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When sets are transposed (Tn) or inverted and transposed (TnI), their pc content may
Completely change. Transposing set [3,5,6,9] up by 5 semitones (T5) yields set
[8,10,11,2]. This new set shares none of its pcs with [3,5,6,9];; it is wholly variant from
[3,5,6,9]. Likewise T1I of [3,5,6,9] yields set [4,7,8,10], also completely variant from the
original set.
Partly change. T3 of [3,5,6,9] yields set [6,8,9,0], preserving pcs 6 and 9. T10I of
[3,5,6,9] yields set [1,4,5,7], this time preserving just pc 5. Both of these new sets are
partly invariant from the original set (though they vary completely from each other).
Remain completely the same. Both T0 (of course) and T6 of set [2,3,8,9] yield
[2,3,8,9] again. And both T5I and T11I of [2,3,8,9] return those same four pcs. Set
[2,3,8,9] happens to remain wholly invariant under these four operations.
Composers often appear to make use of variance and invariance properties among sets of
the same class. For instance, partial pc invariance among sets can be a marker that certain
pcs (the invariant ones) are being stressed or made salient or that these pcs are acting as
links among different sets. Conversely, a composer can avoid unwanted stress on pcs by
making sure that pc content changes among different sets.
(You've long ago experienced the concrete effects of controlled pc invariance. Sets of class
7-35 (013568T)--the diatonic scale class--preserve 6 of their 7 pcs under T5 and T7, that is,
when transposed by a perfect 4th or perfect 5th. That's why in tonal music the subdominant
and dominant keys are so closely related to the tonic key.)
Symmetry
Complete invariance among sets is a marker of a set class's inherent symmetry: the more
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aspects of symmetry a set's intervallic arrangement possesses, the more times it will display
complete invariance when transposed or inverted. We can illustrate this fact by looking at
some sets on the 12-pc clockface. In Example 9-1 are displayed (in red) sets representing
classes 3-9 (027) and two tetrachords, 4-9 (0167) and 4-28 (0369).
Example 9-1.
a. Notice the interval pattern of trichord [0,2,7] as we travel fully around the clockface. If
we begin and end at pc 7, we can arrange this pattern symmetrically: 5 - 2 - 5. Now,
this pattern does not allow set [0,2,7] to be transposed (rotated about the clock) and still
comprise pcs 0, 2, and 7. So it's only invariant under the static case of transposition T0.
The red line, however, reveals that this set does has an axis of inversional symmetry;;
notice that the line splits the clockface into two mirror images. The set can be inverted
("flipped") about this axis and retain the same pcs. Sure enough, T2I of [0,2,7] is [0,2,7].
Since any set in class 3-9 will be invariant with an inverted version of itself, there are
only twelve, instead of twenty-four, distinct sets in this class.
b. Sets of class 4-9 show more symmetry. First of all, its repeated interval pattern around
the clockface, 1 - 5 - 1 - 5, means that it can be transposed invariantly. We can see that
if set [0,1,6,7] is rotated half-way around the clockface (that is, operation T6), it will
remain invariant. Furthermore, its two axes of inversional symmetry indicate that at two
inverted levels, (T1I and T7I), the set will again be [0,1,6,7]. With four invariant versions
of this pretty symmetrical set, there are but six, rather than twenty-four, distinct sets in
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c. Tetrachord 4-28 (familiar as the diminished-seventh chord) is more symmetrical still. It
has an extremely regular interval pattern around the clockface: 3 - 3 - 3 - 3. Four
different rotations of [0,3,6,9]--T0, T3, T6, and T9--will return the same pcs. And the four
inversional-axis lines tell us that four inverted forms--T0I, T3I, T6I, and T9I--are also
invariant. So we have eight invariant versions and only three distinct sets in class 4-28,
a fact that you probably already knew about the diminished-seventh chord.
Remember that the fourth column in our table of pc set classes cites information about the
number of Tn levels (always at least T0) and TnI levels at which sets in each class remain
invariant. Any number above "1, 0" in this column indicates some degree of intervallic
symmetry.
It is clear that, as they grappled with composing outside of the systematic underpinnings of
tonality, many early 20th-century composers gravitated towards symmetrical properties (and
not just in pitch structure) to give coherence to their compositions. Hence the popularity with
these composers of such highly symmetrical set classes as the whole-tone scale, class 6-35
(02468T), and the octatonic scale, class 8-28 (0134679T).
Determining invariance
You may need at times to find out just how many pcs in a set will remain invariant under
different levels of transposition or inversion. Here are some math shortcuts to help you.
These shortcuts are based on the intervallic relations within and among sets. To save space,
we'll just learn the shortcuts;; later you can try figuring out their rationale (it's a great cure for
insomnia).
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Notice that this set contains just one interval of ic 1. If, then, you transpose [3.5.6.9] by
either T1 or T11, just one pc should remain invariant. Well, T1 of [3,5,6,9] is [4,6,7,10].
T11 of [3,5,6,9] is [2,4,5,8].
The ic vector contains no entries for ic 5. T5 of [3,5,6,9] is the wholly variant [8,10,11,2].
T7 of [3,5,6,9] is [10,0,1,4].
The ic vector entury again contains just one entry for ic 6. T6 of [3,5,6,9] is [9,11,0,3] as
pcs 3 and 9 map onto each other.
So we can use the ic vector for any set to determine how it will behave when transposed.
(matrix TnI)
(matrix Tn)
3 5 6 9
3 5 6 9
3 6 8 9 0 9 0 2 3 6
5 8 10 11 2 7 10 0 1 4
6 9 11 0 3
6 9 11 0 3
3 6 8 9 0
9 0 2 3 6
writing out the set along the top and along the left side.
adding all the pairs of numbers (in mod 12) to fill in the matrix.
The number of times any number n appears inside the matrix is the number of pcs that
remain invariant under TnI. Moreover, following each matrix number back to the sides tell us
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which numbers map onto each other in the TnI operation.
In our matrix, for example, number 10 appears just once in the matrix, as the sum of 5+5.
T10I of [3,5,6,9] is set [1,4,5,7], retaining just pc 5. However, number 11 appears twice in the
matrix, as the sum of 5+6 and of 6+5. T11I of [3,5,6,9] is [2,5,6,8], mapping pcs 5 and 6 onto
each other.
3 5 6 9 3 5 6 9
3 6 8 9 0 3 6 8 9 0
5 8 10 11 2 5 8 10 11 2
6 9 11 0 3 6 9 11 0 3
9 0 2 3 6 9 0 2 3 6
Even constructing matrixes is a bit tedious, of course, so you can let the computer do it for
you. Jay Tomlin's set calculator, listed on the Other Sources page of this guide, will construct
invariance matrixes for inversion as well as for transposition.