on ee Mesehassagr e,” cM te apes e tL Rak. 610 ehAuMa x I r SG tase ter nto wink = 1A Caaue Soto “attoos im F 4 wht le _saneag Larkanek NELSON bx iT rita (ts Samovae Hk sAwsth a birt woth p ( p- deh sampvad - panck ““Mayett Corte e6 BZD) GA HoLLywood. piasere nae ae AE EPP i = (We AAbvblavh HWAAPA[ SAMAsSi Mndmtd 29 ye i Ob mie casks tor [beoalh rte D 4 euth pa push fe i Ceti b Hedier tik al 2) caste: Hass renastovinie” Contes) , wa IN Bug nokiabd (oc, sens ces vn crmehtl_naragnn —\ (Md _bh3owd rt blog Wohitid S134 nara sus fLAyee, aay = Tebnas Fok TWh mbooky B fina wer EB \ ia = Uae ze kev. = (pe i ee bs atmedy “sm 1h eka: cab (PE Beiak ut! teammate. ae ee : ! ; i Ge? WA “funk (der) iene iW ib UKban yg bir mo sie” ger bows.[A DAY IN HOLLYNOOD/A NIGHT IN THE UNRATE, Coprsiane @ leh by fratanty Productions: thes ahd Lane Nusie, Ine. fiazolé Arlen. © , 1936, 1966, by Metro-oolawyneayer. Inc. © + 1939, 1967, by Leo Feist, Ine sleepy Tine-Gal", Lyrics by Joseph R. Alden & Raymond 8. tgany music by Ange Lorenzo & Richard A. Whiting. © lsza, 1925, 1952, 1953, by Leo Feist, Ine. ‘Easy To Love", music & lyrics by Cole Porter. © 1936. 1862, by Chappell & co. on the Good ship Lollypop", by Signey Clare & Richard A. ‘whiting. ©1934, by Movietone Music Corp Louise", By Leo Robin & Richard A. Whiting. © 1929, 1954, by Fanous Music Corporation. “neyond the Blue Horizon", by Prankle Harling, Leo Robin ‘Richard A. Whiting. © 1930, 1957, by Panous Masic Corporation. “thanks for the Memory", by Leo Robin & Ralph Rainger. (©1937, 1964, by Paramount Music Corporation ‘two Sleepy People", by Hoagy Carmichael & Frank Loesser. 2° @ 1930, 1965, by Fanous Music Corporation. “pouble Trouble", by Richard A. Whiting, Leo Robin & Ralph Rainger: @ 1935, 1962, by Fanous Music Corporation. “cocktails for Two", by San Coslow & Arthur Johnston. ©1834, 1961, by Fanous Music Corporation. "reo arveloiis for Words", by Johnny Mercer 6 Richard A. | Wniting, @ 1937, 1965, by Warner Bros., Ine. “gapanese Sandman”, by Raynond Dyan & Richard A. Whiting. ©1920-1948, by Warner Bros., the. “uocray'for Hollywood", by Jenny Mercer & Richard A ‘Whiting. ©1937, 1965, by Warner Bros., Inc. “ain't We Got Fun", by Raymond Dyan, Gus Kihn & Richard ‘A. Mnieing. © T921, 1849, by Warner Bros., Inc. aust Go to the Nevies"; “Melson”; “the Best in the Word” | ov all by Jerry, Herman, ©1980, by Jerry Merman. ‘The following songs axe by Prank Lazarus & Dick Vosbursh se ALL Cones Out of the Piano" ‘and “Doin' the Production ‘Code™ ©1979, 1980, by Regent Music Corp. "D Wight in the Ukiaine"; “Sanovar the Lawyer"; “Just Like That"; "Again"; "A Duel! A Duell") "Natasha", isHe, 1900; by Regent Mais Corp. rox sos vio av reouson, aunts asewes. —— B)Vocal NIGHT IN THE UKRAINE KEYBOARDS, cx REFERENC JUST GO TO THE MOVIES FoL-LOW ME — DOWN THE AISLE OF THE GRAU-MANY CHALESE THEATRE A CoL~ i =a 1 4 s LD- SAL ARCHMTEL+TU- RAL SEN- SA-7H —~. sasss leone. 1movies GRRL AS Chat ESE THEATER LFE con GE AS PLUSH AS YouR I-marGi = NA Tiowl , —_==—_ I ee = 4 ‘ an rade. FuhOA TE PmRVE Tuo ON THE AISLE. 5 (ror (Last x) iy nego To RE- La? weea"To ES- cape?FE Vo Li DEE Or 3 igen 0, a 9 20 OF oe ae ue iw tHe tal Why re ‘| | ebr = fe = T a wATGN Ee- Row FLYKN sacr Wig MS Bow. Just ao 70 THE f a AS . z is tt Fem mov eS _ UST GOTO A ae pads : oRme ETT Yae Tiemas. 2-2 ’ noes a4. 30 ie 32 ¢ wien vouR_mo- gave —! NEEDS" Come “RE> PRURS | Youk _md= BALE — , i eb eb = a aad or waTeK gus ays eau TIeS_DE~, send. twa THE Stas — z — I abe r a ¥ » “ r ¥ HUN- DeEDS OF GieLS — Do. Ty Alen tics,» TusT GOT THEvoe.Jkygos. Z-I1 4 p mov- 1S JUST GO Te THE FLICKS, 4 Sani he the sm —_ - ‘OF A QUAR- TER Lie IS you "Yan BE Come Sac ge PRIA Da a mec“vot leven. Z-1L ‘ . mouies ss. sb ‘SuAMPED WH YOUR BILLS — ware "hn vor REvT— t é 7 4 o oor Toy “Geoece aeewT — 2 gb? abe abe “2 len 7 el 2 Tg i gokar STILE, OMEN EWPRY THINGS ipege HAS: TAME — b, ep An Heee 6 —— voo./kyB0s. 1- IL 1. movies ao # 4 usr Go 70 "a ‘Daag and be- SET 60. CALLING on Canty uo Bow. ler 2 ¥ WR: ve Lous mo — Gigs “in Sa~ "Rowe —A. Voe./xyBps. I~ 7 2. movies 2 See Sene-er mane a PRE. or HE: Fue Denres—— ann aa a dn te ceed — Hen Pe ue | = BE, r yn! oF rT , gut Goro a PIC“bella 8 Poi yp a . tuts hg Wid OF z pa che Miho 4 “Bad F7 ‘Dek POUELL t rach es aTa YoeMgen 2D to. monies sot | m-vies Dust 6070 THE Fuces = a € : 7 x Mt bee FF par eae F- 2S, "CARA 1 = OS - LY» you ‘ARE Flv-'a’ Doww Td ‘Ri- ‘10 5 BS: bP: aS: ‘3 z r Wm "ine mans Ques wire msg-eb_ maa's ros Ak beeTS . Yoo [ays LoL. [fento | ial 4 at. mies SO. WHEW Yak LIFE seems a Bir “Lenn. rye Emai? tor fF - 7? Teer Mier some Sith - dows Ar — rene T wanto EVER NS 0E ee is“12 Mones Voe/iygb T= ns, at i Did i Tee Domes TRY AUT-Tie ow Tur oss af fumes Sor 7B Le! zr of 4 | + Fas Aue niu) _| Cin gn |” oo raphy cae rt Te ae ve 7e as fz, = é. - at t ty Leni? Bey 4 Br w oe ae eas Sime - S zt a i = p é a _ yo! : : i :efi) Lor : 288s Gees Fut : 7 ns Bee AAe > > ws Ayeeaves 2410 os Monies Ng WAGER ODES o in 7 Ss wien WdR LIFE - gta Ze L yA, , ws 4 hee Lex Sone SHH — Deals AP— Pete * bu “Tie SEREED T £? ae u Vite vet 152. = Beer WHE — ited EVE HH F Wwe UKE A STAR wa” Bani ee45- \ Movies Voe id L+I i. Davo wh rae Dumes, — RA PUT-TG an) e~ Bx tha mes naib vi-siT A x #; | t cf : Kn) We : : ge Gu To -Tiw? SHARP- KE, mort EAT-E Han —Pies A z \i2 baw-6e AWS Beal -T¥, A Kew Fé do CU— TE, AN Borne? eseVoc/ Kb D+ “te. Moses » z Nau -cieur High 2A mal, Hist StEP-Pin! Mth — mtn, Go 70 THE Mo— vies AMDPrano- Conpucts ‘rm rourenn mana rc sf | yfarreaee, (aves Te],ih Si TAR. HINE LIKE A STAR. a AND, $9, HS 0 @ L M7 gp Swine Lightly ia 3g LITTEE RE- PRISE. THE STAFF OF THE GRAU-maniS CHINESE — IN-wtES Ya TO3- Mones- Tae 2 - aL 2e Ree Vielen) Mare BRoneRs 010° <= = BRoniens mg — ve, Sus Cb ctFiavo-lonpueor [Nig Sip Gaara] ‘REFERENCE }Giuts) Houp Baer FanFaRe 2m P 20- 802-84 —whe mR. Sip ERauriAN > TIAN With f F Cm" —__—— b 3. waft ------ q eo oo {nen THRE)—- rr — PIANO- CONDUCTOR FAMOUS ceer*™ wl meena ‘KEYBOARD 1-1 wi ftegr @ ® @4 Pe. “Be ” Famous Feel 0) i) HOL- LY- Wood BoU- Le “Yap MAK- WW You CER Taw That 2} “ “9 Tees A HALL OF FAME YoU AnhT_—— woett A cewr os Aeme* ene : . dncPe. Famous Feet ( ow wy, a pi Mo- VIE CZAQS__ ANDTHE —STAR-RI- Sf 51425 You CAN NAME. TOWN YOULEIND THAT IN- LESS YouRE BlsHeWer. IN Ce MENT. co pbe cof Db ca | pho co De fo) w HAVE PLACED THe FA- Mods Feet. YoU DON HAVE FA- Maus Feet. iS — Ani [BO ead | Ami [BD Am?re Famous Feet 2. 1 Sees T sta Eno "Sear “hose Foot. PRINS our 42 oH 9 MERE ACoA OU-ZEN Times AM baFamoxs Feet FP. 5: @ @) (f) J #) Au THe FAME THeAVé HAD OX 00s WANT of BAD AND WML .1PEI-ER. YF — 4 & tnt, [SO |S “Gus | AT AR | Ami? Co 7 * A” & Mo Come = MY wWAY?, ru Dawlee MY > Aas) gt Abs DeiPe, “6. Famoxs Feet @ “) ~ 2 w ov- €R ano @ @ 62) fi BRK Seo deme? cosRe. 7 Famous Feet z. DEN THESE FEET THAT I'M TAP - — PIN' RIGHT T | D2 ce D8 ce 28RC. 8 Famous Feet 29.Fe. 2. Famous Foetdet ons . 3Lit Famous Feet Drs ce vhs ce Des co > sont,wor THOSE FA - Movs FEET.Famous Feet quse FA. mous FEET usle T le Ate fr % ‘amous Fee y Aare aeFamous Feet-tb- al Fe % mous FeetFamous Feer mous Feet fee: a AN \, % “18 Famous feerA fe pe. “8 Famous Feet (ed) is?) a) i) | . 4.Re, “B0- Famous Feet Wye) Cy Gs) (onAs . afte Famous Feet im ws) >) WRT) aan OW- bee Famous Feet @ wo ~ 90) 3) PRINTS THANKS fo THAT AC- > > = THAT FROM -BD ft. 23° ry) ba) VeR THEY COME FROM ALL OU- > > ee pbs bbs eos pha [Et pba pee 2 wee ra Famous Feet ee) (oo) eh, aNd Way? %> | Bb omit | 8% a FF tod) (ass (06) 000 —— Geet) (oot) —~ 22> ~ | oatRe. - Famous Feet Mous. FeetPe. -25- Faraous Feet Lae eeePoy wo MORE TooTSIES WOULD BE FINE. _.fyower - hold pack fal) MAKE 'EM MING. ofRe. 2n. Farnous Foat Oma storey (doe bm Ab Ben ap © ay? aa” avRe. 28 Famous Feet o |fe. ‘ a». Famous Feetre . da rene Famous FeerFamous Feet 3B Pee.Be Famous Feet ou). BH) (Ga) ba) = He RAND Ove ER AND cee THAT. BREAK SomE-_ Hoel ace. ] 7Pe. -35- Famous Feet (af) tr ph? C8 Des c [a26) @) Goa Gen) Feet Tat I'M _ TAP Pal? QoK Now, a”)“oy a Famous feet 2 32) @) s) —_——t td WILL fHeY BE Fae MoUs FEET? ap” G20) Go) a For-. €V- €@ WW tone ,ropes - - a ° pgp 6)’ oh) Wp) BaP PLIKE ALL tH056 TEA. MovsPIANO 4 ; Melby leuk aint NELSON - A 7 [i PWO5y to BE powk r ie“ke Neb sons 3 wsLbou z 3, ee = wtenthalm | S4AESCAADS, eetat oa NELSON- EXIT 4A bra Ord moe e oe eee — eae ee aie a een hs ay “4 hi, Ya Ye gee! “Ze hie tr DALorue ovtkt “the beautiful hopefuls of Hollywood |... i mas Wot a bere a] ie ee ae “ae few art chosen")xbyboakes / vocal THE BEST IN THE WORLD Bhet rtf aba FPG phos |Pbor amsom [pony : F En EF arS_A7 + v — Frampol - Stowe 2 Feet, Bei,: 4% a == ne LE ay Ae ae ea? SSDP. ae 5s. katie greg Pe te By Sar HR IT § Pa OR EE ROE: Lay SA Ay Sr POOL theCaged Sm FR Sa AMEE Re WE A iareis Fang ea ae 22s = ¢ wer ‘ = ee 4 M% rae 2 ne %e OF ee +e AERC oa TESLA, Tia 7 a SEs 7h: a z 7S 6 eT 2 [ihe ra G2i Fae b 5 ME ase Me Magy pg Sree meee 3 Sr Annas? tA D ert SE vale mn am Cae Fay Bese Fen teen er aa Pang. ge NEAR. Sugg ental e oR eee FAP ayaa ee vete, Fpnd ae 3 testi a # take aes F86 C5 Cates FU ASLowEe ~é- a (Fronts a OE pang, BONS Ye See ee > : Rah ae Do Page DAS a bh i We Ne ew Ga [Dou 0% G77 G7 a. 2 a = Reus, Mea. LD, ee bn Rene boa wg *s, ted nm >,eee re ara nee warrant ren, AD Tae Best Sr eS atid, Im INC Bhar e ue se Cee): Bray? Bre BP fi itSSS FAQ sya Smap5 007 WE ARLE awe yo nom ee fost Fr homer 4) 5 = +68 “> bm Gm Ce? [DE DRT Gr eared e xee eeeeEEeeeeeeae se QUND.COOUCOR ” 9 cyxey Whitin MEDLEY [7aE Re. B- : iting Mel FRE) re CORES OUT oF THE PANE = INTRO L CIT ALL COME Dor or TRE PiANO = INTRO 7 a) (a2) Ms Tem Ried. AD WHite ING: ar YuR P-Anl- 0 You Com-Pose por % . Dbma? mf “Apna? Boni? = Cmi7 si nt) GB. Ge) @) Sean NY Hit FOR MOVHiE SHouG. On Won't YOU TELL Us ‘apes be ab? o Cmi?Re. 3 Writing Hed. 2 A ~_ 64) a SHLL TYE AMEfH:O- D0~Uo- GY LET'S MALE of MORK RIGAT Hou. Me eb ob?ee [oct “he ng Med. | “IP ALL GOMES OUT OF THe Pind) Carl @ many eee #9 GOT MYFIWAGERS ON THE KEYS _____ wan-De@nig THe WAY THEY PLEASE AGE Pol Ou AbMgja ca ee) a Au Cowes oufOFTHe AA- Noa. NY OLD PL A- NO Arm? coyPe. :os 18) G10), 678. a) : Sifstile AC THE EtGHEY- Gu? Sust-Pal"steess¥0P2- Co Lave — . ape AE ye) Wo ALL cous ut OF THE PA sie Pied iad u an) Gm Crm roieD) Brmit | Bhai?——. Ke Pe. . Whiting Hed. (9) &) AERESA LITTLE MELODY IA FLAT MA. "YG, (sreaicut a) STG. PND. NLT) <5 bs 248 Be THIS COULD BE THE MID-DLE OF tHE SonG : 17M GuAD T PUYED JA! __ < £Pe. +2. Waiting Med. 0), (ss) w) ) mn in Soon ARRERTY GONE LOWS, ALLOWS aUTOF THe PrA= Ho —_—_— wg Put Me At THE WO0D-EN esate TPe i. 8 @ a | he Y OW PI-AN- OW AN- het a. - on) a) a () ALL COMES OUT OF THE PIARe. + Whiting Med. 4 (8) sea (30), Vefghel Ck Meo 1 BB ont Bat = Se 7 (73) O34) Go) Tu Be tees AN THE Pike No. ‘baG-N? Your Pi-A- NO“0- Whiting Med, OTHER KiD5 WERE Me-UW: ! Ber Sia o a » ' Be eres ET?Pe. He Wasting Med. (ni) Gi wed APARGE wines T Wea —__. TBE PUM. IN? HP UP HERE —____ , § - >. loca fed, —_ @), ) ALL cones out oF FRE Pun No' te. “2: Whiting Med. (9 Canis: CLONE)(ox) Ain’ Lil Gorton 2 > CAR. care) ae. a) Auf WE GOT FUN. allWMANEY (gg (io) ee) boo 80. en aR SOD SD ca RN we or Fo 22 Ee 2 Sya i” & Cm? | abe OK ey Nog, t > MANZ:_) (Tam, _. fe) atte a pat p(t tone: "RAMI Soh Gao (commie ee ANT NE Gor I uw ea al bee EPe. : “48 Whiting Med. 5 @rtaKw) (woman 2) 7) Sp Me) 700 MAR-VE-Lous, 100 MAR- Ve- LOUS FoR — wloeos. in) _ a) ¢a) fo) a GL. RI- ous GLA Mo. aus AND THAT OLD SPMD -BY —AM-0- Rous. aTS ProlC onD. 16" WHITING Mme. Tero ~ Au Teo Wloni-Dee- Fon = Tin NEVE Fina © THE Woks FEUARINET (ON STAGED) Ntez SAY E- nouad. Ten E-moush x "Mean Tuerte Just Not Suu Enoved Youre SS eons (Ligne senece: Saaa. Fis) Fras Bbq tlPro! Cond. ae WHITING Meo Ano Just Too Vee Vee-¥— (uigur seatee Jara Fuss) Cm —_ In Wea sretS_. Die. Tew-At- 1Pxo/Cono. +18 Whiting Mex - ackAte: Tn Bot-towing = A Lav Sone Flom Tue Bitos 7 Cmte dls D1 Tet You Twat Yaee Mat: vE~ Los, Wotes (Woman ME: Cnorsrices ow Stas) >Pol Con. 1% Waring Mea. remarapHlitet A ONE A NESE mest ma net F Aa An 3 ie 3 ust AX 1D SE-Cond- HAND HEL Bor Ye Ow Das Flan You - on He Win Tace Ev.24 OF Tae Dax Tune ts Tutoven AnD Wels Gwe Yeu To- — Mok~ dos *h ser Lire A - "new. $6Pol Conn. “Ro. wainné MED. ws oe z — And Youu be A Bir . I THE Dawn Wien Yor WAKE. oth Aus 6 wat rege 7 fro Youis Be A Bir 7 Wit THE New Dy Yao Faas Dm Hits A SRP Anise SAND: Meni TRADE Hin Survie For Go.o—__ Jar An Oto St-conn- HAN Man oo Aas of ve TA Done New DAS Ft. “Zed Tea-Dine Naw Das fot 30 Teton onde Bo. ce &%Pra [Cone soe WHITING MED. gq [Geom Seve Lows PoP, iwenan T mn wr Te Titan Aswan MY ToS Even ty Deon Ano TERN 3 o Wirt Rea Live AEL- 0- PLawes, Cm Mb | Amt§ Dt?frolCone. Waiting me. Joni DIN Ts Gane Te Fey Tu BEA Be Lor Ty, Like Tm be2 pwolCona wen WHI HED. (200) rrertfot J = 120 sso! GREENE SAFIfro! Conn. [akirone Sarl cy Wiring. Meo. Couey On THE Goo SP Leu LI- PoP a (),(Bovere “Trovere” > (2201 Fast ay. On: ige Pro. Only + Pro. z Q lt a ae ar Be rls) | Cmrnus FeoSS EEE 7 Re. 26. Whiting Med. Gr(b9) Cent sus F49 Zz Wy = Cr Elman S TNE GOT TROU-BLE, DOUBLE TROU-BLE, WHAT A ‘BUS“NESS, 00- 00 : cc Be Gr) |cntius Feo Bee Gb)+P Re. “ar Whiting Mec. ~ 24 (Wemmant) 2 an REALLY SHOULDN'T SUFFER, MY HEART 1S BiG E-NouGH FOR Tuo. i (Helo it TALK WITH THEM, T CAN WALK wrt THEM,Re. A Whiting Hod a ta ze 29 I DON'T KNOW WHAT 1” Do. THATS MY TROUBLE, DOU-BLE TRoU- BLE. d Gee. : 2 E Gro) | Grrsus Bhs po Fes Grlbs)lee eee eet Re. 2 "Whiting Med: 353 gt a ROM TRY-IN'TD BE TRUE, TH AS eg 7 GRRE AS A CUXO0 FROM TRIN TD BETRIE JH AS CRAZY AS A CULO F ae 1 2m CRA-LY AS A CIRK-00 FROM TRYIN' TD BE TRUG TO——— Persr Pe. 20. Whiting Hed. Applause segue ae ~ : A z34 Whiting Hod. s a hz Tea r Tee oman TOTf Re. 32 Whiting Hed. Ter) 7 lig Be De | Be ce OF mt CTbc. “ “B wirrnta meniey GBBT “suecrv Tine aay’ ~ = 2 us ome owe WA ae Wolubat BE ACLE FOR YOU flo HE“ ; = NN : a aa 28) 20 WE CABARET UA-TICTHE BRE Of ORY T Ber we DANCED HA-NY A MILEpc. “3A WHEN MEDLEY Tbuet se A} MOVIE OLE MoRE __ “TeYoosT cP RED-ALE STAYING UP ATL Fou | c xe 245 ab mm 2 2" Woitbir (f BE ARERSAIT NOV-EL-TY To-TM-BLE IN EARHLY OnE MORE? a b. * FeehePe. 35. WHITING MEDLEY pe 3 Be] SUEL-ATIMEGAL <3 YOURE TORN ING Nigar nl-Te DAY @ ww » xt SiGe TIME GL, Youle, DANLEO "HE EVEN A-WAY —__ Mo jd Aarter® Leu: mepo: -36- wlHrTWle Meouey SILVERY STAR. FAIS OuT oF SIGHT. +20 es ‘Jost Ge Me ot x % a Dial ter us wis ER Good = NaMT” —y aré cert no. Pets wan?ec. 31. wldrtinl@ MeoLey 3i6 a ~ yo Sue6-Prtine GAL. wiHess ALL YouR — RN-an? 15 Tikoute Gla ep | pig Ay FA 24 Bs Suee-ATime GAL —_ Tht PND A CorTAGe FoR Yo___ You" LevRN TOPC. Wartin Meouey 1 pb m Pn a COOK AND To Sew! wHeTS make, Youn LOVE FT KNOW. , a ‘Dea (eas » 330A \ } WEN) YouRe A STAY AT Homes Play AT Home Elsi 0-Cioex SuE-PY TIME Ie en 3 ; \ oT Tt fepe. WerTinl MeoeyvocaLikevaoaaDT- _~ NIGHT INTHE URRANE rerceence (BLUE _HORIZO 7A "DaRCER L OR BOvy ‘ENTERS, 2 (with Piano &) z{ (oe DANGER 2 (OR GIRL) ENTERS ‘ 2 a Sassqfgo2/10-81 US2. HoRIZON 19 (WANE i A GOT MY FINGERSON THE KEY — WANDERING THE LAY THEY PLEASE — 8 4 2 Al ComeS our OF THE PIA~ NO— 4 buce I HEARD A DeSEE Voc /k¥B0.2-TE 3. HORIZON v an = ag TRAmiiuET wAs Im #AO- vi sh $0, T came uP wit Sas oe 5 Some ~ THING CALLED BE~ YouD [BN staGe Piano ony) — rad... Game® cine LZyoo /v6D.I- 4 HORIZON feels fe) ———$ = (out tavsa tele ON srAgE PiAND = 3B om STAGE Pane kya. 2 ke 1001)» evap, Z 2. ——SSS= = me) oy STAGE, Piano kveo. I us ia a eebe {ht Fe (n006) Fsus 2] Bhat” # # 4 peayeti- FuL Day Bia = pee 4 Bs i Fest Fhust Frost] DY SD Dt D? D7 Le Asm® ose pope aaa gta eanaeteaib as ateVoelkheo ToT ‘o- Hoga M, | ue Oe ett I Gmiless) Gui? Wain = 16lev +7. Hei. ‘els CS Teeter + Siaity Fase - > =z SCL 4 z 2 4s SEE Med HR = ZO BE = youd THE Bivé eR — 2 - 20a) tH _ : 14| | Voc /ygo Le————EEEEEEEE = , Voki Seg 4 ta 8A a“4 : Meno Coe ode Hrtiiod _—_—— —_—_—_ 2% THANKS FoR THE Mémoey [BJ TAGET ; a4“ S “Mucir IN Keane! [gaa : \ Lary 73 lovt Voc [key Eel -2- if Tenpo] l weVoc [key Der -3- Lrsy 7 loveeee (ec [hey De -4¥- Sasy % love 2-37, 37 7 betas ther 5 hey Geese 5 a 6 bre A a(ec. key Ee iF Lewne ]Woe [key Le IE -6- fbr 7a love _2 (en ad j doled dg Y y ¢ by Oe ee ie Le ila Coos.aoe Ensy To love Yoo [key T+ 7 y Pr eg oe 20 tt tir' Voc [Key E+ 7e— _—_— —_—————————— TT Yoo [Key T+ -T- : a eee! Sg eke ee ee ee ee ---n en 5 . : os z 5 EE Bech - ~~ --- | Ebueg? "EP Reve. 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