1959SLP

1987X

2245 ‘JTM45’

1962 ‘Bluesbreaker’

Marshall Amplification plc

Denbigh Road, Bletchley, Milton Keynes, MK1 1DQ, England
Tel : [01908] 375411 Fax : [01908] 376118
www.marshallamps.com

BOOK-00066-00 / 1 / 02

Whilst the information contained herein is correct at the time of publication,

BOOK-00066-00 / 2 / 02 due to our policy of constant improvement and development, Marshall
Amplification plc reserve the right to alter specifications without prior notice.
Owners Manual

ENGLISH
From the Chairman
I would like to personally thank you for selecting one
of my vintage re-issue amplifiers.
The Marshall reputation has been built upon many
things, but our longevity comes mainly as a result of
the continual relevance of the concepts behind the
design and build of our amplifiers. Added to this are
solid workmanship, reliability, stylish looks, and above
all – great tone. The continual fascination and love that
many guitarists show for our vintage amplification is a
testament to just how relevant and important these
models still are today.
The amp you have just acquired was originally
launched in the 1960s. A time when the face and
sound of popular music was rapidly changing and
players were constantly pushing back the musical
boundaries. Each of these amps was there at the
beginning of this music revolution and all played their
part. From Pete Townshend, Eric Clapton and Jimi
Hendrix, to Jeff Beck and Paul Kossoff, the list of great
‘tone’ players who pioneered the use of the natural
distortion from these amps, reads like a who’s who of
guitar players.
Our re-issues of these models are as faithful as
possible to the originals in terms of looks and tone.
Hand-crafted in the UK these superb units feature
finger-jointed cabinets of birch plywood, hand-welded
chassis’s, hand-wired potentiometers and valve bases
and the highest quality PCBs and componentry.
I would like to wish you every success with your new
amplifier and welcome you to the family of great
players who use the classic Marshall tone.
1 2
! WARNING! - Important safety instructions
WARNING: THIS APPARATUS MUST BE EARTHED!
A PLEASE read this instruction manual carefully before switching on.
B ALWAYS use the supplied mains lead, if a replacement is required please contact your authorised
Marshall Dealer.
C NEVER attempt to bypass the fuses or fit ones of the incorrect value.
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D DO NOT attempt to remove the amplifier chassis, there are no user serviceable parts.
E Refer all servicing to qualified service personnel including replacement of fuses and valves. Servicing is
required when the apparatus has been damaged in any way, such as when the power supply cord or plug is
damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to
rain or moisture, does not operate normally or has been dropped.
F NEVER use an amplifier in damp or wet conditions. No objects filled with liquids should be placed on the
apparatus.
G ALWAYS unplug this apparatus during lightning storms or if unused for long periods of time.
H PROTECT the power cord from being walked on or pinched particularly at plugs, convenience receptacles and
at the point where they exit from the apparatus.
I DO NOT switch the amplifier on without a loudspeaker connected.
J ENSURE that any extension cabinets used are of the correct impedance.
➲ Note: This equipment has been tested and found to comply with the requirements of the EMC directive
(Environments E1, E2 and E3 EN 55103-1/2) and the Low Voltage directive in the E.U.
➲ EUROPE ONLY - Note: The Peak Inrush current for the 1987X is 26 amps.
The Peak Inrush current for the 1959SLP is 38 amps.
The Peak Inrush current for the 1962 (Bluesbreaker) is 26 amps.
The Peak Inrush current for the 2245 (JTM45) is 26 amps.
➲ CAUTION: Any changes or modifications not expressly approved by the party responsible for compliance may
void the users authority to operate the equipment.
➲ Note: It is recommended that all audio cables, with the exception of the speaker lead, used to connect to the
1987X, 1959SLP, 1962 (Bluesbreaker) and the 2245 (JTM45) are of a high quality screened type. These should
not exceed 10 metres in length.
Always use a non-screened Marshall approved speaker lead when connecting an extension cabinet to these units.
➲ WARNING: Do not obstruct ventilation grilles and always ensure free movement of air around the amplifier!
USA ONLY - DO NOT defeat the purpose of the polarised or grounding type plug. A polarised plug has two
blades with one wider than the other. A grounding type plug has two blades and a third grounding prong.
The wide blade or the third prong are provided for your safety. When the provided plug does not fit into your
outlet, consult an electrician for replacement of the obsolete outlet.
FOLLOW ALL INSTRUCTIONS AND HEED ALL WARNINGS
KEEP THESE INSTRUCTIONS !
 Introduction
The Marshall re-issue range consists of the 100 Watt 1959SLP head, the 50 Watt 1987X head,
the 2245 ‘JTM45’ head and 1962 ‘Bluesbreaker’ combo. All are faithful reproductions of the
originals, which shaped the sound of the electric guitar as we know it.
The main characteristic that these amps share is their simplicity of operation and superb natural
valve tone. Achieving the beautifully organic and vibrant overdrive which is their trademark, can
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only be done in one way – crank’em up! The result is pure, majestic tone uncluttered by
unnecessary circuitry. With solos this produces a big, round, warm sustain, full of classic
character. With chord work you get a bark and percussive attack with a natural sounding break up,
which allows each note to ring out in a glorious musical crunch.

FX Loop
Due to high demand, a sonically transparent effects loop has been added to the 1959SLP and
1987X models. This circuitry has been designed to not colour the guitar sound, so that your tone
remains pure. The bypass switch gives you the option of completely removing this circuitry if
desired. The effects loop level selector ensures compatibility with rack processors or floor pedals
(stomp boxes).

3 4
 1959SLP & 1987X 1959SLP Rear Panel
!
WARNING!: RISK OF HAZARDOUS ENERGY
AVIS!: ENERGIE ELECTRIQUE DANGEREUSE!
SELECTOR SELECTOR MAINS INPUT MAINS FUSE H.T. FUSE
EFFECTS T3.15A 230V T1A
+4dBV BYPASS
LOOP T6.3A 110V
10 12 -10dBV ACTIVE SPEAKERS

1959SLP & 1987X Front Panel

LEVEL BYPASS
CONNECT SPEAKERS BEFORE USE
MAINS STANDBY PRESENCE BASS MIDDLE TREBLE HIGH TREBLE NORMAL RETURN SEND
OUTPUT: 100 WATTS RMS 110V ~ 60Hz
4 6 4 6 4 6 4 6 4 6 4 6 1 2 AND. OUTPUT MAINS 375 Watts
atts
MK 2 8 2 8 2 8 2 8 2 8 2 8 INPUTS
II
0 10 0 10 0 10 0 10 0 10 0 10 1 2 1 2 3 4 5 6 7 8 9 10 11
ON ON LOUDNESS 1 LOUDNESS 2

1987X Rear Panel

MODEL: 1987X WARNING!: RISK OF HAZARDOUS ENERGY
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SELECTOR SELECTOR MAINS INPUT MAINS FUSE H.T. FUSE
1 2 3 4 5 6 7 8 9 11 13 EFFECTS
! AVIS!: ENERGIE ELECTRIQUE DANGEREUSE! T2A 230V T500mA
+4dBV BYPASS
LOOP T4A 110V
-10dBV ACTIVE SPEAKERS

1. Power Switch 7. Treble Control LEVEL BYPASS

CONNECT SPEAKERS BEFORE USE
RETURN SEND
On / Off Switch for mains power to the amplifier. Controls the high frequencies of the guitar tone, OUTPUT: 50 WATTS RMS
OUTPUT MAINS
110V ~ 60Hz
175 Watts
atts
MADE IN ENGLAND BY MARSHALL AMPLIFICATION PLC,
BLETCHLEY, MILTON KEYNES, ENGLAND.
making your guitar sound brighter when increased.
Please ensure the amplifier is switched off and
unplugged from the mains electricity supply before (Note: The tone network is highly interactive and 1 2 3 4 5 6 7 8 9 10 11
being moved. altering one control can change the shape of the
sound in relation to the other tone controls. 1. Level If running into two 16 Ohm cabs, the amp should be
2. Standby Switch Experimentation is the best way to achieve your set to 8 Ohms. If running into two 8 Ohm cabs, the
The Standby Switch is used in conjunction with the Provides two different loop levels to suit the type of
desired sounds.) amp should be set to 4 Ohms.
Power Switch (item 1) to ‘warm up’ the amplifier effects connected to the series effects loop. The
before use and to prolong the life of the output valves. 8. High Treble Loudness 1 higher level (+4dBV) suits rack processors and the Failure to comply with these points will result in
Controls the overall output level of Channel 1. lower level (-10dBV) suits floor pedals. damage to the amplifier.
When powering up the amplifier always engage the
Note: This channel is voiced for a higher treble 2. Bypass Your amp should be completely powered down
Power Switch (item 1) first. This allows the
response than Channel 2. before the selector is turned.
application of the voltage required to heat the valves This switch completely bypasses the circuitry
to their correct operating temperature. After about 2 9. Normal Loudness 2 involved in the effects loop to maintain absolute tonal
minutes, when the valves are up to the correct integrity. 8. Mains Selector
Controls the overall output level of Channel 2. Matches the amplifier mains transformer voltage to
temperature, the Standby Switch can be engaged. Note: Channel 2 is voiced for normal response.
Upon doing this the H.T. (High Tension) which is the 3/4. Effects Loop the incoming mains voltage. Ensure that the rotary
high voltage required by the output valves to pass 10. Input Jack To increase the flexibility of your amplifier further Mains Selector is set to the correct mains voltage
signal (and hence produce sound) is applied. Connects the guitar to Channel 1. you may choose to add external effects. The Effects applicable to the country where used. If you do not
Loop allows direct connection of either floor pedals or know the mains input voltage contact your authorised
To prolong valve life, the Standby Switch alone Note: Though the first input of the first channel is rack processors, with the level control (item 1) Marshall dealer.
should be used to turn the amplifier on and off during the input that most guitarists use, don’t be afraid to providing the correct operating level.
breaks in a performance. Also, upon full power down, experiment. Some guitar players prefer to mix the two Your amp should be completely powered down
always disengage the Standby Switch prior to the channels together by connecting a short, screened Usually effects involving distortion or Wah Wah before the selector is turned. Adjustment from
main Power Switch (item 1). patch lead between the second input of Channel 1 and would not go through the loop, but between the guitar 230/220V to 110V or vice versa will require the mains
the first input of Channel 2. If you then plug your and amp input. Time or modulation based effects fuse to be changed to the corresponding value as
3. Indicator guitar into the first input of such as Chorus, Delay and Reverb are best suited to detailed on the rear panel.
The Indicator will be lit when your amplifier is on Channel 1 (item 10), you can mix 1 the loop.
and will not be lit when the amplifier is switched off. 2 9. Mains Input
the different tonal characters of INPUTS The signal is sent out from the amplifier to the input Your amp is provided with a detachable mains
4. Presence Control each channel for greater 1 2
of your effects processor/pedal from socket 4 (Effects (power) lead which is connected here. The specific
flexibility. (See diagram). Send) then from the output of the processor/pedal is mains input voltage rating that your amplifier has
Adds higher frequencies to the guitar tone, creating
crispness and bite. Turning this up will make the returned into the amp via socket 3 (Effects Return). been built for is shown on the back panel. Before
11. Input Jack
sound more cutting and ‘present’. connecting for the first time, please ensure that your
Connects the guitar to the lower sensitivity input on 5/6. Loudspeaker Outputs amplifier is compatible with your electricity supply. If
5. Bass Control Channel 1. These are for connection to an external load, i.e. you have any doubt, please get advice from a
Controls the amount of low frequencies or bottom speaker cabinet(s). (See item 7). qualified person. Your Marshall dealer will help in this
12. Input Jack
end in your tone. Connects the guitar to Channel 2. Please refer to Important Safety Instructions, page 2. respect.
6. Middle Control 13. Input Jack 7. Output Selector 10. Mains Fuse
Dictates the middle register of the amplifier. Connects the guitar to the lower sensitivity input on Matches the amplifier’s output to the load The correct value of mains fuse is specified on the
Turning this up will make your guitar sound fatter. Channel 2. impedance. rear panel of the amplifier. Please refer to Important
Conversely reducing the amount of middle in your Safety Instructions, page 2.
tone will result in a sharper and thinner guitar sound With all-valve amplifiers it is imperative that the amp
for a more ‘scooped’ tone. is connected to a load whilst in operation and that the 11. H.T. Fuse
impedance selected on the amplifier matches the total The correct value of H.T. fuse is specified on the
impedance of the speaker cabinet(s) being used. For rear panel of the amplifier. Please refer to Important
example, if the amp is running into a single 16 Ohm Safety Instructions, page 2.
cab, the amp should accordingly be set to 16 Ohms.

5 6
 1962 (Bluesbreaker)
12 14
1962 Front Panel 1962 Rear Panel
WARNING!: RISK OF HAZARDOUS ENERGY
! AVIS!: ENERGIE ELECTRIQUE DANGEREUSE! OUTPUT H.T. FUSE MAINS INPUT MAINS FUSE
MAINS STANDBY SPEED INTENSITY PRESENCE BASS MIDDLE TREBLE VOLUME I VOLUME II
SPEAKERS
4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 1 2
JTM 2 8 2 8 2 8 2 8 2 8 2 8 2 8 2 8 INPUTS
0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 1 2
ON ON
MANUFACTURED BY FOOTPEDAL CONNECT SPEAKERS BEFORE USE
MARSHALL AMPLIFICATION PLC OUTPUT: 30 WATTS RMS
117V ~ 60Hz T1.6A 230V
BLETCHLEY, MILTON KEYNES, ENGLAND. SELECTOR T500 mA 175 Watts T3.15A 117V
ENGLISH

1 2 3 4
1. Power Switch
On / Off Switch for mains power to the amplifier.
Please ensure the amplifier is switched off and
unplugged from the mains electricity supply before
being moved.
2. Standby Switch
The Standby Switch is used in conjunction with the
Power Switch (item 1) to ‘warm up’ the amplifier
before use and to prolong the life of the output valves.
When powering up the amplifier always engage the
Power Switch (item 1) first. This allows the
application of the voltage required to heat the valves
to their correct operating temperature. After about 2
minutes, when the valves are up to the correct
temperature, the Standby Switch can be engaged.
Upon doing this the H.T. (High Tension) which is the
high voltage required by the output valves to pass
signal (and hence produce sound) is applied.
To prolong valve life, the Standby Switch alone
should be used to turn the amplifier on and off during
breaks in a performance. Also, upon full power down,
always disengage the Standby Switch prior to the
main Power Switch (item 1).
3. Indicator
The Indicator will be lit when your amplifier is on
and will not be lit when the amplifier is switched off.
4. Speed Control
Controls the speed of oscillation when using the
tremelo effect.
5. Intensity Control
Controls the intensity of oscillation (i.e. the effect
depth) when using the tremelo effect.
Note: The tremelo effect will only work when playing
through Channel 2 of the Bluesbreaker combo.
6. Presence Control
Adds higher frequencies to the guitar tone, creating
crispness and bite. Turning this up will make the
sound more cutting and ‘present’.
7. Bass Control
Controls the amount of low frequencies or bottom
end in your tone.
5 6
7 8 9 10
8. Middle Control
Dictates the middle register of the amplifier.
Turning this up will make your guitar sound fatter.
Conversely reducing the amount of middle in your
tone will result in a sharper and thinner guitar sound
for a more ‘scooped’ tone.
9. Treble Control
Controls the high frequencies of the guitar tone,
making your guitar sound brighter when increased.
(Note: The tone network is highly interactive and
altering one control can change the shape of the
sound in relation to the other tone controls.
Experimentation is the best way to achieve your
desired sounds.)
10. Volume I
Controls the overall output level of Channel 1.
Note: This channel is voiced for a higher treble
response than Channel 2.
11. Volume II
Controls the overall output level of Channel 2.
Note: Channel 2 is voiced for normal response.
12. Input Jack
Connects the guitar to Channel 1.
Note: Though the first input of the first channel is
the input that most guitarists use, don’t be afraid to
experiment. Some guitar players prefer to mix the
two channels together by connecting a short,
screened patch lead between the second input of
Channel 1 and the first input of Channel 2. If you then
plug your guitar into the first
input of Channel 1 (item 12), you 1
can mix the different tonal INPUTS
characters of each channel for 1 2
greater flexibility. (See diagram).
13. Input Jack
Connects the guitar to the lower sensitivity input on
Channel 1.
14. Input Jack
Connects the guitar to Channel 2.
15. Input Jack
Connects the guitar to the lower sensitivity input on
Channel 2.
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11 13 15 1 2 3 4 5 6 7
1. Footpedal Jack 5. H.T. Fuse
For connection of the supplied footswitch to allow The correct value of H.T. fuse is specified on the
tremelo to be switched on and off. rear panel of the amplifier. Please refer to Important
Safety Instructions, page 2.
Note: The tremelo effect will only work when playing
through Channel 2. 6. Mains Input
2/3. Loudspeaker Outputs Your amp is provided with a detachable mains
(power) lead which is connected here. The specific
These are for connection to either the internal
mains input voltage rating that your amplifier has
speakers and/or an external load, i.e. speaker
been built for is shown on the back panel. Before
extension cabinet(s). (See item 4).
connecting for the first time, please ensure that your
4. Output Selector amplifier is compatible with your electricity supply. If
Matches the amplifier’s output to the load you have any doubt, please get advice from a
impedance. qualified person. Your Marshall dealer will help in this
respect.
With all-valve amplifiers it is imperative that the
amplifier is connected to a load whilst in operation 7. Mains Fuse
and that the impedance selected on the amplifier The correct value of mains fuse is specified on the
matches the total impedance of the internal speakers rear panel of the amplifier. Please refer to Important
and/or extension speaker cabinets. Safety Instructions, page 2.
The two internal speakers are 16 Ohms each. These
are wired in parallel giving an overall impedance of
8 Ohms, therefore the output selector should be set to
8 Ohms.
If an additional 8 Ohm extension speaker cabinet is
used in conjunction with the internal speakers the
output selector should be set to 4 Ohms.
Note: No additional extension speaker cabinet with
an impedance lower than 8 Ohms should be used in
conjunction with the internal speakers.
Failure to comply with these points will result in
damage to the amplifier.
2
Your amp should be completely powered down
before the selector is turned.

7 8
 2245 (JTM45)
10 12
2245 (JTM45) Front Panel 2245 (JTM45) Rear Panel
MODEL: JTM45 WARNING!: RISK OF HAZARDOUS ENERGY
! AVIS!: ENERGIE ELECTRIQUE DANGEREUSE! OUTPUT H.T. FUSE MAINS INPUT MAINS FUSE
MAINS STANDBY PRESENCE BASS MIDDLE TREBLE HIGH TREBLE NORMAL
SPEAKERS
4 6 4 6 4 6 4 6 4 6 4 6 1 2
MK 2 8 2 8 2 8 2 8 2 8 2 8 INPUTS JTM JTM MANUFACTURED BY
MARSHALL AMPLIFICATION PLC
II 45 45 BLETCHLEY, MILTON KEYNES, ENGLAND.

0 10 0 10 0 10 0 10 0 10 0 10 1 2 CONNECT SPEAKERS BEFORE USE

ON ON LOUDNESS 1 LOUDNESS 2
OUTPUT: 30 WATTS RMS 117V ~ 60Hz T1.6A 230V
SELECTOR T500 mA 175 Watts T3.15A 117V
ENGLISH

ENGLISH
1 2 3 4 5 6 7 8 9 11 13 1 2 3 4 5 6

1. Power Switch 7. Treble Control 1/2. Loudspeaker Outputs 4. H.T. Fuse

On / Off Switch for mains power to the amplifier. Controls the high frequencies of the guitar tone, These are for connection to an external load, i.e. The correct value of H.T. fuse is specified on the
making your guitar sound brighter when increased. speaker cabinet(s). (See item 3). rear panel of the amplifier. Please refer to Important
Please ensure the amplifier is switched off and
Safety Instructions, page 2.
unplugged from the mains electricity supply before (Note: The tone network is highly interactive and Please refer to Important Safety Instructions, page 2.
being moved. altering one control can change the shape of the 5. Mains Input
sound in relation to the other tone controls. 3. Output Selector
2. Standby Switch Your amp is provided with a detachable mains
Experimentation is the best way to achieve your Matches the amplifier’s output to the load
(power) lead which is connected here. The specific
The Standby Switch is used in conjunction with the desired sounds.) impedance.
mains input voltage rating that your amplifier has
Power Switch (item 1) to ‘warm up’ the amplifier
8. High Treble Loudness 1 With all-valve amplifiers it is imperative that the amp been built for is shown on the back panel. Before
before use and to prolong the life of the output
is connected to a load whilst in operation and that the connecting for the first time, please ensure that your
valves. Controls the overall output level of Channel 1.
impedance selected on the amp matches the total amplifier is compatible with your electricity supply. If
Note: This channel is voiced for a higher treble
When powering up the amplifier always engage the impedance of the speaker cabinet(s) being used. For you have any doubt, please get advice from a
response than Channel 2.
Power Switch (item 1) first. This allows the example, if the amp is running into a single 16 Ohm qualified person. Your Marshall dealer will help in this
application of the voltage required to heat the valves 9. Normal Loudness 2 cab, the amp should accordingly be set to 16 Ohms. respect.
to their correct operating temperature. After about 2 Controls the overall output level of Channel 2. If running into two 16 Ohm cabs, the amp should be
minutes, when the valves are up to the correct set to 8 Ohms. If running into two 8 Ohm cabs, the 6. Mains Fuse
Note: Channel 2 is voiced for normal response.
temperature, the Standby Switch can be engaged. amp should be set to 4 Ohms. The correct value of mains fuse is specified on the
Upon doing this the H.T. (High Tension) which is the 10. Input Jack rear panel of the amplifier. Please refer to Important
Failure to comply with these points will result in Safety Instructions, page 2.
high voltage required by the output valves to pass Connects the guitar to Channel 1. damage to the amplifier.
signal (and hence produce sound) is applied.
Note: Though the first input of the first channel is Your amp should be completely powered down
To prolong valve life, the Standby Switch alone the input that most guitarists use, don’t be afraid to before the selector is turned.
should be used to turn the amplifier on and off experiment. Some guitar players prefer to mix the
during breaks in a performance. Also, upon full two channels together by connecting a short,
power down always disengage the Standby Switch screened patch lead between the second input of
prior to the main Power Switch (item 1). Channel 1 and the first input of Channel 2. If you
then plug your guitar into the
3. Indicator first input of Channel 1 (item 10), 1 2
The Indicator will be lit when your amplifier is on you can mix the different tonal INPUTS
and will not be lit when the amplifier is switched off. characters of each channel for 1 2
4. Presence Control greater flexibility. (See diagram).
Adds higher frequencies to the guitar tone, creating 11. Input Jack
crispness and bite. Turning this up will make the Connects the guitar to the lower sensitivity input on
sound more cutting and ‘present’. Channel 1.
5. Bass Control 12. Input Jack
Controls the amount of low frequencies or bottom Connects the guitar to Channel 2.
end in your tone.
13. Input Jack
6. Middle Control Connects the guitar to the lower sensitivity input on
Dictates the middle register of the amplifier. Channel 2.
Turning this up will make your guitar sound fatter.
Conversely reducing the amount of middle in your
tone will result in a sharper and thinner guitar sound
for a more ‘scooped’ tone.

9 10