. Lucia EL AMOR BRUJO. L'AMOUR SORCIER. LOVE THE MAGICIAN. Schue Grrame px VANDALoustE Barter en un Acre pe G. Martivaz Srerra, Musique de MANUEL DE FALLA. ————— PERSONNAGES. |. Candelas ... Jeune femme grane, Jeune file gitane, Le Revenant Danseur (vieux costume de gitane, la figure noircie, aspect & la fois ccomique et horrible). - Carmelo x. Jeune homme gitane, amoureux de Candelas. Quelques femmes gitanes, vieilles et jeunes, CHARACTERS. |. Candelas ... Young gipsy woman. Lucia oo ‘Young gipsy girl The Spectre... Dancer (in an old gipsy costume, with blackened face and an appearance that is at once comic and hideous). |. Carmelo... Young gipsy lover of Candelas, ‘Some old and young gipsy women.SYNOPSIS. Candelas, a young, very beautiful and passionate woman, has loved a wicked, jealous, and dissolute, but fascinating and cajoling gipsy. Although having led a very unhappy life with him, she has loved him intensely and mourned his loss, unable ever to forget him. Her memory of him is something like a hypnotic dream, a morbid, gruesome, and maddening spell. She is terrified by the thought that the dead may not be entirely gone, that he may return, that he continues to love her in his fierce, shadowy, faithless and caressing way. She lets herself become a prey to her thoughts of the past, as if under the influence of a spectre; yet she is young, strong, and vivacious. Spring returns and, with it, love, in the shape of Carmelo, Carmelo, a handsome youth, enamoured and gallant, makes love to her. Candelas, not unwilling to be won, almost unconsciously returns his love, but the obsession of her past weighs againt her present inclination. ‘When Carmelo approaches her and endeavours to make her share in his passion, the Spectre returns and terrifies Candelas, whom he separates from her lover. They cannot exchange the kiss of perfect love. Carmelo being gone, Candelas languishes and droops; she feels as if bewitched, and her past loves seems to flutter heavily round her like malevolent and foreboding bats. But this | evil spell has to be broken, and Carmelo believes to have found a remedy. He has once been the comrade of the gipsy whose spectre haunts Candelas. He knows that the dead lover was the typical faithless and jealous Andalusian gallant. Since he appears to retain, even after death, his taste for beautiful women, he must be taken by his weak ‘side and thus diverted from his posthumous jealousy, in order that Carmelo may exchange with Candelas the perfect kiss against which the sorcery of love cannot prevail. Carmelo persuades Lucia, a young and enchantingly pretty gipsy girl, the friend of Candelas, to simulate acceptance of he spectre’s addresses. Lucia, out of love for Candelas and from feminine curiosity, agrees. The idea of a flirtation with a ghost seems to her attractive and novel. And then, the dead man was so mirthful in life! Lucia takes up the sentinel's post. Carmelo returns to make love to Candelas, and the Spectre intervenes... . but he finds the charming little gipsy, and neither can nor will resist the temptation, not being experienced in withstanding the allurements of a pretty face. He makes love to Lucia, coaxing and imploring her, and the coquettish young gipsy almost brings him to despair. In the meantime, Camelo succeeds in convincing Candelas of his love, and life triumphs over death and over the past. The lovers at last exchange the kiss that defeats the evil influence of the Spectre, who perishes, definitely conquered by love.EL AMOR BRUJO L’AMOUR SORCIER LOVE THE MAGICIAN (Scene Gitane de l'Andalousie) (Andalusian Gipsy-Tale) Ballet en 1 Acte de G. MARTINEZ SIERRA. Musique de MANUEL de FALLA INTRODUCTION. — <= i ‘Tos doitarésersés ‘©Copyright for all Countries 1921 JsW.c.o718 AI Rights reserved. J & W Chester/Edition Wilhelm Hansen London Lid For France and her Colonies: Copyright U.S. A. renewed 13. 1. 1949 Max Eschig et Cie, ParisSr f SS fe CHEZ LES GITANES. (LaVeillée Tranquil e mistriéso onde f ‘RIDEAU wy, babe PP sempre simile JawoansTe C (pmarc) 5 ree molté dim. dolce espr| an ae (4) Cette mesure servant deliaison entre cele qui ta priced et ta Chanson, doit JeWcena ‘tre supprinde an cas oiscellect ne serait pas exéeviée dansles auditions aux concurs.CHANSON DU CHAGRIN D’AMOUR Allegro d= 190 PP eS on dolor) qué sien - to, ni sé qué me mon & - me un sourd je neca ‘con temor) Can-de-la que Feu, ma com-pa- rit. d=) = affret. ‘coniva) Masardeel in - fier-no que tol-ta mi a-bra-sa de Fe crainsmcinsta flam me que la ja-low si 6. qui me bri-te ad) os Jr Wc. 2886© da) tempo O— ——— loon angustiay yi Cuan-doel Lan © sue-naquéquesré de - cir? =A - yt rea-mi-e murmu-re tou - jours, “Ah!; 1 ——— (chn amargura) Por que- Et Vin- - rer 4 o-traseorvi-a de mil > grat mou-bli-e pour dawtresa - mours. (con desvarioy Cuandoel + bra- sa. Cuandoelri-o sue - na. Ce feu qui on moi Cesourd je ne sais quoi 7 Wc.3856Pit mosso. icon locuras x Slel a-gua no metal fue - go Amfel pe-nar me con - de na! Larmes ¢-tei-gnesen moi__ ARI je sens mourir mon coeur! Pit mosso. —— A rit. molto a tempo (con forsay _ ‘A mfelque-rermeenve -ne- nal A mf{ me matan las pe - nast Mar-ty -ri-s¢ de dou- leur Dun a-mourtrai tre et men-teur. F_fit. molto ae, en Oe ee ee ‘Ges trois mesures toroant de Matson Sf. pour ta suite, doivent exientermine = =—— p> ee csoite Chanson tora sepprine. Tempo. Tranguilio ¢ misteriosoy LeW.c.on3(LE REVENANT) Mosso.0at, J-126) , ng Fa: DANSE DE LA FRAYEUR. ritmico.am. ¢ = 126) JawsLewc.orsJewe.ons12 £ 5 3 = oresc. - fff mare, swc.orsEa a u LE CERCLE MAGIQUE. (Récit du Pécheur.) Andante molto trunquillo.as 4 = 4 mal Sopra, PP Jew.c.o718WS MINUIT. (Les Sorti uages) Lento e lontano. (x. ¢ = 7) 1 nf mf PP) LsW.c.071816 DANSE RITUELLE DU FEU. (pour chasser es mauvais esprits) All? ma non troppo. at. d= 126) tr a S=| pp tree tree free fp fp fp fp fp nf | pP =| — | pP—<|"f — | P —= pf —— | P —= wf —— |Presa SF ¢ molto marcato ae & : Isw.cons7 --hlLmT molto dim. a 7 “|f sewoms F ROP ? voll‘morendo “wet tenpo § | BDF | HE? FY] Fa, : i Lawe.ons20 foe pee ree free tr ee nf —— | pp—| nf ——| pp. ty af —| PP—| af —| p ——| of ——| p —= | y=—| p — on ~™~ 5 CANDELAS. Ah! Ah! Ah! Ah! amc.a78= 4a Quelques voix f z= Atl eee — bieed dte> tN Jsw.c.oniat gewoon F volPoco a pocaaffrettanda_ A Pid mosso, ma giusto. ‘molto marc, = ———— ff semprea -SCENE_ Poco moderato. ax d 6 PF = ee = mp espr. ) P* eS —_ P oo —=—=——_—. ey 2 Jawe.sns Wy25 CHANSON DU FEU FOLLET. Vivo. (4. 60.) c pp =e 2fa. 5% Fa a Ba 5 Ba Be mis,- mp queer fue; -go fd-tuo, lo. mis -_ - mi-to es er— -mour est flam-meet ca - pri-ce, Va - mour est un feu (sempre simile) Fy "ge Baisimiley Lo mis-mo queer fue - fa-tuo, lo. mis_ - _mi-to es er— Limour est Wam-meet Ga — privce’ Ua mour est “un fou = JaWc.ona Ga. a, Fa, Ra (sempre simile) :Le. #ekre aesaw : ae —— ifr: Fea. similey Le W.c.9718ya los o - jos — ne-gros que__le al - can-za- rop__ Miegoue qui” tow - Tcsont Soir Sa!” flamane” Sel z & Facsimile | ! fa. -ya los o - jos ne-gros que—_leal - can-za-ron a yer! —_ WxSeur qui ‘ou - Tuent dour ‘sa’ ” flamcme ool = Ro yorf— Sa, Fausempre simile.) 5 w.c.oneiMal - co - ra-zon _—— queen su llama Ma} = pau Weeur in te — Owe dans $a flanme Si |, qui-soar- - dé. iLo mis - mo queer fue__ go fd-tuo se___des - @ bri - = lel Lemour est flan-mect ca - price qui fait Lt 7 > va-ne-ce my - com-me un feu molto dim. La W.0.9718PANTOMIME. bd Allegro as. d= 132) Sf. aloe GS. IeW.c.on3Andantino tranguillo at, =160 a +/ ia ——_" pape ape paral Tan er a Jgwoc.onsa Jew. oraEr —— Molto tranquillo.cté.= 50) aL wd. Py Ly83 DANSE DU JEU D'AMOUR. Allegretto mosso. (1. d..60) dolce esp84 Oy hnekolN una gi- tana qe- rt Bit na rt Gena - Een sempre simile > = = l qué - ye ella fe, da -ba— ty no fe lo, me- -re- Mais s Ta :mow kw E pou sored me ule mé-ri - ‘tas dolce marc. 15 W.0.03b ha-pf C 7 ven PedQulen Yo babi | que gon o- tra la ven ‘des Pro - mes -S¢S meén-Son - | , Fa sempre 2 : pp* Se W.C.9n18dolce express, Ie WeenPoco meno mosso che 2 Soy la voz de tu des- - Soy er fue-goen que tea- fe suis Vair que tu sow - 5 Te wots qui parte: bn - ton a ° PY bisbiglandoy — pr sf rt rr of WY pln SOP BE : OB: iE if t 7 Tempo. s poco rit. 6 ee a “fa. gas! Ldnerolston'l me som _~_h Winer ol bn Wine gon’ Bey 7 S| {cotta voce IsWo.onsPoco pit mosso che }= poco affret. a fa Le W.c.e718FINAL. 89 LES CLOCHES DU MATIN. Allegretto tranquillo. as. J20) Yaes - th ges - pua = tan - dgel ot ja Bar - te” “de Pell. sempre cam - pa - les ~ clo = ches Le W.c.erta-ve la glo - ria venir mon oa - marcatissimo A A A rit. molto - Printed by Caligraving Limited Thetford Norfolk Kngland Jp W.C. 9718