Solfeggio Frequencies and DNA

Source: http://wayoftao.com/

We have all had the experience of listening to a piece of music that really stirs our hearts and minds. The
music literally brings tears to our eyes and joy to our hearts. There is a reason for this that goes back
through time to an earlier musical scale now referred to as the “Solfeggio Frequencies“. This is a six note
scale that bears some resemblance to our modern seven note musical scale. When related to music,
‘Solfeggio’ is referred to as the “ability to sight read music and sing the notes accurately (pitch wise)
without the use of a musical instrument’.

The Solfeggio frequencies are reputed to be the original frequencies used by the Gregorian Monks when
they chanted. The chant, based on the six notes, penetrates deep into the conscious and subconscious
mind, drawing forth emotional reactions which we are sometimes unable to completely control. Dr.
Candice Pert, PhD, reinforces this observation stating, “Energy and vibration go all the way to the
molecular level. We have 70 different receptors on the molecules and when vibration and frequency
reaches that far they begin to vibrate”. These original frequencies appear to have been ‘lost’ over the
centuries with the introduction of various new tuning methods.

I use the term ‘lost’ in inverted comma’s because nothing is ever really lost. It is merely converted or
covered over with a layer of obfuscation. In his article on the solfeggio frequencies, David Hulse DD,
states:

Professor Willi Apel, wrote “The orgin of what is now called Solfeggio…arose from a Medieval hymn to
John the Baptist which has this peculiarity that the first six lines of the music commenced respectively
on the first six successive notes of the scale, and thus the first syllable of each line was sung to a note
one degree higher that the first syllable of the line that preceded it. By degrees these syllables became
associated and identified with their respective notes and as each syllable ended in a vowel, they were
found to be peculiarly adapted for vocal use. Hence “Ut” was artificially replaced by “Do.” Guido of
Arezzo was the first to adopt them in the 11th century, and Le Marie, a French musician of the 17th
century added “Si” for the seventh note of the scale, in order to complete the series.”

The solfeggio scale was ‘rediscovered’ by Dr Joseph Barber who claimed to have been guided intuitively
to find a pattern of six repeating codes in the Book of Numbers. He found in Chapter 7, verses 12
through 83, number references that, when deciphered using a numerological technique, could be
reduced to a single digit. This revealed a series of six electromagnetic sound frequencies which he
determined to be the six missing tones of the ancient Solfeggio scale.

The notes in the scale are:

“UT” – which cycles at 396 Hz
“RE” – which cycles at 417 Hz
“MI” – which cycles at 528 Hz
“FA” – which cycles at 639 Hz
“SOL” – which cycles at 741 Hz
“LA” – which cycles at 852 Hz
(liberate/freedom from fear/fear turned to joy-root chakra)
(facilitate change-sacral chakra)
(love/transformation/miracles/DNA repair/creative-solar plexus chakra)
(relationships/connecting/enhances tolerance and love-heart chakra)
(expression/solution/cleans cells of toxins/stable life-throat chakra)
(intuition/spiritual order/see thru hidden agendas-brow chakra)

Additional three numbers (juxtaposition of numbers) and notes:

“SI” 963 Hz (Cellular enlightenment-awakening the non-vibrational divine, perfect state-Oneness-crown

chakra)
174 Hz (gives organs a sense of safety, love, and security/anesthetic, reduces pain)
285 Hz (influence energy fields to restructure damaged organs)