness goes on. You say it’s not so, But what do you know. ve been waiting so long; 'm not feeling so strong Verse 4: If this world is unimpressive, It’s been that way for quite a while. I don’t need no heavy message. Just turn me on and make me smite. 95GESTLEBON.. Moderately J = 72 Gmajt ce Gmajt ARR 66 C/G. ‘Argb5/G € (ad88)/6 ‘ corrmain 1982 DELoaE muse Us us ivan AbWhdsTEneD Br Kimo MUBICC2EP, ‘NaHS FoR THE UK AND EI CorTROLLED BY RONDOR MUBIE LONDON) LTD. Accents RESERVED WTESWATIONAL COPYRDGNT SECURED.Gmaj7 ar ca a 1. 1 mev- er knew what a man was sup- posed__— tobe 21 took a tip from the man from the min - — is - try. 3. (See additional lyrics) Cl, 1 nev -er want-ed the re - spon - si - bil He said, “My son bet - ter work in the fac - Gmaj? or | still re- mem ber what they tried to make of me. Well, there _were days, can tell you quite hon - cst - ly. = = = 3 c/s ‘i They used to won- der why they could- n't get through to. me, "cause 1 saw my- self wind - ing up in the mil - i+ try; so 7all that 1 luck-y__to c/s, all that 1 had____was__ this. luck - y to have—— allthis ning —_ through + ning throughANG. c/s watch - ing the mov - G Aus. watch - ing the mer c/s, G Amt you'reneed- ed : ‘cause there's a) ( | i — their heart is ——-— “Pe ed Dm/F flowers and — small child for - got- ten where = 7 fo ‘And they don’t__ Poe eee e lest le bon; —Crest le sail - ing Crest le bon; 101To Code ff c O) we Em Cmajt To next strain . Crest. le bon; — Instr, solo ad lib on6 D/E Em cmajt Gmajt Am-8/6 c ac ¢ Repeat a ib faa Gnd fade Verse 3: Sometimes | wonder where my life is taking me. Sometimes | wonder what they all expect of me. Well, there are days, I can tell you quite honestly, 1 sec myself ending up in the monastery, *Cause all that | have is this music A-coming to me, And all that | have is this rhythm ‘Actunning through me. 103KNOW, WHO,YOU ARE Moderately, with expression = 66 camys cimys — Chms/B cimys chmlaats al chap Reacts iat CHent-5)/B Ptma{ada1ava Pho Abinddt9/A Flava clmgagovot ch/at chmigagsvok chmct EES i" __ fad camo chmye chmo/s ohne hmessiat che sat FE fe who you are; all you can;there’s a let your world heart ca pre toy = — pe chmy/B chm/ct — ctmoe SS = = pe fe i at — == = china a Sisyat MS pa avag a aI me =a ——— — = I = nee . ia or ke Femiladdis)/A Fin pmifada sya ay Fimi/A Chm(adgo)/ok 105 Ehchm/ck BmvFt te eee ——| Bring {Sing i out tt ¢ , ae When you smile we can a ig) FE Filmaji/ef chasus/FR at a Dex i) be-cause you've so — Chiadasyet ga and there's much— to know. But if you and there's much to do. And ev - chosus/FR Gas =| 2 a ee en — ¥ wait for your mo - ment, well, it z ‘ry- one’s__ wait = ing. Yes, it’s ove Se ee = == aH — —— nev- er_—__ show. up—— to you. 107chmy chm chime svat there's a there's a nay fia PHtagaaya Ffncin chigaas/oh Et i He HER EEE | + oe chm/ck — ctmo/a cmyp Chmo/s cimys fap HG FB hinted ab clmsyan Hien chmgsy/AR wBmrfadaisvA ee fe i i let the tears there’s a friend 108To Coda. Famifadaay/a faa ngage — cHmigagoi/ck chict = i, ie 4 chmo/s cdma Chm cman Hrtaegiyat cm pygat fe lf HEB Ba da da da da da dow i ba da da da da da ey) & TR TH | Cm(adas alt chime sya tmt{aaaisva Fhni/a Flmifaasiaya Fhma chmigagoyct i wnclneags ak y chimiaads ab cBm(-si/aRFPmtjada3ya ry ra + ba da dadow— ba da dow dow PHmi(addi3)/ Fhmv/a ctlmigaa9y/ct fe 110 “ohmic re chmpdasyct ctmct rm fret Codachm/E CHrp{adda/E Cfm/E chmiadg9/E fae Hf iH Na na— na na ulCm9/B Chm/B ChmyB chmy/B # itn} fay RE FE 12 12912884)