WILL POWER Words and Music by WAYNE KIRKPATRICK and KAREY KIRKPATRICK Hard Funk (= 150) Fin pS SHAKESPEARE: CROWD: Bp iit = = = : — —S = a © Shall 1 com - pare thee? To — 2 sum-mer's day! Yeah! 7 Fim Bo Fen — of 2 = — = ett SSS SS Se a — Thou art more love «ly and more — tem-per-ate, and the rough winds shake the dar- 0 ‘crown: Ss: = : 2 x SS = = Ting buds of May, yeah, and. sum-mer’s lease, Hath all too short a date! Toa um Sata tie aerate rg uc od eee ene ane ference .RB Bs Ds. Dsimn03) Es cs, Ds tho’ oth-ers may ap-pall it, it's quile the new sen-sa tion, dore the ad - 0 - ra - tion, 1 : _ a Vee ee an ‘5 Chm cms od ; = 55 What shal we all 4? 1 am te g + Jado cara = =| of the peo-ple now! = Will He is the — WillTam the Will ‘of the peo-ple now! (ata James Brown) Can you feel it? Fim 2p y gckOWD: SHAKESPEARE: a = & —— Se J i Whoo! Now is the winter of our alo - ri - ous sum-mer by this the win - ter Made of our glo dis - con-tent, Made ri- ous sum-mer by thisFt Fo 9 ao c Ss ay son of York, Lem-me hear you say, “Glo -ri- ous!” Glo-ri-oust Do you mean me Glo - ri-oust Well, I can be.. Glo = ri-oust Well, let's s0e,"G_ = L-O-R-1-0-U- ete == z ==— free oo a 0 Fm Bs bs = = a! f SSeS fis that bill? 1 guess! There's a fever £0 in’ ound. has Na crown: es Will ee a, Dhliminod) gs Es Bs << == = = == = ——= an y= body caught iv Me-thinks you've got it! ———— ay $ eet ; = = We're shak-in’ it for Shakes - peare! aosof the peo-ple now! = S pi = SSS - of the peo-ple now! of the people now.SHAKESPEARE: ‘Here's one for all you lovers ou there. FHS an a Ss a Vell s Largo (d.=72) i o Ds Aitous > Priicaspaaans ties legao & DB Astsus Db through yon - der win - dow breaks? ® = Bsmt BomAvade2) a Eoma Avadi2) Gom6 Db ‘Tempo I (d= 150) a, ma CROWD: oen 103 ey as Fas will Pow-er! Tam the Will with the skill to thrill — you with the quill, 1 hard - wor-King bard you re - gard, yeah! — 1 am the — Willt 1 am the Will! Tam the crown: He is the Will! He is the Will!= ill Tam the swan of the A- name you wan-na see upon that tee wi Will Will Will Beau-ti-ful swan i cn Gt an = aeeaae the cho-sen one that God in heav-en smiled up - on And if you — ‘Thank you, God! The one_ in Stratford, wan-na see per-fee-tion on an-y_giv-en day,tm ct oe ~ =~ | “When there’s a Will. there's a way!” Where there's a Will there's aHARD TO BE THE BARD Words and Music by WAYNE KIRKPATRICK and KAREY KIRKPATRICK Rock Shuffle, Swing 8ths (J = 111) or SHAKESPEARE: == ee = e My Ease 3 * = Se) 2 isa SS —— SSS — days are so bus = y, it's mak-ing me dizzy, there's so much I got-ta do, tig— 8. e =e = = = — = ee se nil Stee =< =—_> so Fe eee = et = oS SS Junch-es and meet-ings.and po - ¢ ~ uy read-ings.and end - tess in -ter-views. Got -ta es oe —_ eS ; d = == i =90 7 pose for a por-trit,and how I de-plore sit-ting there for " where my inn-keep-er friend wants to name a drink af - ter me! = off to the inn, = 3 a = 5 — =e as = =5 —- oo = LS f s : 2 2 — rs = == SS SS Sa —S back to my room whee I re sume my at- tmp to wile a hit. ust = = x ant + + me and my beer and the teri ble fear that____ 1 might be tos inga 15), SHAKESPEARE: IN D hard, 7 really _hard.— MANSERVANTS: 7 real -ly hard! ver = y, ver-y hard. — 1 make it look eas - y, but hon-ey be-lieve me it's a = = a fi em J - 2 — a = z : } SS hard, i's hard, Tes so. in ~ cred -i - bly hard. So ————— 5 Wes hard, it's hard, In - cred -i- bly hard.cr By Em 7 bly, un = be - liev-a- bly hard. 7 in - con - ceiv-a 7 7 In ~ con - ceiv-a- bly, un - be - liev-a- bly SHAKESPEARE: Honest, don’ know how Ido it, Timean, there's only so much of me that can go around. 2 e ae. (ast X) —_— = Res =F = = eo ee eee tne pe iw eae eke Fae a : == ee Sg ¥ F veils! 7 7 so rian =y fans with so man-y de-mands,1 can hard-ly go take a piss Be MANSERVANTS:93 + Gim-me, gim ~ me. += + 7 cross that I bear,{'m like Je-sus I swear,it's a bur-den but I suf -fer through R = suf fer -ing!7 7 don’t make me doit, don’t make me go through it, can some-bod-y get_ me a drink? (Drums) a87 em c 4 ' i = | ——~ s 7 So . — sex = yy but it's hard, This bar that I'm rais-ing to be this a ~maz-ing, its peaipatere = oJ oS sex = y, but i hard, = Sate 5 E (ae e = noy-ing - ly hard. 7 ‘An ~ noy-ing - ly hard, Ie ba, ies hard : F = t ' ines a = == ii "eae a 3 eS Es Se Se "an eee tgp ap BB 6 SS SS SS Un - a - void-a- bly, un - en - joy-a- bly hard r Gt Fete te 3 ia SSP Cer wy SSS = Si 2SHAKESPEARE: / know writing made me famous, Bit being famous i just so much more fun G7 (last x) + 7 7 tal - ly chal-leng-ing, and it's a 5 7 2 + ae people just don’t un -der-stand is that writ-ing’s de ~ mand-ing, i's: men > _—— = vee | Cur 7 7 7 7 bore! I's such a chore a room by your-self, oh my god, I just hate cae 7 + > 7 And you're trying to find an o-pen-ing line or a bril-liant i-dea and you're pacing. the > >+ search-ing floor and for 97 + di-vine in - ter - ven - tion, en Ses ens) Am bt 6 2S : S| - — — — — — cone little nugget, that one lit tle spark,then eu - re- ka! You find it. You're read-y 0 start, 0 Z = EH : == s— = =s- 3 Am ic Ect be 5 am - bic pen- tam - ¢ ~ ter ree 7 + 7 + ow you can write, right? Wrong! You're not €- ven close,you re-mem-ber that damn it, your 2 ae z : = tf ee s oe e ¥ 2 3 a = D7 ‘Then you (drums)+ Jbut you HATE the new word, then you o > 7 7 write down a word.but i's NOT the right word, so you TRY a new words 7 es NEED a good word,but you CAN'T find the word. Oh, what is it? Where is it? Where is it? What is it? SHAKESPEARE: Ugh... (Shakespeare shtick) YALER Si. 2 1 EYEPATCH MAN: 1 saw Nick Bovtom SALES Yocostel fen I did. He paid a soothsayer to foresee Mitte Botom ie rth Our sy here wlth What Shakespeare's greatest lay would be icholas Beton i writing. Our py 1s here wth news. peare’s cul SHAKESPEARE: Did he see me losing SHAKESPEARE: Thar neal NALET. 1s half blint in, ie he! Why does rhe et his SHAKESPEARE: Of, good. Then he only saw halfof it own idea Haha, see what I did? Speak, man. What news? o cr a MANSERVANTS (last Ne (P (under dialogue)SHAKESPEARE: Oh yeah, [eis int? Ws really the worst Makes me won - der did n't think of that first 7 Hard to al-le-vi- ate the pres - sure. to cre - ate.100 Reed DT he—e— 6 9 PP a 7 7 ae = 7 hast thing Tid that was alread -y great, to do some-thing as good as the =i 78 fi oe 7 Ws hard! + 5 —# fare hard! So hard that he is steal - ing from the Bard, — a hoist his pe-tard. him by — z a All that I need is a clev-er disguise,101 AIC & Em 6 2 i + 7 : 7 TH make him pay for his de - vi-ous lies Let him do all the te - di-ous stuff, the guise, De - vi-ous lies 5 a work that's ter - i= bly and un - bear-a- bly hard,___ a 0h, See Ant SHAKESPEARE: Nice 17, Nicky Bottom. But I thnk Shakespeare needs to kuow what Shakespeare's biggest hit will be:102 G 7 ws, Io = "Cause it's hard. shard, it’s to - tal - ly hard, o 3 - ‘ aa (6 ae ee — : —s be a me ee £ $ ane SS —_— —S ¥ SS SS = Sess gg Sasi ss ite 3 2 Bi 3 3 3 ee oF = Pt = SS] = == — = BEE z ;SOMETHING'S COMING Music by LEONARD BERNSTEIN Lyrics by STEPHEN SONDHEIM2 iS Bo # & (rhythmically) some thing due — an-y day, 1 will know. right a way, — on = ly jut out of reach, Down the block, ona beach, Bb/D ce Bb/D mI Bb/D. ve FB Fai? FB 5 & B BE frar — == SS SS Se Tt may come cannon ball - ing down thu the sky, Gleam in its eye, come te 1 got. a feeling there's amir - a - cle due, gon = na‘Some-thing's Phone will Bb a = z =| could. — shock. — Bb 2 Some-thing Door willBb Bir abyab Absyeb fn is & &@ & ef & : =e =——— i ea cee tage ieee ae la Peary Some - thing's com - ing, don't know — whenone-handed catch. gg C6{aaa2) maj cs Gmaj7 i peat re Gm7 FAG Gmaj7 CTsus AmyG AmG Gmaj7 Gm DmyG —I—3” Gmaj7 Gm7 Am/G AbIG AnyG Fiat Db Dm/F Fisus Bb(add2) c9Bb ee pli” b ope Bb(adaa) cob Bbjadd2) Ey Ee &cp ab cy Bb p> = a . 8 2 E hold - ing Bb ‘BbTAbjmba cad) cmap Lim 5 = co Gmaj7 Gm? F6/G Gmaj? a i CTsus Any/G AbIG AmyG Gmaj? Gm Day Gmaj7 ce & & Es a ms great IDown the block, - E din Bb/D Jade out ol May = be to ~ night..— _ sempre dim: (ad lib, fade) (ad ti fade)MARIA Music by LEONARD BERNSTEIN Lyrics by STEPHEN SONDHEIM Slowly and freely bo. pagbsa c tony: (Spoken): Mari. Cm CmyBb ee abc Bbm/F che e/a @ e The most beau-ti- ful sound 1 ev - er heard: cm cm AbIC cm 3 = = All the beau ti - ful sounds of the world in a copy © 1957 by Anbenan Hilde A ad Sean Sci i ee a ees | | secre esog ce eae cepa . ee EE| 36 | Bbm/F EbmyGb Bb/G ab | ® te... Ht Se Se ral. i sin- gle word: risa, Ma-ri- a, Ma-i-a,Ma-si- a Ma-ri- a, Ma-ri- a Ma- 3 Pye Moderately (warmly) ei Gmaj7/B al fovea Tve just’ meta —gifl named Ma - i - a,_ And ———l i c G Dm? DmyG Cai? est & & ee @ sud - den - ly that name be the same & oe “r Te just kissed a girl named Ma - ——— a 3——7 Bm a B @ @ B sud =den - ly I've found How wonder = ful @ sound can es loud and. there's mu Play - ing, — tenderly al - most like pray ~ ing. _ . i “apeee ‘Short version * Slowly Dmtb5/G cs, = F # all, ———— ee a — oe a == stop say ° The extended version is used on the accompaniment track. ee || a Teaver | DarisiG ¢ ome | Bay @ Ba —= f o ney -er stop say-ing,"Ma - ri - a”Gm Em q poe, aa | ms Say it soft and it's. al ~ most Tike Toud and there's mu - sic play Ss Boo. pmtbs/G. & ral ely pl ea EON TH ney - er stop say - ing, “Ma eae a ee z Ht aS C6 ieee pred. =I s ‘The most beau ti - ful sound 1 Db6jA> = - Ma - i a | ev er heard: it) een29 ONE SONG GLORY from RENT Words and Music by JONATHAN LARSONfrom the pret y boy —— ooo res eee ree ree ree ve eS a ors vee eeein the i young Em EE be-yond the cheap col - ored et lights,Time— ina song that rings a true, truth like blaz a ~ boutBo Em? be fore the vi = mus takes —3—_ hold, 35vee eee aa aeWHAT YOU OWN a Words and Music by JONATHAN LARSON Medium Rock ee Asus2/G_ a i a ee ee ee Oe ee don’t the oth - er . ison ney A MS nung ene scp by emainthat pint ES cas Ds 7 G E5 Asus? You're living in Fem? E # z a SE — at the end of the mil - len : You're living in A - yee es oe ee e090 1100-09 0-09 88 9 88 +e129 Asus? Fem7 F leave your conscience at Gg Asus2 Fam7 And when you're liv ing in A - mer at the end of the mil ee ee ee bi so Be 4 2 i of ° vee t BS Asus ve > you're what you —s— ve vee ee vAS, : ee film. mak-er can-not and the song - writer can-not AS iw Just tight — en those shoul - ders, just clench your jaw “til you frown, — Just woe see wee vee131 Es Asus2 Fam? = a Fa You're liv-ing in A - mer - c at the end of the mil You're liv -ing in A FemT fa 5 & where it’s like the Twi light Zone. And when you're liv- ing in A ~12 Fin? E : @ & ‘ + EL> at the end of the mil - len Pee ree you're what you wee oe ae oe wee eae ore vee wee >= Fim Fine 8 8 Second: What wis ta Dmai? bout that night? a gh? aeg —_—$__@_——_—___ Leal Fo . trv once the shad = ows gave way to the — shad Both: for Fails Girt Désus 2 Oe135 Dt E Cém7 = i = aS Lead: An - gel, 1 hear you. as hear_it, 1 hear it 1 hear_it my song! One song. cm? Gime i ian” ilo ¥ Mi mi, your eyes po-crit. need to finish my own film, De F Bb Gm fr @ Li ee 1 quit! Both: Dy -ing in A at the end of the mil -136 we're dy-ing in A 9 g Gbmajr to come in - to our own, ___ Bb & But when you're dy - ing in A at the end of the mil -rm not a Absus70 VM ALIVE Lyrics by ‘Music by BRIAN YORKEY TOM KITT Moderately bright rock = 160 (High-hat) G G7susF G G7susF C2 Rhythmic Guitar progression G GTsusF G GrsusF C2 G GTsusF G 1 am what you your worst fear, youl G7susiF Gs Fn F(9) «a Come soos ney oe re oem wa ower a RSC eRFO) 2 FO) F G GrsusF G fam more than mem- GtsusF © G GrsusF G GIsusF Tam what__ might be, Dsus C2 Dsus ca Dsus C2 Dsus co) A ATsus GD ~ ple Im ave 10-2 ‘5006