ee OnE - - neni aDAILY PRACTICE DAILY PRACTICE 4 gel qe Ql can «al ie ling a ii © st ie «! « ge «iCHAPTER 2. witscntrtemcinle: Tele wor lca ton ot oercnes SCALES See Sickness 8 tence ty ree Sect mes len or aa Homan Ba edna nin ln po {hee eo el fr a Fee dowd ng TRF as 6 7 ee Re TE PEEP L EPP PE tae fe fa [ole fe [rm lo | [am fe Ce Tose |e [tw [ae [ow [or [me [ra [Sf Jie fm [S ElelEl= TPE ile LIST OF SCALES 121 Bains pat ‘teat br ‘eae meri tHe Sasi ie ee Ahly Snead hie da! : a2 2 p2eeeusers 3 ede io Lada Andee ior (Ome ‘ele Dit Ree Sekine irae! neo ir ‘porn a id Sree hid SeenEXPLANATIONS FOR SCALE PRACTICE ae frermarttaee, ee aoe o z = SUPER Loan LOGRAN LOCRIAN PHRYGIAN MINOR DORIAN _MIXOLYDIAN MAJOR LYDIAN aucun <——AUGMENTED INVERSE J. six roves sreweratcat ASIAN /- muwcasian mivor ravens ce = Be ae SSS 6S SS SSS GO pg cet ee Pt ee Sy DP pe bee ie ya 0 SR es A SSeS A EP ye ee ey EDD Spee ee tree ee SS ae SS aad tees oF ow we SE ba be be be RD Sa ee Be OO ge wp Me eg ae pee Be Se nee # >_ SSS SS Se W w Ws Digi pee teBALINESE / pe.ose BEPOP DOMINANT Cee = xa GP ee ee 6 FS a > SS = SS D ae ea ae APE . ae [ere eas Sseees Sez SSS E c— : Sa ae SS a herrea eee ee re = ro a a ¥ q e « 2 we a “ aBLUES CHROMATIC cE roars jurne te we CMa gs =F we SS See BE eee a Ag ¥ — 2S : : : wa Be 2 petue* * *tee es 8 eae ee elpe eee e ° OF Tine uw Wow ie ie Bop eee th dee SSS Se eeCHROMATIC cz jae ae bee G pee CG Daa pie fie ee >. = = aS p® jidde ite + a ae AD pgeete ct ELEM abe a eg SSS SS 5 Dele 2 eeEE pees 1 ee te eis ais ote tiieiais 2 subvapnded beetle oe oe Be sb HD cys ate date the ARH tees certs © Katee teee etre CD oy dual ont Be Reais, wee ies De Dp nee te ae ase ae Ds Farid eel tiie ee ois a) w 7 7 ae BOOS Duet ee 8 aS BFS pap ieee Pe peo By Wag ae De Te aiaDIMINISHED BLUES 9 DROMOS HOUSEINI (SSS CF Seed SSS SSS SS ES SS SSS D qa SSS 5 SS SS AD Tee (SSS SS SS [Sees Be PEE ee) oF jabs Bebe bE oes od Wei Bp Bee eee o See oF ait Hee OE ees es Fi BP wie pe > ae Sa > Sep SS esa 8 SRS oes ’ aaa, by ime PTH He ey A did ie iw’ ipwe dyad: ) a SS § 2EIGHT TONE SPANISH J spavtsw pvavern ENIGMATIC c pee i eg S pee tt tage tee hae oo we 6S Se 6 SS > Se SS aa D be BE PR a TS a ae A aan ER eee eee B Be PS p= ape ee ee vee weg wee ve Dap te tere SS SS Be Oe ee BR iy ee Cert re Sy Pee » potent be ow te oie vee Mee Ss SaaS SSSHALF-HHOLE STEP { conrunr orwruisteo / ocraroure HARMONIC MAJOR | eraroptan =e SS SSF OV ge ET tw eae a a D? ee D + SS = ae Ss eae aa esas E op eh TT PH eee BRR eres oun See eee ae a oF Fee wae FawHARMONIC MINOR 2ND MODE OF HARMONIC MINOR J voceran narusae 6 CFP Pa 3 $ (aaa abe ee 6 SS Se SS SSS _ SSS SSS pep pedir tay ee ee ee SS SS DS Sa > SSS Be poe a ig Be _—S = 7 we 2 i SSS 6 aS a wee abe fee = oa De Dope ne ed Dye be a ea SS Be3RD MODE OF HARMONIC MINOR / ron1aN ausnenteD 4TH MODE OF HARMONIC MINOR J ase ox (mann vase Co ? ? 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SSS SSS BF Va eee‘STH MODE OF HARMONIC MINOR / ryan omar 7 sus ower 6TH NODE OF HARMONIC MINOR / acoutan wannowsc ce ee * FSS aa SS 6 pg pe —_— = px ; as 2a 2a SSS SSS = EDS eee Be SSS SSS Be pene RE Re WM i lye SSS SSS SS Died sd be te be te te ee ae ad a, ae poe Re hee ae om ST > aS > SSS Ns iad dtp te i 9 SSeS Be wwe OH Dy SSS SS Be Pea ; woe ee vee be ws ae PR7TH HOOE OF HARMONIC MINOR / wrauscoun J sixscnn aomisuo KOKIN-JOSHI 1 nexarontc 1w-sew 2 CPi ee ENS 5 tuo = ee a ee ee DOS pb ey vas aie SS AD Gs ote tT ee eg AR SSS SaaS SS SSS Exp = = o Weer ir rd eS SSS SaLEADING WHOLE TONE LYDIAN MINOR CF gd iy $ $ ce pe ty 6 FP eee Te eee 6 ea DD pee et ee ye + + ve yin eee yy i SS NO EF oe de eee Te ee gS aS aS ae eee eS Be a Oe ey oF - oF é ee eS aaa SS SS RF pee th teed @Mg ee tT the ee Go ete te ae ae ae HS - - e we . = SSS SSS SSS = 7 w 7 Mae SSS SSS SS BF ee as = Pauw we ly a nee wee oe Pepe ee eeMAJOR J Isr move oF mayor / toKraN 2ND MODE OF MAJOR / vortan ce SS 7 7 2S SS San 7 + 6 SSS GC Pad ptt eS Da = = »D SS Se ==] a a ee SSS Be iz pelted yg aBRO MODE OF MAJOR / punvaten ATH MODE OF MAJOR / crotan (2 SS aS © SSS = a FF 6 SS Sp eae 62S SS 0S aa Ds AP pe et te eg ee ESS 5 Ow aa Be ——SSS=> va ae 8 pee ge peRe wae OF pw ee OF pp i we as e ie oe a ee ee BO aaa OFS eS 6 3S SSS ae eS a ca Ca - we D> 2 5 eS DSSS = settee +S SS SaaS 5 SS SSS ae B® SSS & 2 a ZF a] eae a] )= SSS PSS SSSSTH MODE OF MAJOR I wisourotaw 6TH MODE OF MAJOR J acocisw J maruea. minoR c posh ee ce gp bw Mee Spe a oa # ar] CO ee es SS SSS DH ppd dtp ei iay SS SSS A SS BM dep pg Bp ag S53 htaee Peer ae pitts are ee wee Be > 0 Ta ae Sa ° wa be be be be Be Ae Bee ae i ea a a BIg es eee rh pee Leg oS 0 nS Saas. we we 0 2S Saar ve OE a z baa SSS Se‘7TH MODE OF MAJOR 1 toceiaw MAJOR AUGMENTED 1 avowenreo cz awe z SSS Cae wt oe we 6 FNS 63 SSS SSS Dep ieee ee >. SSS SS 2 AD a Em 2S Se har ee) oe jp a wd Sy we oeMAJOR LOCRIAN MAJOR PENTATONIC CR Ag => => =] SSS o¥ea tft = a Do pee ET ee a, OEE era A3 eS SS SS SS SS SSS ee te ia Oe ee ee GS oF se ca we Be ee o ¥, vee et OT oe oF ee Pee gl aw 2 ae woe > D DR ESS be ew Pea Ae Sp tt eS BH se op ee =). SSeS eee we & aS pee ee ad cl eesIST MODE OF JAZZ MINOR i ‘MELODIC HIHOR 2ND MODE OF JAZZ MINOR 1 E14 narararnrvA —_—— Pe Sr SS wad 0d 6S SSS GS eae im > pe poueP Pe ST TSS SS SSS Be rane & a ees wa wow ee ww Fe ee SSS SSS “Veer nde of Mrs mere “ ea eatameri San ®3RD MODE OF JAZZ MINOR / Lyotan avcnentED ATH MODE OF JAZZ MINOR ? ovenrone scour J rovae somamar J acoustic = = = = a cae Hag 5 Gp eee ee 6S i rr 3S a a a = = SSS SS @ FeO OF a ay 7. aa ae we # - D> 2 Pie Pe D> HS Sr a Bs Weg epSTH MODE OF JAZZ MINOR / mason-winor 1 wivow 6TH MODE OF JAZZ MINOR J noe socre mur ommisce cH pin bwwe Ty + CF a 6 SSS 6 SS DS ea DSSS SSS + + + AOE pe NFL ae we ER pa terre ee SSS a Sa ae = Be SS Be S55 vee hee ve ee OF ese he Mee sky OF pale eee Sys we we a we{TH MODE OF JAZZ MINOR J aoe J see ce | oomnee me me MINOR PENTATONIC 2% =e: Ss Ss 6 = SSS SaaS SS = DO Dp ate er ee ey ve oe — ASS Aa ————= SSS EDP, fe ee te dg gg Py Be Bebe ee eee a 7 ee + ¥ ¥ SE OF poe ba te BREE Oe oe de od OR ee wie ae BS iW spre rp ew ey SS SSS SS Co Dh the te ip tte he a SS SeMINOR ROMANI NEAPOLITAN MAJOR CF eS ee I ‘SSS SS SS SSS 6 Se DU pew eh tee SS a 12S SS aa ee ee a SS Sa Be sete tee gy Be Sa Sa ae » OF eee ne ox wb MEM Wags J BA siete the pee iy Dp ag tee ee ea ae wee eh eweNINE TONE PETRUSHKA >: =e Caine ee » is Pi ag GO pee PE eee Sea GOS Se Eo oe > Sew 5 AD} lige reee (teeee ee Ly EDS idee eee eee ee ef \ Sav PSeeSEpnuaS oS errs ; : ba ee bo Oe ES eee ia ie 7 igiglelalp eee aestaiy : RI Le wore GO Wie eee PT Pe om OF Te eee ee 7 — 1 SSS CON iP E EP Bw dis D Ieee by ae — we We MBE eee ee ew a dee SSS SS be ee = BH eee hee SG B SSS : BS == == = Ob de bee ee ewe eT ee £5 ==PROKOFIEV PROMETHEUS (scatastn) CP pp ee eS ce = ey = 6 FSS GFP, ee rrr pre — 1S See > i era a RS aaPROMETHEUS NEAPOLITAN SHOSTAKOVICH cz ped ew ey 2 wee ce duiwe et 9 * tee o oF sep rr pre ey G6 Ue Te a DO Np ag eee Re tees > SS SSS + ASS eS EP ee Pee . 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The rou i nr maton at) ‘emcee ener uaaran ment, tn nd a ned etter * pe hee Ze 3 Peele ie ahi ta eit ott alla Reprinted oer by lg 3,484 tl 0 ach our mana as aMINOR 2ND 1 niwoR 97H st Sa we ee pe oe soy Sys oe S22 eee eed SSeS seesMAJOR 2ND 1 mason 97HMINOR 3RD J mivoR 10THMAJOR 3RD / masoR 107" Peek st iey case seit es Pag oie o heleis eps ¢ be ast ee eee ae oF Tepid Ua ais hs eee IAST Te seaweed ae50S eet ta ope ieAUGMENTED 4TH J auenewreo 11TH 0G ee eee oe eR ee 9 a eeePERFECT STH / perrect 12THMINOR 6TH / minor 1374MAJOR 6TH J nase 1314MINOR 7TH J minow 14THMAJOR 7TH / mason 14TH == === ove eee tate trl aie tet tte ule eddPERFECT OCTAVE / peerecr 157%FLOW INTERVALS 1 Weg eAg Waa Ra aS aS aa 7 a OTe TEE eras teed Wy Dab pee Spey 3 @ Ses shade = Mee Ls he a: oreo AeBee cede RSS ee ap Boe ap Mess thapelde the thet PSS;FLOW INTERVALS 2 7S li Nib! pp dea aw aed Desi ets > SSS dea Besa sin aie eae Sa Pe avs eee eee | yy pearerererrer=e Te eS ptr tets ae goth Atte te tteCHORDS / ARPEGGIOS oe Mee And we eae ee ae [PRACTICE FOR EYARPLE OME ROW A ORY, OME COLI A AT ORIN OHAGOALSE aimee sew fe, som _ atte Sears iczi ae oe Se ele oe el tel Leal) geet a et Gaeta Gi :Fingering Chart for Non- Compensated 4 Valves B> Tuba Fingering Chart for Compensated 4 Valves Bb TubaFingering Chart for 5 Valves © Tuba (short) Fingering Chart for S Valves C Tabo (long) a 5 rw a ay sa fa ra al 8 | al ay tad sa 4 "4 a2 oy v4 "4 ny ny m1Fingering Chart for Non-Compensated 4 Valves Eb Tuba Fingering Chart for Compensated 4 Valves E> Tuba nas Bs eu eB en a | Rs P| Rs “a3 3 at] r2 Ts se = 55 5 5Fingering Chart for 5 Valves Tuba Fingering Chart for 5 Valves F'Tuba (long) a9 82 a6 sana a Bua ine Bat eo A PR I ne we ng ne a ay suf a wa as fa ES sa a a sa a a a a ny ny n nl ete bese EPATTERNS: sastc ELeMewTs 10 apety coun mir cour macrce a ° _ Ss ” ” sete mc SS SS SS SSS mmm ee So sounD.cotons sms anes sane dik dew 1 Pen fl nba ae 1 Sire m0 2 amie aine 1 ea it ge ee ng ‘So era ae FOR EXTRA MATERIAL:ge ae pho 20RD stp Dom Deter 3Upkteh(Cld)—AUp A supa Date e te inet t geet pine tt Eat Etete aap soe step elon hb Shen = pai ge a aaa a peETUDES 7 STUDIES Ahmar eee CaP Elsi Gt ma) mnt Mon stat occa asthe eter eke) STARTER PACK FOR TUBA RECORDINGS: eo SUN onc FOR ONLINE conn, wirnceneie COMrENT Sreoxema LAPUA SHERIDAN... 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