Objectives of encyclopedic or centralizing museums, Understand how the encyclopedic which are part of a vision of collectionism in collections were constituted and observe the past, it is important to think about new the main criticisms of this model, examining models and ways of preserving history and the recent discussions and propositions on memory, the possibility to review processes the return and/or forwarding of cultural and reflect on alternatives for the mobility heritage to its related contexts. of musealised cultural heritage.
Materials and Methods Conclusions
Seeking to deepen the understanding Regarding the sale of holdings, museums regarding repatriation, restitution, must have a collection policy where actions decentralization and cooperation for the are provided for repatriation, donation, mobility of cultural heritage of cultural transfer, exchange, sale and transfer of assets were used Costa (2020), Poulot property, prioritizing, preferably regional (2013), Saliba and Fabris (2017) and Veiga museums. As regards the origin of (2013) that guided the discussion on the collections, museums should promote the possibilities and challenges of these sharing of knowledge, documentation and practices. holdings with the communities from which they come. Results References The first museums of encyclopedic COSTA, Karine Lima da. Repatriation and character were being established in the Restitution of cultural goods: possible capitals, concentrating the collections, paths. Relacult, v. 6, n. 4, 2020. under a logic of centralizing accumulation. POULOT, Dominique. Museums and From the 1970s, however, there was a Museology. Belo Horizonte: Authentic, criticism and the exhaustion of this 2013. encyclopedic model, being the institutions SALIBA, Aziz; FABRIS, Alice Lopes. The that adopted it identified by specialists as return of cultural goods. International Law, "tombs" or "temples", where the v. 14, n. 2, 2017. accumulation of intellectual wealth and the VEIGA, A. C. R. (2013). Management of sacralization of objects prevails, that often museum and exhibition projects. Belo lost their meaning and legitimacy. Although Horizonte: C/Arte, 2013.