Reading
3. Writers talk about their writing
1 @ Read and listen to what some famous
contemporary British authors say about
writing and what it means to them, Are
these sentences true () or false (X)?
Correct the false ones.
1 Beryl Bainbridge says her books reflect
her own life, apart from the violent
ends
2. Tan Rankin’s parents were proud
‘when he decided to follow in his aunts
footsteps and become an accountant,
3 Penelope Lively was never encouraged
tobe a writer asa child
4. Michael Morpurgo began his writing
career by writing jokes for his school
friends.
5. Wendy Cope believes that to be a poet
you have to experience life more deeply
than other people.
6 PD. James plans her novels carefully
before she starts writing
7 Michael Holroyd tears up a day's
writing if he thinks it isnt any good.
Which writer is being talked about? How
do you know? Write the names.
1+ gets great
enjoyment from researching famous
lives?
2 ‘___was amazed when
she made the nurse the culprit in the
end?
3 ‘One of.
took a morning to write?
's best just
\_______loves seeing kids’
faces when the books are read aloud?
“has had advice
from many famous authors since then,
but none have been a greater influence?
\__has never regretted
taking the risk and following his dream’
“Anyone who knows
background can see that the books are
‘mainly autobiographical?
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Beryl Bainbridge, 1932-2010,
English novelist, from Liverpool
‘When [write a novel 'm writing about
my own fe: 'm writing a biography
almost always. And to make look
Tike a novel either have a murder ora
death atthe end”
a 1
AINBRIDGE
eee
Which author is being referred to in these sentences? Write the
author’ name and replace the words in tales with a highlighted
word or phrase from their texts.
1 He had a sudden realization that he was studying totally the
‘wrong subjects,
She believes that you don't need a reason or an underlying motive
to write,
3 For years he failed to realize that creative writing is often
generated by real life.
4. She can't recall exactly when she first had the ambition to become
a writer
5. His aunt’ husband seemed to have a very good quality of ie
6 He rereads his work and if the ideas dont fall apart its been a
good day's writing,
7 When new clever ideas occur while she is writing she embraces
them with great gusto,
8 Sometimes what she writes sounds flat and unexciting.lan Rankin, 1960-,
Scottish crime writer
Ic wasn't the thing my parents wanted me to
be good a, but if you're working class and your
parents have never owned thelr own house and
hhever owned ea ad shall hey Unk you wo
tounlversity to get a trade, to gta profession.
So, accountant, lawyer, dents, doctor. There
‘was one relative, an aunt of mine who had grown
up with my mum in Bradford: she was married to
‘an accountant, and he had a nce lash car; they
‘owned their own home, seemed to have avery good
standardof living. sol thought, "Well, become
‘an accountant.” So by the age of sort of 15 or
16, that's what [thought Lwas going todo, and
[was doing economics and accounts. and then
there was thls sort of epiphany Iwas 17, Td just
sat my highers and 'd scraped a Car economics
just passed economies—and I thought, ‘Why the bell am I going,
{ounlversity to doa subject 'm really not that interested in and
‘obviously not that good at? he thing really ke is English ike
hooks.” knew very few professional writers who made a living out
of their writing, so there at university [was thinking, “Oh, 'm going,
tohave to become a teacher, oc hopefully an English lecturer, and
will continue to write asa hobby part-time: in the margins of my Ife
Tile a writer:
Michael Morpurgo, 1943-,
jaward-winning author of
children’s books
‘One of the things that fightened me about
writing when Iwasa small boy is that had
no ideas and no imagination. I was constantly
being told this anyway. and I couldn't
very well. could joke around ike other boys
but on paper I had
‘nothing really serious to add, no adventures
wanted to write down, because | didn't —Ljust
didn’t link the two up. think I learnt at some
Point that the imagination is not something
that you elther have or don't have. For me
and we're all different its triggered by
real people historical events, memories
by reality of some sort. [don't thinkin my
life ve ever written a story which does not
Ihave some little root, some ltl seed of
truth or observation.
P.D. James, 1920-2014,
English writer of detective novels
‘By the time [begin writing, the plot is there
‘and there's a chart which shows in which
Corder the things come so thatthe structure
Isright, But that will change, as new
ideas occur during the writing, which
‘makes the writing very exciting, New
‘eas: sometimes one greets thers with
huge enthusiasm and thinks, “Ob,
‘that’s really clever, yes, this is ho
ithappened and this s logical and
right and that will be how ie wil be.”
Sol never get exactly the book that |
‘thought Iwas going to write”
fires
Ed ensipe vey, 1932-,
‘novelist, and writer of
children's fiction
‘When I was about 11 oF 12 I¢hink I must
hhave said something about how I wanted to be
‘writer; [don't remember having any sucht
aspiration unt muck, much later. But! mast
hhave said something, because Lucy
[ny governess] wrote to Somerset
Maugham and said that she was
‘governess to alittle girl who wanted
tobe a writer and what would Mr
Maugham suggest? Heaven knows
hhow she managed to write to him—T
‘suppose care ofthe publishers. Te
wrote avery nice letter back saying
absolutely the righ thing: “If your
litle girl is interested in writing then
the bes thing she can do istead a
Jot." Perfect answer: exactly what Pa
say myself
Wendy Cope, 1945-,
contemporary English poet
"You've got to have something to say, bat
syoutdon'taliays know whats 1s often s
Just some words in your head that yo tink
«ould be line ofa poem, so you write hem
dlvwn and se where it goes. One ofthe major .
misconceptions about poetry is that the poet
has some kind of agenda and intentions, not
Just that some words come nto thelr head and then
they tart pli with them oad acing where they
0. Because somstines will ty to we¥e.a poem
{dit just comes out ded because there i't
really anything. that's deeply fl or worth saving.
One thing that makes poems work strong
‘emotion, and Iemember hearing James Berry.
think twas, saying that one characteristic of a
sod poets that they fel things intensely and
Hhesald:"OF course poets are not the only people
wn feel things intensely, batt soneof the
qualities” and think that's true”
WENDY CopE
By Michael Holroyd, 1935-,
biographer
“The only happiness one gets fom weiting
is doing ago day's work, of suddenly
discovering something on the page which
‘works. You pick up the
Sask) Pase-soushake t's
Mic there, it doesn'tcame to =
IDL ROYD iad you dia’ know ta the bosiing
\ of the day and now you know it. Now thats
‘eal happiness and unless there some
4 clement ofthat, wel why on earth sone
‘wing? Because otherwise moving a pen
across the pages no all that enjoyable.
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