Zucco Production Desinged Lussier Thesis 2012

!ROBERTO!ZUCCO:!AN!ANALYSIS!OF!A!PRODUCTION!DESIGNED!!
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BRYAN!STEPHEN!LUSSIER!
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SUPERVISORY!COMMITTEE:!
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PROF.!STAN!KAYE,!CHAIR!
DR.!RALF!REMSHARDT,!MEMBER!
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A!PROJECT!IN!LIEU!THESIS!PRESENTED!TO!THE!COLLEGE!OF!FINE!ARTS!
OF!THE!UNIVERSITY!OF!FLORIDA!IN!PARTIAL!FULFILLMENT!
OF!THE!REQUIREMENTS!FOR!THE!DEGREE!OF!!
MASTER!OF!FINE!ARTS!
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UNIVERSITY!OF!FLORIDA!
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2012!
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©2012!Bryan!Stephen!Lussier!
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To!Richard!and!Sean!Lussier!
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ACKNOWLEDGEMENTS!
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I!would!like!to!take!a!moment!and!thank!every!lunatic,!lover,!madman!and!clown!
who!taught!me!the!difference!between!production!and!design.!!!!Thank!you!to!the!late!Paul!
Favini!who!taught!me!the!importance!and!value!of!seamless!collaboration.!!Thank!you!to!
Ms.!Katie!Hipschman!who!assisted!throughout!the!process!of!the!production!and!kept!the!
technical!table!stocked!with!fresh!baked!brownies,!resulting!in!a!very!smooth!and!chewy!
process.!!Thank!you!to!Stan!Kaye,!Todd!Bedell,!and!all!the!UF!students,!staff,!and!faculty!
who!have!been!my!family!and!support!throughout!all!my!adventures!these!past!three!years.!!!
Thank!you!to!Mass!MoCA!and!Open!Air!who!pushed!me!to!dream!a!world!beyond!modern!
theater!and!who!fostered!me!to!make!the!dream!a!reality.!!Most!importantly,!I!thank!my!
father!Richard!and!brother!Sean,!who!have!guided!and!supported!me!in!every!way!they!
could!so!that!I!could!realize!my!dreams.!
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TABLE!OF!CONTENTS!
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ACKNOWLEDGEMENTS........................................................................................................................................4!
TABLE.OF.CONTENTS............................................................................................................................................5!
ROBERTO!ZUCCO:!AN!ANALYSIS!OF!A!PRODUCTION!DESIGNED!...................................................................!7!
CHAPTER.1...............................................................................................................................................................8!
INTRODUCTION!....................................................................................................................................................................!8!
CHAPTER.2............................................................................................................................................................10!
PRODUCTION!HISTORY!AND!PLAY!SYNOPSIS!......................................................................................................!10!
Production!History!............................................................................................................................................................!10!
PLAY!SYNOPSIS!..................................................................................................................................................................!11!
Overview!................................................................................................................................................................................!11!
CHAPTER.3............................................................................................................................................................13!
RESEARCH!............................................................................................................................................................................!13!
Theatrical!Expressionism!...............................................................................................................................................!13!
Sources!of!Illumination!....................................................................................................................................................!14!
Palette!and!Texture!...........................................................................................................................................................!15!
CHAPTER.4............................................................................................................................................................17!
THE!DESIGN!PROCESS!.....................................................................................................................................................!17!
Design!Meetings!..................................................................................................................................................................!17!
Discussions!with!the!Director!.......................................................................................................................................!21!
Mentor!Guidance!................................................................................................................................................................!24!
Design!Choices!.....................................................................................................................................................................!25!
CHAPTER.5............................................................................................................................................................27!
THE!CREATION!OF!THE!PRODUCTION!....................................................................................................................!27!
Budget!Allocations!and!Other!Concerns!..................................................................................................................!27!
Paper!Tech!and!Dry!Tech!...............................................................................................................................................!30!
Wet!Tech!................................................................................................................................................................................!31!
Dress!Rehearsals!.................................................................................................................................................................!32!
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Opening!Night!......................................................................................................................................................................!33!
Unforeseen!Problems!and!Their!Solutions!..............................................................................................................!34!
CHAPTER.6............................................................................................................................................................38!
CONCLUSION!.......................................................................................................................................................................!38!
Commentary!.........................................................................................................................................................................!38!
Self!Evaluation!....................................................................................................................................................................!39!
APPENDIX.A..........................................................................................................................................................41!
RESEARCH!IMAGES!..........................................................................................................................................................!41!
APPENDIX.B..........................................................................................................................................................50!
STORYBOARD!IMAGES!....................................................................................................................................................!50!
APPENDIX.C...........................................................................................................................................................57!
PRODUCTION!PHOTOS!....................................................................................................................................................!57!
APPENDIX.D..........................................................................................................................................................72!
DESIGNER!PAPERWORK!................................................................................................................................................!72!
APPENDIX.E...........................................................................................................................................................83!
LIGHTWRIGHT!PAPERWORK!.......................................................................................................................................!83!
APPENDIX.F.........................................................................................................................................................142!
PRODUCTION!EQUIPMENT!.........................................................................................................................................!142!
APPENDIX.G........................................................................................................................................................255!
PUBLICITY!DOCUMENTS!..............................................................................................................................................!255!
LIST.OF.REFERENCES.......................................................................................................................................266!
BIOGRAPHICAL.SKETCH.................................................................................................................................268!
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Summary!of!Project!Option!in!Lieu!of!Thesis!
Presented!to!the!Graduate!School!of!the!University!of!Florida!
in!Partial!Fulfillment!of!the!Requirements!for!the!!
Degree!of!Master!of!Fine!Arts!
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ROBERTO!ZUCCO:!AN!ANALYSIS!OF!A!PRODUCTION!DESIGNED!
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Bryan!Stephan!Lussier!
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May!2012!
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Chair:!!Stan!Kaye!
Major:!Theatre!
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! Roberto!Zucco!by!BernardaMarie!Koltès!was!a!realized!dramatic!production!that!was!
presented!by!the!University!of!Florida!School!of!Theatre!and!Dance.!!It!was!performed!in!
the!Nadine!McGuire!Black!Box!Theater!during!the!Spring!of!2012.!!The!process!for!this!
production!began!in!the!Fall!of!2011!with!design!meetings!and!evolved!over!the!following!
six!months!culminating!on!opening!night!as!a!theatrical!production.!!I!served!as!the!lighting!
designer!for!this!production.!!During!the!process,!I!analyzed!the!script!and!worked!with!the!
director!and!design!team!to!develop!and!execute!our!concept!for!this!production.!!The!
process!also!included!storyboarding,!developing!a!lighting!plot!and!cue!score!as!well!as!
hanging,!focusing,!and!programming!sessions.!!The!conclusion!of!the!process!was!a!series!
of!live!performances!with!audiences!during!January!and!February!2012.! !
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CHAPTER!1!
INTRODUCTION!
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! The!University!of!Florida!School!of!Theatre!and!Dance!produced!BernardaMarie!
Koltès’!Roberto!Zucco!as!the!spring!semester!opener!to!the!2011a2012!season.!!I!served!as!
the!theatrical!lighting!designer!for!this!production,!which!I!was!assigned,!as!my!artistic!
project!in!lieu!thesis!as!partial!fulfillment!of!my!Master!of!Fine!Arts!degree!in!Theatre.!!
Roberto!Zucco!opened!on!January!27,!2012!in!the!Black!Box!Theater!within!the!Nadine!
McGuire!Pavilion.!!This!production!was!under!the!direction!of!Dr.!Ralf!Remshardt.!!The!
design!team!included!Ms.!Molly!Ilten!as!the!scenic!designer!and!Tim!DiFato!as!video!
content!creator,!who!were!also!assigned!Roberto!Zucco!to!achieve!partial!completion!of!
their!project!in!lieu!thesis,!Ms.!Becki!Stafford!as!the!costume!designer,!Brittney!Powell!as!
the!video!media!consultant,!and!Mr.!Ryan!Bible!as!the!sound!designer.!!Additionally,!Ms.!
Alexi!DuFries!served!as!stage!manager.!!The!talented!cast!included!Mr.!Carlos!Alejandro,!
Ms.!Alaina!Manchester,!and!Ms.!Amelia!Harris!as!the!lead!actors!who!were!also!assigned!
Roberto!Zucco!to!achieve!partial!completion!of!their!project!in!lieu!thesis.!
It!was!late!in!spring!of!2011!when!I!had!conversations!with!visiting!professor!
Jeremy!Siniki!about!being!the!designer!for!Roberto!Zucco.!I!was!very!excited!to!be!designing!
a!contemporary!play!with!a!director!who!enjoys!German!Expressionist!aesthetics.!!My!
experiences!in!contemporary!productions!at!my!previous!employer,!the!Massachusetts!
Museum!of!Contemporary!Art,!combined!with!a!better!understanding!of!the!eye!and!other!
new!skills!learned!from!the!University!lighting!design!program!made!me!very!eager!to!
undertake!the!project.!!With!that!said,!additionally!there!was!also!a!great!deal!of!personal!
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anxiety!since!this!production!would!serve!as!a!career!crossroads!combining!modes!and!
design!approaches!from!my!past!by!combining!them!with!my!new!skills!from!a!Master!
program.!!This!feeling!diminished!somewhat!when!it!was!learned!that!I!would!once!again!
be!working!with!Ms.!Molly!Ilten.!!Together!we!worked!on!our!first!graduate!level!
production!of!In!The!Blood!at!the!University.!Both!of!us!have!skill!sets!that!compliment!each!
other!very!well!in!addition!to!a!having!a!great!working!relationship.!!Knowing!that!the!
scenic!design!was!going!to!be!smart,!bold,!and!unique,!this!let!me!focus!on!discovering!the!
stylistic!lighting!demands!of!Koltès’!script.!In!the!end,!the!Roberto!Zucco!design/build!
process!overcame!many!challenges!to!become!a!successful!and!wellareceived!production.!
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CHAPTER!2!
PRODUCTION!HISTORY!AND!PLAY!SYNOPSIS!
Production.History.
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. Roberto!Zucco!was!the!last!play!completed!by!Koltès!in!Paris!1989!after!his!fortya
first!birthday!on!April!15th.!!The!world!premiere!of!Roberto!Zucco,!directed!by!Peter!Stein!
was!at!the!Berlin!Schaubühne,!it!was!first!produced!in!a!German!translation!by!Simon!
Werele.!!The!first!French!production!was!directed!by!Bruno!Boeglin!at!the!Théâtre!National!
Populaire!in!Villeurbanne!in!1991.!!The!first!English!translation!production!was!directed!by!
James!MacDonald!in!the!black!box!theater!The!Other!Place!in!Stratford–uponaAvon!in!
November!1997!and!produced!by!the!Royal!Shakespeare!Company.!Since!1991,!Roberto!
Zucco!has!been!performed!in!over!seventeen!countries!across!Europe!and!the!United!States!
(Badby!xi).!
! At!times,!Roberto!Zucco!critically!is!identified!as!difficult!to!interpret!due!to!its!nona
linear!story!line!and!clumsy!stylistic!choices!in!previous!professional!productions.!Daniel!
Winterstein!writes:!!
Zucco!moves!through!a!city!of!unpleasant!people!–!pimps,!bad!parents!and!
uncaring!bystanders!–!all!of!them!trapped!in!cold!and!loveless!lives.!!Koltès!is!
much!harsher!on!these!characters!than!on!the!murder.!!Unfortunately!their!
natures!are!often!too!stylized!and!exaggerated!to!be!plausible.!!We!do!not!
recognize!our!world!in!his,!and!this!severely!limits!the!power!of!the!play.!
(Winterstein!2012)!
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Despite!whether!or!not!the!plot!needs!editing,!the!stylistic!choices!prominent!within!the!
script!Koltès!creates!a!world!based!on!a!dark!mythology!where!poetic!moments!and!
fundamental!ideas!is!the!structure!for!Zucco’s!fast!paced!script!help!build!a!dramatic!world!
where!designers!and!actors!alike!can!feel!comfortable!to!explore!storytelling!that!is!
accessible!to!a!new!generation!of!theateragoers.!!Ultimately!this!made!Roberto!Zucco!a!
wonderful!artistic!piece!to!execute.!
PLAY!SYNOPSIS!
Overview.
Roberto!Zucco!is!based!on!the!true!story!of!Roberto!Succo,!a!serial!killer!who!lived!in!
France!from!1981to!1988.!!Over!the!course!of!fifteen!scenes,!Roberto!Zucco!takes!place!in!
ten!distinct!locations!all!within!the!nation!of!France.!!The!text!of!the!play!is!not!broken!up!
into!conventional!act!divisions.!!There!is!not!even!a!note!from!the!playwright!indicating!if!
and!when!an!intermission!should!take!place.!!It!can!be!observed!that!this!fast!paced!play!is!
meant!to!run!from!beginning!to!end!without!any!stops!or!pauses.!The!scenes!are!more!
episodic!than!adhering!to!an!understandable!timeline.!!The!main!storyline!begins!with!
Roberto!Zucco!escaping!from!prison!some!time!after!killing!his!father!and!returning!to!his!
mother’s!apartment!where!he!kills!her!after!changing!out!of!his!prison!clothes!and!into!his!
camouflage!fatigues.!!The!height!of!the!story!line!occurs!during!Zucco’s!monologue!in!scene!
VIII!when!he!explains!human!beings’!fear!of!death!is!a!futile!one!since!everyone!dies!and!
the!act!of!dying!is!how!the!natural!order!to!the!world!is!maintained.!!Zucco!concludes!his!
thought!by!describing!nature!as!laughing!at!mankind!because!we!as!a!race!are!not!aware!of!
the!importance!of!death!and!do!everything!we!can!to!avoid!it.!!In!the!later!scenes!Zucco!
takes!a!woman!hostage!as!he!is!making!his!way!to!the!train!station!to!escape!France.!!
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During!the!interaction!with!Zucco!and!the!elegant!lady!she!strikes!a!nerve!with!Zucco!when!
she!describes!that!the!child!that!Zucco!killed!was!the!only!object!that!was!truly!a!form!of!
her!creation.!!Zucco,!being!a!force!of!destruction,!cannot!stand!hearing!the!elegant!woman’s!
description!and!then!leaves!the!station!to!return!to!the!brothel!in!Little!Chicago!where!he!is!
captured!by!police.!!The!final!scene!brings!the!story!to!a!close!when!Roberto!Zucco!again!
attempts!to!escape!from!prison!(presumably!the!same!one!we!saw!at!the!beginning!of!the!
story)!by!climbing!on!the!rooftops.!Instead!of!escape,!Zucco’s!goal!now!is!suicide,!which!he!
successfully!accomplishes!by!jumping!off!a!prisonabuilding!roof.!
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CHAPTER!3!
RESEARCH!
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Since!this!play!has!been!produced!for!only!a!decade,!and!although!Roberto!Zucco!has!
been!well!received!by!critics!and!audiences!from!multiple!countries,!there!is!a!limited!
amount!of!published!documentation!available!for!this!work.!!Roberto!Zucco,!not!including!
this!production!at!the!University!of!Florida,!has!only!been!produced!three!times!in!America,!
and!a!professional!production!company!in!the!States!has!never!performed!it.!!Knowing!of!
previous!productions!directed!by!Dr.!Ralf!Remshardt,!I!made!efforts!to!further!understand!
and!execute!my!knowledge!of!theatrical!Expressionism!in!order!to!create!a!unique!design!
for!Roberto!Zucco.!
Theatrical.Expressionism.
! A!great!deal!of!this!production!exists!in!the!perception!of!Zucco’s!character,!
therefore!the!decision!was!made!very!early!that!the!lighting!design!was!going!to!exploit!
this!concept!as!much!as!possible.!!The!play!would!be!a!construct!of!a!series!of!memories,!
since!there!is!no!one!defined!timeline!of!the!play.!!The!approach!to!skew!the!visual!
elements!of!the!show!would!be!to!never!have!the!audience!feel!comfortable!through!the!
duration!of!the!production.!!Zucco!fundamentally!is!the!story!about!a!serial!killer,!so!a!!
question!that!needed!to!be!explored!going!into!the!design!process!was,!“how!do!I!keep!
people!uncomfortable!throughout!the!production?”!The!answer!which!was!to!never!allow!
the!audience!to!become!comfortable!for!more!than!three!minutes!at!a!time,!asserted!itself!
with!each!reading!of!the!script.!
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Koltès!was!inspired!by!a!poster!of!the!serial!killer!Roberto!Succo!in!a!metro!station!
in!Paris,!the!most!inspiring!aspect!of!the!poster!was!in!its!display,!“each!photo!was!of!a!face!
so!different!that!you!had!to!look!several!times!to!know!they!were!all!of!the!same!boy!
(Koltès!57).!!Since!this!quality!interested!Koltès,!and!having!explored!concepts!of!fluid!
theatricality,!where!one!form!could!change!into!another!based!to!its!materials,!the!quality!
of!light,!the!angularity!of!light,!or!the!use!of!projections!and!pixel!mapping!in!previous!
productions,!there!was!an!eagerness!to!make!any!of!these!design!approaches!possible!for!
Zucco..!!In!order!to!keep!the!show!abstract,!I!would!have!to!use!shadow,!light,!color,!and!
texture!to!accomplish!the!goals!of!the!production.!
Sources.of.Illumination.
With!much!of!the!show!rooted!in!expressionism,!the!use!of!many!different!qualities!
of!light!would!be!important!into!the!lighting!design.!!My!research!into!sources!of!
illumination!was!focused!on!using!lighting!sources!that!would!help!highlight,!isolate,!and!
accentuate!the!shadows!and!unnatural!qualities!of!the!scenes!described!in!the!script.!!The!
goal!of!the!design!was!to!use!shadows!and!unevenness!of!the!design!to!sculpt!the!
characters!depending!where!they!were!in!the!light!in!order!to!make!the!scenes!feel!realistic!
but!retain!a!subconscious!tension.!!This!would!require!precision!and!knowledge!of!every!
advantage!and!disadvantage!of!every!fixture!available,!and!a!clear!understanding!of!the!
directorial!blocking!in!order!to!smartly!accomplish!what!the!design!sought!after.!
Another!personal!goal!for!the!design!was!to!craft!a!lighting!approach!that!would!not!
interfere!with!the!intricacies!of!the!set.!!Since!nine!of!the!eleven!panels!that!composed!the!
large!spiral!concept!would!rotate,!as!the!collaboration!process!began!it!became!clear!that!as!
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the!scenes!were!to!be!established,!a!constant!flow!of!information!would!be!needed!between!
the!director!and!myself!in!order!to!keep!true!to!the!production’s!concepts.!!Many!forms!of!
information!exchange!used!during!the!production,!such!as!email!and!file!sharing!services!
such!as!Dropbox,!were!the!foundation!to!creating!very!accurate!renderings.!!These!
renderings!would!be!used!to!communicate!fully!what!the!intentions!would!be!for!the!
lighting!design!and!the!design!team!could!send!each!other!information!when!there!were!
design!conflicts.!!For!example!Ms.!Ilten!would!give!me!feedback!about!what!she!approved!
and!rejected!about!my!instrument!placement,!and!I!communicated!to!her!when!my!needs!
would!alter!her!intentions!due!to!the!physical!limitations!of!the!space.!!Since!the!two!of!us!
had!worked!together!for!so!long,!we!were!able!to!find!a!resolution!to!each!other’s!needs!
with!relative!ease.!
Palette.and.Texture.
! Much!of!the!research!into!palette!and!texture!came!from!photography!and!Jazz!
influences!of!circa!1900.!!!Color!combinations!explored!in!previous!productions!would!not!
be!applicable!for!Zucco!based!on!its!subject!matter!and!stylistic!needs.!!The!best!course!of!
action!would!be!to!investigate!expressionism!in!art!forms!at!the!time!when!expressionism!
was!being!discovered.!!Pictures!such!as!Edward!J.!Steichen’s!The!Flatiron!circa!1904,!
utilized!older!methods!of!photography!while!combining!them!with!contemporary!methods!
of!the!time.!!The!result!often!left!a!bluishagreen!chromatic!tinge!that!would!work!well!as!a!
palette!that!was!quintessential!of!industrialization;!this!color!range!would!blend!well!with!
the!many!unnatural!lighting!sources!being!utilized!in!the!show.!!The!colors!to!be!used!
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would!also!evoke!a!sense!of!mystery!and!uneasiness!though!out!the!landscape!which!
satisfied!the!production’s!desire!to!establish!a!subconscious!tension.!
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CHAPTER!4!
THE!DESIGN!PROCESS!
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! The!design!process!worked!mostly!like!a!typical!design!process!at!the!University.!!
After!a!series!of!design!meetings!in!the!early!Fall,!we!all!left!for!winter!break!with!what!we!
thought!was!a!clean!plan!for!the!show.!!However,!upon!coming!back!at!the!end!of!the!break,!
the!scenic!department’s!construction!tests!had!all!failed,!which!resulted!in!!the!scenic!shop!
missing!their!deadline!to!have!the!set!fully!constructed!in!the!space.!!This!worked!to!the!
electric!shop’s!favor!since!we!would!be!able!to!install!hanging!positions!and!
instrumentation!where!we!had!reservations!about!damaging!the!scenic!elements!or!
positioning!units!that!would!be!unworkable!had!all!the!scenic!elements!been!in!place.!!The!
tech!process!went!relatively!smoothly!even!with!a!few!minor!setbacks.!!In!the!end!
everything!came!together!for!an!opening!night!that!was!extremely!well!received!by!the!
audience.!
Design.Meetings.
! After!everyone!introduced!himself!or!herself!to!Dr.!Remshardt,!he!began!describing!
his!vision!for!the!production.!!His!research!demonstrated!that!this!play!would!take!place!in!
some!of!the!lesseraknown!locations!in!Paris,!France.!!He!described!how!he!wanted!the!
psychological!elements!of!the!projection!to!be!heightened!through!German!Expressionism!
and!strongly!suggested!that!all!the!designers!use!their!research!to!discover!an!answer!to!
the!conceptual!question!"what!is!evil?"!!He!explained!that!there!should!be!a!great!deal!of!
visual!tension!to!coincide!with!the!written!tension!within!the!scenes!so!as!to!deconstruct!
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the!audience’s!perception!of!punishment;!corporal!or!otherwise.!!For!example,!Little!
Chicago!would!not!be!a!stereotypical!seedy!and!dangerous!brothel,!but!one!that!invites!and!
welcomes,!much!like!those!in!Amsterdam.!!He!illustrated!how!all!the!designers!should!
approach!Roberto!Zucco!similarly!to!a!heroalike!character!such!as!Icarus.!!He!also!
addressed!concerns!that!the!lighting!design!should!not!be!too!grim,!but!instead!be!
approached!with!the!stylistic!choices!of!a!dark!comedy.!!At!the!conclusion!of!the!first!
meeting,!Dr.!Remshardt!left!us!with!a!final!thought!that!was!to!become!the!underlying!
theme!to!the!show:!All!the!characters!(except!for!Roberto!Zucco)!are!boxed!in!and!are!
suppressed!in!their!own!worlds.!
! The!second!meeting!took!place!on!September!26,!2011.!!During!this!meeting!Ms.!Ilten,!
presented!concept!images!and!rough!hand!drawings!of!potential!scenic!designs.!!The!main!
idea!of!ascension!similar!to!that!of!Icarus!was!her!inspiration,!which!ultimately!lead!to!the!
scenic!composition!of!a!spiral.!!The!design!would!be!composed!of!nine!panels!that!would!
rotate,!and!would!be!sloped!at!the!top!ascending!from!right!to!left.!!The!tallest!of!these!
panels!would!be!the!stage!right!panel!and!would!be!eighteen!feet!high.!!By!rotating!the!
panels!the!design!would!construct!all!the!scenes!in!the!play,!creating!a!sort!of!mental!maze.!!
Colorwise,!the!floor!would!blend!itself!into!the!walls!in!order!to!reinforce!an!abstract!
construction!of!the!scenic!elements.!!Certain!scenic!elements!such!as!the!park!benches,!the!
kitchen!table,!the!brothel!sign,!and!the!ironing!board!would!be!hidden!within!the!scenic!
panels.!!This!choice!would!allow!for!the!almost!solid!structure!of!the!concrete!to!become!
fluid!and!full!of!contrast.!!This!approach!to!the!show!was!very!interesting!to!Dr.!Remshardt!
and!at!the!end!of!the!meeting!he!encouraged!its!development!and!refinement.!
! Mrs.!Stafford!was!the!next!designer!to!present!her!research!and!sketches.!!She!was!
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interested!in!how!Roberto!Zucco!takes!a!trinket!with!each!person!he!interacts!with!in!and!
how!that!power!of!taking!could!be!used!in!the!costume!design!in!order!to!visually!display!
that!each!character!blends!into!the!other.!!Mrs.!Stafford!decided!that!the!material!denim!
could!be!a!unifying!fabric!to!all!the!characters!and!since!the!first!scene!describes!a!mesh!
and!mesh!like!materials.!!The!costume!design!could!utilize!mesh,!lace,!and!webbing!as!
materials!to!help!unify!the!characters.!!Using!influential!paintings!of!German!
Expressionism,!Mrs.!Stafford!decided!that!the!colors!blue,!lavender,!brown,!yellow,!and!
black!would!be!her!color!palette!for!the!show.!!There!were!many!elements!to!the!costume!
design!that!Dr.!Remshardt!was!interested!in,!such!as!having!the!characters!visually!blend!
into!each!other!and!the!use!of!common!materials!such!as!denim!and!polyester!materials,!
but!he!suggested!caution!with!the!mesh!and!the!heavyahanded!concept!of!imprisonment!so!
as!not!to!be!blatant!with!the!choice!which!would!make!the!design!more!interesting.!
! My!presention!came!next,!and!in!it!was!the!desire!to!express!the!emotional!
perceptions!of!Roberto!Zucco!within!strong!lighting!constructs!that!would!be!influenced!
from!German!Expressionism.!!It!supportted!Ms.!Ilten's!design!by!exploiting!the!use!of!her!
curves!to!my!advantage!by!incorporating!a!thin!red!line!along!the!top!of!the!set.!!The!
lighting!design!would!also!complement!Mrs.!Stafford's!design!by!reacting!well!with!her!
fabric!types!and!color!choices.!!I!presented!images!from!Max!Keller's!book!Light!Fantastic,!
which!was!well!received!by!Dr.!Remshardt.!Although!he!enjoyed!my!research!and!
approach,!he!did!express!concerns!about!how!the!lighting!instruments!would!compose!the!
scenes!with!projections.!!He!strongly!suggested!that!the!lighting!and!video!projection!
designers!to!closely!collaborate!with!each!other!so!as!to!achieve!a!strong!approach!to!each!
scene.!!In!the!last!minutes!of!the!meeting,!it!was!decided!that!media!content!and!sound!
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design!would!meet!with!Dr.!Remshardt!at!a!separate!time!in!order!to!talk!about!the!content!
they!would!be!creating!for!the!production.!
! The!third!design!meeting!took!place!on!October!10,!2011.!Ms.!Ilten,!had!worked!
closely!with!Dr.!Remshardt!in!order!to!storyboard!each!scene!so!that!all!the!artistic!
elements!knew!roughly!where!the!actors!would!be!on!stage!for!each!moment.!!Due!to!a!
close!collaboration!process!with!Ms.!Ilten!during!our!regularly!scheduled!office!hours!every!
Friday!morning,!it!allowed!me!to!prepare!a!threeadimensional!rendering!for!the!meeting!
that!included!rotating!panels!and!mannequins.!!These!crude!threeadimensional!renderings!
of!the!space!were!presented!to!the!rest!of!the!production!team!and!were!used!to!show!how!
one!scene!could!transition!into!the!next.!!This!method!explained!how!my!lighting!design!
would!effect!transitions!and!actor!placement.!The!rendering!for!the!first!couple!of!scenes!
also!included!some!lighting!instrumentation!in!order!to!demonstrate!what!the!space!would!
look!like!in!a!theatrical!lighting!environment.!!Although!these!images!were!crude,!having!
the!threeadimensional!model!to!display!to!the!remainder!of!the!design!team!allowed!for!
better!feedback!from!our!advisors!and!quickly!answer!concerns!from!the!director.!Since!
the!panels,!for!example,!could!move!back!and!forth!everyone!could!see!how!that!could!alter!
blocking!or!projection!ideas.!!Near!the!end!of!the!presentation,!I!expressed!an!interest!in!
using!dimming!fluorescent!tube!ballasts!in!order!to!compose!the!metro!station!scene!and!
how!it!would!require!more!research,!which!would!be!prepared!for!the!next!production!
meeting.!!Mr.!DiFato!was!able!to!present!a!few!images!of!what!the!content!would!involve,!
but!many!of!the!videos!were!in!the!process!of!rendering!on!the!computers!at!Digital!
Worlds,!so!they!would!be!available!at!the!next!production!meeting!.!
! Our!fourth!and!final!design!meeting!occurred!on!October!24,!2011.!!Ms.!Ilten!
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presented!her!final!scenic!design.!!This!included!many!elements!from!her!previous!designs;!
however,!they!now!included!paint!elevations,!detailed!dimensions,!and!refined!
storyboarding.!!She!finished!by!stating!that!she!would!create!a!paint!sample!of!what!
concrete!would!look!like!in!a!couple!of!days!so!that!the!lighting!department!and!video!
departments!could!begin!exploring!how!it!would!react!to!light!and!projection.!!The!intent!
was!that!if!lighting!or!video!needed!certain!colors!to!be!substituted,!this!could!be!done!
without!drastically!altering!the!scenic!budget.!!Mrs.!Stafford!presented!costume!sketches!
and!a!handful!of!renderings!including!some!fabric!samples.!!Next!Mr.!DiFato!presented!
digital!media!that!would!be!used!for!the!production!based!on!conversations!with!Dr.!
Remshardt,!Mr.!DiFato,!by!help!of!his!advisor!Professor!Patrick!Pagano,!also!had!a!better!
idea!how!the!cameras!in!scene!one!and!six!would!work.!!The!meeting!finished!with!a!
lighting!presentation!that!used!more!threeadimensional!renderings.!!Some!of!these!
renderings!now!included!better!approaches!to!sculpting!and!color!choices!demonstrating!
how!the!design!would!work!with!Mrs.!Stafford's!design!and!how!the!shadow!work!would!
utilize!Ms.!Ilten's!spiral!construction.!!!This!concluded!the!formal!design!meeting!process!
with!what!everyone!believed!was!a!production!that!was!on!track!for!success.!
Discussions.with.the.Director.
! Dr.!Remshardt!and!I!met!a!number!of!times!during!the!course!of!the!design!meeting!
process!in!order!to!achieve!a!clear!and!solid!concept!throughout!the!whole!production.!!In!
preparation!for!our!first!meeting!a!document!that!included!thumbnail!sized!copies!of!my!
research!concept!images!was!created!and!throughout!the!course!of!our!first!meeting!we!
discussed!which!images!worked!and!which!ones!needed!further!exploration.!!Many!of!the!
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images!within!the!document!Dr.!Remshardt!found!appropriate,!but!he!insisted!my!images!
for!scene!two,!Roberto!Zucco!mother's!apartment,!and!scenes!three,!eleven!and!fourteen,!
the!brothel!scenes,!be!switched.!!The!result!of!the!conversation!proved!to!be!most!valuable!
since!it!confined!the!apartment!and!made!the!brothel!a!larger!playing!area!for!actors.!
! Dr.!Remshardt!expressed!that!Roberto!Zucco!needed!to!be!unseen!by!the!old!man!in!
the!subway!until!the!appropriate!time,!which!would!be!triggered!by!a!loud!sound!cue.!The!
lighting!source!needed!to!come!on!quickly!while!still!belonging!to!the!artificial!world,!
which!is!emphasized!by!the!old!man's!dialogue.!!We!discussed!the!possibility!of!using!
fluorescent!lighting!for!this!scene!so!as!to!have!a!lighting!source!different!than!conventional!
lighting!that!emphasized!the!industrialized!world.!!He!was!interested!in!the!approach,!but!
after!technical!troubles!with!fluorescent!tubes!in!a!University!production!of!Dark!Play!a!
year!prior,!he!was!not!convinced!that!the!technology!was!the!best!choice.!!My!previous!
experiences!with!florescent!tubes!was!unlike!that!of!Dark!Play,!and!it!was!communicated!to!
him!how!in!a!couple!weeks!a!prototype!could!be!built!to!show!him!how!a!fluorescent!
ballast!could!be!controlled!reliably!time!after!time.!!After!discussions!with!the!Electronics!
Theater!Controls!and!Lutron!Electronics,!Incorporated!technical!support!representatives,!a!
prototype!was!built!using!remnant!parts!of!Dark!Play!and!a!new!dimmable!florescent!
ballast!from!Lutron,!Inc.!This!prototype!was!presented!to!Dr.!Remshardt!at!the!University’s!
light!lab!and!he!was!pleased.!!The!question!for!the!effect!needed!for!the!metro!scene!was!
solved.!
! The!kitchen!scene!was!envisioned!to!look!like!the!inside!of!a!house!with!an!overhead!
light!coming!from!the!kitchen,!and!when!the!refrigerator!door!was!opened!it!would!project!
a!long!shadow!of!the!father!onto!the!set!in!such!a!an!expressionistic!way!that!would!
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demonstrate!the!father’s!dominance!over!the!other!characters!!While!this!idea!interested!
Dr.!Remshardt,!he!encouraged!another!approach,!such!as!an!illusion!of!a!strong!moonlight!
source!illuminating!the!scene.!!The!set!would!have!a!small!opening!offacenter!for!Roberto!
Zucco!and!the!girl!to!enter.!!It!was!communicated!to!Dr.!Remshardt!that!if!we!utilized!the!
opening!for!such!an!approach,!the!angle!of!incidence!would!be!blinding!to!the!audience!
directly!in!its!path.!!It!would!not!be!a!strong!artistic!choice,!but!I!assured!Dr.!Remshardt!his!
thoughts!would!be!explored!and!an!answer!would!be!developed!that!would!meet!both!our!
interests.!
! After!the!threeadimensional!rendering!was!built!in!a!theatrical!lighting!preavisualizer!
software!called!WYSYWIG,!We!discussed!what!each!scene!would!look!like.!!We!were!able!to!
problem!solve!many!scenes!and!formulate!answers!while!showing!immediate!results!and!
how!the!shadows!of!each!scene!would!look.!!I!showed!a!rendering!of!how!the!park!scene!
could!look,!a!scene!that!would!utilize!all!of!the!stage!and!needed!to!be!representative!of!an!
outdoor!setting!while!incorporating!video!media!of!a!tree!growing!over!the!course!of!a!
year.!Although!this!would!be!a!very!tricky!scene!to!create,!he!was!pleased!with!this!
approach!because!the!projection!was!clear!and!it!looked!like!a!park!with!grass!and!leaves.!!
Having!the!renderings!from!WYSIWYG!was!a!great!benefit!to!storyboarding!in!the!design!
process.!
! Once!a!scene’s!look!was!approved,!my!efforts!focused!on!moments!that!weren't!
settled!yet.!!The!most!significant!advantage!to!using!WYSIWYG!over!other!storyboarding!
processes!was!that!once!I!had!a!scene!approved!there!was!no!additional!documentation!
necessary!to!develop!that!would!aid!Ms.!Hipschman’s!assignment!to!construct!a!rough!light!
plot.!!This!resulted!in!an!easier!process!drafting!the!documentation!necessary!for!the!
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Electric!shop!!
Mentor.Guidance.
! Professor!Stanley!Kaye!has!been!my!mentor!during!my!tenure!as!a!student!at!the!
University.!!We!have!worked!on!many!previous!projects,!but!with!the!process!of!Roberto!
Zucco!we!were!able!to!communicate!and!discuss!the!emotions!of!the!show!in!ways!we!
hadn't!been!able!to!in!previous!projects.!!In!this!design!process!my!need!from!my!mentor!
was!to!minimize!involvement!between!advisor!and!director!so!as!to!foster!the!designer!and!
director!interaction!as!much!as!possible.!!For!this!show,!there!was!a!personal!need!to!grow!
and!develop!as!a!lighting!designer!by!focusing!on!telling!the!story!of!the!production!by!
identifying!and!eliminating!previous!bad!habits!of!flawlessly!executing!less!important!
moments,!while!leaving!large!conceptual!ones!rougher!and!procrastinating!solutions!until!
technical!rehearsals.!!We!discussed!how!my!needs!would!be!to!make!me!aware!when!my!
executions!were!losing!sight!of!the!end!result.!!Knowing!that!Professor!Kaye!would!be!there!
for!me!when!necessary,!we!felt!a!viable!solution!had!been!reached.!!!
! Another!point!of!mentorship!that!developed!during!this!project!revolved!around!how!
much!a!designer!could!influence!a!director's!blocking!choices.!!Personally,!as!a!lighting!
designer!it!is!not!my!duty!to!attempt!to!improve!a!director's!blocking.!!However,!!
requesting!minor!adjustments!in!the!blocking!in!order!to!exploit!the!stylistic!approaches!
within!the!production!allowed!me!to!explore!how!the!psychological!moments!could!be!
heightened!throughout!the!script.!!Some!of!the!strongest!moments!within!the!production!
developed!from!a!close!collaboration!between!the!lighting!design!and!artistic!direction!
where!these!blocking!suggestions!occurred.!!Without!Professor!Kaye's!guidance!in!helping!
me!understand!how!collaboration!is!not!restricted!to!just!the!design!collaboration,!Roberto!
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Zucco!would!not!had!been!as!much!of!a!success!as!it!was.!
! One!of!the!finer!points!of!mentorship!that!developed!during!this!project!involved!the!
integration!of!new!technologies!within!the!production.!!While!there!can!be!great!pleasure!
in!implementing!new!technology!to!push!the!artistic!abilities!of!lighting!design,!my!needs!
for!technology!are!such!that!it!needs!to!be!reliable!with!characteristics!repeatable!and!
predictable!before!they!can!be!incorporated!into!a!theatrical!design.!!If!technical!problems!
are!unrepeatable!when!a!problem!arises,!then!there!is!a!failure!in!the!research!process!and!
there!is!not!a!strong!understanding!of!how!that!particular!technology!works.!!For!Professor!
Kaye,!the!importance!of!exploring!new!technologies,!devotion!to!the!organic!elements!of!
learning!in!academia,!and!the!sanctity!of!trial!and!failure!supersedes!a!flawless!execution!
with!older!technologies!do!not!amount!to!the!same!emotional!impact.!!Although!we!may!
disagree!on!occasion!as!to!when!certain!technologies!should!be!utilized,!through!him!I!
learned!the!importance!of!understanding!the!wide!array!of!tools!a!lighting!designer!has!at!
his!or!her!disposal!and!when!it!is!important!to!abandon!conventional!methods!of!lighting!a!
scene!so!as!to!take!a!risk!to!create!new!art.!
Design.Choices.
! German!Expressionist!films!and!art!works!circa!1900!influenced!the!lighting!design!
choices!for!Roberto!Zucco.!These!genres!used!light!to!distort!the!scenic!design!in!order!to!
imbue!the!mind!into!the!psyche!of!the!main!character.!!In!order!to!accomplish!this!in!
Roberto!Zucco,!all!areas!of!lighting!choices!such!as!instrument!placement,!instrument!
choice,!color,!pattern,!and!focus!were!explored!and!implemented!with!careful!attention!to!
detail.!!While!many!stylistic!choices!were!in!direct!response!to!the!requests!of!the!director,!
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such!as!making!the!metro!station!a!lens!into!the!inner!consciousness!of!the!old!man!and!the!
development!of!a!glass!gobo!for!the!railway!station,!others!such!as!a!strong!choice!to!utilize!
shadows!projected!onto!scenic!elements!in!order!to!paralleling!dominating!traits!within!
the!characters!were!my!own.!!However,!many!of!the!artistic!choices!within!the!production!
were!so!cohesive!and!collaborative!among!the!designers!that!it!is!uncertain!where!one!idea!
did!not!bleed!into!another!production!member's!process.!With!the!process!of!Roberto!
Zucco,!we!accomplished!a!very!collaborative!production!at!the!University.!
! !
26!
!
CHAPTER!5!
THE!CREATION!OF!THE!PRODUCTION!
Budget.Allocations.and.Other.Concerns.
! Having!been!generously!allotted!four!hundred!dollars!for!my!budget,!the!goal!was!to!
utilize!these!funds!conservatively!and!spend!as!little!as!possible.!!The!previous!designs!here!
at!the!University!allowed!a!great!deal!of!the!color!and!templates!selections!for!this!
production!to!be!pulled!from!stock.!!The!exception!was!the!custom!glass!gobo,!which!was!
developed!for!the!railway!station,!and!the!window!patterns!needed!for!the!train!station!
were!not!in!stock.!A!small!portion!of!my!budget!went!to!purchasing!new!lightaemitting!
diode!light!lamps!that!were!developed!by!Philips!Lighting,!since!they!produced!more!
lumens!than!previous!lamps!of!their!kind.!!Three!models!of!the!same!body!manufactured!
by!Philips!were!purchased!because!they!had!different!wattage!usage!and!therefore!lumen!
outputs.!!The!final!decision!was!to!use!a!light!bulb!that!had!the!output!equivalent!to!that!of!
a!seventyafive!watt!lamp!while!only!using!fifteen!watts!of!power!at!a!fortyatwo!hundred!
degree!Kelvin!temperature.!
! While!my!dimmable!florescent!prototype!had!a!single!lamp!in!the!fixture,!I!was!
concerned!that!this!would!not!provide!adequate!lumens.!!The!director!also!had!the!concern!
that!a!dimmable!florescent!may!not!come!on!fast!enough!and!flicker!enough!to!catch!the!
audience's!eye!in!order!to!reveal!Roberto!Zucco.!!To!solve!these!problems,!in!November!a!
practical!was!drafted!that!would!help!assist!both!of!these!concerns.!!It!would!be!composed!
of!one!dimmable!ballast!for!two!florescent!tubes!and!one!quickastart!nonadimmable!ballast!
for!a!single!florescent!tube.!!One!could!use!the!nonadimmable!tube!first!for!the!quick!flicker!
27!
on!and!then!use!the!dimmable!florescent!tubes!as!a!method!to!control!the!correct!amount!
of!lumens!onstage!so!as!to!never!dominate!the!scene!and!take!away!from!whomever!was!
not!on!the!metro!bench.!
! The!final!scene!of!Roberto!Zucco!includes!language!that!describes!the!sun!being!so!
bright!that!the!chorus!was!unable!to!see!anything!else!but!the!sun.!!Artistically,!the!scene!
needed!to!mimic!Icarus'!ascension!to!the!sun.!!The!lighting!source!needed!to!be!
representative!to!bright!sunlight.!!After!much!discussion!with!Professor!Kaye,!it!was!
decided!the!two!Altman!Daylight!Fresnel!fixtures!that!the!University!has!in!its!inventory!
would!be!the!best!solution.!!I!had!personal!reservations!to!their!use!at!first,!which!
originated!from!how!the!University!did!not!have!the!accessories!(i.e.,!barndoors!and!
dousers)!that!would!assist!in!creating!a!uniform!and!linear!reveal!that!would!accentuate!
the!moment,!nor!would!the!University!have!the!budget!to!afford!them.!However,!they!
proved!to!be!the!best!quality!of!light!for!the!moment.!!!
! In!a!previous!production!executed!at!the!University!entitled!In!the!Blood,!my!design!
had!the!opportunity!to!implement!one!of!the!first!ellipsoidal!black!lights!on!the!market.!!
However,!once!it!turned!on!it!was!distracting!to!the!audience!because!of!the!noise!it!
created,!and!since!the!University!did!not!have!the!accessories!to!remotely!douse!the!unit's!
lumens,!it!took!about!fifteen!seconds!for!the!unit!to!achieve!full!brightness!by!the!natural!
process!of!the!lamp!source.!!It!was!also!accompanied!with!a!highapitched!whirl!from!the!
exhaust!fan.!!The!usage!was!not!as!clean!as!I!had!intended,!and!as!a!result,!the!moment!was!
more!distracting!than!it!was!memorable.!!I!determined!that!Roberto!Zucco!should!not!suffer!
the!same!fate!my!previous!production!did.!
! If!the!lighting!design!were!to!implement!the!use!of!the!Daylight!Fresnels,!the!first!and!
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foremost!requirement!would!be!to!have!full!control!over!the!light!output.!!This!meant!
barndoors!and!DMX!controlled!dousers,!so!that!when!the!lighting!instrument!went!to!full!it!
did!so!at!a!constant!color!temperature.!!!After!a!discussion!with!the!director!after!a!
production!meeting,!Dr.!Remshardt!liked!the!idea!of!emotional!elements!of!the!final!scene!
not!have!the!same!linear!control!that!the!other!scenes!had.!!The!feeling!of!the!scene!should!
be!the!emphasis!in!loss!of!control.!!However!a!concern!of!mine!was!the!changing!color!
temperatures!as!the!Daylight!Fresnels!could!be!distracting.!!We!agreed!that!the!best!course!
of!action!would!be!to!move!the!Fresnels!into!the!Black!Box!and!demonstrate!what!they!did!
in!the!space!and!time.!!After!Dr.!Remshardt!saw!a!Daylight!Fresnel!go!through!its!chemical!
cycles!in!order!to!achieve!full!illumination,!he!was!comfortable!with!what!the!Daylight!
Fresnels!did!and!he!was!confident!that!it!wouldn't!detract!from!the!action!on!stage.!!
Through!this!collaborative!process,!it!was!decided!that!the!Daylight!Fresnels!would!be!used!
in!this!production!without!the!use!of!DMX!dousers!or!barndoors.!!My!last!concern!for!the!
production!would!be!solving!how!the!production!could!utilize!these!unpredictable!lighting!
fixtures!in!a!method!that!the!production!could!get!the!same!repeatable!effect.!
! There!were!many!concerns!with!the!projection!elements!of!Roberto!Zucco.!!When!all!
the!designers!had!returned!to!the!University!after!the!winter!break,!Mr.!DiFato!explained!to!
me!that!the!show!file!that!his!advisor!Professor!Pagano!had!prepared!for!him!had!been!
configured!in!such!a!way!that!it!would!send!MIDI!triggers!instead!of!receive!them.!!This!was!
not!an!acceptable!configuration!since!there!were!more!lighting!cues!than!projection!cues,!
and!the!lighting!console!does!not!relinquish!control!of!the!show!unless!absolutely!
necessary,!such!as!for!safety!reasons.!!Mr.!DiFato!explained!to!me!!that!reconfiguring!the!
projections!show!file!to!receive!MIDI!control!would!alter!the!show!drastically!and!would!
29!
result!in!having!to!create!a!new!show!file.!!In!order!to!preserve!Mr.!DiFato's!work!as!much!
as!possible,!it!was!decided!that!the!stage!managers!would!call!the!projections.!!This!meant!
that!Mr.!DiFato!would!have!to!become!more!aware!of!the!methods!employed!in!a!theatrical!
production!and!have!his!paperwork!reflect!the!understanding!of!theatrical!processes.!Until!
this!point,!he!had!made!several!comments!that!as!a!digital!contentacreator!without!a!
theatrical!background!he!was!having!difficulty!integrating!into!the!collaborative!process.!!
The!remainder!of!the!design!team!assured!him!that!we!could!teach!him!the!basics!of!
theatrical!production!culture,!but!he!would!have!to!come!to!the!paper!tech!prepared!and!
with!a!complete!cue!list!for!the!stage!manager.!!We!informed!him!that!examples!of!cue!
sheets!were!available!on!the!Dropbox!server,!which!he!had!full!access!to.!!My!primary!
concern!with!Mr.!DiFato!was!that!he!would!not!be!prepared!when!going!into!dry!tech!and!
that!he!did!not!fully!understand!the!time!commitment!he!had!now!devoted!himself!to!until!
opening!night,!which!was!proven!to!be!accurate!when!Mr.!DiFato!announced!he!would!not!
be!present!during!the!weekend!of!wet!tech!because!he!was!going!to!a!conference.!!At!this!
time!Mrs.!Powell!asked!to!join!the!production!team!as!Projection!Designer.!
Paper.Tech.and.Dry.Tech.
! Many!of!the!scenic!transitions!and!lighting!cues!were!generated!weeks!before!the!
event!and!posted!onto!a!file!sharing!server!called!Dropbox,!which!the!stage!manager!could!
log!in!to!and!use!to!record!in!her!show!book!where!the!transitions!would!take!place.!!Since!
scenic,!artistic!direction,!and!lighting!had!collaborated!so!closely!before!this!event!began,!
we!already!knew!the!production!elements!were!going!to!do!throughout!most!of!the!
process.!!The!emphasis!of!the!paper!tech!was!to!insure!that!the!stage!manager!had!all!the!
scenic!transitions,!sound!cues,!projection!cues,!and!lighting!cues!booked!and!could!begin!to!
30!
get!used!to!calling!the!shows!during!rehearsals.!!!!
! The!uncertain!element!that!needed!to!be!incorporated!into!the!production!was!
projections,!when!they!did!not!show!up!to!paper!tech!with!a!formal!cue!sheet!for!the!stage!
manager,!it!slowed!the!process!down!almost!to!a!halt.!!The!experienced!designers!such!as!
Mr.!Bible,!Ms.!Ilten,!and!myself,!needed!to!explain!how!the!projection!cues!would!be!called!
to!the!projection!designers!and!the!stage!manager.!!Serving!as!this!bridge,!instead!of!being!
able!to!go!through!every!cue!list!was!very!frustrating!to!the!designers.!!Paper!tech!was!
scheduled!to!be!a!twoahour!long!process;!instead,!it!was!finished!in!a!little!over!four.!
! Since!there!was!now!a!limited!time!between!the!paper!tech!and!wet!tech,!the!stage!
manager!decided!a!dry!tech!process!was!not!necessary,!and!that!giving!the!stage!to!the!
scenic!department!so!they!could!continue!construction!was!the!best!decision!for!the!
process.!!Although!Roberto!Zucco!had!a!great!deal!of!technological!elements,!the!production!
did!not!have!a!great!number!of!cues!from!any!one!department,!therefore!we!proceeded!to!a!
wet!tech!with!full!cast!and!production!and!performance!students.!
Wet.Tech.
! One!challenge!of!a!wet!tech!process!when!entering!cueatoacue!is!that!it!can!become!
very!tedious!for!the!cast!and!emotionally!draining!while!the!crew!can!become!bored!and!
dangerously!unfocused.!!As!a!way!to!prevent!this,!the!director!and!production!staff!agreed!
that!the!best!way!to!reduce!this!was!to!use!our!large!pool!of!production!and!performance!
students!who!needed!shop!hours!and!utilize!their!time!optimally!by!having!them!stand!in!
the!theatrical!lighting!in!order!to!assure!that!the!director!approved!the!lighting,!and!the!
design!would!allow!for!clarity!towards!each!scene.!!!
! Our!first!day!of!tech!began!on!Saturday,!January!21,!2012.!!It!would!be!what!is!
31!
commonly!referred!to!as!a!“tenaoutaofatwelve.”!!This!means!that!the!workday!would!be!
composed!of!ten!hours!of!labor!and!two!hours!to!break!for!food!with!fifteen!minute!breaks!
every!couple!of!hours.!!For!the!first!six!hours,!the!technical!staff!would!have!the!production!
and!performance!students,!and!the!last!six!hours!would!use!the!cast!to!finish!the!remaining!
cueatoacue!process.!!Dr.!Remshardt!seemed!pleased!with!most!of!the!looks!that!had!been!
designed,!though!he!did!express!concerns!that!the!Brothel!scene!and!the!kitchen!scene!
were!not!correct.!!Notes!were!taken!on!possible!ways!to!change!the!scenes!so!as!to!meet!
the!director’s!artistic!needs!and!continued!with!the!cueatoacue.!!Throughout!the!wet!tech!
process!technical!time!was!used!very!wisely!by!making!minor!adjustments!to!levels!and!
turning!off!instruments!that!did!not!assist!in!telling!the!story.!!One!very!strong!technique!
implemented!was!to!utilize!the!moving!lights!so!as!to!isolate!and!emphasize!the!correct!
areas!of!the!stage!that!mimicked!the!stylistic!needs!of!the!production.!
Dress.Rehearsals.
! After!completing!a!stopaandago!on!Sunday!with!limited!problems,!we!proceeded!to!
dress!rehearsals,!starting!Monday!night.!!In!general,!the!dress!rehearsals!were!controversya!
free.!Work!light!labor!and!dark!time!were!balanced!well,!which!resulted!in!progress!being!
made!with!every!rehearsal!and!every!run.!!There!were!some!color!choices!that!were!
running!a!bit!too!muddy!due!to!the!intensity!level!they!were!programmed!at.!!As!a!solution!
I!decided!that!subtractive!color!filtration!would!fix!most!of!my!problems.!A!process!taught!
to!solve!this!problem!at!the!University!of!Massachusetts!–!Amherst!was!to!use!a!minimum!
saturation!gel!in!the!lavender!family,!which!would!help!correct!for!amber!drift!in!any!color!
in!the!blue!range.!!This!was!especially!helpful!for!the!Kitchen,!Brothel,!and!Prison!scenes!
where!some!instruments!were!programmed!at!forty!percent,!which!compositionally!can!be!
32!
quite!a!tricky!intensity!when!trying!to!obtain!a!color!temperature!that!matches!one!of!a!
higher!color!temperature!somewhere!else!on!stage.!!After!some!minor!color!changes,!the!
show!was!beginning!to!look!clean!and!refined.!
Opening.Night.
! By!opening!night!the!show!was!relatively!immaculate.!!The!time!allotted!in!the!
schedule!for!technical!rehearsals!proved!to!be!all!the!time!needed,!since!the!technical!
elements!at!this!point!had!melded!into!a!very!cohesive!and!tight!show.!The!last!day!before!
opening!night,!each!cue!was!reviewed!in!order!to!listen!for!any!unnecessary!movement!
from!the!automation!system!by!utilizing!the!ETC!RFR!application!on!my!iPad.!!The!
application!allowed!me!to!run!the!lighting!console!remotely,!while!being!able!to!write!notes!
within!the!program!and!then!see!them!on!the!console.!!The!result!of!that!afternoon’s!work!
resulted!in!a!very!quiet!show!with!consistent!tracking.!!A!concern!of!mine!at!this!point!was!
to!not!allow!for!any!unnecessary!action!from!overhead!to!detract!from!the!action!on!the!
stage,!especially!in!some!of!the!more!quiet!moments.!!Opening!night!went!relatively!
smoothly;!one!incident!that!did!occur!was!when!an!actor!hit!one!of!the!ETC!Unison!control!
panels!during!a!transition!and!turned!on!the!work!lights!for!a!few!seconds.!!After!the!
production,!the!stage!manager!informed!me!what!had!happened!and!that!the!crew!was!
going!to!install!the!protective!plates!on!all!the!panels!so!only!she!could!control!the!lighting.!!
After!celebrating!the!opening,!students!and!faculty!shared!with!me!some!of!their!
comments;!the!production!was!very!well!received.!!One!faculty!member!even!went!as!far!to!
say!that!the!lighting!was!excellently!executed!and!one!of!the!best!he!has!seen!at!the!
University!of!Florida!in!years.!
33!
Unforeseen.Problems.and.Their.Solutions.
! There!were!a!few!issues!that!came!about!during!the!technical!rehearsals!of!the!
production.!!As!previously!discussed,!some!of!my!lights!were!running!at!much!lower!
intensity!than!anticipated!in!order!to!acquire!the!composition!the!design!sought;!this!was!
solved!by!adding!lavender!gels!to!some!gel!frames!in!order!to!subtractively!filter!out!the!
amber!drift.!!!
Another!issue!that!occurred!was!that!the!lighting!console!that!was!purchased!earlier!
in!the!school!year!was!not!shipping!out!to!customers!yet.!!This!was!due!to!a!manufacturing!
problem!with!the!touch!screens!on!the!console!as!a!result!of!an!earthquake!that!destroyed!
a!nuclear!power!plant!in!Japan!several!months!prior!to!the!production.!!This!problem!was!
solved!by!contacting!our!local!ETC!representatives,!which!I!had!made!connections!with!as!
an!immediate!result!of!my!ETC!LDI!Sponsorship!awarded!earlier!in!the!Fall!2011,!and!
through!them!I!was!able!to!acquire!an!ETC!Ion!console!and!fader!wing,!which!met!all!the!
programming!demands!I!would!have!for!the!production.!!!
Once!the!University!had!acquired!the!ETC!Ion!over!winter!break!and!began!to!install!
it!in!the!space,!we!encountered!an!unforeseen!problem!with!the!Ion’s!networking!interface!
into!our!Black!Box!ETCNet2!hardware.!After!a!couple!simple!troubleshooting!solutions!
(cable!swaps,!checking!connectors,!rebooting!the!computer,!restarting!the!network)!I!
brought!one!of!the!ETCNet2!DMX!nodes!to!the!tech!table!and!tried!to!make!it!turn!on!and!
respond!to!the!network.!!It!turned!on!just!as!expected.!!After!contacting!ETC!technical!
support!in!order!to!discover!why!such!a!scenario!would!exist,!they!suggested!a!couple!of!
scenarios:!the!ETCNet2!gateway!is!in!need!of!repair,!advanced!functions!in!the!network!
switch!are!turned!on!and!should!not!be,!software!not!available!to!the!consumer!was!in!
34!
need!of!upgrading,!or!there!is!improper!termination!in!the!network!switch!from!the!initial!
installation!which!is!causing!a!problem.!!The!simplest!solution!would!be!to!use!the!DMX!
ETCNet2!Node!connected!to!the!rest!of!the!network!and!use!the!DMX!outputs!on!the!Ion!to!
go!into!the!ETCNet2!Node.!!This!problem!is!best!solved!by!a!professional!who!has!the!
software,!hardware,!and!time!readily!accessible,,!which!means!it!is!a!problem!that!can!be!
solved!in!the!upcoming!summer!when!the!space!goes!dark!and!the!network!can!be!
dismantled!and!repaired!as!necessary.!
Another!problem!that!occurred!during!technical!rehearsals!that!was!not!anticipated!
was!that!the!florescent!practical!that!was!conceived!in!October!and!the!materials!to!build!it!
were!never!ordered.!!As!a!result,!I!had!to!use!my!single!lamp!prototype!in!the!show!to!make!
up!for!the!loss!of!the!practical.!!Artistically,!there!was!a!loss!of!lumens!and!the!quick!flicker!
one!can!experience!when!fluorescents!first!turn!on!was!lost,!but!by!making!the!dimmable!
fluorescent!bump!on!at!a!high!intensity!and!using!black!wrap!to!mask!any!unwanted!spill!
onto!the!set,!I!was!able!to!maintain!the!integrity!of!the!design.!
One!scene!that!was!particularly!hard!to!compose!was!the!kitchen!scene.!!There!were!
moments!where!actors!enter!through!an!upstage!kitchen!window!and!stand!on!the!table!
and!deliver!their!lines.!!The!table!is!about!four!feet!from!the!deck,!and!the!drastic!difference!
in!height!made!their!bodies!fully!exposed!to!the!projections!on!the!wall.!!It!looked!messy!
since!my!lighting!was!not!able!to!separate!the!actors!from!the!projections!in!the!scene.!
Many!different!solutions!were!explored!using!the!instruments!already!in!the!design,!
including!the!moving!lights.!!However,!they!did!not!have!the!amount!of!intensity!needed!to!
combat!the!projections!where!they!were!located.!!The!result!was!to!hang!two!new!fixtures!
35!
in!order!to!help!separate!the!actors!from!the!projection!elements.!!Once!these!new!
instruments!were!used!in!composition!to!the!remainder!of!the!scene,!a!solution!was!found.!
The!final!unforeseen!issue!with!Roberto!Zucco!involved!the!two!Altman!Daylight!
Fresnels.!!These!Daylight!Fresnels!are!film!and!photography!fixtures,!they!are!typically!left!
on!for!hours!on!end.!!Any!technical!problems!that!exist!on!start!up!are!often!ignored!by!
these!industries,!since!they!don’t!use!the!instruments!when!they!are!first!turned!on.!!
However,!Roberto!Zucco,!needed!to!use!the!Daylight!Fresnels!from!a!cold!start!to!full!
intensity!for!its!final!scene.!!The!major!problem!that!arose!from!their!use!was!as!the!lamps!
and!gases!expanded!from!heat,!the!lamp!would!shift!within!the!fixture!and!cause!it!to!
flicker!out!once!the!lamp!achieved!its!full!color!spectrum.!!This!was!distracting!to!the!
audience,!and!artistically!it!looked!sloppy.!!The!technical!issue!also!did!not!happen!every!
time,!but!it!would!happen!about!fifty!percent!of!the!time.!Before!the!performances!the!
electric!shop!arranged!for!the!Daylight!Fresnels!to!be!warmed!up!before!the!audience!took!
their!seats,!but!this!did!not!solve!the!problem!since!by!the!time!they!were!used!in!the!show!
they!were!cold!again.!!Many!people!on!the!University!staff!called!Altman!Lighting!technical!
support!in!order!to!find!a!solution!to!the!problem,!but!received!such!a!gamut!of!answers!
that!they!all!became!unreliable!solutions.!!Some!of!their!answers!included:!!a!bad!electronic!
ballast,!bad!line!voltage,!bad!wattage,!a!bad!lamp,!a!bad!lamp!seating,!bad!unit!angularity,!
bad!DMX!signal,!or!a!bad!DMX!processor.!!We!tried!many!of!their!suggestions,!and!all!to!no!
definitive!solution.!!In!conclusion,!the!only!method!in!which!to!achieve!the!clean!and!linear!
intensity!climb!I!was!looking!for!with!the!production!would!be!the!purchasing!of!DMX!
controlled!automated!dousers.!!Despite!the!technical!problems!involved!with!the!
implementation!of!the!Fresnels,!the!quality!of!the!light!that!was!emitted!from!the!
36!
instrumentation!was!unique!and!artistically!tasteful!in!relationship!with!the!needs!of!the!
scene!and!text.!!All!in!all,!I!felt!that!I!handled!all!the!unforeseen!issues!professionally!and!
successfully.! !
37!
CHAPTER!6!
CONCLUSION!
Commentary.
! When!all!said!and!done,!the!production!had!a!very!successful!run!of!fifteen!
performances!at!the!University!of!Florida,!which!came!to!a!close!on!February!12,!2012.!!My!
major!critique!of!the!entire!production!was!that!at!times!visually!the!production!was!
muddied,!which!was!brought!about!by!two!issues.!SinceI!had!to!stay!within!the!confines!of!
the!new!University!inventory!policy!for!the!Black!Box!I!could!not!bring!additional!
instrumentation!from!Constans!Theater!into!the!space,!this!forced!me!to!use!multiple!
qualities!of!light!in!a!single!scene!and!at!times!they!did!not!blend!well!together!and!made!
continuity!an!issue.!It!was!often!a!challenge!to!blend!older!conventional!fixtures!to!
accurately!blend!well!with!newer!more!efficient!ones;!especially!in!relation!to!
compensating!for!a!lamp’s!respective!amber!drift!in!relation!to!another!fixture.!!The!second!
was!the!use!of!projections!and!the!cumbersomeness!of!the!University’s!projection!
equipment.!!The!projectors!themselves!are!not!theatrical!or!venue!projectors,!which!cost!
tens!of!thousands!of!dollars!more.!!The!two!projectors!that!were!used!had!limited!options!
within!their!hardware,!and!the!University!only!having!two!available!for!the!production!
meant!that!there!were!always!a!definite!beginning!and!end!to!the!projection!surfaces!and!
this!caused!artistic!problems!when!trying!to!use!projections!to!compose!on!the!large!scale!
of!the!set.!!At!times!the!projections!drastically!stopped,!such!as!in!moments!of!the!Brothel!
and!Kitchen!scenes.!When!viewing!production!photos,!the!projections!do!not!look!like!
polished!and!coherent!executions!when!compared!to!the!scenic!and!lighting!elements.!!
Investment!into!a!media!server!and!modern!theatrical!projectors!would!be!a!fine!artistic!
commitment!to!the!University!if!further!productions!like!Roberto!Zucco!are!to!be!produced.!!
38!
The!director!at!many!times!was!limited!as!to!what!he!could!do!with!blocking!and!story!
because!of!what!Mr.!DiFato!and!Mrs.!Powell!was!capable!of!doing!with!the!hardware!they!
had!available.!The!craft!of!merging!the!two!worlds!of!lighting!and!projections!needs!to!be!
explored!and!the!University!needs!to!invest!in!more!standardized!forms!in!order!for!a!
seamless!integration.!
Self.Evaluation.
! This!production!of!Roberto!Zucco!is!a!solid!example!of!my!talents!and!my!skills!as!a!
lighting!designer!that!I!have!worked!hard!to!hone!while!being!a!candidate!for!a!Master!in!
Fine!Arts!from!the!University!of!Florida.!!I!was!a!driving!force!into!the!conception!of!the!
design!by!making!use!of!visualization!technologies!such!as!WYSIWYG!by!storyboarding!and!
will!definitely!continue!to!utilize!these!skills!in!my!future!designs.!!There!is!a!great!value!in!
producing!renderings!so!as!to!explain!thoughts!and!approaches!to!the!production!and!then!
replicating!in!reality!what!is!expressed!on!the!page!and!CAD!software.!!Throughout!this!
process!I!refined!design!approaches!so!as!to!use!labor!and!programming!time!efficiently.!!I!
am!content!with!how!the!production,!during!the!technical!rehearsals,!stopped!very!few!
times!because!of!lighting!problems!or!programming!needs.!!The!flow!of!wet!tech!was!such!
that!it!always!had!forward!momentum.!!At!times!it!was!a!battle!with!the!projections!in!
order!to!not!have!the!projections!dominate!the!actors’!complexions!or!alter!the!
composition!of!the!stage!drastically,!but!with!hard!work!and!perseverance!the!production!
succeeded.!!!
In!hindsight,!I!spent!more!time!on!developing!the!technical!elements!of!angularity!
and!composition!that!during!rehearsals!when!I!should!have!focused!more!on!identifying!
the!emotional!high!points!of!the!scenes!and!how!to!exploit!them!through!lighting.!!I!spent!
39!
more!time!reading!and!rereading!the!script!exploring!the!emotional!needs!of!the!moment!
at!home!and!while!attending!rehearsals!I!focused!on!where!those!moments!where!
physically!located!in!the!space.!!For!this!production!I!should!have!done!the!opposite.!!I!
should!have!explored!the!production!by!absorbing!how!the!story!was!being!presented!to!
me!by!attending!rehearsals!instead!of!worrying!about!what!the!blocking!was!doing.!!
Regardless!of!the!critique!of!myself,!the!show!still!looked!very!beautiful,!in!addition!to!
being!well!received!by!audiences.!!This!production!was!an!excellent!example!of!the!
culmination!of!skills!that!I!have!developed!during!my!tenure!as!a!student!at!the!University!
of!Florida.!!!!!
! !
40!
!
APPENDIX!A!
RESEARCH!IMAGES!
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41!
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Image.AW1.
(A!YouTube!Horror!History!2009)!
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Image.AW2.
(Tunesberry.com!2012)!
42!
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Image.AW3.
(Dvisable!Magazine!2009)!
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Image.AW4.
(Dfordoom!2009)!
43!
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Image.AW5!
(Eifert!2009)!
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Image.AW6.
(Mr.!Shultz!2011)!
44!
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Image.AW7.
(Smith!2009)!
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Image.AW8!
(Eurostar!Station!2008)!
45!
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Image.AW9!
(The!Parsley!2008)!
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Image.AW10!
(ABDUCTION!2010)!
46!
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Image.AW11.
(Brajovic!2011)!
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47!
Image.AW12!
Edward!J.!Steichen,!The!Flatiron,!1904!
(Heilbrunn!Timeline!of!Art!History,!2000)!
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48!
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Image.AW13.
Diagram!of!Dimmable!Fluorescent!Ballast!based!off!of!conversations!with!ETC!and!Lutron,!
Inc!presented!to!Professor!Stan!Kaye!and!Todd!Bedell!on!November!9,!2011!
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49!
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APPENDIX!B!
STORYBOARD!IMAGES!
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Scene!I!–!L’évasion!/!Breakaout!
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Scene!III!Sous!la!table!/!Under!the!table!
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Scene!III!Sous!la!table!/!Under!the!Table,!Scene!VII!Deux!soeurs!/!Two!Sisters!
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Scene!II!Meurtre!de!la!mere!/!He!murders!his!mother!
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Scene!III!Sous!la!table!/!Under!the!table,!Scene!VII!Deux!sœurs!/!Two!Sisters!
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Scene!IV!La!mélancolie!de!l’inspecteur!/!The!melancholy!decective,!Scene!XI!Le!deal!/!It’s!a!
deal,!Scene!XIV!L’arrestation!/!The!Arrest.
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Scene!V!Le!Frangin!/!Brotherly!Love!
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Scene!VI!Métro!/!Metro!
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Scene!VIII!Juste!avant!de!mourir!/!Just!before!dying!
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Scene!IX!Dalila!/!Delilah!
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Scene!X!L’otage!/!The!Hostage!
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Scene!XII!La!Gare!/!Railway!Station!
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XIII!Ophélie!/!Ophelia!
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Scene!XV!Zucco!au!soleil!/!Zucco!in!the!sun! !
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APPENDIX!C!
PRODUCTION!PHOTOS!
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Scene!I!–!LQ!#16!“RZ!Crossing!Stage!About!to!Escape”!
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Scene!II!–!LQ#!32!“Mother’s!Apartment”!
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Scene!III!LQ#!42!“Kitchen!Scene”!
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Scene!V!LQ#!62!“Brotherly!Love”!
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Scene!VII!LQ#!82!“Tender!Mother”!
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Scene!8!LQ#!94!“Snowy!Africa”!
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Scene!XII!LQ#!132!“Train!Station”!
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Scene!XIII!LQ#!144!“Disgusting!Animals”!
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Scene!VX!LQ#!162.3!“RZ!on!Ladder”!
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Scene!15!LQ#!164!“HMIs!At!Full”!
Photo!By:!Molly!Ilten!
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Scene!15!LQ#!167!“After!the!Fall”!
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71!
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APPENDIX!D!
DESIGNER!PAPERWORK!
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72!
#
#
#
# Roberto'Zucco'Light'Cue'Sheet
Note Type Number Time When What Concept
#
LQ 0.5 0 Channel'Check
Every'act'of'creation'is'first'an'act'
0
Roberto'Zucco LQ 1 House'Open of'destruction'~'Pablo'Picasso
circa'1981 LQ 2 2 House'1/2 High'powered'instrument
# LQ 3
P1 5
B/o NO'CHASING'ACTORS Hide'them
P2 D:2'4 Comic'Banter
Scene'I LQ 11 Prision Cinematic'backbone
# P1
P2
5
D:2'5
Backlight
Footlight
Look'for'Godot'Moon?
P3 D:3'5 Side
# Nosferatu'like'isolation'
as'Zucco'escapes
Small'light'for'RZ'in'prison
Oriented'in'such'a'way'that
When'RZ'opens'door'long
shadow
# The'two'prisoners'
shapes'are'defined'but LQ
12
13
F:2'3
5
TOS
p.1'Some'kind'of'liquid
Up'on'RZ,'projections'up
Up'on'RZ'Walking'out'of'Prison
Track'
minimal'color'^'emphasize'and'establish'
# their'faces'are'not'
illuminated
LQ 14
15
5
5
p.2'potentially
p.'2'No.'Nothing.
Up'on'RZ'rounding'the'curve
Up'on'RZ'DSR'about'to'turn
the'psychological''tension'
Whenever'we'transition
16 5 p.3'Wild'Bastard UP'on'RZ'with'70'degree Most'of'the'commotion We'make'sharp'cuts bump'ques'in'and'out
17 5 An'inmate'escaping OUT'all'RZ'path'light OSR W/'sound'effect
# Search'light'moment LQ 18
P1 0
Break'Out Movers'Up Open'some'panels
CREATE'A'EERIE/CONFUSING
Automated'fixtures P2 D:1.5'0 EFFECT
# turn'on'(22"'fresnel?)
and'frantically'try'to
P3 D:2.3'0
Old$style$Police$Light
find'Zucco 19 F:1'5 Mover'Effects'UP Red$or$Orange Tweeking'because'of'lighting
LQ 20 0 B/o Not'exactly'European
# Scene'II 31 F:1 Scene'Change Effect'Stop
P1 0 Unsure'about'Lighting:
#
Zucco'Kills'his'mother P2 D:2'5 One'look'and'work Visqueen'Locations
LQ 32 5 Mother's'House Scene'establish RZ'comes'out'of'the'darkness Best'location'for'the'detective'murder
Sharp'light'somewhere
# LQ 33 p.'6'Like'I'promised Mother'Death
LQ 34 2 B/o Clear'Stage
# Scene'III LQ 41 2 Scene'Change Projected'Wall'paper
LQ 42 0 Kitchen'Scene After'scene'change Practicals'are'the Big'Bad'Moon'through'the'window
# LQ
LQ
42.1
42.3
Father'enters
Father'Exits
Under'the'table LQ 43 0 RZ'and'girl'isolation Door'special'up suggested'light'source Let's'explore'it'further
LQ 44 0 Father'x's'to'CSR Father'special'up the'angles'flatter Overhead'light'moves'on'a'track
# LQ
LQ
45
46
0
0
Father'begins'to'x'to'CC
Sister'exits
Father'Special'DN
Door'special'OUT
but'give'Roberto
Zucco Kitchen'will'need'have'some'DS'light'for'the'actors'in'scene'7
#
#
73#
#
#
# LQ 47 2 p.'12'Mother'Entrace PIN'CUSHION'SPECIAL'(502)
LQ 48 2 B/o ROVER'UP
# Scene'IV LQ 51 Scene'Change Use'scene'2'image'instead

LQ 52 Brothel'Scene Stark
# The'brothel'reception
has'a'key'light'overhead
LQ
LQ
53
54
p.'13'Detective:'Goodbye
p.13'Prostitute
RZ'Kills'Detective RZ'Comes'out'of'one'of'the'spiral
Up'Light'on'Madame'After'Death Puts'his'hat'back'on 502'on'Madame'and'Prostitutes?
LQ 55 before'Devil'or'not madam'turns Just'Deleted
dark'and'mysterious LQ 55 B/o Pimp'CS'in'Madame'Look
# in'order'for'patrons'to
not'be'able'to'identify
A'slight'increase'in'height'with
the'shadow'silhouette'during
each'other the'killing
# isolation'and'focus
are'prime'concepts'here
High'sidelight,'kills'shadows
Allows'us'to'play'how'we'need
to'play
# Scene'V LQ 61 Scene'Change
Confined
Brother'Scares'Girl'like'Whoa She'and'he'are'under'the
# Girl'has'a'look'of'terror
kitchen'table
Not'a'whole'lot'needed
Brother'plays'with'the'light table'curtain'pulled
source'in'order'to'maintain
# suspense LQ 62 Brother
Scene'VI LQ 71 Scene'Change Flickering'Metro Key'light Gregg'at'Center'when'he'finishes
#
LQ 71.1 Old'man'enter build'71'with'old'man'entrance Ensamble'will'be'blocked
Exterior'(Train'Station) High'Wash'light'to'light'them
Night'time,'the'space'is Their'faces'not'important
illuminated'by'an'
# overhead'fixture'that
barely'illuminates'the 72 Metro Metro'Establish
Plan'on'a'florescent'to'flicker
for'RZ's'reveal
park'bench 73 Metro'Florescent'Reveal'of'RZ RZ'Appears In'10,'keep'off'9,'8,'7 Use'502'as'a'DN'that'matches'color'of'bench'overhead
more'diffusion'than' 74 p16'"It's'impossible'to'believe Old'Man'Crosses SR'down,'SL'Up
# directionality 75
76
rz'stands
RZ'Returns'to'bench exit
78 Old'Man'gets'up'2nd'Time
# "Full'of'Fear"
Scene'VII LQ 81 Scene'Change Version'to'the'previous Actors'Are'a'bit'more'downstage'than'earlier'runs

Play'on'angles
# Interior'(The'Kitchen)
The'kitchen'again ROVER'UP
however'there'is'more
# illumination'than'prior
LQ 82 Kitchen'w/'Flickering'Light
LQ 83 sister'stands
# Scene'VIII LQ
LQ
91
92
Scene'Change
Bar'Establish Projection'around'the'window Haze
Bar'florescents
#
Ext.'(Phonebooth) Good'complimentary'color
One'color'that'fights'with'the
A'light'potrudes'from' Green
#
#
74#
#
#
# the'broken'window Define'the'acting'area
the'light'that'illuminates LQ 93 RZ'Tossed'Out'the'Bar Ext.'Light'UP,'Int.'DN Establish'the'contrast'between Make'sure'group'is'lit'
the'phone'booth'could LQ 94 p.'23'Take'me'Away Africa'Projection Interior'and'Exterior Make'sure'the'quality'of'light'is'consistant
# catch'Zucco'as'he'
recovers,'a'street'lamp
LQ
LQ
95
96
p.'23'Laugh'at'US
p.'24'I'm'going'to'die
Restore
Isolate'RZ,'Dawn'Look'UP
Blue/white'moonlight
will'cover'the'remainder Dawn'is'coming'up
# of'the'play'space Give'the'audience'the'feel'that
Zucco'is'abandoned
City'sunrise'through'smog'and'
soot
# Scene'IX LQ 101 Scene'Change Oppressive'authoritative'feel
Don't'forget'about'the'Poster'
# Int.'(Police'Station)
102 Interrogation'Establish Light Powerful'desk'light'to'provide
uplighting
Chauvet'or'practical
The'police'station'would projected'wanted'poster
# have'a'soft'illuminous
key'light,'but'the
103
104
I'just'can't'say'it
restore
Desk'Light'UP,'Establish'DN keep'what'we'need,'leave'everything'
else'out
oppunity'for'shadows Keep'practical'Light chief'and'detective'light'are'the'same maybe'needs'to'be'deleted
# still'exist
Scene'X LQ 111 Scene'Change High'Light'Wash
# Ext.'Daylight Daylight'scene
Don't'wash'out'the'projection
Wide'wash,'but'still slow'count'wash'on'the'visqueen
#
directionality'is'suggested LQ 112 Park'Establish Projection'Trigger utilize'the'openings
LQ 113 p.'30'Run'for'it Visqueen'Change actors'entering'DSL,'UL,'UR
LQ 114 Shit'Scared,'that's'why More'visqueen'change Lady:'sharp'light'change,'inner'monologue
# LQ 115 p.'37'Out'of'my'way Child's'Death

Boy'puts'blood'on'puppet,'Leaves'
light'restore,'continue'through'the'wintery Delete?
LQ 116 p.'37'End Fall Pull'down'surrounding'light,'UP'on'Doll

Serial'image'that'involves'blood'from
# the'puppet
Scene'XI LQ 121 Scene'Change madame'throne
# Int.'(Hotel'Reception)
LQ 122 Establish Ghesha'makeup'during'madame's'speech
Brother'and'pimp'come'from'the'spiral
and'in'front
split'focus
# 122.1 makeover
don't'change'look'for'when'madame'
comes
LQ 123 p.'38'Pimp'and'Brother'Enter Up'on'Bro'and'Pimp'DN'on'Girls
# LQ
LQ
123.1
124
Bro'and'Pimp'XR
girl'XC Switch'Emphasis girl'sign'is'in
LQ 125 p.'40'Ok,'it's'a'deal DN'surrounding'area,'Up'on'Girl restore
LQ 126 girl'exit Isolation'for'Monologue Just'Deleted
# LQ 127 p.'40'Brother's'Entrance
Scene'XII LQ 131 Scene'Change We'need'to'talk'about'this'one
#
LQ 132 Train'Station Custom'Gobo Projections'from'10'to'7?
Called'when'Lady'and'Z'are'in'
Lit'for'illumination place
#
#
75#
#
#
# still'a'use'of'darkness Window'Gobo'souce'of'light
can'be'exploited Scrollers'provide'side'Indirect'Daylight
# Time'of'day'not'in'script
Scene'XIII LQ 141 Transition
# Int'(Railway'station)
LQ
LQ
142
143
Establish
p.'45'Kills'me
Sister'DSC
Sister'X's'to'Bench
same'as'above LQ 144 p.'Of'all'the'disgusting'animals Umbrellas
LQ 145 isolation'on'sister'center
# Scene'XIV LQ 151 Scene'Change
LQ 152 Brothel'Establish
# LQ
LQ
153
154
Police'entrance
Police'XR
LQ 155 Girl'sees'RZ,'XL
LQ 156 Strobe
# LQ
LQ
156.5
157
Restore
Zucco's'Arrest
Whistle'blowing
# Scene'XV LQ 161 Scene'Change We'need'light'for'Annalith'for'SR'area
Prison
Possible'restore'to'the
# top'of'show,'but'
more'humanizing'if'we LQ 162 Mover'UP'on'Cast Mesh
don't'do'a'restore LQ 162.1 Up'on'RZ RZ's'path'is'in'a'Part'Cue
#
LQ 162.3 mover'on'ladder
LQ 163 p.'50'HMI'up'on'RZ'Walls
LQ 164 p.'52'Liar HMI'up'on'RZ'climbing'ladder
LQ 165 p.'53'Going'to'Fall 'All'@0
# LQ
LQ
166
167
p.'53'
Circle'of'People
UP'on'RZ'Circle
fill'on'circle When'Carlos'Opens'circle
LQ 168 EoS Final'Pose
LQ 169 FtB FtB
# LQ 171 Bows
LQ 172 B/o
# LQ 173
P1
House'Up
Set'Look
P2 House
#
#
#
#
#
#
76#
University of Florida Roberto Zucco Magic Sheet 1.26.2012 LD: B. Lussier ALD: Katie Hipschman January 2012
Front%Cool Thin%Line Bench%Special Park%Template Mesh%Panels

65 86
6 7 8 9 10 61 64 115 124 123 85
66 112 84
1 2 3 4 5 62 63 111 122 121 82 83
81
Front%Green Strong%Backlight Train%Station%Template Park Rover Brothel

74 174 197 201
16 17 18 19 20 73 173 161 162 183 187 198 202
72 172 182 186
11 12 13 14 15 71 171 165 181 185 RED#LIGHT 203
401 ShinL#210 (madame)
Side%Light Mother Scene%5 RZ%Path Pimp#&#Bro Brothel%Doors

135 232 95 214 211 212
43 44 144 143 134 133 238 231 91 213
131 132 239 233 92 93 98 Death
41 42 142 141 235 236 237 96 97 251 215 214
94
217 218 219
Kitchen
Back%Scrollers Strobes Works Arch 242 195 Interrogation Bar
54 55 56 227 226 225 241 192
Atomic 666L#House 228 224 193 281 291 292
51 52 53 301 667#L#Fluorescent 229 223 196 282
668L#TL#All 222 191 283#L#lamp
Strobe 669L#light#locks 221
302 670L#safety#light Fluorescent
Back%Ind Visqueen%Wash 321 Berky#Wash
154 155 156
260 Selecon 317 316 315
151 152 153 Metro%DN HMI Movers 261 S4#Jrs Bar#Exterior 319 318 314
104 103 702 504 505 262 Blue 320
105 102 503 263 Lav 272
GIRLS Cocktails 101 701 501 502 271 311 313
402 403 312
SR#Boom:# SL#Boom
238#########################210 Deck#Units##### 97
239#########################131 218#235#217#236#219#237 98
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APPENDIX#E#
LIGHTWRIGHT#PAPERWORK#
# #
83#
RZ REVISION 5 FI... CHANNEL HOOKUP Page 1 of 10
RZ Final.lw5 3/7/12
LD: Bryan Lusssier University of Florida
ALD: Katie Hipschman Nadine McGuire Black Box
ME: Todd Bedell 1.27.2012
CONTROL SYSTEM A
Channel Dimmer Position U# Purpose Type & Acc & W Color Gobo
(1) Conventionals/221 Tech Ledge 13 Fr Cool Berky 30 750w R364 W/

South Top Pipe R119

South Top Pipe R119

South Top Pipe R119

South Top Pipe R119

South Top Pipe R119
(6) Conventionals/166 Bay 7 South 5 Fr Cool Source 4 26deg 750w R364 W/

Bottom Pipe R119

Bottom Pipe R119

Bottom Pipe R119

Bottom Pipe R119
(13) Conventionals/217 Tech Ledge 6 Fr Warm Berky 30 750w L245 W/

South Top Pipe R119
(14) Conventionals/212 Tech Ledge 4 Fr Warm Berky 30 750w L245 W/

South Top Pipe R119
(51) Conventionals/22 Bay 1 Pipe B 2 Back DSR S4 PAR WFL 750w L269
(52) Conventionals/29 Bay 2 Pipe B 2 Back DSC S4 PAR WFL 750w L269
(53) Conventionals/38 Bay 3 Pipe A 4 Back DSL S4 PAR WFL 750w L269
(54) Conventionals/3 Bay 1 North Top 2 Back CSR Source 4 PARNel L269
Pipe 750w
(55) Conventionals/6 Bay 2 North Top 2 Back CC Source 4 PARNel L269

Pipe 750w
(56) Conventionals/11 Bay 3 North Top 1 Back CSL Source 4 PARNel L269
Pipe 750w
(61) Conventionals/226 Tech Ledge 2 Panel 6 Source 4 36deg 750w L029 W/

West Top Pipe Thin Line L269 W/
L258
University of Florida School of Thetare and Dance / (1) thru (61)
#
#
#
#
84#
#

RZ Final.lw5 3/7/12
CONTROL SYSTEM A

South Bottom Thin Line L269 W/
Pipe L258

East Top Pipe Thin Line L269 W/
L258

L258

L258
(66) Conventionals/219 Tech Ledge 11 Thin Line Source 4 26deg 750w L029 W/
South Top Pipe L269 W/
L258
(71) Conventionals/18 Bay 1 West Top 2 SR Strong Source 4 PARNel L202

Pipe Moonlight 750w
(72) Conventionals/17 Bay 1 West 3 SR Strong Source 4 PARNel L202

Bottom Pipe Moonlight 750w
(73) Conventionals/16 Bay 1 Pipe A 3 SR Strong Source 4 PARNel L202

Moonlight 750w
(74) Conventionals/2 Bay 1 North 2 SR Strong Source 4 PARNel L202

Bottom Pipe Moonlight 750w
(81) Conventionals/218 Tech Ledge 2 Mesh Source 4 36deg 750w G540 R7710
South Bottom Panel 2
Pipe
(82) Conventionals/112 Bay 5 South 1 Mesh Source 4 50deg 750w G540 R7710
Bottom Pipe Panel 11
& 10
(83) Conventionals/111 Bay 5 East 1 Mesh Source 4 50deg 750w G540 R7710
Bottom Pipe Panel 9 &
8
(84) Conventionals/96 Bay 6 West 1 Mesh Source 4 50deg 750w G540 R7710
4
#
#
85#
#

RZ Final.lw5 3/7/12
CONTROL SYSTEM A
(85) Conventionals/205 Tech Ledge 6 Mesh Source 4 50deg 750w G540 R7710
East Top Pipe Panel 3
(86) Conventionals/51 Bay 2 South 1 Mesh Source 4 50deg 750w G540 R7710
6
(91) Conventionals/80 Under Catwalk 5 Q-Lite-Jr 1kw G888

West Pipe
(94) Conventionals/120 Under Catwalk 6 Window Source 4 26deg 750w L201 W/

East Pipe front R04
(95) Conventionals/36 Bay 3 West 1 Scene 1 Source 4 36deg 750w G885

Bottom Pipe RZ Path
(96) Conventionals/232 Under Tech 2 RZ Path 2 Source 4 36deg 750w G885

Ledge West
(97) Conventionals/257 SL Boom 1 3 RZ Shin Source 4 50deg 750w G870
(98) Conventionals/256 SL Boom 1 2 RZ Shin Source 4 50deg 750w G870

Near
(101) Conventionals/56 Bay 3 South 5 Metro DN PAR 64 NSP 1kw L202

Bottom Pipe

Bottom Pipe

Bottom Pipe

Bottom Pipe
(105) Conventionals/106 Bay 4 Pipe B 6 Metro DN PAR 64 NSP 1kw L202
(111) Conventionals/66 Bay 5 North 1 SL Bench Source 4 36deg 750w G888

Bottom Pipe
(112) Conventionals/100 Bay 6 Pipe B 4 SL Bench PAR 64 MFL 1kw L202
(115) Conventionals/33 Bay 2 East 1 SR Bench Source 4 26deg 750w G888

Bottom Pipe
(121) Conventionals/75 Under Catwalk 4 Park Source 4 26deg 750w L007 A1054
East Pipe Temp
(122) Conventionals/101 Bay 6 East 1 Park Source 4 26deg 750w L007 A1054
Bottom Pipe Temp
(123) Conventionals/43 Under Catwalk 1 Park Source 4 26deg 750w L007 A1054
East Pipe Temp
#
#
86#
#

RZ Final.lw5 3/7/12
CONTROL SYSTEM A
(124) Conventionals/45 Bay 3 East Top 3 Park Source 4 26deg 750w L007 A1054
Pipe Temp
(131) Conventionals/275 SR Boom 1 4 Mother Source 4 50deg 750w G885

Shin
(132) Conventionals/72 Bay 6 North Top 2 Scene 2 Source 4 36deg 750w G885
Pipe Area
(133) Conventionals/105 Bay 6 Pipe A 2 Scene 2 Source 4 36deg 750w G885
(134) Conventionals/251 Under Tech 1 Scene 2 Source 4 19deg 750w G885

Ledge East
Pipe
(135) Conventionals/88 Bay 5 Pipe 2 Ironing Source 4 19deg 750w G885

Board
(141) Conventionals/71 Under Catwalk 5 Side DSC Source 4 50deg 750w L269
East Pipe
(142) Conventionals/104 Bay 6 East 2 Side DSR Source 4 26deg 750w L269
Bottom Pipe
(143) Conventionals/58 Under Catwalk 2 Side CC Source 4 26deg 750w L269

East Pipe
(144) Conventionals/60 Bay 3 East 1 Side CSR Source 4 26deg 750w L269
Bottom Pipe
(151) Conventionals/21 Bay 1 Pipe B 1 CB Boost Alt. 8" Fresnel 1kw L181 W/
L269
(152) Conventionals/31 Bay 2 Pipe B 1 CB Boost Alt. 8" Fresnel 1kw L181 W/
L269
(153) Conventionals/57 Bay 3 West Top 1 CB Boost Alt. 8" Fresnel 1kw L181 W/
Pipe L269
(154) Conventionals/25 Bay 1 Pipe A 1 CB Boost Alt. 8" Fresnel 1kw L181 W/
L269
(155) Conventionals/7 Bay 2 North Top 3 CB Boost Alt. 8" Fresnel 1kw L181 W/
Pipe L269
(156) Conventionals/12 Bay 3 North Top 2 CB Boost Alt. 8" Fresnel 1kw L181 W/
Pipe L269
(161) Conventionals/170 Bay 7 South 3 TS Temp Source 4 50deg 750w L764 R7753
Bottom Pipe 7
(162) Conventionals/140 Bay 7 West 1 TS Temp Source 4 50deg 750w L764 R7753
Bottom Pipe 7
87#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
(165) Conventionals/173 Bay 8 South 4 Train Source 4 26deg 750w N/C CUST
Bottom Pipe Station OM
(171) Conventionals/44 Bay 3 Pipe A 1 SL Strong PAR 64 MFL 1kw G885

Moonlight
(172) Conventionals/42 Bay 3 East 3 SL Strong PAR 64 MFL 1kw G885

Bottom Pipe Moonlight
(173) Conventionals/41 Bay 3 East Top 1 SL Strong PAR 64 MFL 1kw G885
Pipe Moonlight
(174) Conventionals/13 Bay 3 East Top 2 SL Strong PAR 64 MFL 1kw G885
Pipe Moonlight
(181) Conventionals/4 Under Catwalk 1 Park USL Source 4 36deg 750w R4430 A1054
North Pipe Panel
Opening
Far
(182) Conventionals/188 Tech Ledge 1 Park USR Source 4 50deg 750w R4430 A1054
North Top Pipe Panel
Opening
Near
(183) Conventionals/189 Tech Ledge 1 Park USR Source 4 50deg 750w R4430 A1054
North Bottom Panel
Pipe Opening
Near
(185) Conventionals/14 Under Catwalk 4 Park USL Source 4 36deg 750w R4430 A1054
North Pipe Panel
Opening
Far
(186) Conventionals/194 Tech Ledge 3 Park USL Source 4 50deg 750w R4430 A1054
North Top Pipe Panel
Opening
Near
(187) Conventionals/195 Tech Ledge 2 Park USL Source 4 50deg 750w R4430 A1054
North Bottom Panel
Pipe Opening
Near
(191) Conventionals/26 Bay 2 West 1 Scene 3 Source 4 50deg 750w G870

Bottom Pipe Table
(192) Conventionals/30 Bay 2 North 1 Scene 3 Source 4 50deg 750w G870

Bottom Pipe Table
#
# #
88#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
(193) Conventionals/280 Under Tech 1 Kitchen Berky 30 750w G870

Ledge West Door
Short Pipe
(195) Conventionals/187 Tech Ledge 2 Scene 3 PAR 64 MFL 1kw L202

North Top Pipe Window
(196) Conventionals/233 SR Boom 2 1 Kitchen Q-Lite-Jr 1kw L201

Light
Conventionals/220 Tech Ledge 3 Kitchen Berky 30 750w R364 W/
South Bottom Low Light R119
Pipe
(197) Conventionals/252 SL Rover 1 TV Flicker Alt. 8" Fresnel 1kw L728
(198) Conventionals/253 SL Rover 2 TV Flicker Alt. 8" Fresnel 1kw L354
(201) Conventionals/191 Tech Ledge 6 Brothel Source 4 36deg 750w G870

North Top Pipe Ladies
(202) Conventionals/203 Tech Ledge 3 Brothel Source 4 50deg 750w G870

East Top Pipe Ladies
(203) Conventionals/28 Bay 2 Pipe B 3 Source 4 36deg 750w G855
(210) Conventionals/274 SR Boom 1 3 Brothel Source 4 50deg 750w G870

High Shin
(211) Conventionals/192 Tech Ledge 4 Brothel Shakespeare 30° G842

North Bottom Door 750w
Pipe

North Top Pipe Door 750w

East Bottom Door 750w
Pipe
(215) Conventionals/117 Bay 6 South Top 1 Scene 11 Source 4 36deg 750w G870
Pipe Brother &
Pimp
(218) Conventionals/267 DECK 8 Brother & MR-16 Birdie 75w L201

Pimp
" " 9 " " "
" " 10 " " "
(219) Conventionals/262 DECK 2 Brother & Q-Lite-Jr 1kw L201

Pimp
#
#
#
89#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
(221) Conventionals/118 Under Catwalk 7 Scene 6 Source 4 19deg 750w G888

East Pipe Panel
Edge
(222) Conventionals/99 Bay 6 Pipe B 3 Panel 3 Source 4 26deg 750w G888

DN
(223) Conventionals/98 Bay 6 Pipe B 2 Panel 2 & Source 4 19deg 750w G888 G653
3 Panel
(224) Conventionals/97 Bay 6 Pipe B 1 Panel 3 Source 4 19deg 750w G888 G653
DN
(225) Conventionals/73 Bay 6 North Top 1 Arch Source 4 19deg 750w G888 G653
Pipe Panel 1 &
2 Dn
Corner
(226) Conventionals/35 Bay 2 Pipe A 1 Brothel Source 4 36deg 750w G870

Door 2
Edge

Door 1
Edge

Door
Edge
(232) Conventionals/102 Bay 6 East 4 Scene 5 Source 4 36deg 750w G847

Bottom Pipe
(235) Conventionals/265 DECK 7 Scene 5 Q-Lite-Jr 1kw L201

Brother

Chair
(238) Conventionals/272 SR Boom 1 1 Brother Source 4 Jr Zoom G888

Mids 750w
(239) Conventionals/273 SR Boom 1 2 Brother Source 4 Jr Zoom G888

Mids 750w
(241) Conventionals/19 Bay 1 West Top 1 USC Source 4 PARNel G888

Pipe 750w
(242) Conventionals/20 Bay 1 West 2 USR Source 4 PARNel G888

Bottom Pipe 750w
#
#
90#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
(262) Conventionals/241 Behind 2 Visqueen 10" Scoop 1kw LHT 119

Visqueen Wash
" " 3 " " "
Conventionals/250 " 4 " " "
" " 5 " " "
(263) Conventionals/243 Behind 5 Visqueen 10" Scoop 1kw R54

Visqueen Wash

Visqueen Wash

Visqueen Wash
(271) Conventionals/116 Bay 6 South 1 Bar PAR 64 MFL 1kw L202

Bottom Pipe Exterior
(272) Conventionals/32 Bay 2 East 2 Bar PAR 64 MFL 1kw L202

Bottom Pipe Exterior
(281) Conventionals/5 Under Catwalk 7 Interrogati Source 4 36deg 750w G888

West Pipe on Scene
(282) Conventionals/236 Unistrut West 1 Interrogati PAR 64 MFL 1kw R3206

on Scene
(283) Conventionals/277 DECK Interrogati Lamp 19w N/C

on
Practical
(284) Conventionals/209 Tech Ledge 2 Poster Berky 30 750w R364 W/

South Bottom Special R53 W/
Pipe R119
(291) Conventionals/244 SR BOOM 3 1 Bar Side Alt. 8" Fresnel 1kw A6300
Wash
(292) Conventionals/197 Tech Ledge 2 Bar Side PAR 64 MFL 1kw L124
East Bottom
Pipe
Conventionals/196 Tech Ledge 1 " " "
East Top Pipe
(311) Conventionals/227 Tech Ledge 1 Berky Berky 30 750w L201

West Bottom Wash
Pipe-1-1
#
#
#
#
#
91#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A

South Bottom Wash
Pipe
(313) Conventionals/74 Bay 6 West 2 Berky Berky 30 750w L201

Bottom Pipe Wash
(314) Conventionals/113 Bay 5 South 2 Berky Berky 30 750w L201

Bottom Pipe Wash

Bottom Pipe Wash

Bottom Pipe Wash
(317) Conventionals/161 Bay 9 East 1 Berky Berky 30 750w L201

Bottom Pipe Wash
(318) Conventionals/162 Bay 9 East Top 1 Berky Berky 30 750w L201

Pipe Wash

East Bottom Wash
Pipe
(320) Conventionals/8 Bay 2 North Top 1 Berky Berky 30 750w L201

Pipe Wash
(321) Conventionals/210 DECK 1 Bench T-8 32w N/C

Fluoresce
nt
(666) Conventionals/121 Bay 7 North Top 1 House 10" Scoop 1kw N/C
Pipe Lights
Conventionals/126 Bay 8 North Top 2 " " "
Pipe
Conventionals/131 Bay 9 North Top 1 " " "
Pipe
(670) Conventionals/271 Under Tech 1 Safety Q-Lite-Jr 1kw R80

Ledge West Light
(701) Conventionals/512 Under Catwalk 1 RZ Death Compact HMI 2500 N/C

West Pipe 2.5kw
(702) Conventionals/511 Tech Ledge 8 RZ Death Compact HMI 2500 N/C

South Top Pipe 2.5kw
#
#
#
92#
RZ Final.lw5 3/7/12
CONTROL SYSTEM B
(51) Automated/411 Bay 1 North Top Scroller coloram II 7.5" N/C

Pipe
(52) Automated/412 Bay 2 North Top Scroller coloram II 7.5" N/C

Pipe
(53) Automated/413 Bay 3 North Scroller coloram II 7.5" N/C

Bottom Pipe
(54) Automated/414 Bay 1 Pipe B Scroller coloram II 7.5" N/C
(55) Automated/415 Bay 2 Pipe B Scroller coloram II 7.5" N/C
(56) Automated/416 Bay 3 Pipe A Scroller coloram II 7.5" N/C
(141) Automated/421 Under Catwalk Scroller coloram II 7.5" N/C

East Pipe
(142) Automated/422 Bay 6 East Scroller coloram II 7.5" N/C

Bottom Pipe
(143) Automated/423 Under Catwalk Scroller coloram II 7.5" N/C

East Pipe
(144) Automated/424 Bay 3 East Scroller coloram II 7.5" N/C

Bottom Pipe
(301) Automated/95 Under Tech 1 Atomic Strobe 3kw N/C

Ledge West Strobe
(501) Automated/50 Bay 4 Pipe B 1 Mover VL 1000 1kw N/C
(502) Automated/448 Bay 5 Pipe 1 Mover VL 2416 Wash 1.2kw N/C
(503) Automated/150 Bay 6 Pipe A 1 Mover VL2201 Spot 400w N/C
(504) Automated/300 Bay 2 Pipe A 2 Mover VL2201 Spot 400w N/C
(505) Automated/100 Bay 3 Pipe A 2 Mover VL 1000 1kw N/C
#
#
#
93#
RZ REVISION 5... INSTRUMENT SCHEDULE
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
TABLE OF CONTENTS
Bay 1 North Bottom Pipe .............................. 1 Bay 6 West Bottom Pipe ............................... 7
Bay 1 North Top Pipe .................................... 1 Bay 7 North Top Pipe .................................... 7
Bay 1 Pipe A ................................................. 1 Bay 7 South Bottom Pipe ............................. 7
Bay 1 Pipe B ................................................. 1 Bay 7 West Bottom Pipe ............................... 7
Bay 1 South Bottom Pipe ............................. 1 Bay 8 North Top Pipe .................................... 7
Bay 1 West Bottom Pipe ............................... 1 Bay 8 South Bottom Pipe ............................. 8
Bay 1 West Top Pipe .................................... 2 Bay 9 East Bottom Pipe ................................ 8
Bay 2 East Bottom Pipe ................................ 2 Bay 9 East Top Pipe ..................................... 8
Bay 2 North Bottom Pipe .............................. 2 Bay 9 North Top Pipe .................................... 8
Bay 2 North Top Pipe .................................... 2 Bay 9 South Bottom Pipe ............................. 8
Bay 2 Pipe A ................................................. 2 Behind Visqueen .......................................... 9
Bay 2 Pipe B ................................................. 3 DECK ............................................................ 9
Bay 2 South Bottom Pipe ............................. 3 SL Boom 1 .................................................... 10
Bay 2 West Bottom Pipe ............................... 3 SL Rover ....................................................... 10
Bay 3 East Bottom Pipe ................................ 3 SR Boom 1 ................................................... 10
Bay 3 East Top Pipe ..................................... 3 SR Boom 2 ................................................... 10
Bay 3 North Top Pipe .................................... 4 SR BOOM 3 .................................................. 10
Bay 3 Pipe A ................................................. 4 Tech Ledge East Bottom Pipe ...................... 11
Bay 3 South Bottom Pipe ............................. 4 Tech Ledge East Top Pipe ............................ 11
Bay 3 West Bottom Pipe ............................... 4 Tech Ledge North Bottom Pipe ..................... 11
Bay 3 West Top Pipe .................................... 4 Tech Ledge North Top Pipe .......................... 12
Bay 4 Pipe B ................................................. 4 Tech Ledge South Bottom Pipe .................... 12
Bay 5 East Bottom Pipe ................................ 5 Tech Ledge South Top Pipe .......................... 13
Bay 5 North Bottom Pipe .............................. 5 Tech Ledge West Bottom Pipe-1-1 ............... 13
Bay 5 Pipe .................................................... 5 Tech Ledge West Top Pipe ........................... 13
Bay 5 South Bottom Pipe ............................. 5 Under Catwalk East Pipe .............................. 14
Bay 6 East Bottom Pipe ................................ 5 Under Catwalk North Pipe ............................ 14
Bay 6 North Top Pipe .................................... 6 Under Catwalk West Pipe ............................. 14
Bay 6 Pipe A ................................................. 6 Under Tech Ledge East Pipe ........................ 14
Bay 6 Pipe B ................................................. 6 Under Tech Ledge West ............................... 15
Bay 6 South Bottom Pipe ............................. 6 Under Tech Ledge West Short Pipe ............. 15
Bay 6 South Top Pipe ................................... 6 Unistrut West ................................................ 15
#
#
#
#
94#
RZ REVISION 5... INSTRUMENT SCHEDULE Page 1 of 15
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
Bay 1 North Bottom Pipe

U# Purpose Type & Acc & W Ckt C# Color Gobo Gsiz Dimmer Chan
2 SR Strong Source 4 PARNel L202 Conventionals/2 (74)
Moonlight 750w
Bay 1 North Top Pipe

2 Back CSR Source 4 PARNel L269 Conventionals/3 (54)
750w
Bay 1 Pipe A
1 CB Boost Alt. 8" Fresnel 1kw L181 W/ Conventionals/25 (154)
L269
Moonlight 750w
Bay 1 Pipe B
L269
2 Back DSR S4 PAR WFL 750w L269 Conventionals/22 (51)
Bay 1 South Bottom Pipe

2 Metro DN PAR 64 NSP 1kw L202 Conventionals/47 (104)
Bay 1 West Bottom Pipe

2 USR Source 4 PARNel G888 Conventionals/20 (242)
750w
Moonlight 750w
University of Florida School of Thetare and Dance / Bay 1 North Bottom Pipe thru Bay 1 West Bottom Pipe
#
#
#
95#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
Bay 1 West Top Pipe

1 USC Source 4 PARNel G888 Conventionals/19 (241)
750w
Moonlight 750w
Bay 2 East Bottom Pipe

1 SR Bench Source 4 26deg 750w G888 Conventionals/33 (115)
2 Bar PAR 64 MFL 1kw L202 Conventionals/32 (272)
Exterior

1 Scene 3 Source 4 50deg 750w G870 Conventionals/30 (192)
Table

1 Berky Berky 30 750w L201 Conventionals/8 (320)
Wash
2 Back CC Source 4 PARNel L269 Conventionals/6 (55)
750w
L269
Bay 2 Pipe A
1 Brothel Source 4 36deg 750w G870 Conventionals/35 (226)
Door 2
Edge
Door 1
Edge
University of Florida School of Thetare and Dance / Bay 1 West Top Pipe thru Bay 2 Pipe A
96#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
Bay 2 Pipe B
L269
2 Back DSC S4 PAR WFL 750w L269 Conventionals/29 (52)
3 Source 4 36deg 750w G855 Conventionals/28 (203)

1 Mesh Source 4 50deg 750w G540 R7710 A Conventionals/51 (86)
Panel 7 &
6

Table

1 Side CSR Source 4 26deg 750w L269 Conventionals/60 (144)
3 SL Strong PAR 64 MFL 1kw G885 Conventionals/42 (172)
Moonlight
Bay 3 East Top Pipe

Moonlight
Moonlight
3 Park Source 4 26deg 750w L007 A1054 A Conventionals/45 (124)
Temp
University of Florida School of Thetare and Dance / Bay 2 Pipe B thru Bay 3 East Top Pipe
#
#
#
#
97#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A

1 Back CSL Source 4 PARNel L269 Conventionals/11 (56)
750w
L269
Bay 3 Pipe A
Moonlight
Door
Edge
4 Back DSL S4 PAR WFL 750w L269 Conventionals/38 (53)


RZ Path
Bay 3 West Top Pipe

L269
Bay 4 Pipe B
University of Florida School of Thetare and Dance / Bay 3 North Top Pipe thru Bay 4 Pipe B
#
#
#
#
#
98#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A

Panel 9 &
8

1 SL Bench Source 4 36deg 750w G888 Conventionals/66 (111)
Bay 5 Pipe
2 Ironing Source 4 19deg 750w G885 Conventionals/88 (135)
Board

Panel 11
& 10
Wash
Wash

Temp
2 Side DSR Source 4 26deg 750w L269 Conventionals/104 (142)
University of Florida School of Thetare and Dance / Bay 5 East Bottom Pipe thru Bay 6 East Bottom Pipe
99#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A

1 Arch Source 4 19deg 750w G888 G653 A Conventionals/73 (225)
Panel 1 &
2 Dn
Corner
Area
Bay 6 Pipe A
Bay 6 Pipe B
1 Panel 3 Source 4 19deg 750w G888 G653 A Conventionals/97 (224)
DN
2 Panel 2 & Source 4 19deg 750w G888 G653 A Conventionals/98 (223)
3 Panel
3 Panel 3 Source 4 26deg 750w G888 Conventionals/99 (222)
DN
4 SL Bench PAR 64 MFL 1kw L202 Conventionals/100 (112)

1 Bar PAR 64 MFL 1kw L202 Conventionals/116 (271)
Exterior
Bay 6 South Top Pipe

Brother &
Pimp
University of Florida School of Thetare and Dance / Bay 6 North Top Pipe thru Bay 6 South Top Pipe
#
#
#
#
100#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A

Panel 5 &
4
Wash

1 House 10" Scoop 1kw N/C Conventionals/121 (666)
Lights

2 Fr Cool Source 4 26deg 750w R364 W/ Conventionals/168 (7)
R119
3 TS Temp Source 4 50deg 750w L764 R7753 A Conventionals/170 (161)
7
R119

1 TS Temp Source 4 50deg 750w L764 R7753 A Conventionals/140 (162)
7

Lights
University of Florida School of Thetare and Dance / Bay 6 West Bottom Pipe thru Bay 8 North Top Pipe
#
#
#
101#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A

Wash
R119
4 Train Source 4 26deg 750w N/C CUST A Conventionals/173 (165)
Station OM

Wash
Bay 9 East Top Pipe

Wash

Lights

R119
University of Florida School of Thetare and Dance / Bay 8 South Bottom Pipe thru Bay 9 South Bottom Pipe
#
#
#
#
102#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
Behind Visqueen
2 Visqueen 10" Scoop 1kw LHT 119 Conventionals/241 (262)
Wash
Wash
Wash
5 Visqueen 10" Scoop 1kw R54 Conventionals/248 (265)
Wash
Wash
Wash
Wash
DECK
Interrogati Lamp 19w N/C Conventionals/277 (283)
on
Practical
1 Scene 5 Q-Lite-Jr 1kw L201 Conventionals/261 (237)
Chair
1 Bench T-8 32w N/C Conventionals/210 (321)
Fluoresce
nt
2 Brother & Q-Lite-Jr 1kw L201 Conventionals/262 (219)
Pimp
Brother
8 Brother & MR-16 Birdie 75w L201 Conventionals/267 (218)
Pimp
Pimp
Pimp
University of Florida School of Thetare and Dance / Behind Visqueen thru DECK
#
#
#
#
#
103#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
SL Boom 1
2 RZ Shin Source 4 50deg 750w G870 Conventionals/256 (98)
Near
3 RZ Shin Source 4 50deg 750w G870 Conventionals/257 (97)
SL Rover
1 TV Flicker Alt. 8" Fresnel 1kw L728 Conventionals/252 (197)
2 TV Flicker Alt. 8" Fresnel 1kw L354 Conventionals/253 (198)
SR Boom 1
1 Brother Source 4 Jr Zoom G888 Conventionals/272 (238)
Mids 750w
2 Brother Source 4 Jr Zoom G888 Conventionals/273 (239)
Mids 750w
High Shin
4 Mother Source 4 50deg 750w G885 Conventionals/275 (131)
Shin
SR Boom 2
1 Kitchen Q-Lite-Jr 1kw L201 Conventionals/233 (196)
Light
SR BOOM 3
1 Bar Side Alt. 8" Fresnel 1kw A6300 Conventionals/244 (291)
Wash
University of Florida School of Thetare and Dance / SL Boom 1 thru SR BOOM 3
#
#
#
#
104#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
Tech Ledge East Bottom Pipe

1 Brothel Shakespeare 30° G842 Conventionals/204 (213)
Door 750w
Wash
2 Bar Side PAR 64 MFL 1kw L124 Conventionals/197 (292)
Tech Ledge East Top Pipe

1 Bar Side PAR 64 MFL 1kw L124 Conventionals/196 (292)
Ladies
Panel 3
7 Panel 3 Source 4 36deg 750w L029 W/ Conventionals/206 (65)
Thin Line L269 W/
L258
Thin Line L269 W/
L258
Thin Line L269 W/
L258
Tech Ledge North Bottom Pipe

1 Park USR Source 4 50deg 750w R4430 A1054 A Conventionals/189 (183)
Panel
Opening
Near
2 Park USL Source 4 50deg 750w R4430 A1054 A Conventionals/195 (187)
Panel
Opening
Near
Door 750w
University of Florida School of Thetare and Dance / Tech Ledge East Bottom Pipe thru Tech Ledge North
#
#
#
#
105#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
Tech Ledge North Top Pipe

1 Park USR Source 4 50deg 750w R4430 A1054 A Conventionals/188 (182)
Panel
Opening
Near
2 Scene 3 PAR 64 MFL 1kw L202 Conventionals/187 (195)
Window
Panel
Opening
Near
Door 750w
Ladies
Tech Ledge South Bottom Pipe

Wash
2 Poster Berky 30 750w R364 W/ Conventionals/209 (284)
Special R53 W/
R119
Panel 2
3 Kitchen Berky 30 750w R364 W/ Conventionals/220 (196)
Low Light R119
Thin Line L269 W/
L258
University of Florida School of Thetare and Dance / Tech Ledge North Top Pipe thru Tech Ledge South
#
#
#
106#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
Tech Ledge South Top Pipe

3 Fr Cool Berky 30 750w R364 W/ Conventionals/213 (5)
R119
4 Fr Warm Berky 30 750w L245 W/ Conventionals/212 (14)
R119
R119
6 Fr Warm Berky 30 750w L245 W/ Conventionals/217 (13)
R119
R119
8 RZ Death Compact HMI 2500 N/C Conventionals/511 (702)
2.5kw
R119
11 Thin Line Source 4 26deg 750w L029 W/ Conventionals/219 (66)
L269 W/
L258
R119
Tech Ledge West Bottom Pipe-1-1

Wash
Tech Ledge West Top Pipe

Thin Line L269 W/
L258
University of Florida School of Thetare and Dance / Tech Ledge South Top Pipe thru Tech Ledge West Top
#
#
#
#
107#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
Under Catwalk East Pipe

Temp
2 Side CC Source 4 26deg 750w L269 Conventionals/58 (143)
Temp
5 Side DSC Source 4 50deg 750w L269 Conventionals/71 (141)
6 Window Source 4 26deg 750w L201 W/ Conventionals/120 (94)
front R04
Panel
Edge
Under Catwalk North Pipe

Panel
Opening
Far
Panel
Opening
Far
Under Catwalk West Pipe

1 RZ Death Compact HMI 2500 N/C Conventionals/512 (701)
2.5kw
5 Q-Lite-Jr 1kw G888 Conventionals/80 (91)
7 Interrogati Source 4 36deg 750w G888 Conventionals/5 (281)
on Scene
Under Tech Ledge East Pipe

University of Florida School of Thetare and Dance / Under Catwalk East Pipe thru Under Tech Ledge East
#
#
#
#
108#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
Under Tech Ledge West

1 Safety Q-Lite-Jr 1kw R80 Conventionals/271 (670)
Light
2 RZ Path 2 Source 4 36deg 750w G885 Conventionals/232 (96)
Under Tech Ledge West Short Pipe

1 Kitchen Berky 30 750w G870 Conventionals/280 (193)
Door
Unistrut West
1 Interrogati PAR 64 MFL 1kw R3206 Conventionals/236 (282)
on Scene
University of Florida School of Thetare and Dance / Under Tech Ledge West thru Unistrut West
#
#
#
#
109#
RZ REVISION 5... INSTRUMENT SCHEDULE
RZ Final.lw5 3/7/12
CONTROL SYSTEM B
TABLE OF CONTENTS
Bay 1 North Top Pipe .................................... 1 Bay 3 Pipe A ................................................. 1
Bay 1 Pipe B ................................................. 1 Bay 4 Pipe B ................................................. 2
Bay 2 North Top Pipe .................................... 1 Bay 5 Pipe .................................................... 2
Bay 2 Pipe A ................................................. 1 Bay 6 East Bottom Pipe ................................ 2
Bay 2 Pipe B ................................................. 1 Bay 6 Pipe A ................................................. 2
Bay 3 East Bottom Pipe ................................ 1 Under Catwalk East Pipe .............................. 2
Bay 3 North Bottom Pipe .............................. 1 Under Tech Ledge West ............................... 2
#
#
#
110#
RZ Final.lw5 3/7/12
CONTROL SYSTEM B

Scroller coloram II 7.5" N/C Automated/411 (51)
Bay 1 Pipe B

Bay 2 Pipe A
2 Mover VL2201 Spot 400w N/C Automated/300 (504)
Bay 2 Pipe B


Bay 3 Pipe A
2 Mover VL 1000 1kw N/C Automated/100 (505)
University of Florida School of Thetare and Dance / Bay 1 North Top Pipe thru Bay 3 Pipe A
#
#
#
111#
RZ Final.lw5 3/7/12
CONTROL SYSTEM B
Bay 4 Pipe B
1 Mover VL 1000 1kw N/C Automated/50 (501)
Bay 5 Pipe
1 Mover VL 2416 Wash 1.2kw N/C Automated/448 (502)

Bay 6 Pipe A
1 Mover VL2201 Spot 400w N/C Automated/150 (503)
Under Catwalk East Pipe

Under Tech Ledge West

1 Atomic Strobe 3kw N/C Automated/95 (301)
Strobe
University of Florida School of Thetare and Dance / Bay 4 Pipe B thru Under Tech Ledge West
#
#
#
#
#
112#
RZ REVISION 5 FI... COLOR SCHEDULE
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
TABLE OF CONTENTS
A6300 .................................................. 1 L202 .................................................... 10
G540 .................................................... 1 L245 W/R119 ....................................... 11
G842 .................................................... 1 L269 .................................................... 11
G847 .................................................... 2 L354 .................................................... 11
G855 .................................................... 2 L728 .................................................... 12
G870 .................................................... 3 L764 .................................................... 12
G885 .................................................... 4 LHT 119 ............................................... 12
G888 .................................................... 5 N/C ...................................................... 13
L007 .................................................... 6 R3206 .................................................. 13
L029 W/L269 W/L258 .......................... 6 R364 W/ R53 W/ R119 ......................... 13
L124 .................................................... 6 R364 W/R119 ....................................... 14
L181 W/L269 ....................................... 7 R4430 .................................................. 15
L201 .................................................... 8 R54 ...................................................... 15
L201 W/R04 ......................................... 9 R80 ...................................................... 16
#
#
#
#
#
113#
RZ REVISION 5 FI... COLOR SCHEDULE Page 1 of 16
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
A6300
Position U# Inst Type Watt Purpose Dimmer Chan Acc Gobo Gsiz
SR BOOM 3 1 Alt. 8" 1kw Bar Side Conventionals/244 (291)
Fresnel Wash
G540
Bay 2 South 1 Source 4 750w Mesh Conventionals/51 (86) R7710 A
Bottom Pipe 50deg Panel 7
&6
Bay 5 East 1 Source 4 750w Mesh Conventionals/111 (83) R7710 A
&8
Bay 5 South 1 Source 4 750w Mesh Conventionals/112 (82) R7710 A
& 10
Bay 6 West 1 Source 4 750w Mesh Conventionals/96 (84) R7710 A
&4
Tech Ledge 6 Source 4 750w Mesh Conventionals/205 (85) R7710 A
East Top Pipe 50deg Panel 3
Tech Ledge 2 Source 4 750w Mesh Conventionals/218 (81) R7710 A
South Bottom 36deg Panel 2
Pipe
G842
Tech Ledge 1 Shakespe 750w Brothel Conventionals/204 (213)
East Bottom are 30° Door
Pipe
North Bottom are 30° Door
Pipe
North Top are 30° Door
Pipe
University of Florida School of Thetare and Dance / A6300 thru G842
#
#
#
114#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
G847
Bay 6 East 4 Source 4 750w Scene 5 Conventionals/102 (232)
Bottom Pipe 36deg
G855
Bay 2 Pipe B 3 Source 4 750w Conventionals/28 (203)
36deg
University of Florida School of Thetare and Dance / G847 thru G855
#
#
#
#
115#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
G870
Bay 2 North 1 Source 4 750w Scene 3 Conventionals/30 (192)
Bottom Pipe 50deg Table
Bay 2 Pipe A 1 Source 4 750w Brothel Conventionals/35 (226)
36deg Door 2
Edge
36deg Door 1
Edge
Bay 2 West 1 Source 4 750w Scene 3 Conventionals/26 (191)
Bottom Pipe 50deg Table
36deg Door
Edge
Bay 6 South 1 Source 4 750w Scene 11 Conventionals/117 (215)
Top Pipe 36deg Brother
& Pimp
SL Boom 1 2 Source 4 750w RZ Shin Conventionals/256 (98)
50deg Near
SL Boom 1 3 Source 4 750w RZ Shin Conventionals/257 (97)
50deg
SR Boom 1 3 Source 4 750w Brothel Conventionals/274 (210)
50deg High
Shin
Tech Ledge 3 Source 4 750w Brothel Conventionals/203 (202)
East Top Pipe 50deg Ladies
Tech Ledge 6 Source 4 750w Brothel Conventionals/191 (201)
North Top 36deg Ladies
Pipe
Under Tech 1 Berky 30 750w Kitchen Conventionals/280 (193)
Ledge West Door
Short Pipe
University of Florida School of Thetare and Dance / G870
#
#
#
#
#
116#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
G885
Bay 3 East 3 PAR 64 1kw SL Conventionals/42 (172)
Bottom Pipe MFL Strong
Moonlig
ht
Bay 3 East Top 1 PAR 64 1kw SL Conventionals/41 (173)
Pipe MFL Strong
Moonlig
ht
Bay 3 East Top 2 PAR 64 1kw SL Conventionals/13 (174)
Pipe MFL Strong
Moonlig
ht
Bay 3 Pipe A 1 PAR 64 1kw SL Conventionals/44 (171)
MFL Strong
Moonlig
ht
Bay 3 West 1 Source 4 750w Scene 1 Conventionals/36 (95)
Bottom Pipe 36deg RZ Path
Bay 5 Pipe 2 Source 4 750w Ironing Conventionals/88 (135)
19deg Board
Bay 6 North 2 Source 4 750w Scene 2 Conventionals/72 (132)
Top Pipe 36deg Area
Bay 6 Pipe A 2 Source 4 750w Scene 2 Conventionals/105 (133)
36deg
SR Boom 1 4 Source 4 750w Mother Conventionals/275 (131)
50deg Shin
Under Tech 1 Source 4 750w Scene 2 Conventionals/251 (134)
Ledge East 19deg
Pipe
Under Tech 2 Source 4 750w RZ Path Conventionals/232 (96)
Ledge West 36deg 2
#
#
#
117#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
G888
Bay 1 West 2 Source 4 750w USR Conventionals/20 (242)
Bottom Pipe PARNel
Bay 1 West 1 Source 4 750w USC Conventionals/19 (241)
Top Pipe PARNel
Bay 2 East 1 Source 4 750w SR Bench Conventionals/33 (115)
Bottom Pipe 26deg
Bay 5 North 1 Source 4 750w SL Bench Conventionals/66 (111)
Bottom Pipe 36deg
Bay 6 North 1 Source 4 750w Arch Conventionals/73 (225) G653 A
Top Pipe 19deg Panel 1
& 2 Dn
Corner
Bay 6 Pipe B 1 Source 4 750w Panel 3 Conventionals/97 (224) G653 A
19deg DN
19deg &3
Panel
Bay 6 Pipe B 3 Source 4 750w Panel 3 Conventionals/99 (222)
26deg DN
SR Boom 1 1 Source 4 750w Brother Conventionals/272 (238)
Jr Zoom Mids
SR Boom 1 2 Source 4 750w Brother Conventionals/273 (239)
Jr Zoom Mids
Under Catwalk 7 Source 4 750w Scene 6 Conventionals/118 (221)
East Pipe 19deg Panel
Edge
Under Catwalk 5 Q-Lite-Jr 1kw Conventionals/80 (91)
West Pipe
Under Catwalk 7 Source 4 750w Interroga Conventionals/5 (281)
West Pipe 36deg tion
Scene
#
#
#
#
118#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
L007
Bay 3 East Top 3 Source 4 750w Park Conventionals/45 (124) A1054 A
Pipe 26deg Temp
Bay 6 East 1 Source 4 750w Park Conventionals/101 (122) A1054 A
Bottom Pipe 26deg Temp
Under Catwalk 1 Source 4 750w Park Conventionals/43 (123) A1054 A
East Pipe 26deg Temp
Under Catwalk 4 Source 4 750w Park Conventionals/75 (121) A1054 A
L029 W/L269 W/L258

Tech Ledge 7 Source 4 750w Panel 3 Conventionals/206 (65)
East Top Pipe 36deg Thin Line
South Bottom 26deg Thin Line
Pipe
Tech Ledge 11 Source 4 750w Thin Line Conventionals/219 (66)
South Top 26deg
Pipe
West Top Pipe 36deg Thin Line
L124
Tech Ledge 2 PAR 64 1kw Bar Side Conventionals/197 (292)
East Bottom MFL
Pipe
Tech Ledge 1 PAR 64 1kw Bar Side Conventionals/196 (292)
East Top Pipe MFL
University of Florida School of Thetare and Dance / L007 thru L124
#
#
#
119#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
L181 W/L269
Bay 1 Pipe A 1 Alt. 8" 1kw CB Boost Conventionals/25 (154)
Fresnel
Bay 1 Pipe B 1 Alt. 8" 1kw CB Boost Conventionals/21 (151)
Fresnel
Bay 2 North 3 Alt. 8" 1kw CB Boost Conventionals/7 (155)
Top Pipe Fresnel
Bay 2 Pipe B 1 Alt. 8" 1kw CB Boost Conventionals/31 (152)
Fresnel
Bay 3 North 2 Alt. 8" 1kw CB Boost Conventionals/12 (156)
Top Pipe Fresnel
Bay 3 West 1 Alt. 8" 1kw CB Boost Conventionals/57 (153)
Top Pipe Fresnel
University of Florida School of Thetare and Dance / L181 W/L269
#
#
# #
#
120#
#

RZ Final.lw5 3/7/12
CONTROL SYSTEM A
L201
Bay 2 North 1 Berky 30 750w Berky Conventionals/8 (320)
Top Pipe Wash
Bay 5 South 2 Berky 30 750w Berky Conventionals/113 (314)
Bottom Pipe Wash
Bottom Pipe Wash
Bay 6 West 2 Berky 30 750w Berky Conventionals/74 (313)
Bottom Pipe Wash
Bottom Pipe Wash
Bay 9 East 1 Berky 30 750w Berky Conventionals/161 (317)
Bottom Pipe Wash
Bay 9 East Top 1 Berky 30 750w Berky Conventionals/162 (318)
Pipe Wash
DECK 1 Q-Lite-Jr 1kw Scene 5 Conventionals/261 (237)
Chair
DECK 2 Q-Lite-Jr 1kw Brother Conventionals/262 (219)
& Pimp
Brother
DECK 8 MR-16 75w Brother Conventionals/267 (218)
Birdie & Pimp
Birdie & Pimp
Birdie & Pimp
SR Boom 2 1 Q-Lite-Jr 1kw Kitchen Conventionals/233 (196)
Light
Tech Ledge 2 Berky 30 750w Berky Conventionals/258 (319)
East Bottom Wash
Pipe
University of Florida School of Thetare and Dance / L201
#
#
121#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
L201
South Bottom Wash
Pipe
West Bottom Wash
Pipe-1-1
L201 W/R04
Under Catwalk 6 Source 4 750w Window Conventionals/120 (94)
East Pipe 26deg front
University of Florida School of Thetare and Dance / L201 thru L201 W/R04
#
#
#
#
122#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
L202
Bay 1 North 2 Source 4 750w SR Conventionals/2 (74)
Bottom Pipe PARNel Strong
Moonlig
ht
Bay 1 Pipe A 3 Source 4 750w SR Conventionals/16 (73)
PARNel Strong
Moonlig
ht
Bay 1 South 2 PAR 64 1kw Metro Conventionals/47 (104)
Bottom Pipe NSP DN
Bay 1 West 3 Source 4 750w SR Conventionals/17 (72)
Bottom Pipe PARNel Strong
Moonlig
ht
Bay 1 West 2 Source 4 750w SR Conventionals/18 (71)
Top Pipe PARNel Strong
Moonlig
ht
Bay 2 East 2 PAR 64 1kw Bar Conventionals/32 (272)
Bottom Pipe MFL Exterior
Bottom Pipe NSP DN
Bottom Pipe NSP DN
Bottom Pipe NSP DN
Bay 4 Pipe B 6 PAR 64 1kw Metro Conventionals/106 (105)
NSP DN
Bay 6 Pipe B 4 PAR 64 1kw SL Bench Conventionals/100 (112)
MFL
Bay 6 South 1 PAR 64 1kw Bar Conventionals/116 (271)
Bottom Pipe MFL Exterior
Tech Ledge 2 PAR 64 1kw Scene 3 Conventionals/187 (195)
North Top MFL Window
Pipe
University of Florida School of Thetare and Dance / L202
#
#
#
123#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
L245 W/R119
Tech Ledge 4 Berky 30 750w Fr Warm Conventionals/212 (14)
South Top
Pipe
Tech Ledge 6 Berky 30 750w Fr Warm Conventionals/217 (13)
South Top
Pipe
L269
Bay 1 North 2 Source 4 750w Back CSR Conventionals/3 (54)
Top Pipe PARNel
Bay 1 Pipe B 2 S4 PAR 750w Back DSR Conventionals/22 (51)
WFL
Bay 2 North 2 Source 4 750w Back CC Conventionals/6 (55)
Top Pipe PARNel
Bay 2 Pipe B 2 S4 PAR 750w Back Conventionals/29 (52)
WFL DSC
Bay 3 East 1 Source 4 750w Side CSR Conventionals/60 (144)
Bottom Pipe 26deg
Bay 3 North 1 Source 4 750w Back CSL Conventionals/11 (56)
Top Pipe PARNel
Bay 3 Pipe A 4 S4 PAR 750w Back DSL Conventionals/38 (53)
WFL
Bay 6 East 2 Source 4 750w Side DSR Conventionals/104 (142)
Bottom Pipe 26deg
Under Catwalk 2 Source 4 750w Side CC Conventionals/58 (143)
East Pipe 26deg
Under Catwalk 5 Source 4 750w Side DSC Conventionals/71 (141)
East Pipe 50deg
L354
SL Rover 2 Alt. 8" 1kw TV Conventionals/253 (198)
Fresnel Flicker
University of Florida School of Thetare and Dance / L245 W/R119 thru L354
#
#
#
#
124#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
L728
SL Rover 1 Alt. 8" 1kw TV Conventionals/252 (197)
Fresnel Flicker
L764
Bay 7 South 3 Source 4 750w TS Temp Conventionals/170 (161) R7753 A
Bottom Pipe 50deg 7
Bay 7 West 1 Source 4 750w TS Temp Conventionals/140 (162) R7753 A
Bottom Pipe 50deg 7
LHT 119
Behind 2 10" 1kw Visqueen Conventionals/241 (262)
Visqueen Scoop Wash
Visqueen Scoop Wash
Visqueen Scoop Wash
Visqueen Scoop Wash
University of Florida School of Thetare and Dance / L728 thru LHT 119
#
#
#
#
125#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
N/C
Bay 7 North 1 10" 1kw House Conventionals/121 (666)
Top Pipe Scoop Lights
Bay 8 South 4 Source 4 750w Train Conventionals/173 (165) CUST A
Bottom Pipe 26deg Station OM
DECK Lamp 19w Interroga Conventionals/277 (283)
tion
Practical
DECK 1 T-8 32w Bench Conventionals/210 (321)
Fluoresc
ent
Tech Ledge 8 Compact 2.5kw RZ Death Conventionals/511 (702)
South Top HMI
Pipe 2500
Under Catwalk 1 Compact 2.5kw RZ Death Conventionals/512 (701)
West Pipe HMI
2500
R3206
Unistrut West 1 PAR 64 1kw Interroga Conventionals/236 (282)
MFL tion
Scene
R364 W/ R53 W/ R119

Tech Ledge 2 Berky 30 750w Poster Conventionals/209 (284)
South Bottom Special
Pipe
University of Florida School of Thetare and Dance / N/C thru R364 W/ R53 W/ R119
#
#
#
#
126#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
R364 W/R119
Bay 7 South 2 Source 4 750w Fr Cool Conventionals/168 (7)
Bottom Pipe 26deg
Bottom Pipe 26deg
Bottom Pipe 26deg
Bottom Pipe 26deg
Tech Ledge 3 Berky 30 750w Kitchen Conventionals/220 (196)
South Bottom Low
Pipe Light
Tech Ledge 3 Berky 30 750w Fr Cool Conventionals/213 (5)
South Top
Pipe
South Top
Pipe
South Top
Pipe
South Top
Pipe
South Top
Pipe
University of Florida School of Thetare and Dance / R364 W/R119
#
#
#
127#
#

RZ Final.lw5 3/7/12
CONTROL SYSTEM A
R4430
Tech Ledge 1 Source 4 750w Park USR Conventionals/189 (183) A1054 A
North Bottom 50deg Panel
Pipe Opening
Near
Tech Ledge 2 Source 4 750w Park USL Conventionals/195 (187) A1054 A
Pipe Opening
Near
Tech Ledge 1 Source 4 750w Park USR Conventionals/188 (182) A1054 A
North Top 50deg Panel
Pipe Opening
Near
Tech Ledge 3 Source 4 750w Park USL Conventionals/194 (186) A1054 A
Pipe Opening
Near
Under Catwalk 1 Source 4 750w Park USL Conventionals/4 (181) A1054 A
North Pipe 36deg Panel
Opening
Far
Under Catwalk 4 Source 4 750w Park USL Conventionals/14 (185) A1054 A
Opening
Far
R54
Visqueen Scoop Wash
Visqueen Scoop Wash
Visqueen Scoop Wash
University of Florida School of Thetare and Dance / R4430 thru R54
#
#
128#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
R80
Under Tech 1 Q-Lite-Jr 1kw Safety Conventionals/271 (670)
Ledge West Light
University of Florida School of Thetare and Dance / R80
#
#
#
#
129#
RZ REVISION 5 FI... COLOR SCHEDULE
RZ Final.lw5 3/7/12
CONTROL SYSTEM B
TABLE OF CONTENTS
N/C ...................................................... 1
#
#
#
130#
RZ Final.lw5 3/7/12
CONTROL SYSTEM B
N/C
Bay 1 North coloram Scroller Automated/411 (51)
Top Pipe II 7.5"
Bay 1 Pipe B coloram Scroller Automated/414 (54)
II 7.5"
Top Pipe II 7.5"
Bay 2 Pipe A 2 VL2201 400w Mover Automated/300 (504)
Spot
Bay 2 Pipe B coloram Scroller Automated/415 (55)
II 7.5"
Bay 3 East coloram Scroller Automated/424 (144)
Bottom Pipe II 7.5"
Bottom Pipe II 7.5"
Bay 3 Pipe A coloram Scroller Automated/416 (56)
II 7.5"
Bay 3 Pipe A 2 VL 1000 1kw Mover Automated/100 (505)
Bay 4 Pipe B 1 VL 1000 1kw Mover Automated/50 (501)
Bay 5 Pipe 1 VL 2416 1.2kw Mover Automated/448 (502)
Wash
Bay 6 East coloram Scroller Automated/422 (142)
Bottom Pipe II 7.5"
Bay 6 Pipe A 1 VL2201 400w Mover Automated/150 (503)
Spot
Under Catwalk coloram Scroller Automated/423 (143)
East Pipe II 7.5"
Under Catwalk coloram Scroller Automated/421 (141)
East Pipe II 7.5"
Under Tech 1 Strobe 3kw Atomic Automated/95 (301)
Ledge West Strobe
University of Florida School of Thetare and Dance / N/C
#
#
#
131#
RZ REVISION 5 FI... GOBO SCHEDULE
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
TABLE OF CONTENTS
A1054 .................................................. 1 G653 .................................................... 2
CUSTOM ............................................... 2 R7710 .................................................. 3
R77537 ................................................ 3
#
#
#
132#
RZ REVISION 5 FI... GOBO SCHEDULE Page 1 of 3
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
A1054
Position U# Inst Type Watt Purpose Dimmer Chan Acc Color Gsiz
Bay 3 East Top 3 Source 4 750w Park Conventionals/45 (124) L007 A
Pipe 26deg Temp
Bay 6 East 1 Source 4 750w Park Conventionals/101 (122) L007 A
Bottom Pipe 26deg Temp
Tech Ledge 1 Source 4 750w Park USR Conventionals/189 (183) R4430 A
Pipe Opening
Near
Tech Ledge 2 Source 4 750w Park USL Conventionals/195 (187) R4430 A
Pipe Opening
Near
Tech Ledge 1 Source 4 750w Park USR Conventionals/188 (182) R4430 A
Pipe Opening
Near
Tech Ledge 3 Source 4 750w Park USL Conventionals/194 (186) R4430 A
Pipe Opening
Near
Under Catwalk 1 Source 4 750w Park Conventionals/43 (123) L007 A
Under Catwalk 4 Source 4 750w Park Conventionals/75 (121) L007 A
Under Catwalk 1 Source 4 750w Park USL Conventionals/4 (181) R4430 A
Opening
Far
Under Catwalk 4 Source 4 750w Park USL Conventionals/14 (185) R4430 A
Opening
Far
University of Florida School of Thetare and Dance / A1054
#
#
#
133#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
CUSTOM
Bay 8 South 4 Source 4 750w Train Conventionals/173 (165) N/C A
Bottom Pipe 26deg Station
G653
Bay 6 North 1 Source 4 750w Arch Conventionals/73 (225) G888 A
Top Pipe 19deg Panel 1
& 2 Dn
Corner
19deg DN
19deg &3
Panel
University of Florida School of Thetare and Dance / CUSTOM thru G653
#
#
#
134#
RZ Final.lw5 3/7/12
CONTROL SYSTEM A
R7710
Bay 2 South 1 Source 4 750w Mesh Conventionals/51 (86) G540 A
&6
Bay 5 East 1 Source 4 750w Mesh Conventionals/111 (83) G540 A
&8
Bay 5 South 1 Source 4 750w Mesh Conventionals/112 (82) G540 A
& 10
Bay 6 West 1 Source 4 750w Mesh Conventionals/96 (84) G540 A
&4
Tech Ledge 6 Source 4 750w Mesh Conventionals/205 (85) G540 A
East Top Pipe 50deg Panel 3
Tech Ledge 2 Source 4 750w Mesh Conventionals/218 (81) G540 A
South Bottom 36deg Panel 2
Pipe
R77537
Bay 7 South 3 Source 4 750w TS Temp Conventionals/170 (161) L764 A
Bottom Pipe 50deg
Bay 7 West 1 Source 4 750w TS Temp Conventionals/140 (162) L764 A
Bottom Pipe 50deg
University of Florida School of Thetare and Dance / R7710 thru R77537
#
#
135#
RZ REVISION 5 FINAL WHEEL Page 1 of 1
RZ Final.lw5 3/7/12
#1: UF 1K AI
Slots:
Description Rotates Type Gobo Size Count
1 V7002 Yes Gobo No
2 V7025 Yes Gobo No
3 V7001 Yes Gobo No
4 R86747 Yes Gobo No
5 V4305 Yes Gobo No
6 Yes Open No
University of Florida School of Thetare and Dance /
#
#
#
#
136#
#

RZ Final.lw5 3/7/12
#2: UF 1K AS
Slots:
1 V7002 Yes Gobo No
2 V7025 Yes Gobo No
3 V7001 Yes Gobo No
4 R86738 Yes Gobo No
5 V4305 Yes Gobo No
6 Yes Open No
#
#
137#
RZ Final.lw5 3/7/12
#3: UF 2201 Wheel 1
Slots:
1 V7002 No Gobo No
2 V7014 No Gobo No
3 V7015 No Gobo No
4 MAGENTA No Color No
5 CONGO BLUE No Color No
6 V4202 No Gobo No
7 V7008 No Gobo No
8 V7018 No Gobo No
9 V5009 No Gobo No
10 V7029 No Gobo No
11 V6001 No Gobo No
#
#
#
#
138#
#

RZ Final.lw5 3/7/12
#4: UF 2201 #1 Wheel 2
Slots:
1 V6011 Yes Gobo No
2 FACET PRISM Yes Gobo No
3 V4316 Yes Gobo No
4 V6990 Yes Gobo No
5 V4305 Yes Gobo No
#
#
139#
#

RZ Final.lw5 3/7/12
#5: UF 2201 #2 Wheel 2
Slots:
1 V6011 Yes Gobo No
2 FACET PRISM Yes Gobo No
3 V4316 Yes Gobo No
4 V6990 Yes Gobo No
5 V4305 Yes Gobo No
#
#
140#
#
#
Roberto Zucco REVISI... SCROLL Page 1 of 1

RZ Final.lw5 1/31/12
6: Scroll 6 x15 (New String)

coloram II 7.5"
16 colors
R00 L281
1 0% 12 73 %
L765 L161
2 7% 13 80 %
G325 G841
3 13 % 14 87 %
L285 L715
4 20 % 15 93 %
L776 L728
5 27 % 16 100 %
G235
6 33 %
L024
7 40 %
R4830
8 47 %
L701
9 53 %
L709
10 60 %
G872
11 67 %
#
# #
141#
#
APPENDIX#F#
PRODUCTION#EQUIPMENT#
#
#
#
#
#
# #
142#
Roberto'Zucco
Shop%Order
Conventional*Instruments
Qty. Unit Lamp
6 ETC%Source%Four%19%Degree HPL%750/115X
2 ETC%Source%Four%Jr%Zoom HPL%575/115X
9 ETC%Source%Four%Parnel HPL%750/115X
3 ETC%Source%Four%Par%EA%WFL HPL%750/115X
3 Altman%Shakespeare%30%Degree GLC%750/115X
9 Altman%8"%Fresnel BVT%1000W
5 Par64%NSP 1000W%NSP
11 Par64%MFL 1000W%MFL
7 Altman%QTLite FDA%200W
7 10"%Scoop EGJ%1000W/120V
20 Berkey%30%Degree FLK%575/115X
1 Atomic%3000%Strobe MAXT15
1 Fluorescent%Tube F32T8/RES/ECO
JX%1016%120/75/2N%
6 MRT16%Birdie FSA
Automated*Instruments
Qty. Unit Lamp
1 Vari%Lite%1000%Arc%Iris MSD%575HR
1 Vari%Lite%1000%Arc%Shutter MSD%575HR
1 Vari%Lite%2416%Wash Philips%71T2529
OSRAM%269%876%00%
2 Vari%Lite%2201%Spot 04
Film*&*Video*Lighting
Qty. Unit Lamp
2 Altman%2500%SE HMI%1200%W/S
Practical*Lighting
Qty. Unit **
1 Red%Police%Becon%Light OSRAM%X20275
ECS%38%V2%WW%FL%
1 Lamp%with%60w%Capacity 120
Instrument*Accessories*
Qty. Unit **
176 Safety%Cables
7 Base%Plates
6 MRT16%Base%Plate
176 CTClamp
106 6.25"%Color%Frame
Page%1%of%3
#
143#
#
#
Roberto'Zucco
Shop%Order
35 7.5"%Color%Frame
36 10"%Color%Frame
50 MRT16%Frame
1 S4%Glass%Gobo%Holder%T%A%Size
22 S4%Pattern%Holder%T%A%Size
Dimming
Qty. Unit **
4 ETC%CEM+%Sensor%Rack
380 ETC%D20AF%Dimmer%Modules
1 ETC%D20F%Dimmer%Module
3 ETC%D50AF%Dimmer%Module
Effects*&*Accessories
Qty. Unit **
10 Wybron%Forerunner%7%Inch%Scroller
6 7.5"%Mounting%Plate
4 6.25"%Mounting%Plate
2 Wybron%PST150
2 Wybron%PST150%Hanging%Bracket
Control
Qty. Unit **
1 ETC%Ion%Console
1 Elo%Touch%Screen
1 15"%LCD%Monitor
2 ETC%Net2%2TPort%Gateway%Node
1 ETC%Net2%4TPort%Gateway%Node
1 Pathway%2TPort%Node
1 DMX%Iso%Splitter
1 4Tport%Network%Switch
1 Wireless%Router
1 25'%CAT5e%Network%Cable
2 5'%CAT5e%network%Cable
1 iPad%64GB%T%Black%First%Generation,%w/%ETC%iRFR,%LW%Touch
1 Netgear%WirelessTN%Access%Point
1 DTLink%5TPort%Gigabit%Desktop%Switch
15",%2.53%GHz,%8%GB%RAM,%Mid%2009%MacBook%Pro,%w/Windows%7%64TBit%
1 via%Bootcamp,%WYSIWYG%28%installed,%PERFORM%Dongle%attached
Expendables
Qty. Unit *
10 Apollo%1054%A%Size%Gobo
1 Custom%Gobo%(See%LW%Paperwork%for%Image)
3 GAM%653%A%Size%Gobo
6 Rosco%77710%A%Sized%Gobo
Page%2%of%3
#
#
144#
#
#
Roberto'Zucco
Shop%Order
1 Apollo%6300%Color%Sheet
1 GAM%540%Color%Sheet
1 Lee%007%High%Temperature%Color%Sheet
3 Lee%201%Color%Sheet
Page%3%of%3
#
#
145#
#
#
#
#
#
Custom#Glass#Template#design#for#Scene#XII#Train#Station#
#
146#
#
ETC® Source Four® 19˚

Ellipsoidal Series
S P E C I F I C AT I O N S S P E C I F I C AT I O N S
PHYSICAL OPTICAL
• Rugged, die cast aluminum construction • Re-optimized optical system for improved photometric
• Rotating shutter assembly ±25˚ performance and field uniformity
• 20 gauge stainless steel shutters in a tri-plane assembly • Projector-quality, high contrast aspheric lens
• Interchangeable lens tubes with smooth-running teflon • Optional enhanced definition lens tube available for even
guides provide nine user-fit field angle options higher image quality.
• Thermally insulated rear handle • Faceted borosilicate reflector with dichroic cold mirror coating
• High impact, thermally insulated knobs and shutter handles removes greater than 90% infrared radiation (heat) and
• Two accessory slots and a top mounted, gel frame retainer reflects greater than 95% of visible light
• Steel yoke with two mounting positions • Reflector secured with anti-vibration shock mounts
• Positive locking single-clutch fixture body • Lens(es) secured with anti-vibration shock mounts
• Slot for glass or stainless steel patterns • Tool free, positive locking X, Y and Z lamp centering
• Wide accessory slot with sliding cover for motorized pattern adjustments, unaffected by relamping
devices or optional iris • Beam edge continually adjustable hard-to-soft
• UL and cUL Listed • Interchangeable lens barrels permit selection of 5˚, 10˚, 14°,
ELECTRICAL 19˚, 26˚, 36˚, 50˚, 70° and 90° field angles as well as 19˚, 26˚,
• 115-240V, 50/60Hz 36˚, and 50˚ EDLT lenses
• High temperature 3–conductor 36” leads in a glass fiber
outer sleeve
• Supports ETC Dimmer Doubling™ technology O R D E R I N G I N F O R M AT I O N
LAMP
Source Four
• 750W maximum
• HPL – compact tungsten filament contained in a krypton- MODEL DESCRIPTION
filled quartz envelope (see table for suitable lamp types)
419 19˚ ellipsoidal (black)
• Patented filament geometry makes for extremely efficient
light collection and transmission 419-1 19˚ ellipsoidal (white)
• Integral die cast aluminum heat sink lamp base ETC Source Four are supplied with C-clamp, color frame and 3’ (96cm) leads as
standard
Connector Designation
Use Suffixes below to specify Factory–Fitted Connector type
MODEL DESCRIPTION
-A Parallel-blade U-ground connector
-B Two-pin and ground, 20 amp connector
-C Grounded, 20 amp, twistlock connector
-M Dimmer Doubling Connector (NEMA L515P)
See back page for Source Four Accessories
1 of 4
147#
Ellipsoidal Series
PHOTOMETRICS
Photometric data below is measured with an HPL 750W/115V 300 hr lamp. To convert data when using any other HPL lamp, use the lumen or
candela multiplying factors (Lm MF or Cd MF) for that specific lamp, listed in the Lamps table in this datasheet. For lumen data, multiply by the
Lm MF. For candela or footcandle data, multiply by the Cd MF.
Beam Angle
Field Angle
15˚ 18˚
25’ 40’ 55’ 70’ Source Four 19˚(cosine)

Throw Distance (d)
7.6m 12.2m 16.7m 21.3m Field Beam Lumens
Degree Candela Efficiency
8’ 13’ 18’ 22’ Lumens Lumens per watt
Field Diameter
2.4m 3.9m 5.4m 6.8m 19˚ 243,520 11,180 8,785 51.1% 14.9
Illuminance (fc) 392 153 81 50 Metric Conversions: For Meters multiply feet by .3048
Illuminance (lux) 4,217 1,648 872 538 For Lux multiply footcandles by 10.76
To determine center beam illumination in footcandles at any throw distance, divide

candela by the throw distance squared.
For Field diameter at any throw distance, multiply the throw distance by .32
For Beam diameter at any throw distance, multiply the throw distance by .26
Iso-Illuminance Diagram
(Flat Surface Distribution) Cosine Candela Plot
Y
300000
10%
250000
50%
% illuminance 200000
foot candle or lux
Candela
X
150000
Y
X
100000
50000
0
-10 -8 -6 -4 -2 0 2 4 6 8 10
Degrees
Degrees
Complete IES photometry data files (LM-63-02 format) may be downloaded from the ETC website.
Go to http://www.etcconnect.com/downloads.asp
2 of 4
#
#
#
148#
#

Ellipsoidal Series
LAMPS
To determine Candela (Cd) or Lumens (Lm) for any other HPL lamp, multiply the Candela or Lumen value by the appropriate multiplying factor
(CdMF or LmMF) shown for that lamp in the table below.
Initial Color Average 19° 19°

ETC Part # Lamp Code Watts Volts Lumens Temp. K Rated Life Cd MF Lm MF
RT116 HPL 750/115** 750 115 21,900 3,250 300 1.00 1.00
RT196 HPL 750/115X 750 115 16,400 3,050 1,500 .64 .74
RT113 HPL 575/115** 575 115 16,520 3,250 300 .85 .82
RT114 HPL 575/115X 575 115 12,360 3,050 2,000 .56 .56
RT142 HPL 375/115 375 115 10,540 3,250 300 .71 .53
RT143 HPL 375/115X 375 115 8,500 3,050 1,000 .49 .40
N/A HPL 750/120 750 120 21,900 3,250 300 1.00 1.00
N/A HPL 750/120X 750 120 16,400 3,050 1,500 .64 .74
RT115 HPL 575/120 575 120 16,520 3,250 300 .85 .82
RT171 HPL 575/120X 575 120 12,360 3,050 2,000 .56 .56
RT112 HPL 550/77* 550 77 16,170 3,250 300 .87 .81

RT117 HPL 550/77X* 550 77 12,160 3,050 2,000 .59 .56
RT160 HPL 750/230** 750 230 19,750 3,200 300 .64 .70
N/A HPL 750/230X 750 230 15,600 3,050 1,500 .40 .55
RT129 HPL 575/230** 575 230 14,900 3,200 400 .55 .53
RT138 HPL 575/230X 575 230 11,780 3,050 1,500 .38 .42
RT154 HPL 375/230X 375 230 7,800 3,050 1,000 .30 .28
N/A HPL 750/240 750 240 19,750 3,200 300 .64 .70
N/A HPL 750/240X 750 240 15,600 3,050 1,500 .40 .55
RT130 HPL 575/240 575 240 14,900 3,200 400 .52 .53
RT139 HPL 575/240X 575 240 11,780 3,050 1,500 .36 .42
RT155 HPL 375/240X 375 240 7,800 3,050 1,000 .30 .28
Source Four is rated for 750W maximum
*77 Volt HPL lamps are for use with ETC Dimmer Doubling technology only
**Photometric data was prepared using a production fixture and the Prometric CCD measurement system. Fixture adjusted for cosine distribution and tested with calibrated
lamp at rated voltage. All data normalized to nominal lamp lumens in accordance with IES LM-73-04. Testing performed at ETC West, Hollywood, CA. All other multiplying
factors extrapolated from primary test data.
For links to photometry file downloads (IES LM-63-02 format) go to www.etcconnect.com
HPL Specified Tolerances: Watts +/- 5%, Lumens +/-7%, Average life +/-10%, Color Temperature +/- 50K
“N/A” lamps are not available for purchase from ETC. Contact your Dealer for purchase.
3 of 4
149#
#

Ellipsoidal Series
PHYSICAL O R D E R I N G I N F O R M AT I O N
Continued from front page...
Source Four Accessories

ETC
MODEL DESCRIPTION
14.9”/ 378mm max.
11.8”/ 300mm min. 419LT 19˚ lens tube with lens installed (black)
419LT-1 19˚ lens tube with lens installed (white)
10.0”/ 254mm max.
7.3”/ 185mm min. 419EDLT 19˚ Enhanced Definition Lens Tube complete
(black)
419EDLT-1 19˚ Enhanced Definition Lens Tube complete
(white)
400CC C–clamp (included)
400PH-A Pattern holder (A size)
8.5”
216mm 400PH-B Pattern holder (B size)
20.1”
511mm 400PH-G Glass pattern holder
22.8”
579mm
400SC Safety cable
400RS Drop–in iris
400CF Colorframe (6.25”) (included)
400DN Donut (6.25”)
400TH Top hat
400HH Half hat
400GE Gel extender (Recommended for 19° and 26°
21.3”
only)
541mm
407GE Conical gel extender (requires 407CF below)
407CF 7.5” Square color frame (Required for 14°, 70°,
90° and 407GE)
400FB Source Four Fixture Body, Single Clutch
Note: For colors other than black or white, please call ETC.
6.8”
173mm
13.3” Source Four products are protected by one or more of the following
338mm patents:
U.S. USRE36,3316, US5,345,371, US6,092,914 and
US5,775,799
Source Four Weights *
U.K. GB0592589, GB0673488, 99930527.9*
MODEL WEIGHT SHIPPING WEIGHT Germany DE0592589, GB0673488, 99930527.9*
lbs kgs lbs kgs Japan JP2,501,772
19˚ 14 6.4 20 9.1 * European patent application number
*Includes 2.3 lbs for C-clamp
Corporate Headquarters • 3031 Pleasant View Rd, PO Box 620979, Middleton WI 53562 0979 USA • Tel +1 608 831 4116 • Fax +1 608 836 1736
London, UK • Unit 26-28, Victoria Industrial Estate, Victoria Road, London W3 6UU, UK • Tel +44 (0)20 8896 1000 • Fax +44 (0)20 8896 2000
Rome, IT • Via Pieve Torina, 48, 00156 Rome, Italy • Tel +39 (06) 32 111 683 • Fax +44 (0)20 8752 8486
Holzkirchen, DE • Ohmstrasse 3, 83607 Holzkirchen, Germany • Tel +49 (80 24) 47 00-0 • Fax +49 (80 24) 47 00-3 00
Hong Kong • Room 1801, 18/F, Tower 1 Phase 1, Enterprise Square, 9 Sheung Yuet Road, Kowloon Bay, Kowloon, Hong Kong • Tel +852 2799 1220 • Fax +852 2799 9325
Web • www.etcconnect.com • Copyright©2010 ETC. All Rights Reserved. All product information and specifications subject to change. 7060L1007 Rev. G Printed in USA 12/10
4 of 4
150#
#

Ellipsoidal Series
PHYSICAL OPTICAL
guides provide nine user-fit field angle options higher image quality
ELECTRICAL 19˚, 26˚, 36˚, 50˚, 70°, and 90° field angles as well as 19˚, 26˚,
• High temperature 3-conductor 36” leads in a glass fiber
outer sleeve O R D E R I N G I N F O R M AT I O N
• Supports ETC Dimmer Doubling™ technology
LAMP Source Four
• 750W maximum
filled quartz envelope (see table for available lamp options) 426 26˚ ellipsoidal (black)
426-1 26˚ ellipsoidal (white)
light collection and transmission
standard
MODEL DESCRIPTION
1 of 4
151#
#

Ellipsoidal Series
PHOTOMETRICS
Beam Angle
Field Angle
18˚ 25˚

Throw Distance (d)
6.7’ 13.4’ 20.1’ 26.8’ Lumens Lumens per watt
Field Diameter
2.0m 4.1m 6.1m 8.2m 26˚ 176,255 13,690 9,040 62.5% 18.3
Illuminance (fc) 783 196 87 49 Metric Conversions: For meters, multiply feet by .3048
To determine center beam illumination in footcandles at any throw
distance, divide candela by the throw distance squared.
For Field diameter at any throw distance, multiply the throw distance
by .45
For Beam diameter at any throw distance, multiply the throw
distance by .32
Y
200000
10%
180000
50% 160000
140000
% illuminance
foot candle or lux 120000
Candela
X
100000
X Y
80000
60000
40000
20000
0
-15 -12 -9 -6 -3 0 3 6 9 12 15
Degrees
Degrees
2 of 4
152#
Ellipsoidal Series
LAMPS

RT116 HPL 750/115** 750 115 21,900 3,250 300 1.00 1.00
RT196 HPL 750/115X 750 115 16,400 3,050 1,500 .64 .74
RT113 HPL 575/115** 575 115 16,520 3,250 300 .78 .82
RT114 HPL 575/115X 575 115 12,360 3,050 2,000 .56 .56
RT142 HPL 375/115 375 115 10,540 3,250 300 .66 .52
RT143 HPL 375/115X 375 115 8,500 3,050 1,000 .45 .40
N/A HPL 750/120 750 120 21,900 3,250 300 1.00 1.00
N/A HPL 750/120X 750 120 16,400 3,050 1,500 .64 .74
RT115 HPL 575/120 575 120 16,520 3,250 300 .78 .82
RT171 HPL 575/120X 575 120 12,360 3,050 2,000 .56 .56
RT112 HPL 550/77* 550 77 16,170 3,250 300 .77 .77

RT117 HPL 550/77X* 550 77 12,160 3,050 2,000 .59 .56
RT160 HPL 750/230** 750 230 19,750 3,200 300 .64 .75
N/A HPL 750/230X 750 230 15,600 3,050 1,500 .40 .59
RT129 HPL 575/230** 575 230 14,900 3,200 400 .53 .61
RT138 HPL 575/230X 575 230 11,780 3,050 1,500 .38 .45
RT154 HPL 375/230X 375 230 7,800 3,050 1,000 .29 .32
N/A HPL 750/240 750 240 19,750 3,200 300 .64 .75
N/A HPL 750/240X 750 240 15,600 3,050 1,500 .40 .59
RT130 HPL 575/240 575 240 14,900 3,200 400 .50 .61
RT139 HPL 575/240X 575 240 11,780 3,050 1,500 .36 .45
RT155 HPL 375/240X 375 240 7,800 3,050 1,000 .29 .32
3 of 4
#
#
153#
#

Ellipsoidal Series

ETC
14.9”/ 378mm max.

MODEL DESCRIPTION
11.8”/ 300mm min. 426LT 26˚ lens tube complete (black)
426LT-1 26˚ lens tube complete (white)
10.0”/ 254mm max.
7.3”/ 185mm min. 426EDLT 26° Enhanced Definition Lens Tube complete
(black)
426EDLT-1 26° Enhanced Definition Lens Tube complete
(white)
8.5”
216mm 400PH-B Pattern holder (B size)
20.1”
511mm 400PH-G Glass pattern holder
22.8”
579mm 400SC Safety cable
400RS Drop-in iris
400DN Donut (6.25”)
400TH Top hat
400HH Half hat
21.3” 400GE Gel extender (Recommended for 19° and 26°
541mm only)
407GE Conical gel extender (requires 407CF below)
407CF 7.5” Square color frame (required for 14°, 70°,
90° and 407GE)
400FB Source Four fixture body, single clutch
6.8”
173mm
13.3”
338mm
Source Four Weights* Source Four products are protected by one or more of the following
patents:
MODEL WEIGHT SHIPPING WEIGHT
U.S. USRE36,3316, US5,345,371, US6,092,914 and
lbs kgs lbs kgs
US5,775,799
26˚ 14 6.4 20 9.1
U.K. GB0592589, GB0673488, 99930527.9*
Germany DE0592589, GB0673488, 99930527.9*
Japan JP2,501,772
* European patent application number
4 of 4
154#
#

Ellipsoidal Series
PHYSICAL OPTICAL
• 20 gauge stainless steel shutters in a tri-plane assembly • Projector-quality, high contrast meniscus front lens and bi-
• Interchangeable lens tubes with smooth-running teflon convex rear lens
guides provide nine user-fit field angle options • Optional enhanced definition lens tube available for even
• Thermally insulated rear handle higher image quality
• High impact, thermally insulated knobs and shutter handles • Faceted borosilicate reflector with dichroic cold mirror coating
• Two accessory slots and a top mounted, gel frame retainer removes greater than 90% infrared radiation (heat) and
• Steel yoke with two mounting positions reflects greater than 95% of visible light
• Positive locking single-clutch fixture body • Reflector secured with anti-vibration shock mounts
• Slot for glass or stainless steel patterns • Lens(es) secured with anti-vibration shock mounts
• Wide accessory slot with sliding cover for motorized pattern • Tool free lamp positive locking X, Y, and Z lamp centering
devices or optional iris adjustment knobs, unaffected by relamping
• UL and cUL Listed • Beam edge continually adjustable hard-to-soft
ELECTRICAL • Interchangeable lens barrels permit selection of 5˚, 10˚, 14°,
• 115-240V, 50/60Hz 19˚, 26˚, 36˚, 50˚ 70° and 90° field angles as well as 19˚, 26˚,
• High temperature 3-conductor 36” leads in a glass fiber 36˚, and 50˚ EDLT lenses
outer sleeve
O R D E R I N G I N F O R M AT I O N
LAMP
• 750W maximum
Source Four
• HPL – compact tungsten filament contained in a krypton-
filled quartz envelope (see table for suitable lamp types) MODEL DESCRIPTION
436 36˚ ellipsoidal (black)
• Integral die cast aluminum heat sink lamp base 436-1 36˚ ellipsoidal (white)
ETC Source Four are supplied with C-clamp, color frame and 3’ (96cm) leads as
standard
MODEL DESCRIPTION
1 of 4
155#
Ellipsoidal Series
PHOTOMETRICS
Beam Angle
Field Angle
27˚ 34˚

Throw Distance (d)
9.2’ 15.3’ 21.4’ 27.6’ Lumens Lumens per watt
Field Diameter
2.8m 4.7m 6.5m 8.4m 36˚ 90,885 14,240 10,510 65% 19

For Field diameter at any distance, multiply distance by .61
For Beam diameter at any distance, multiply distance by .47
Y
100000
10%
90000
50% 80000
70000
% illuminance
foot candle or lux 60000
Candela
X
50000
X Y
40000
30000
20000
10000
0
-20 -15 -10 -5 0 5 10 15 20
Degrees
Degrees
2 of 4
156#
#

Ellipsoidal Series
LAMPS

RT116 HPL 750/115** 750 115 21,900 3,250 300 1.00 1.00
RT196 HPL 750/115X 750 115 16,400 3,050 1,500 .64 .74
RT113 HPL 575/115** 575 115 16,520 3,250 300 .67 .75
RT114 HPL 575/115X 575 115 12,360 3,050 2,000 .56 .56
RT142 HPL 375/115 375 115 10,540 3,250 300 .56 .48
RT143 HPL 375/115X 375 115 8,500 3,050 1,000 .39 .36
N/A HPL 750/120 750 120 21,900 3,250 300 1.00 1.00
N/A HPL 750/120X 750 120 16,400 3,050 1,500 .64 .74
RT115 HPL 575/120 575 120 16,520 3,250 300 .67 .75
RT171 HPL 575/120X 575 120 12,360 3,050 2,000 .56 .56
RT112 HPL 550/77* 550 77 16,170 3,250 300 .68 .73

RT117 HPL 550/77X* 550 77 12,160 3,050 2,000 .59 .56
RT160 HPL 750/230** 750 230 19,750 3,200 300 .74 .85
N/A HPL 750/230X 750 230 15,600 3,050 1,500 .46 .67
RT129 HPL 575/230** 575 230 14,900 3,200 400 .63 .65
RT138 HPL 575/230X 575 230 11,780 3,050 1,500 .44 .51
RT154 HPL 375/230X 375 230 7,800 3,050 1,000 .35 .34
N/A HPL 750/240 750 240 19,750 3,200 300 .74 .85
N/A HPL 750/240X 750 240 15,600 3,050 1,500 .46 .67
RT130 HPL 575/240 575 240 14,900 3,200 400 .60 .65
RT139 HPL 575/240X 575 240 11,780 3,050 1,500 .41 .51
RT155 HPL 375/240X 375 240 7,800 3,050 1,000 .35 .34
3 of 4
157#
#

Ellipsoidal Series
PHYSICAL OPTICAL
guides provide nine user-fit field angle options higher image quality
ELECTRICAL 19˚, 26˚, 36˚, 50˚, 70° and 90° field angles as well as 19˚, 26˚,
LAMP Source Four
• 750W maximum
filled quartz envelope (see table for suitable lamp types) 450 50˚ ellipsoidal (black)
450-1 50˚ ellipsoidal (white)
standard
MODEL DESCRIPTION
1 of 4
158#
#

Ellipsoidal Series
PHOTOMETRICS
Photometric data below is measured with an HPL 750W/115V 300hr lamp. To convert data when using any other HPL lamp, use the lumen or
Beam Angle
Field Angle
36˚ 50˚

Throw Distance (d)
3m 4.6 7.6m 9.1m Field Beam Lumens
9.3’ 14’ 23.3’ 27.9’ Lumens Lumens per watt
Field Diameter
2.8m 4.3m 7.1m 8.5m 50˚ 45,650 13,980 8,600 63.8% 18.6

For Field diameter at any distance, multiply distance by .93
For Beam diameter at any distance, multiply distance by .65
Y
50000
10%
45000
50% 40000
% illuminance foot 35000

candle or lux 30000
Candela
Candela
X
X 25000
Y
20000
15000
10000
5000
0
-30 -25 -20 -15 -10 -5 0 5 10 15 20 25 30
Degrees
Degrees
2 of 4
159#
#

Ellipsoidal Series
LAMPS

RT116 HPL 750/115** 750 115 21,900 3,250 300 1.00 1.00
RT196 HPL 750/115X 750 115 16,400 3,050 1,500 .64 .74
RT113 HPL 575/115** 575 115 16,520 3,250 300 .79 .76
RT114 HPL 575/115X 575 115 12,360 3,050 2,000 .56 .56
RT142 HPL 375/115 375 115 10,540 3,250 300 .66 .49
RT143 HPL 375/115X 375 115 8,500 3,050 1,000 .46 .36
N/A HPL 750/120 750 120 21,900 3,250 300 1.00 1.00
N/A HPL 750/120X 750 120 16,400 3,050 1,500 .64 .74
RT115 HPL 575/120 575 120 16,520 3,250 300 .79 .76
RT171 HPL 575/120X 575 120 12,360 3,050 2,000 .56 .56
RT112 HPL 550/77* 550 77 16,170 3,250 300 .81 .75

RT117 HPL 550/77X* 550 77 12,160 3,050 2,000 .59 .56
RT160 HPL 750/230** 750 230 19,750 3,200 300 .74 .75
N/A HPL 750/230X 750 230 15,600 3,050 1,500 .46 .59
RT129 HPL 575/230** 575 230 14,900 3,200 400 .61 .60
RT138 HPL 575/230X 575 230 11,780 3,050 1,500 .45 .45
RT154 HPL 375/230X 375 230 7,800 3,050 1,000 .34 .31
N/A HPL 750/240 750 240 19,750 3,200 300 .74 .75
N/A HPL 750/240X 750 240 15,600 3,050 1,500 .46 .59
RT130 HPL 575/240 575 240 14,900 3,200 400 .58 .60
RT139 HPL 575/240X 575 240 11,780 3,050 1,500 .42 .45
RT155 HPL 375/240X 375 240 7,800 3,050 1,000 .34 .31
3 of 4
160#
#

Ellipsoidal Series

MODEL DESCRIPTION
ETC
14.9”/ 378mm max.

11.8”/ 300mm min. 450LT 50˚ lens tube with lens installed (black)
450LT-1 50˚ lens tube with lens installed (white)
10.0”/ 254mm max. 450EDLT 50° Enhanced Definition Lens Tube complete
7.3”/ 185mm min.
(black)
450EDLT-1 50° Enhanced Definition Lens Tube complete
(white)
8.5” 400PH-B Pattern holder (B size)
216mm
20.1” 400PH-G Glass pattern holder
511mm
22.8” 400SC Safety cable
579mm
400RS Drop-in iris
400DN Donut (6.25”)
400TH Top hat
400HH Half hat
400GE Gel extender
21.3” 407GE Conical gel extender
541mm
407CF 7.5” Square color frame (required for 14°, 70°,
90° and 407GE)
400FB Source Four fixture body, single clutch
6.8”
173mm
13.3” Source Four products are protected by one or more of the following
338mm patents:
U.S. USRE36,3316, US5,345,371, US6,092,914 and
US5,775,799
Source Four Weights* U.K. GB0592589, GB0673488, 99930527.9*
MODEL WEIGHT SHIPPING WEIGHT Germany DE0592589, GB0673488, 99930527.9*
lbs kgs lbs kgs Japan JP2,501,772
50˚ 14 6.4 20 9.1 * European patent application number
4 of 4
161#
#
ETC® Source Four® jr Zoom

Ellipsoidal Series
PHYSICAL OPTICAL
• Rugged die cast aluminum construction • Optimized optical system for efficient photometric
• 20 gauge stainless steel shutters in a bi-plane assembly performance
• High impact, thermally insulated knobs and shutter handles • Two bi-convex lenses
• Two accessory slots, and a top mounted, gel frame retainer • Faceted borosilicate reflector with dichroic cold mirror coating
• Steel yoke with two mounting positions removes greater than 90% infrared radiation (heat) and
• Positive locking, hand-operated yoke clutch reflects greater than 95% of visible light
• Slot for glass or stainless steel patterns • Reflector secured with anti-vibration shock mounts
• Slot with sliding cover for motorized pattern devices or • Tool free, positive locking X, Y and Z lamp centering
optional iris adjustments, unaffected by relamping
• UL and cUL Listed • Beam edge continually adjustable hard-to-soft
ELECTRICAL
• 115-240V, 50/60Hz
LAMP Source Four jr Zoom
• 575W maximum MODEL DESCRIPTION
• HPL – compact tungsten filament contained in a krypton-
filled quartz envelope (see table for suitable lamp types) 42550J 25˚-50˚ Source Four jr Zoom ellipsoidal (black)
• Patented filament geometry provides extremely efficient light 42550J-1 25˚-50˚ Source Four jr Zoom ellipsoidal (white)
collection and transmission ETC Source Four jr Zooms are supplied with c-clamp, color frame, and 3’ (96cm)
• Integral die cast aluminum heat sink lamp base leads as standard
MODEL DESCRIPTION
A Parallel-blade U-ground connector
B Two-pin and ground, 20 amp connector
C Grounded, 20 amp, twistlock connector
M Dimmer Doubling connector (NEMA L515P)
See back page for Source Four jr Accessories
1 of 6
162#
#

Ellipsoidal Series
PHOTOMETRICS
candela multiplying factors (Lm MF or Cd MF) for that specific lamp. These multiplying factors are listed in the Lamps table in this datasheet. For
lumen data, multiply by the Lm MF. For candela or footcandle data, multiply by the Cd MF.
Source Four jr 25˚-50˚ Zoom set at 25˚(cosine)
Beam Angle
Field Angle
Field Beam Lumens
21˚ 28˚ Lumens Lumens per watt
25˚ 77,085 7,895 5,715 47.8% 13.7

Metric Conversions: For Meters multiply feet by .3048
For Lux multiply footcandles by 10.76
15’ 25’ 35’ 40’
Throw Distance (d)
4.6m 7.6m 10.7m 12.2m
For Field diameter at any distance, multiply distance by 0.50
7.5’ 12.4’ 17.4’ 19.9’
Field Diameter For Beam diameter at any distance, multiply distance by 0.36
2.3m 3.8m 5.3m 6.1m
Illuminance (fc) 343 123 63 48
Illuminance (lux) 3,688 1,328 677 519

Lumens
Beam Angle
Field Angle
Field Beam
Degree Candela Efficiency per
27˚ 37˚ Lumens Lumens
watt
36˚ 48,010 8,240 5,535 49.9% 14.3

10’ 15’ 20’ 30’
Throw Distance (d)
3.0m 4.6m 6.1m 9.1m
For Field diameter at any distance, multiply distance by 0.66
6.6’ 9.9’ 13.2’ 19.8’
Field Diameter For Beam diameter at any distance, multiply distance by 0.48
2.0m 3.0m 4.0m 6.0m
Illuminance (lux) 5,168 2,297 1,292 574

Lumens
Field Beam
Beam Angle
Field Angle
Degree Candela Efficiency per

Lumens Lumens
40˚ 50˚ watt
50˚ 21,495 7,330 5,090 44.4% 12.8
9’ 13’ 17’ 21’

Throw Distance (d)
2.7m 4.0m 5.2m 6.4m For Field diameter at any distance, multiply distance by 0.93
8.4’ 12.1’ 15.9’ 19.6’ For Beam diameter at any distance, multiply distance by 0.72
Field Diameter
2.6m 3.7m 4.8m 6.0m
Illuminance (lux) 2,857 1,369 801 525
2 of 6
163#
#

Ellipsoidal Series
PHOTOMETRICS

Iso-Illuminance Diagram Cosine Candela Plot
Y
10%
Candela
X
50%
Degrees
Source Four jr 25˚-50˚ Zoom set at 36˚(cosine) Cosine Candela Plot

Y
10%
Candela
50%
Degrees

Y
Iso-Illuminance Diagram Cosine Candela Plot
10%
X
Candela
50%
Degrees
3 of 6
164#
#

Ellipsoidal Series
LAMPS
Initial Color Average 25° 25° 36° 36° 50° 50°

ETC Part # Lamp Code Watts Volts Lumens Temp. K Rated Life Cd MF Lm MF Cd MF Lm MF Cd MF Lm MF
RT113 HPL 575/115** 575 115 16,520 3,250 300 1.00 1.00 1.00 1.00 1.00 1.00
RT114 HPL 575/115X 575 115 12,360 3,050 2,000 .64 .71 .64 .71 .64 .71
RT142 HPL 375/115 375 115 10,540 3,250 300 .84 .64 .84 .64 .84 .64
RT143 HPL 375/115X 375 115 8,500 3,050 1,000 .58 .48 .58 .48 .58 .48
RT115 HPL 575/120 575 120 16,520 3,250 300 1.00 1.00 1.00 1.00 1.00 1.00
RT171 HPL 575/120X 575 120 12,360 3,050 2,000 .64 .71 .64 .71 .64 .71
RT112 HPL 550/77* 550 77 16,170 3,250 300 1.02 .98 1.02 .98 1.02 .98
RT117 HPL 550/77X* 550 77 12,160 3,050 2,000 .66 .73 .66 .73 .66 .73
RT129 HPL 575/230** 575 230 14,900 3,200 400 .72 .78 .73 .73 .86 .79
RT138 HPL 575/230X 575 230 11,780 3,050 1,500 .47 .55 .48 .52 .56 .56
RT154 HPL 375/230X 375 230 7,800 3,050 1,000 .39 .40 .40 .38 .47 .41
RT130 HPL 575/240 575 240 14,900 3,200 400 .72 .78 .73 .73 .86 .79
RT139 HPL 575/240X 575 240 11,780 3,050 1,500 .44 .54 .45 .51 .52 .55
RT155 HPL 375/240X 375 240 7,800 3,050 1,000 .39 .40 .40 .38 .47 .41
Source Four jr Zoom is rated for 575W maximum.

*77 Volt HPL lamps are for use with ETC Dimmer Doubling technlology only.
For links to photometry file downloads (IES LM-63-02 format) go to www.etcconnect.com.
4 of 6
165#
#

Ellipsoidal Series
Source Four jr Zoom Accessories

MODEL DESCRIPTION
13.7”/ 348mm max 400JZK Source Four jr Zoom upgrade kit*
10.6”/ 269mm min
400CC C-clamp (included)
8.8”/ 224mm max 400SC Safety Cable
6.1”/155 mm min
400JRS Drop-in Iris
400DN Donut (6.25”)
400TH Top Hat
400HH Half Hat
400GE Gel Extender
6.9”
175mm 400PH–M Pattern holder (M size)
19.3”
490mm Note: For colors other than black and white, please call ETC.
* Replacement lenses for zoom. Also converts any Source Four jr to a Source Four
jr Zoom
18.5”
470mm
Source Four products are protected by one or more of the following
patents:
U.S. USRE36,3316, US5,345,371, US6,092,914 and
US5,775,799
U.K. GB0592589, GB0673488, 99930527.9*
Germany DE0592589, GB0673488, 99930527.9*
Japan JP2,501,772
* European patent application number
7.0”
178mm
9.7”
246mm
Source Four jr Zoom Weights*

lbs kgs lbs kgs
42550j 10 4.5 16.5 7.5
5 of 6
166#
#

Ellipsoidal Series
Web • www.etcconnect.com • Copyright©2010 ETC. All Rights Reserved. All product information and specifications subject to change. 7062L1010 Rev. E Printed in USA 12/10
6 of 6
167#
#
ETC® Source Four® PAR EA

PAR Series
PHYSICAL OPTICAL
• Rugged die-cast aluminum construction • Modified parabolic and multifaceted reflector
• Tool free access to the reflector and lens • Computer designed reflector facets molded directly into heat
• High-impact, thermally insulated knobs sink casting, finished with an enhanced aluminum deposition
• Sealed reflector housing process, and polished for maximum reflectance
• Reflector temperature control through integral heat sink fins • Metal Cold Mirror (MCM) also available
• Gel frame holders with two accessory slots
• Top-mounted, gel-frame retainer
• Steel yoke with two mounting positions O R D E R I N G I N F O R M AT I O N
• Positive locking yoke clutch
• UL and cUL Listed Source Four PAR EA
ELECTRICAL
MODEL DESCRIPTION
• 115-240V, 50/60Hz
• High-temperature three-conductor 36” leads in a glass fiber PAR-EA Source Four PAR Enhanced Aluminum (Black)
outer sleeve PAR-EA-1 Source Four PAR Enhanced Aluminum (White)
ETC Source Four PAR EA are supplied with 4 lens set: VNSP, NSP, MFL, WFL; color
LAMP frame and 3’ (96cm) lead as standard
• Compact tungsten filament contained in a krypton/xenon-
filled quartz envelope (see table for suitable lamp types) Connector Designation
• 750W maximum
• Patented filament geometry makes for extremely efficient MODEL DESCRIPTION
light collection and transmission -A Parallel-blade U-ground connector
• Integral die-cast aluminum heat sink lamp base
LENSES
• Four heat resistant, molded borosilicate glass lenses supplied -C Grounded, 20 amp, twistlock connector
with each unit: Very Narrow Spot (VNSP), Narrow Spot (NSP), -M Dimmer Doubling Connector (NEMA L515P)
Medium Flood (MFL) and Wide Flood (WFL).
See back page for Source Four PAR Accessories
• Round beam for VNSP and NSP, oblong beam shape for MFL
and WFL
• Optional Extra Wide Flood lens (XWFL) also available
• Tool free lens changing
• Thermally insulated lens ring
1 of 6
168#
#

PAR Series
PHOTOMETRICS
Source Four PAR EA with VNSP lens Source Four PAR EA with NSP lens
Field Beam Lumens Field Beam Lumens
Degree Candela Efficiency Degree Candela Efficiency
Lumens Lumens per watt Lumens Lumens per watt
VNSP 382,145 9,640 5,395 44% 12.9 NSP 336,740 9,504 5,280 43.4% 12.7
For Field diameter at any distance, multiply distance by 0.29 For Field diameter at any distance, multiply distance by 0.30
For Beam diameter at any distance, multiply distance by 0.16 For Beam diameter at any distance, multiply distance by 0.16
Beam Angle
Field Angle
Beam Angle
Field Angle
9˚ 16˚ 9˚ 17˚
30’ 50’ 70’ 85’ 25’ 45’ 65’ 80’

Throw Distance (d) Throw Distance (d)
9.1m 15.2m 21.3m 25.9m 7.6m 13.7m 19.8m 24.4m
8.6’ 14.4’ 20.2’ 24.5’ 7.4’ 13.3’ 19.3’ 23.7’
Field Diameter Field Diameter
2.6m 4.4m 6.1m 7.5m 2.3m 4.1m 5.9m 7.2m
Illuminance (fc) 425 153 78 53 Illuminance (fc) 539 166 80 53
Illuminance (lux) 4,570 1,645 839 569 Illuminance (lux) 5,799 1,790 858 566
Iso-Illuminance Diagram Iso-Illuminance Diagram

(Flat Surface Distribution) (Flat Surface Distribution)
Y Y
10% 10%
X X
50% 50%
Candela Plot Candela Plot

400000
350000
300000
250000
Candela
Candela
Candela
X
200000
Y
150000
100000
50000
0
-12 -9 -6 -3 0 3 6 9 12
Degrees Degrees
Degrees
2 of 6
169#
#

For Lux multiply footcandles by 10.76 PAR Series
PHOTOMETRICS
Source Four PAR EA with MFL lens Source Four PAR EA with WFL lens
MFL 135,225 9,890 5,580 45.2% 13.2 WFL 47,270 9,220 5,240 42.1% 12.3
For Field diameter at any distance, multiply distance by 0.41V / .56H For Field diameter at any distance, multiply distance by 0.66V / 0.95H
For Beam diameter at any distance, multiply distance by 0.22V / .32H For Beam diameter at any distance, multiply distance by 0.35V / 0.55H
Beam Angle
Field Angle
Beam Angle
Field Angle
13˚ Vertical 23˚ Vertical 20˚ Vertical 37˚ Vertical

18˚ Horizontal 31˚ Horizontal 31˚ Horizontal 51˚ Horizontal
Throw Distance 15’ 25’ 40’ 50’ Throw Distance 8.0’ 16.0’ 24.0’ 30.0’
(d) 4.6m 7.6m 12.2m 15.2m (d) 2.4m 4.9m 7.3m 9.1m
6.2’/8.4’ 10.3’/14.0’ 16.6’/22.5’ 20.7’/28.1’ 5.3’/7.6’ 10.6’/15.3’ 15.8’/22.9’ 19.8’/28.6’

Field Diameter 1.9m/2.6m 3.2m/4.3m 5.0m/6.9m 6.3m/8.6m Field Diameter 1.6m/2.3m 3.2m/4.7m 4.8m/7.0m 6.0m/8.7m


Y Y
10%
10%
X X
50%
50%

Candela
Candela
Degrees Degrees
3 of 6
170#
#

PAR Series
LAMPS
Color Avg.
ETC Initial Temp. Rated VNSP VNSP NSP NSP MFL MFL WFL WFL
Part # Lamp Code Watts Volts Lumens K Life Cd MF Lm MF Cd MF Lm MF Cd MF Lm MF Cd MF Lm MF
RT116 HPL 750/115** 750 115 21,900 3,250 300 1.00 1.00 1.00 1.00 1.00 1.00 1.00 1.00
RT196 HPL 750/115X 750 115 16,400 3,050 1,500 .64 .74 .64 .74 .64 .74 .64 .74
RT113 HPL 575/115** 575 115 16,520 3,250 300 .92 .75 .88 .75 .80 .77 .75 .77
RT114 HPL 575/115X 575 115 12,360 3,050 2,000 .56 .56 .56 .56 .56 .56 .56 .56
RT142 HPL 375/115 375 115 10,540 3,250 300 .78 .48 .74 .48 .67 .49 .63 .49
RT143 HPL 375/115X 375 115 8,500 3,050 1,000 .54 .36 .51 .36 .46 .37 .44 .37
N/A HPL 750/120 750 120 21,900 3,250 300 1.00 1.00 1.00 1.00 1.00 1.00 1.00 1.00
N/A HPL 750/120X 750 120 16,400 3,050 1,500 .64 .74 .64 .74 .64 .74 .64 .74
RT115 HPL 575/120 575 120 16,520 3,250 300 .92 .75 .88 .75 .80 .77 .75 .77
RT171 HPL 575/120X 575 120 12,360 3,050 2,000 .56 .56 .56 .56 .56 .56 .56 .56
RT112 HPL 550/77* 550 77 16,170 3,250 300 .94 .74 .90 .74 .81 .75 .77 .75
RT117 HPL 550/77X* 550 77 12,160 3,050 2,000 .59 .56 .59 .56 .59 .56 .59 .56
RT160 HPL 750/230** 750 230 19,750 3,200 300 .61 .82 .64 .80 .74 .79 .76 .79
N/A HPL 750/230X 750 230 15,600 3,050 1,500 .38 .64 .40 .63 .46 .63 .47 .62
RT129 HPL 575/230** 575 230 14,900 3,200 400 .53 .61 .54 .60 .59 .61 .58 .60
RT138 HPL 575/230X 575 230 11,780 3,050 1,500 .37 .49 .38 .48 .45 .48 .46 .47
RT154 HPL 375/230X 375 230 7,800 3,050 1,000 .29 .32 .30 .31 .33 .32 .32 .31
N/A HPL 750/240 750 240 19,750 3,200 300 .61 .82 .64 .80 .74 .79 .76 .79
N/A HPL 750/240X 750 240 15,600 3,050 1,500 .38 .64 .40 .63 .46 .63 .47 .62
RT130 HPL 575/240 575 240 14,900 3,200 400 .51 .61 .52 .60 .56 .61 .55 .60
RT139 HPL 575/240X 575 240 11,780 3,050 1,500 .34 .49 .36 .48 .42 .48 .43 .47
RT155 HPL 375/240X 375 240 7,800 3,050 1,000 .29 .32 .30 .31 .33 .32 .32 .31
Source Four PAR EA is rated for 750W maximum.
4 of 6
171#
#

PAR Series
Source Four PAR Accessories

MODEL DESCRIPTION
407CF Color frame (7.5”) (included)
400SC Safety Cable
400CC C-Clamp
400–VNSP Very Narrow Spot lens
6.7” 400–NSP Narrow Spot lens
170mm
400–MFL Medium Flood lens
400–WFL Wide Flood lens
400–LS4 Set of four Source Four PAR lenses (VNSP, NSP,
MFL, WFL)
400-XWFL Extra Wide Flood lens (optional - not included
5.8” with fixtures)
147mm
400PTH3 Top hat, 3”
10.8” 400PTH6 Top hat, 6”
274mm
400PHH Half hat
400XBTH Cross baffle top hat
400PGE3 Gel extender, 3”
400BD Barn door
400L Egg crate louver
400WB Weighted base
Note: For colors other than black and white, please call ETC.
15.9”
404mm

patents:
8.3” U.S. USRE36,3316, US5,345,371, US6,092,914 and
211mm US5,775,799
10.3”
262mm
U.K. GB0592589, GB0673488, 99930527.9*
Germany DE0592589, GB0673488, 99930527.9*
Source Four PAR Weights* Japan JP2,501,772
MODEL WEIGHT SHIPPING WEIGHT * European patent application number
lbs kgs lbs kgs

S4PAR-EA 7.5 3.4 12.8 5.8
*Add 2.3 lbs for C-clamp
5 of 6
172#
#

PAR Series
Rome, IT • Via Pieve Torina, 48, 00156 Rome, Italy •Tel +39 (06) 32 111 683 • Fax +44 (0)20 8752 8486
Web • www.etcconnect.com • Copyright©2010 ETC. All Rights Reserved. All product information and specifications subject to change. 7061L1004 Rev. F Printed in USA 12/10
6 of 6
173#
#
ETC® Source Four® PARNel

PAR Series
PHYSICAL OPTICAL
• Rugged die–cast aluminum construction • Integral 24° – 47° spot to flood adjustment
• High–impact, thermally insulated precision focus knob • Modified parabolic and multifaceted reflector
• Sealed reflector housing • Computer designed reflector facets molded directly into heat
• Reflector temperature control through integral heat sink fins sink casting, finished with an enhanced aluminum deposition
• Gel frame holders with two accessory slots process, and polished for maximum reflectance
• Top–mounted, gel–frame retainer
• Steel yoke with two mounting positions
• Positive locking yoke clutch
• UL and cUL Listed O R D E R I N G I N F O R M AT I O N
ELECTRICAL
• 115-240V, 50/60Hz Source Four PARNel
• High–temperature three-conductor 36” leads in a glass fiber MODEL DESCRIPTION
outer sleeve
• Supports ETC Dimmer Doubling™ technology PARNel Source Four PARNel (Black)
LAMP PARNel-1 Source Four PARNel (White)
• HPL – compact tungsten filament contained in a krypton/ ETC Source Four PARNel are supplied with a color frame and 3’ (96cm) lead as
xenon-filled quartz envelope (see table for suitable standard
lamp types)
• 750W maximum Connector Designation
light collection and transmission MODEL DESCRIPTION
• Integral die–cast aluminum heat sink lamp base A Parallel-blade U-ground connector
LENSES
B Two-pin and ground, 20 amp connector
• Patented wave lens system
• Two heat resistant borosilicate glass lenses C Grounded, 20 amp, twistlock connector
• One fixed wave clear lens and one rotatable wave stippled M Dimmer Doubling Connector (NEMA L515P)
lens installed
See back page for Source Four PAR Accessories
• Tool free front lens changing
• Thermally insulated lens ring
1 of 4
174#
#

PAR Series
PHOTOMETRICS
Source Four PARNel - Spot Focus Source Four PARNel - Flood Focus
Spot 190,390 9,135 4,610 41.7% 12.2 Flood 47,050 10,560 6,440 48.2% 14.1
For Field diameter at any distance, multiply distance by 0.42 For Field diameter at any distance, multiply distance by 0.87
For Beam diameter at any distance, multiply distance by 0.21 For Beam diameter at any distance, multiply distance by 0.52
Beam Angle
Beam Angle
Field Angle
Field Angle
12˚ 24˚ 29˚ 47˚
20.0’ 35.0’ 50.0’ 60.0’ 10.0’ 15.0’ 20.0’ 30.0’

Throw Distance (d) Throw Distance (d)
6.1m 10.7m 15.2m 18.3m 3.0m 4.6m 6.1m 9.1m
8.4’ 14.7’ 20.9’ 25.1’ 8.7’ 13.0’ 17.3’ 26.0’
Field Diameter Field Diameter
2.6m 4.5m 6.4m 7.7m 2.6m 4.0m 5.3m 7.9m

Y Y
10% 10%
X X
50%
50%

Candela
Candela
Degrees Degrees
2 of 4
175#
#

PAR Series
LAMPS
ETC Initial Color Avg. Spot Spot Flood Flood

Part # Lamp Code Watts Volts Lumens Temp. K Rated Life Cd MF Lm MF Cd MF Lm MF
RT116 HPL 750/115** 750 115 21,900 3,250 300 1.00 1.00 1.00 1.00
RT196 HPL 750/115X 750 115 16,400 3,050 1,500 .64 .74 .64 .74
RT113 HPL 575/115** 575 115 16,520 3,250 300 .82 .75 .78 .76
RT114 HPL 575/115X 575 115 12,360 3,050 2,000 .56 .56 .56 .56
RT142 HPL 375/115 375 115 10,540 3,250 300 .69 .48 .66 .49
RT143 HPL 375/115X 375 115 8,500 3,050 1,000 .48 .36 .45 .37
N/A HPL 750/120 750 120 21,900 3,250 300 1.00 1.00 1.00 1.00
N/A HPL 750/120X 750 120 16,400 3,050 1,500 .64 .74 .64 .74
RT115 HPL 575/120 575 120 16,520 3,250 300 .82 .75 .78 .76
RT171 HPL 575/120X 575 120 12,360 3,050 2,000 .56 .56 .56 .56
RT112 HPL 550/77* 550 77 16,170 3,250 300 .84 .74 .80 .75
RT117 HPL 550/77X* 550 77 12,160 3,050 2,000 .59 .56 .59 .56
RT160 HPL 750/230** 750 230 19,750 3,200 300 .78 .86 .81 .84
N/A HPL 750/230X 750 230 15,600 3,050 1,500 .49 .68 .50 .66
RT129 HPL 575/230** 575 230 14,900 3,200 400 .64 .65 .62 .64
RT138 HPL 575/230X 575 230 11,780 3,050 1,500 .47 .52 .49 .50
RT154 HPL 375/230X 375 230 7,800 3,050 1,000 .35 .34 .34 .33
N/A HPL 750/240 750 240 19,750 3,200 300 .78 .86 .81 .84
N/A HPL 750/240X 750 240 15,600 3,050 1,500 .49 .68 .50 .66
RT130 HPL 575/240 575 240 14,900 3,200 400 .61 .65 .59 .64
RT139 HPL 575/240X 575 240 11,780 3,050 1,500 .44 .52 .45 .50
RT155 HPL 375/240X 375 240 7,800 3,050 1,000 .35 .34 .34 .33
Source Four PARNels rated for 750W maximum.
For links to photometry file downloads (IES LM-63-02 format) go to www.etcconnect.com.
3 of 4
176#
#

PAR Series
Source Four PARNel Accessories

MODEL DESCRIPTION
407CF Color frame (7.5”) (included)
400SC Safety Cable
6.7”
170mm 400CC C-Clamp
400PHH Half hat
400XBTH Cross baffle top hat
5.8”
147mm 400PGE6 Gel extender, 6”
10.8” 400BD Barn door
274mm
400L Egg crate louver
400WB Weighted base
Note: For colors other than black and white, please call ETC.

15.9” patents:
404mm
U.S. USRE36,3316, US5,345,371, US6,092,914 and
US5,775,799
U.K. GB0592589, GB0673488, 99930527.9*
Germany DE0592589, GB0673488, 99930527.9*
8.3” Japan JP2,501,772
211mm
10.3” * European patent application number
262mm
Source Four PARNel Weights*

lbs kgs lbs kgs
PARNel 8 3.6 12.8 5.8
*Add 2.3 lbs for C-clamp
Web • www.etcconnect.com • Copyright©2010 ETC. All Rights Reserved. All product information and specifications subject to change. 7061L1006 Rev. F Printed in USA 12/10
4 of 4
177#
#
#
ELLIPSOIDAL LIGHTING
Fixture Type:
Catalog Numbers
S6-5 S6-10
The 5°, 10°, 20°, 30°, 40°and 50°fixed focus S6-20 S6-30
SHAKESPEARE ellipsoidals are state of the art S6-40 S6-50
luminaires in function, style, and efficiency.
These ellipsoidals have been designed and
engineered with a number of innovative details
and features enhancing versatility and
efficiency without sacrificing performance.
The dichroic coated glass reflector removes
heat from the beam, resulting in longer gel
and pattern life while offering a sharp, full S6-40
field and distortion free pattern projection.
The generous accessory slot, the lens barrel,
and the two slot accessory holder (20°,30°,
40° and 50°, only) all rotate to make these
spotlights truly versatile performers, especially
when you consider that the lens barrels are
completely interchangeable. The self- closing,
self- locking retaining latch for the accessory
holder, and the secondar y lens barrel
retaining latch are just some of the safety
features provided. The aesthetic appearance
750 WATT
and ergonomically designed function controls
only add to the appeal. With a wide range of SHAKESPEARE ELLIPSOIDAL
non- proprietary lamps to choose from, the Features
low wattage, high output SHAKESPEARE
• Compact, rugged die- cast aluminum construction, & spun aluminum
ellipsoidals are ideal for theatres, night clubs,
construction on 5°and 10°only
television studios, or wherever superior,
energy efficient lighting performance is • Spring mounted dichroic coated glass reflector provided with heat shield
required. • Lockable, 180°indexed rotation of shutter assembly and lens barrel, optional
Specifications subject to change without notice
360°rotation
7 3 ⁄ 4"
( 20 cm )
• Tool free interchangeable lens barrels provided with unique safety retaining
Shakespeare latch
11"
20° 30° 40° 50°
• Color coded lens & lens barrel identification system
( 28 cm )
17" MAX.
( 43 cm )
MAX. 7 1⁄ 2"
• Tempered crown glass lenses have anti- reflective coating

( 19 cm )
MIN.
13 1⁄ 2"
( 34 cm )
MIN.
• Tool free operating lamp centering knob and peak to flat field adjustment knob
• Replaceable two slot accessory holder for 20°, 30°, 40°and 50°& wide
91⁄ 4" 6 1⁄ 4"
( 23 cm )
24" 26 1⁄ 4"
( 16 cm )
12"
slotted accessory holder for 5°and 10°provided with self- closing and
self- locking accessory retaining latch
( 61 cm ) ( 67 cm ) ( 30 cm )
MIN. MAX.
7 3 ⁄ 4"
( 20 cm )
• Accessory slot provided with locking cover that will accept rotating gobo
11"
( 28 cm )
Shakespeare 10° accessories, glass pattern holder and drop- in iris
MAX. 17 1⁄ 4"
( 44 cm )
• Tool free removable heavy gauge stainless steel shutter mounted in separate
7 1⁄ 2" MAX.
( 19 cm )
MIN.
13 3 ⁄ 4"
( 35 cm )
planes equipped with oversized insulated handles, and spring pressured shutter
MIN.
assembly
91⁄ 4" 12" • Dual positioning yoke supplied with dual positive locking dog and tilt angle
( 23 cm ) ( 30 cm )
29 1⁄ 4"
( 74 cm )
31 1⁄ 2"
( 80 cm )
12 1⁄ 2"
( 32 cm )
markings
MIN. MAX.
7 3 ⁄ 4"
( 20 cm ) • Protective insulated rear mounted ring handle serves as cord wrap, stand, and
11"
Shakespeare 5° focusing aid
( 28 cm )
• G9.5 medium two- pin lampholder provided with heat shield and accepts a
MAX.
18 1⁄ 4"
( 46 cm )
7 1⁄ 2" MAX.
wide variety of non- proprietary lamps

( 19 cm )
MIN.
• Uses standard 6 1/4" accessories for 20°,30°,40°and 50°,12" for 10°, and
14 3 ⁄ 4"
( 37 cm )
MIN.
14" for 5°
91⁄ 4"
( 23 cm )
14"
( 36 cm ) • Three 36" Teflon lead wires
381⁄ 4" 40 1⁄ 2" 14 1⁄ 2"
• Up to 25' of Hi- Temp rubber cable optional

(97 cm ) ( 103 cm ) ( 37 cm )
MIN. MAX.
• Color frame and safety cable included

• U.L. and c.U.L. and CE listed for 750 watts
• Made in the USA
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178#
#
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7 5 0 WATT SH AKESPEARE ELLIPS O ID AL Catalog Numbers

S6-5 S6-10
A C C E S S O R I E S S6-20 S6-30
Suppli ed wi th Lumi nai re
Photometric Data For GLC Lamp S6-40 S6-50
4.5- CF Color Frame, 6 1/4" x 6 1/4" (for
Footcandles 2437 1083 609 390 271 199 152 120 97 81 68 58 50 43
20°, 30°, 40°& 50°)
TEN- CF Color Frame, 12" x 12" (for S6- 10)
TWE- CF Color Frame, 14" x 14" (for S6- 5)
SC Safety Cable with Spring Clip 2 4 5 6 7 9 10 11 12 13 15 16 17 18 Dia.
Ft.
S6- 5
A D D I T I O N A L
A C C E S S O R I E S
Distance Feet 20 30 40 50 60 70 80 90 100 110 120 130 140 150
TEN- CFB Black Color Frame, 12" x 12"
(for S6- 10) Footcandles 1978 879 494 316 220 161 124 98 79 65 55 47 40 35
TWE- CFB Black Color Frame, 14" x 14"
(for S6- 5)
510 Malleable Iron Pipe Clamp
4.5- DN Donut 6 1/4" x 6 1/4" 4 5 7 9 10 12 14 16 17 19 21 23 24 26 Dia.
w/2 1/2" diameter opening Ft.
TEN- DN Donut, 12" x 12" w/5" diameter S6- 10
opening (for S6- 10) Distance Feet 20 30 40 50 60 70 80 90 100 110 120 130 140 150
TWE- DN Donut, 14" x 14" w/6" diameter
opening (for S6- 5)
Footcandles 1897 474 211 119 76 53 39 30 Footcandles 1493 373 166 93 60 41 30 23
4.5- SN Snoot
TEN- SN Snoot (for S6- 10)
360- PH Pattern Holder with Channels 2 3/4"
diameter opening, 3 3/8" wide
4 7 11 14 18 22 25 29 Dia. 5 10 15 20 25 30 35 41 Dia.
1KL6- PH Pattern Holder with Slots, 2 3/4" Ft. Ft.
diameter opening, 3 3/8" wide S6- 20 S6- 30
S6- GPH Pattern Holder for Glass Patterns
404.4.5 Motorized Color Wheel for (20°, Distance Feet 10 20 30 40 50 60 70 80 Distance Feet 10 20 30 40 50 60 70 80
30°, 40°& 50°only)
SDii Drop- in Iris Footcandles 981 245 109 61 39 27 20 15 Footcandles 463 116 51 29 19 13 9 7
71- 0500 Fixture Body without Lens Barrel
71- 0501 50°Lens Barrel w/Lenses
71- 0502 40°Lens Barrel w/Lenses
71- 0503 30°Lens Barrel w/Lenses 7 14 21 28 35 42 48 55 Dia. 10 19 28 38 47 56 66 76 Dia.
71- 0504 20°Lens Barrel w/Lenses Ft. Ft.
71- 0506 10°Lens Barrel w/Lens S6- 40 S6- 50
71- 0507 5°Lens Barrel w/Lens Distance Feet Distance Feet
10 20 30 40 50 60 70 80 10 20 30 40 50 60 70 80
Specifications
Accessories: Accessory slot provided with cover, rotates 180°with shutter assembly, 360°
Housing: Die- cast aluminum construction.
optional, accepts drop- in iris and rotating gobo accessories. Removable Lexan front end accessory
Materials: Construction employs corrosion- resistant materiaIs and holder equipped with two slots and accepts standard 6 1/4" accessories on 20°, 30°, 40°, & 50°.
hardware. Accessory holder retaining latch is self- closing and self- locking for safety.
Yoke: Rigid flat steel with dual locking dog tilt handles, two mounting Finish: Black epoxy sandtex, electrostatic application.
positions, indexed tilt angle markings.
Weight: Approx; 20 lbs. (9 kg.) for S6- 5.
Reflector: Spring mounted dichroic coated glass, ellipsoidal design. Approx; 19 lbs. (8.6 kg.) for S6- 10.
Approx; 18 lbs. (8.1 kg.) for 20°, 30°, 40°& 50°.
Lenses: Color coded crown glass (white plate) lenses provided with
anti- reflective coating. Molded front lens made of polymeric plastic for L A M P D ATA
5°& 10°only. Color Rated
Lens Barrel: Die- cast aluminum for the 20°, 30°, 40°& 50°& spun ANSI Manufacturer Temp Life Rated Correction
aluminum for the 5°& 10°. Lens barrels are interchangeable, color coded, Watts Volts Code Lamp Code (°K ) (Hours) Lumens Factor
& marked. Secondary safety latch provided. 375 115 — HX400 3200° 300 10,000 .69
Socket: Altman G9.5 medium two- pin, axially mounted, supplied with 375 115 — HX401 3050° 1500 8,500 .59
heat shield. Tool free relamping. 575 115 — HX604 3250° 400 15,500 1.14
575 115 — HX605 3100° 1500 13,500 —
Rating: 120/240 volts AC/DC operation, 6.3/3.1 amps, 750 watts
600 230 GKV HX600/HV230 3200° 400 15,000 1.00
maximum.
575 115 GLC HP600/6989P 3200° 400 15,500 —
Cable: 36" Teflon leads encased in black fiberglass sleeving, rear cord 575 115 GLA HP600/6992P 3100° 1500 13,500 —
wrap provided. Hi- Temp rubber cable optional, up to 25'. 750 115 –– HX754 3200° 300 21,500 ––
Shutters: Four provided, .037" stainless steel, fully adjustable and 750 115 –– HX755 3050° 1500 18,250 ––
removable. Constructed with oversized Valox heat resistant handles.
SHAKESPEARE PERFORMA NCE CHART WITH GLC LAMP
Shutter Assembly: Spring pressured, 180°indexed rotation on Teflon
glides, provided with locking knob. Fixture Candlepower Beam Angle Field Angle Efficiency
Type (Candela) (Degrees) (Degrees) (%)
Focusing, Lamp: Fully adjustable in three axis with two concentric
Ultem 2100 heat resistant knobs.
S6-5 974,900 5° 7° 68
S6-10 791,000 7° 10° 60
Focusing, Fixture: Lens barrel travels on nylon glides, provided with S6-20 189,700 13° 20° 48
heat resistant lock knob. Ring shaped rear mounted aiming handle S6-30 149,200 18° 28° 54
provided, constructed of Ultem 2100.
S6-40 98,100 20° 38° 59
S6-50 46,300 23° 50° 55
57 Alexander Street, Yonkers, NY 10701 Tel: 914.476.7987, 212.569.7777, Fax: 914.963.7304, Toll free: 800.4.ALTMAN or
Visit our website at http://www.altmanltg.com © 2003 Altman Stage Lighting Company, Inc.
Altman Lighting, Inc. is a subsidiary of Altman Stage Lighting Company, Inc. 111003
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179#
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PA R L I G H T I N G
C atalog
Numbers
PAR56
PAR56
PAR64
PAR64-AL
PAR64
Fixture Type:
Altman PARs are low- cost, highly flexible luminaires de-

signed for diverse applications. Intensities and beam spread
are a function of the installed light source, so any one unit can
serve multiple purposes simply by changing the lamp type.
The smaller size of the PAR56 reduces installation hassles, while the
PAR64’s optional PAR56/64 adapter ring gives the fixture great versatility. With oval
beams and lamp ranges from 300 to 500 watts for the PAR56 and 300 to 1000 watts
for the PAR64, these lights are ideal for use in concerts, nightclubs, television and film
remotes and architectural applications where maximum flexibility is desired in a small,
compact package.
The PAR64- AL is a PAR64 unit constructed from .050- gauge rolled aircraft aluminum to min-
imize weight without sacrificing durability.
Specifications subject to change without notice.
3 0 0 - 0T O 0 5 0 0 - W A T T P A R 5 6 A N D
3 0 0 - T O 1 0 0 0 - W AT T PA R 6 4 A N D PA R 6 4 - A L S P O T / FL O O D L I G H T S
Fe a tu res
• Constructed of rugged sheet steel (PAR56, PAR64) or rolled air- • Three 36! Teflon® lead wires
craft aluminum (PAR64- AL) • Up to 25" Hi- Temp rubber cable optional
• 360°lamp rotation • Color frame, wire mesh safety screen, and safety cable with
• Hinged rear cover for easy lamp access spring clip included
• Spring- loaded accessory holder safety latch • U.L.- and c.U.L.- listed for 500 watts (PAR56) or 1000 watts
• Mogul- end prong socket (PAR64 and PAR64- AL)
• Three- position yoke adjustment • Made in the U.S.A.
9⁵⁄₈!
(24.4 cm)
7³⁄₄!
(19.7 cm)
7¹⁄₄! 10¹⁄₂!
(18.4 cm) (26.7 cm)
11¹⁄₈! 15¹⁄₄!
(28.3 cm) (39 cm)
6¹⁄₄! 7³⁄₄!
(15.9 cm) (19.7 cm)
13³⁄₄! 9¹⁄₈!
(34.9 cm) (23.2 cm) 7¹⁄₄! 10¹⁄₈!
(18.4 cm) (25.7 cm)
16! 11!
(40.6 cm) (27.9 cm)
PAR56 PAR64 • PAR64-AL
ALTMAN
Lighting, Inc.
B R I N G I N G I M AG I N AT I O N TO L I G H T
180#
3 0 0 - 0T O 0 5 0 0 - W A T T P A R 5 6 A N D SP O T / FL O O D LI G HTS
3 0 0 - T O 1 0 0 0 - W AT T PA R 6 4 A N D PA R 6 4 - A L C atalog
Sp ecificatio ns Numbers
Housing: Spun, rolled, and stamped steel (PAR56, A C C E S S O R I E S PAR56
S U P P L I E D W I T H
PAR64) or aluminum (PAR64- AL). L U M I N A I R E PAR64
Materials: Corrosion-resistant materials and hardware.
6- CF Color Frame, 7¹⁄₂!×7¹⁄₂! (PAR56)
PAR64-AL
Yoke: Rigid flat steel for PAR56 and PAR64, Rigid flat
aluminum for PAR64- AL. 8- CF Color Frame, 10!×10! (PAR64,
Socket: Mogul- end prong, tool free relamping. PAR64- AL)
Rating: 120/240 volts AC/DC: 4.2/2.1 amps, 500 SC- 36- BK Safety Cable with Spring Clip
watts maximum for PAR56; 8.3/4.2 amps, 1000 watts
maximum for PAR64, PAR64- AL.
A D D I T I O N A L A D D I T I O N A L
Cable: 36! Teflon® leads encased in black fiberglass A C C E S S O R I E S A C C E S S O R I E S
sleeving; up to 25" Hi- Temp rubber cable optional. F O R P A R 5 6 F O R PA R 6 4 A N D PA R 6 4 - A L
Focusing: Lamp can be rotated 360°. 510 Malleable Iron Pipe Clamp 510 Malleable Iron Pipe Clamp
Accessories: Standard 7¹⁄₂!×7¹⁄₂! accessories for 6- BD- 4 4- Way Barn Door 8- BD- 4 4- Way Barn Door
PAR56; 10!×10! accessories for PAR64, PAR64-AL. Wire
6- SN Snoot 8- SN Snoot
mesh safety screen included for PAR56, PAR65, and
PAR56- AL. 404- 6 Motorized Color Wheel 404- 8 Motorized Color Wheel
Finish: Black epoxy Sandtex, electrostatic application PAR-56/64-AR Adapter Ring
(PAR56, PAR64) or brushed aluminum finish outside, flat
baked black enamel inside (PAR64- AL). L A M P I N F O R M AT I O N
Weight: Approx. 9 lbs. (4.1 Kg) for PAR56; approx. ANSI manufacturer color rated rated beam candlepower beam field
11 lbs. (5.0 Kg) for PAR64; approx. 8 lbs. (3.6 Kg) for w atts code lamp code temp. (˚K) life (hrs) lumens shape (cd) angle angle
PAR64- AL. 500 –– Q500 PAR56/NSP 3000 4000 4,900 NSP 96,000 8°×13° 15°×32°
500 –– Q500 PAR56/MFL 3000 4000 5,700 MFL 43,000 10°×26° 20°×42°
500 –– Q500 PAR56/WFL 3000 4000 5,725 WFL 19,000 20°×44° 34°×66°
300 –– 300 PAR56/NSP 2800 2000 1,800 NSP 70,000 8°×10° 15°×20°
300 –– 300 PAR56/MFL 2800 2000 2,000 MFL 24,000 11°×23° 20°×35°
300 –– 300 PAR56/WFL 2800 2000 2,100 WFL 10,000 18°×37° 30°×60°
1000 FFN Q1000 PAR64/1 3200 600 11,000 VNSP 400,000 6°×12° 10°×24°
1000 FFP Q1000 PAR64/2 3200 600 12,000 NSP 330,000 7°×14° 14°×26°
1000 FFR Q1000 PAR64/5 3200 600 14,000 MFL 125,000 12°×28° 21°×44°
1000 FFS Q1000 PAR64/6 3200 600 19,000 WFL 40,000 24°×48° 45°×71°
1000 –– Q1000 PAR64/NSP 3000 4000 8,500 NSP 180,000 8°×15° 14°×31°
1000 –– Q1000 PAR64/MFL 3000 4000 10,000 MFL 80,000 12°×28° 22°×45°
1000 –– Q1000 PAR64/WFL 3000 4000 13,500 WFL 33,000 24°×48° 45°×72°
w. 500 –– 500 PAR64/NSP 2800 2000 3,000 NSP 110,000 7°×12° 13°×20°
500 –– 500 PAR64/MFL 2800 2000 3,400 MFL 35,000 11°×13° 20°×35°
ht.
500 –– 500 PAR64/WFL 2800 2000 3,500 WFL 12,000 20°×42° 35°×65°
P H O T O M E T R I C D ATA F O R PA R 5 6 A N D PA R 6 4 / PA R 6 4 - A L
distance 10" 20" 30" 40" 50" 60"

center ht. w. center ht. w. center ht. w. center ht. w. center ht. w. center ht. w.
lamp beam fc (") (") beam fc (") (") beam fc (") (") beam fc (") (") beam fc (") (") beam fc (") (")
Q500 PAR56/NSP 960 2.6 5.7 240 5.3 11.5 107 7.9 17.2 60 10.5 22.9 38 13.2 28.7 –– –– ––
Q500 PAR56/MFL 430 3.5 7.7 108 7.1 15.4 48 10.6 23.0 27 14.1 30.7 17 17.6 38.4 –– –– ––
Q500 PAR56/WFL 190 6.1 13.0 48 12.2 26.0 21 18.3 39.0 12 24.5 52.0 8 30.6 65.0 –– –– ––
300 PAR56/NSP 700 2.6 3.5 175 5.3 7.1 78 7.9 10.6 44 10.5 14.1 –– –– –– –– –– ––
300 PAR56/MFL 240 3.5 6.3 60 7.1 12.6 27 10.6 18.9 15 14.1 25.2 –– –– –– –– –– ––
300 PAR56/WFL 100 5.4 11.5 25 10.7 23.1 11 16.1 34.6 6 21.4 46.2 –– –– –– –– –– ––
Q1000 PAR64/1 4,000 1.8 4.3 1,000 3.5 8.5 445 5.3 12.8 250 7.0 17.0 160 8.8 21.3 111 10.5 25.5
Q1000 PAR64/2 3,300 2.5 4.6 825 4.9 9.2 367 7.4 13.9 206 9.8 18.5 132 12.3 23.1 92 14.8 27.7
Q1000 PAR64/5 1,250 3.7 8.0 313 7.4 16.2 139 11.1 24.3 78 14.8 32.3 50 18.5 40.4 35 22.2 48.5
Q1000 PAR64/6 400 8.3 14.3 100 16.6 28.5 44 24.9 42.8 25 33.1 57.0 16 41.4 71.3 11 49.7 85.6
Q1000 PAR64/NSP 1,800 2.5 5.5 450 4.9 11.1 200 7.4 16.6 113 9.8 22.8 72 12.3 27.7 –– –– ––
Q1000 PAR64/MFL 800 3.9 8.3 200 7.8 16.6 89 11.7 24.9 50 15.6 33.1 32 19.4 41.4 –– –– ––
Q1000 PAR64/WFL 330 8.3 14.5 83 16.6 29.1 37 24.9 43.6 21 33.1 58.1 13 41.4 72.7 –– –– ––
500 PAR64/NSP 1,100 2.3 3.5 275 4.6 7.1 122 6.8 10.6 69 9.1 14.1 44 11.4 17.6 –– –– ––
500 PAR64/MFL 350 3.5 6.3 88 7.1 12.6 39 10.6 18.9 22 14.1 25.2 14 17.6 31.5 –– –– ––
500 PAR64/WFL 120 6.3 12.7 30 12.6 25.5 13 18.9 38.2 8 25.2 51.0 5 31.5 63.7 –– –– ––
ALTMAN
Lighting, Inc.
C opyright © 2003 Altman Lighting, Inc., 57 Alexander Street, Yonkers, N Y 10701. Tel.: 914.476.7987 / 212.569.7777 / 800.4.ALTMA N.
F ax: 914.963.7304. Visit us online at http://www.altmanlighting.com.
Altman Lighting, Inc. is a wholly owned subsidiary of Altman Stage Lighting C ompany, Inc.
B R I N G I N G I M AG I N AT I O N TO L I G H T Teflon® is a registered trademark of E.I. du Pont de N emours and C ompany. 091503
#
#
181#
#
#
&2%3.%,,)'(4).'
Catalog Numbers
75Q
175Q
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Specifications subject to change without notice
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182#
3 0 0 - 0T O 0 5 0 0 - W A T T P A R 5 6 A N D SP O T / FL O O D LI G HTS
3 0 0 - T O 1 0 0 0 - W AT T PA R 6 4 A N D PA R 6 4 - A L C atalog
Sp ecificatio ns Numbers
Housing: Spun, rolled, and stamped steel (PAR56, A C C E S S O R I E S PAR56
PAR64) or aluminum (PAR64- AL). L U M I N A I R E PAR64
Materials: Corrosion-resistant materials and hardware.
6- CF Color Frame, 7¹⁄₂!×7¹⁄₂! (PAR56)
PAR64-AL
Yoke: Rigid flat steel for PAR56 and PAR64, Rigid flat
aluminum for PAR64- AL. 8- CF Color Frame, 10!×10! (PAR64,
Socket: Mogul- end prong, tool free relamping. PAR64- AL)
Rating: 120/240 volts AC/DC: 4.2/2.1 amps, 500 SC- 36- BK Safety Cable with Spring Clip
watts maximum for PAR56; 8.3/4.2 amps, 1000 watts
maximum for PAR64, PAR64- AL.
A D D I T I O N A L A D D I T I O N A L
Cable: 36! Teflon® leads encased in black fiberglass A C C E S S O R I E S A C C E S S O R I E S
sleeving; up to 25" Hi- Temp rubber cable optional. F O R P A R 5 6 F O R PA R 6 4 A N D PA R 6 4 - A L
Focusing: Lamp can be rotated 360°. 510 Malleable Iron Pipe Clamp 510 Malleable Iron Pipe Clamp
Accessories: Standard 7¹⁄₂!×7¹⁄₂! accessories for 6- BD- 4 4- Way Barn Door 8- BD- 4 4- Way Barn Door
PAR56; 10!×10! accessories for PAR64, PAR64-AL. Wire
6- SN Snoot 8- SN Snoot
mesh safety screen included for PAR56, PAR65, and
PAR56- AL. 404- 6 Motorized Color Wheel 404- 8 Motorized Color Wheel
Finish: Black epoxy Sandtex, electrostatic application PAR-56/64-AR Adapter Ring
(PAR56, PAR64) or brushed aluminum finish outside, flat
baked black enamel inside (PAR64- AL). L A M P I N F O R M AT I O N
Weight: Approx. 9 lbs. (4.1 Kg) for PAR56; approx. ANSI manufacturer color rated rated beam candlepower beam field
11 lbs. (5.0 Kg) for PAR64; approx. 8 lbs. (3.6 Kg) for w atts code lamp code temp. (˚K) life (hrs) lumens shape (cd) angle angle
PAR64- AL. 500 –– Q500 PAR56/NSP 3000 4000 4,900 NSP 96,000 8°×13° 15°×32°
500 –– Q500 PAR56/MFL 3000 4000 5,700 MFL 43,000 10°×26° 20°×42°
500 –– Q500 PAR56/WFL 3000 4000 5,725 WFL 19,000 20°×44° 34°×66°
300 –– 300 PAR56/NSP 2800 2000 1,800 NSP 70,000 8°×10° 15°×20°
300 –– 300 PAR56/MFL 2800 2000 2,000 MFL 24,000 11°×23° 20°×35°
300 –– 300 PAR56/WFL 2800 2000 2,100 WFL 10,000 18°×37° 30°×60°
1000 FFN Q1000 PAR64/1 3200 600 11,000 VNSP 400,000 6°×12° 10°×24°
1000 FFP Q1000 PAR64/2 3200 600 12,000 NSP 330,000 7°×14° 14°×26°
1000 FFR Q1000 PAR64/5 3200 600 14,000 MFL 125,000 12°×28° 21°×44°
1000 FFS Q1000 PAR64/6 3200 600 19,000 WFL 40,000 24°×48° 45°×71°
1000 –– Q1000 PAR64/NSP 3000 4000 8,500 NSP 180,000 8°×15° 14°×31°
1000 –– Q1000 PAR64/MFL 3000 4000 10,000 MFL 80,000 12°×28° 22°×45°
1000 –– Q1000 PAR64/WFL 3000 4000 13,500 WFL 33,000 24°×48° 45°×72°
w. 500 –– 500 PAR64/NSP 2800 2000 3,000 NSP 110,000 7°×12° 13°×20°
500 –– 500 PAR64/MFL 2800 2000 3,400 MFL 35,000 11°×13° 20°×35°
ht.
500 –– 500 PAR64/WFL 2800 2000 3,500 WFL 12,000 20°×42° 35°×65°
P H O T O M E T R I C D ATA F O R PA R 5 6 A N D PA R 6 4 / PA R 6 4 - A L
distance 10" 20" 30" 40" 50" 60"

center ht. w. center ht. w. center ht. w. center ht. w. center ht. w. center ht. w.
lamp beam fc (") (") beam fc (") (") beam fc (") (") beam fc (") (") beam fc (") (") beam fc (") (")
Q500 PAR56/NSP 960 2.6 5.7 240 5.3 11.5 107 7.9 17.2 60 10.5 22.9 38 13.2 28.7 –– –– ––
Q500 PAR56/MFL 430 3.5 7.7 108 7.1 15.4 48 10.6 23.0 27 14.1 30.7 17 17.6 38.4 –– –– ––
Q500 PAR56/WFL 190 6.1 13.0 48 12.2 26.0 21 18.3 39.0 12 24.5 52.0 8 30.6 65.0 –– –– ––
300 PAR56/NSP 700 2.6 3.5 175 5.3 7.1 78 7.9 10.6 44 10.5 14.1 –– –– –– –– –– ––
300 PAR56/MFL 240 3.5 6.3 60 7.1 12.6 27 10.6 18.9 15 14.1 25.2 –– –– –– –– –– ––
300 PAR56/WFL 100 5.4 11.5 25 10.7 23.1 11 16.1 34.6 6 21.4 46.2 –– –– –– –– –– ––
Q1000 PAR64/1 4,000 1.8 4.3 1,000 3.5 8.5 445 5.3 12.8 250 7.0 17.0 160 8.8 21.3 111 10.5 25.5
Q1000 PAR64/2 3,300 2.5 4.6 825 4.9 9.2 367 7.4 13.9 206 9.8 18.5 132 12.3 23.1 92 14.8 27.7
Q1000 PAR64/5 1,250 3.7 8.0 313 7.4 16.2 139 11.1 24.3 78 14.8 32.3 50 18.5 40.4 35 22.2 48.5
Q1000 PAR64/6 400 8.3 14.3 100 16.6 28.5 44 24.9 42.8 25 33.1 57.0 16 41.4 71.3 11 49.7 85.6
Q1000 PAR64/NSP 1,800 2.5 5.5 450 4.9 11.1 200 7.4 16.6 113 9.8 22.8 72 12.3 27.7 –– –– ––
Q1000 PAR64/MFL 800 3.9 8.3 200 7.8 16.6 89 11.7 24.9 50 15.6 33.1 32 19.4 41.4 –– –– ––
Q1000 PAR64/WFL 330 8.3 14.5 83 16.6 29.1 37 24.9 43.6 21 33.1 58.1 13 41.4 72.7 –– –– ––
500 PAR64/NSP 1,100 2.3 3.5 275 4.6 7.1 122 6.8 10.6 69 9.1 14.1 44 11.4 17.6 –– –– ––
500 PAR64/MFL 350 3.5 6.3 88 7.1 12.6 39 10.6 18.9 22 14.1 25.2 14 17.6 31.5 –– –– ––
500 PAR64/WFL 120 6.3 12.7 30 12.6 25.5 13 18.9 38.2 8 25.2 51.0 5 31.5 63.7 –– –– ––
ALTMAN
Lighting, Inc.
#
#
#
183#
#
#
FILM & VIDEO LIGHTING

C atalog
Numbers
Q -LITE
Q -LITE-JR 1 (see footnote)
Fixture Type:
These open-face luminaires are compact, lightweight, multi-

purpose flood/fill lights ideal for stage, studio and location
lighting applications. Designed to operate high- color- temperature tungsten-
halogen lamps, these units are well suited for use in tight or confined spaces where
maximum light output and beam spread are required for fill or flood lighting.
Specifications subject to change without notice.
6 5 0 / 1 0 0 0 - W ATT
O P E N - F A C E Q - L I T E A N D Q - L I T E J R .1
Fe a tu res
• Ventilated steel housing
• Broad even beam
• Compact and lightweight
• Wide range of lamps
• Color frame, snoot / color frame holder, and safety
cable with spring clip included
• U.L.- and c.U.L.- listed for 650 watts for the Q- Lite- Jr.1 and
1000 watts for the Q- Lite
• Made in the U.S.A.
6³⁄₄! 5!
(17 cm) (13 cm)
4! 3¹⁄₄!
(10 cm) (8 cm)
2³⁄₄! 8¹⁄₂!
6! 9¹⁄₂! (7 cm) (22 cm)
(15 cm) (24 cm)
3¹⁄₂! 10¹⁄₂!
6³⁄₄! 11¹⁄₂! (9 cm) (27 cm)
(17 cm) (29 cm)
Q -LITE Q -LITE-JR 1
ALTMAN
Lighting, Inc.
1. Discontinued as of 8/25/03. Available while supplies last. B R I N G I N G I M AG I N AT I O N TO L I G H T
184#
6 5 0 / 1 0 0 0 - W A T T O P E N - F A C E Q - L I T E A N D Q - L I T E J R .1
Sp ecificatio ns C atalog
Housing: Sheet steel construction. Numbers
Materials: Corrosion-resistant materials and hardware. Q -LITE
Yoke: Rigid flat steel with dual- locking- dog tilt handles. Q -LITE-JR 1 (see footnote)
Reflector: Peened specular aluminum. Q - L I T E P H O T O M E T R I C D ATA W I T H F C M L A M P
Socket: Recessed single-contact, two provided. Tool-free V E R T I C A L H O R I Z O N T A L
relamping. Field Angle: 140˚ Bea m Angle: 130° Field Angle: 132˚ Bea m Angle: 102°
Rating: For Q- LITE, 120/240 volts AC/DC operation, footcandles 224 56 25 14 footcandles 224 56 25 14
8.3/4.2 amps, 1000 watts maximum; for Q- LITE- JR,1
120/240 volts AC/DC operation, 5.4/2.7 amps, 650
watts maximum.
diameter
diameter
Cable: 36! Teflon® leads encased in black fiberglass
sleeving. Hi- Temp rubber cable optional up to 25". 21" 43" 64" 86" 12" 25" 37" 49"
Accessories: Color frame, snoot / color frame hold-

er, and safety cable with spring clip.
Finish: Black epoxy Sandtex, electrostatic application.
distance 5" 10" 15" 20" distance 5" 10" 15" 20"
Weight: Approx. 7 lbs. (3.15 Kg) for Q- LITE; approx.
6 lbs. (2.7 Kg) for Q- LITE- JR.1
Q - L I T E L A M P I N F O R M AT I O N
color rated rated correction
w atts volts ANSI code temp. (˚K) life (hrs) lumens factor finish
L U M I N A I R E 1000 120 FCM 3200 300 27,500 1.00 Clear
1000 120 FHM 3200 300 26,000 –– Frost
QL- CF Color Frame 750 120 EJG 3200 400 20,000 0.73 Clear
750 120 EMD 3200 400 19,500 –– Frost
SC- 36- BK Safety Cable with Spring Clip
500 120 FDF 3200 400 13,250 0.48 Clear
QL- SN Black Snoot / Color Frame Holder 500 120 FDN 3200 400 12,800 –– Frost
500 120 FCL 3000 2,000 10,950 0.40 Clear
500 120 FCZ 3000 2,000 10,700 –– Frost
A D D I T I O N A L 300 120 EHM 2950 2,000 5,950 0.22 Clear
A C C E S S O R I E S 300 120 EHZ 2950 2,000 5,900 –– Frost

Q - L I T E - J R 1 P H O T O M E T R I C D ATA W I T H FA D L A M P
F- SAS Combination ⁵⁄₈!×1¹⁄₈! Spigot
V E R T I C A L H O R I Z O N T A L
QL- BD4 Black 4- Leaf Barn Door for Q- LITE
Field Angle: 130˚ Bea m Angle: 109° Field Angle: 155˚ Bea m Angle: 119°
54- 5006 25" Extension Cord with In- Line
Switch and Edison Connector footcandles 353 88 39 22 footcandles 353 88 39 22
QL- JR- BD4 Black 4- Leaf Barn Door for

Q- LITE- JR1 (while supplies last)
diameter
diameter
11" 22" 33" 44" 14" 27" 40" 54"
distance 4" 8" 12" 16" distance 4" 8" 12" 16"
Q - L I T E - J R 1 L A M P I N F O R M AT I O N
color rated rated correction
w atts volts ANSI code temp. (˚K) life (hrs) lumens factor finish
650 120 FAD 3200 100 16,500 1.00 Clear
650 120 FBX 3200 100 16,000 –– Frost
650 120 DWY 3400 25 20,000 1.20 Clear
650 120 FCA 3400 25 19,000 –– Frost
240 120 FFM 3200 75 11,000 0.67 Clear
200 120 FDA 3200 250 10,400 0.63 Frost
200 120 EHR S 3000 2,000 7,800 0.47 Clear
200 120 EHR GE 2900 2,000 7,750 0.47 Frost
300 120 EHP S 3000 2,500 5,600 0.34 Clear
300 120 EHP GE 2900 2,500 5,650 0.34 Frost
300 120 EHX 3000 2,500 4,900 –– Clear
ALTMAN
Lighting, Inc.
1. Discontinued as of 8/25/03. Available while supplies last.
#
#
#
185#
#
#
FILM & VIDEO LIGHTING

C atalog
Numbers
2500S E -E
2500S E -M
Fixture Type:
The Altman 2500SE is a rugged high-output fresnel designed for use in the video
and film industries where an intense even field with sharp cutting capability is desired.
Utilizing the compact single-ended line of metal-halide lamps, the luminaire delivers excel-
lent daylight quality from a small compact package and is useful in any situation where day-
light color balance is required. The 2500SE is focusable from spot to flood and can be used
as a daylight booster, key light or fill-light. The 2500SE-M is supplied with a magnetic bal-
last and the 2500SE-E with an electronic ballast. Included in every PRO LIN E fixture is the
Altman F/ S EZ G lid e S y s te m , which allows the tray assembly to flood and spot with ease.
S pecifications s ubject to change without notice.
2500SE-H
pictured
2 5 0 0 -W A TT
P R O LI N E 2 5 0 0 S E D AY LI G H T 1 0 ! FR ES N EL
Fe a tu r e s
• Rugged lightweight die-cast and extruded • Lightweight, tubular steel yoke
aluminum housing • N on-corroding materials and hardware
• Rib design for superior strength and • Automatic safety cutoff switch
ventilation • 4-leaf barn door, hinged filter frame, safety
• Easy-operation focusing control with Teflon® cable, and wire safety screen included
guides (see photo at right) • N ew compact fixture housing
• Spring-loaded top accessories latch • Made in the U.S.A. The m
F /S EZ Glide Syste
7¹⁄₂!
(19.1 cm)
15¹⁄₂!
(39.4 cm)
13¹⁄₂!
(34.3 cm)
13!
(33 cm) 18⁷⁄₁₆! 27!
(46.8 cm) (68.6 cm)
11³⁄₈!
(28.9 cm)
ALT MA N
14 ¹ ⁄ ₂ ! 11! 8¹⁄₂!
(36.8 cm) (28 cm) (21.6 cm)
Lighting, Inc.
B R I N G I N G I M AG I N AT I O N TO L I G H T
186#
2 5 0 0 - WAT T PROLINE 2500SE 10 “ FRESNEL
S p e c i fi c a t i o n s Catalog
Housing: Die-cast and extruded aluminum construction. 2500-Watt/4000-Watt Numbers
Materials: Corrosion-resistant materials and hardware. Electronic Ballast 2500SE-E
Yoke: Tubular steel yoke with 1/2” (12.7 mm) opening Rating: 120V-60Hz, 38.6 amps max. / 220V-50Hz
2500SE-M
and Kipp handle. or 240V-50Hz, 19.3 amps max.
Reflector: Spherical super-pure aluminum reflector fin- Power Settings: Separate ignite and stop buttons;
ished with a thermal brightening process. square wave / silent selector. Dimming capability to 50%.
Lens: Thermal shock-resistant 9.8”(250 mm) borosili- Circuit Protection: Input circuit breaker.
cate fresnel. Cooling: Convection-cooled. S U P P L I E D W I T H
Socket: Pulse-rated mogul bi-post, G38 type. L U M I N A I R E
Connector: VEAM connector used for ballast-to-head
Rating: 115 volts AC operation, single phase, interconnect.
SC-36-BK Safety Cable with Spring Clip
25.6 amps, 2500 watts maximum. Power Cord: Mains 3-wire system with VEAM
72-0076 F10 Front Mesh
Control Switch: ON and OFF color-coded momen- connector.
tary push-button switches. Construction: Heavy-gauge stainless steel housing; low-
Protection: Automatic safety switch disconnects power profile carry handle. 54-5011 25’ Interconnect Cable
if access door is opened. Finish: Stainless. F10-FF Hinged Filter Frame
Cable: 24 “ cable lead with multi-connector.
2500-Watt Magnetic Ballast F-SAL Combination 5⁄8 “×1 1⁄8 “ Spigot
Interconnect Cable: Detachable, 25?multicable with
F-CRL Long Cord Wrap
male-to-female interlocking connectors provided with bothRating: 120V-60Hz, 25 amps max. / 220V-50Hz or
2500SE-E and -M. 240V-50Hz, 15 amps max.
Focusing: Using Altman F/S EZ Guide System, worm Power Settings: Double insulation; three-button se-
gear drives reflector, socket, and lamp carriage along lector (ON, OFF, and REMOTE).
Teflon® guide rods, controlled by Hi-Temp front-and-rear Circuit Protection: Recessed bi-polar main circuit A D D I T I O N A L
focusing knob. breaker. A C C E S S O R I E S
Accessories: Front-end accessory holder accepts 13” Cooling: Convection-cooled.

F10-BD8 8-Leaf Barn Door
(33 cm) accessories. Connector: VEAM connector used for ballast-to-head
F10-SN 3-in-1 Snoot Set
Finish: Etched metallic finish with a clear anodized interconnect.
coating, trimmed with a black epoxy Sandtex, electro-Power Cord: Mains 3-wire system with VEAM F10-FS Full Single Scrim
static application. connector. F10-HS Half Single Scrim
W eight: Approx. 36 lbs. (16.4 Kg) for 2500SE-H (unit Construction: Heavy-gauge stainless steel housing; low- F10-FD Full Double Scrim
with head only); add approx. 36 lbs. (16.4 Kg) for profile carry handle.
F10-HD Half Double Scrim
2500SE-E and approx. 159 lbs. (72.2 Kg) for 2500SE-M. Finish: Baked black enamel.
2500MB 2500-Watt Magnetic Ballast
L A M P I N F O R M AT I O N
2500/4000EB 2500-Watt Electronic Ballast
volts volts color luminous luminous rated burn
fixture type watts (nominal) (striking) temp. (°K) flux (lm) efficiency life (hrs) position 2500SE-H 2500-Watt Fresnel Head Only
2500SE 2500 115 50,000 5600 240,000 96 lm/W 500 any 54-5012 50’ HMI Interconnect Cable
C A L I B R AT E D C C D C A M E R A M E A S U R E M E N T S W I T H 2 5 0 0 - WAT T S E L A M P
S P O T F O C U S F L O O D F O C U S
Field Angle: 25° Candlepower: 1,060,000 Field Angle: 70° Candlepower: 120,000
footcandles 10,600 4,711 2,650 1,696 1,178 662 footcandles 1,200 533 300 192 133 75
diameter
diameter
1.6 ? 2.4 ? 3.1 ? 3.9 ? 4.7 ? 6.3 ? 11.5 ? 17.3 ? 23.1 ? 28.9 ? 34.6 ? 46.2 ?
distance 10 ? 15 ? 20 ? 25 ? 30 ? 40 ? distance 10 ? 15 ? 20 ? 25 ? 30 ? 40 ?
ALTMAN
Lighting, Inc.
Copyright © 2003 Altman Lighting, Inc., 57 Alexander Street, Yonkers, NY 10701. Tel.: 914.476.7987 / 212.569.7777 / 800.4.ALTMAN.
Fax: 914.963.7304. Visit us online at http://www.altmanlighting.com.
Altman Lighting, Inc. is a wholly owned subsidiary of Altman Stage Lighting Company, Inc.
Te flon® is a registered trademark of E.I. du Pont de Nemours and Company. Kipp
®
is a registered trademark of Monroe
B R I N G I N G I M AG I N AT I O N TO L I G H T Engineering Products, Inc. 082503
#
#
187#
Specifications Atomic 3000 DMX TM 1
The Atomic 3000 DMX is a powerful and rugged, 3000 W

high-impact strobe.
· 3000 W long-life Xenon lamp included

· 5600 K color temperature
· Continuous blinder effect with auto fade
· Quiet temperature-controlled fan cooling
· Smart integrated heat control eliminates cool down time
· Atomic Detonator remote control, socket kit for lamp change
· Auto-ranging power supply (100-240 V, 50/60 Hz)
· DMX, stand-alone, master/slave or Detonator remote control
· Preprogrammed special effects
Physical Length: 425 mm (16.7 in.) without bracket

Width: 245 mm (9.6 in.) without bracket
Height: 240 mm (9.4 in.) without bracket
Weight: 7.5 kg (16.5 lbs.) without bracket
Lamp Type: Xenon discharge

Approved lamps: MAX-15 Xenon (200-240 V power), MAX-7 Xenon (100-120 V power)
Dynamic Effects Variable strobe: 0 - 650 ms (50 Hz supply), or 0 - 530 ms (60 Hz supply)
Strobe rate: 0 - 25 flashes/second (50 Hz supply), 0 - 30 flashes/second (60 Hz supply)
Blinder effect: Continuous with auto fade
Strobe intensity: Blackout - maximum
Special effects: Ramp up, ramp down, ramp up-down, random flash, lightning, spikes, blinder, single flash
Control and Programming Control options: DMX, stand-alone, multi-fixture chase (with Detonator remote), MC-1
DMX channels: 1, 3, and 4 channel modes
Stand-alone control: Via N.O. or N.C. SPST switch
Stand-alone options: Selectable flash rate or blinder effect
Setting and addressing: DIP switch
Protocol: DMX512
Receiver: RS-485
Construction Housing: Steel

Finish: Electrostatic powder-coated
Color: Black
Installation Minimum distance to combustible materials: 0.5 m (1.6 ft.)

Minimum distance to illuminated surfaces: 1 m (3.3 ft.)
Minimum clearance around fan and air vents: 0.1 m (0.3 ft.)
Orientation: Any
Mounting points: Five 12 mm (0.5 in.) holes in mounting bracket
Connections Power connection: 1.5 m (4.9 ft.) cable tail, 3 x 2.5 mm 2 /AWG 13
DMX data in/out: 3-pin and 5-pin XLR sockets
Electrical AC power (MAX-7 model): 100-120 V nominal, 50/60 Hz

AC power (MAX-15 model): 200-240 V nominal, 50/60 Hz
Peak current consumption: 33 A
Typical current consumption (MAX-15, high power mode): 8 A
Main fuse (all AC power voltages): 20 AT (slow blow), 250 V
Power supply unit: Auto-ranging electronic switch-mode
Thermal Maximum ambient temperature (Ta max.): 40° C (104° F)

Maximum lamp socket temperature: 120° C (248° F)
Approvals
US safety: ANSI/UL 1573

Canadian safety: CSA C22.2 No. 166
Olof Palmes Allé 18 8200 Århus N Denmark Tel. +45 87 40 00 00 Fax +45 87 40 00 10
188#
Specifications Atomic 3000 DMX TM 2
EU safety: EN 60598-1, EN 60598-2-17

EU EMC: EN 50 081-1, EN 50 082-1
Included Items MAX-15 Xenon lamp (installed, EU model): P/N 97010307

MAX-7 Xenon lamp (installed, US model): P/N 97010308
User manual: P/N 35000094
Accessories Atomic Detonator: P/N 90760020

Atomic Colors for Atomic 3000: P/N 91611086
G-clamp: P/N 91602003
Half-coupler clamp: P/N 91602005
Spare Parts MAX-15 lamp for use with 200-240 V power: P/N 97010307
MAX-7 lamp for use with 100-120 V power: P/N 97010308
Main fuse (20 AT): P/N 05020040
Ordering Information Atomic 3000 EU model (MAX-15 lamp, 200-240 V): P/N 90424200
Atomic 3000 US model (MAX-7 lamp, 100-120 V): P/N 90424300
Published on: 4 Mar 2012. © 2000-2012 Martin Professional A/S. Specifications subject to change without notice
Olof Palmes Allé 18 8200 Århus N Denmark Tel. +45 87 40 00 00 Fax +45 87 40 00 10
189#
#
#
VL2000™ Spot
l u m i n a i r e
Programmable
Functions
Zoom Optics: Continuously variable field angle from 19˚ to 43,̊
programmable over a timed range of 2 seconds to 20 minutes.
Beam Size Control: In addition to the zoom optics, a mechanical iris provides
continuous beam size control for both rapid changes and
smooth timed beam angle changes.
Intensity Control: Full field dimming designed for both smooth timed fades
and strobe effects.
The VARI❋LITE® VL2000 ™
Color/Fixed Gobo Wheels: Two wheels, each providing 11 easily loaded positions for
Spot luminaire is based on the dichroic color and gobo choices.
groundbreaking technology used in Rotating Gobo Wheel: Six-position rotating gobo wheel with five rotatable, indexable
gobo positions and one open position.
some of the most popular and
Edge & Pattern Focus: Variable beam focus to soften edges of gobos or spots.
innovative spotlights in the history of
Pan & Tilt: Smooth, timed continuous motion by way of a three-phase
automated lighting. The VL2000 Spot stepper motor system.
luminaire features an upper enclosure Range: Pan - 540˚, Tilt - 270˚.
that houses the control electronics as Accuracy: 0.3˚ resolution.
well as a power factor corrected
arc power supply for the 700 watt short Description
arc lamp. The VL2000 Spot luminaire Source: 700 Watt Short Arc Lamp Color Temperature 5600°K
also features a zoom lens system and CRI 80
rotating gobos. The luminaire is small, Output: 15,500 lumens.
fast, lightweight and virtually silent. Power Requirements: Standard AC power distribution from 90-264 VAC, 50/60 Hz.
The unit requires 4 to 12 A depending on the AC supply voltage.
The VL2000 Spot luminaire accepts a Reflector: Precision glass reflector with dichroic cold mirror coating.
wide variety of colors and gobos. Two Operational Temperature: -20˚ to 122˚F (-29˚ to 50˚C).
fixed wheels are included, one factory Note: Derate to 113°F (45°C for operation below 100 VAC).
configured for gobos and the second Cooling: Forced air cooling.
for color filters. A standard palette of Control: Completely compatible with a wide variety of DMX-512 consoles.
gobos and colors is provided with the Mounting Position: The VL2000™ Spot luminaire can be mounted and operated
in any orientation.
unit. Custom gobos are also available.
Spacing: Hangs on 19.0 in. (48.3 cm) centers.
The VL2000 Spot luminaire can be Weight: 55 lbs (25 kg) with rails.
controlled from a wide variety of
DMX-512 consoles. Accessories
71.2528.0700 700 Watt Short Arc Lamp
22.9620.0194 Safety Cable Assembly
55.6840.0001 Truss Hook, Mega-Clamp, Round and Square
55.6841.0001 Truss Hook, Mega-Claw for 2" Round Tube
PART # : 20.9673.0001 a Genlyte company
#
#
190#
#
#
VL2000™ Spot
l u m i n a i r e
Specifications
The unit is an integrally designed, remote-controlled, motorized spot luminaire. The head, yoke and
enclosure housings are constructed of aluminum alloy, plastic and steel for lightweight strength and
durability. Virtually silent fans provide forced-air cooling for internal components. The rear cap is
removable, providing easy access to the lamp for replacement.
A single AC input cable along with two, five-pin DMX-512 compatible connectors (in and through) are
provided. The unit can be controlled by a wide variety of DMX-512 consoles. In addition, a built-in 19"
(48.3 cm)
Master/Slave function enables operation of multiple luminaires without a control console.
Each unit is equipped with multiple on-board processors providing diagnostic and self-calibration
functions as well as internal test routines and software update capabilities.
The unit contains two independent three-phase stepper motors to provide movement of the
25.375"
head through 540° in the horizontal plane (pan) and 270° in the vertical plane (tilt). The pan and tilt (64.5 cm)
mechanisms are belt-driven, providing positional resolution and repeatability of 0.3° on either axis.
17.25"
Two continuously spinning, removable filter wheels are integral to the luminaire. (43.8 cm)
27.125"
Each wheel holds up to eleven interchangeable dichroic color or gobo choices to allow (68.9 cm)
fully
for custom configurations. In addition, a gobo wheel containing five individually rotating, extended
vertical 18.5"
indexable gobos is included. Its operation is achieved by two motors, which provide (47 cm)
independent drive regardless of the direction of movement. All five rotating gobos are easily
interchangeable to allow further customization of the unit. (A wide selection of color
and patterned gobos is available from Vari-Lite.)
The unit contains an aluminum dimmer blade that provides full field dimming and allows for smooth
timed fades and fast blackouts, as well as variable strobe effects. A mechanical iris provides
continuous beam size control for both rapid changes and smooth timed beam angle changes.
Variable beam focus is provided to soften the edges of gobos or spots and to provide gobo morphing.
A powerful zoom lens system offers an adjustable field angle from 19° to 43°. When used in
combination with the beam size iris, the unit can project a beam with a field angle of 8°.
The unit is ETL and ETLc certified and CE marked. Exterior finish is black.
Photometric Data*
VL2000 Spot Luminaire — 700W Metal Halide
Zoom Lens Positions Candela* Beam Angle Beam Diameter Field Angle Field Diameter
(cd) (DEGREES) TN 1 (DEGREES) TN 1
NFOV 297,000 15.0˚ .263 18.5˚ .326
MFOV 104,000 25.0˚ .443 30.5˚ .545
WFOV 050,000 34.5˚ .621 42.5˚ .777
1
Multiply distance by Tn to determine coverage.
To calculate center beam Illuminance (I), at a specific distance (D): I = cd

— if (D) is in feet, (I) is in foot candles D2
— if (D) is in meters, (I) is in lux
* Note:
All data taken with seasoned light source at 20 hours of life.
Fixture output = 15,500 lumens.
Vari-Lite
10911 Petal Street
Dallas, TX 75238
© 2005. Printed in the U.S.A. Specifications are subject to change without 1.877.VARILITE
notice. VARI❋LITE® is a registered trademark of Genlyte Thomas Group
LLC. VL2000™ is a trademark of Genlyte Thomas Group LLC. VARI❋LITE® fax: 214.647.8038
automated lighting equipment is made in the U.S.A. VARI❋LITE® products
a Genlyte company are protected by patents granted and pending in the U.S. and other countries. www.vari-lite.com 03/05, 5K
#
#
191#
#
#
VL2000™ Spot
l u m i n a i r e
Specifications
The unit is an integrally designed, remote-controlled, motorized spot luminaire. The head, yoke and
enclosure housings are constructed of aluminum alloy, plastic and steel for lightweight strength and
durability. Virtually silent fans provide forced-air cooling for internal components. The rear cap is
removable, providing easy access to the lamp for replacement.
A single AC input cable along with two, five-pin DMX-512 compatible connectors (in and through) are
provided. The unit can be controlled by a wide variety of DMX-512 consoles. In addition, a built-in 19"
(48.3 cm)
Master/Slave function enables operation of multiple luminaires without a control console.
Each unit is equipped with multiple on-board processors providing diagnostic and self-calibration
functions as well as internal test routines and software update capabilities.
The unit contains two independent three-phase stepper motors to provide movement of the
25.375"
head through 540° in the horizontal plane (pan) and 270° in the vertical plane (tilt). The pan and tilt (64.5 cm)
mechanisms are belt-driven, providing positional resolution and repeatability of 0.3° on either axis.
17.25"
Two continuously spinning, removable filter wheels are integral to the luminaire. (43.8 cm)
27.125"
Each wheel holds up to eleven interchangeable dichroic color or gobo choices to allow (68.9 cm)
fully
for custom configurations. In addition, a gobo wheel containing five individually rotating, extended
vertical 18.5"
indexable gobos is included. Its operation is achieved by two motors, which provide (47 cm)
independent drive regardless of the direction of movement. All five rotating gobos are easily
interchangeable to allow further customization of the unit. (A wide selection of color
and patterned gobos is available from Vari-Lite.)
The unit contains an aluminum dimmer blade that provides full field dimming and allows for smooth
timed fades and fast blackouts, as well as variable strobe effects. A mechanical iris provides
continuous beam size control for both rapid changes and smooth timed beam angle changes.
Variable beam focus is provided to soften the edges of gobos or spots and to provide gobo morphing.
A powerful zoom lens system offers an adjustable field angle from 19° to 43°. When used in
combination with the beam size iris, the unit can project a beam with a field angle of 8°.
The unit is ETL and ETLc certified and CE marked. Exterior finish is black.
Photometric Data*
VL2000 Spot Luminaire — 700W Metal Halide
Zoom Lens Positions Candela* Beam Angle Beam Diameter Field Angle Field Diameter
(cd) (DEGREES) TN 1 (DEGREES) TN 1
NFOV 297,000 15.0˚ .263 18.5˚ .326
MFOV 104,000 25.0˚ .443 30.5˚ .545
WFOV 050,000 34.5˚ .621 42.5˚ .777
1
To calculate center beam Illuminance (I), at a specific distance (D): I = cd

— if (D) is in feet, (I) is in foot candles D2
— if (D) is in meters, (I) is in lux
* Note:
All data taken with seasoned light source at 20 hours of life.
Fixture output = 15,500 lumens.
Vari-Lite
10911 Petal Street
Dallas, TX 75238
© 2005. Printed in the U.S.A. Specifications are subject to change without 1.877.VARILITE
notice. VARI❋LITE® is a registered trademark of Genlyte Thomas Group
LLC. VL2000™ is a trademark of Genlyte Thomas Group LLC. VARI❋LITE® fax: 214.647.8038
automated lighting equipment is made in the U.S.A. VARI❋LITE® products
a Genlyte company are protected by patents granted and pending in the U.S. and other countries. www.vari-lite.com 03/05, 5K
192#
VL2416™ Wash
l u m i n a i r e
Programmable
Functions
Color: The DICHRO❋TUNE™ radial color changing mechanism features
independent cyan, yellow and magenta color control. Smooth,
timed color crossfades can occur in as little as 0.35 seconds.
Intensity Control: An internal douser provides intensity control.
Beam Size Control: Zoomable beam spreader mechanism. Provides 5˚ to 55˚ field
in less than 1.2 seconds.
Rotating Lens: Rotatable, indexable front lens assembly. Accepts standard
PAR 64 cover lens. Rotation speed is up to 14 RPM.
Pan & Tilt: Smooth, time-controlled continuous motion by way of a
three-phase stepper motor system.
The VARI❋LITE® VL2416 Wash ™
Range: Pan - 540˚, Tilt - 270˚.
luminaire is based on the Emmy™ Accuracy: 0.3˚ resolution.
Award winning VL5™ luminaire design.
This powerful luminaire uses a 1200W Description
Source: 1200 Watt Short Arc Lamp Color Temperature 5600˚K
arc lamp and comes standard with a CRI 80
zoomable beam spreading mechanism. Output: 16,500 lumens
An optional collimator/counterweight is Power Requirements: Standard AC power distribution from 180 – 264 VAC, 50/60 HZ.
The unit requires 7 to 12 A depending on the AC supply voltage.
available for applications requiring a
Reflector: Eight-inch glass dichroic cold mirror reflector.
fixed, collimated beam.
Operational Temperature: -20˚ to 113˚F (-29˚ to 45˚C).
Cooling: Forced air cooling.
The innovative DICHRO❋TUNE™
Control: Completely compatible with a wide variety of DMX-512 consoles.
radial color changer employs
Mounting Position: The VL2416™ wash luminaire can be mounted and operated
enhanced dichroic color filters to in any orientation.
produce smooth, full spectrum Spacing: Hangs on 24.0 inch (61 cm) centers.
color crossfades. An internal douser Weight: 69 lbs (31.3 kg).
provides intensity control and strobing.

Accessories
The VL2416 luminaire features an 71.2528.1200 1200 Watt Short Arc Lamp
22.9620.0194 Safety Cable Assembly
upper enclosure that houses the
control electronics as well as a power
55.6841.0001 Truss Hook, Mega-Claw for 2" Round Tube
factor corrected arc power supply. 22.9661.0409.01 Collimator/Counterweight Assembly
The VL2416 luminaire can be controlled

from a wide variety of DMX-512
consoles.
PART # : 20.9661.0001.06
#
#
193#
#
#
VL1000 ERS ™
automated ellipsoidal
r e f l e c t o r s p o t l i g h t
Arc Units
Programmable Functions
Zoom Optics: Continuously variable field angle in imaging range from 19° to 36°,
super zoom angles to 70° is programmable over a timed range of
2 seconds to 20 minutes.
Color Mixing: A fully cross-fading CYM color system is included.
Diffusion: Field or gobo can be continuously and smoothly diffused to wash.
Rotating Gobo Wheel: Six-position rotating gobo wheel with five rotatable, indexable gobo
The VARI!LITE® VL1000™ ERS positions and one open position.
luminaire combines the functionality of Shutter (Framing Models): Four-blade system can frame and crop beam field and gobos.
Each individual shutter is capable of translating to beam center while
one of the most popular conventional also rotating ±35°. Entire shutter rotates ±45°.
lighting tools — the ellipsoidal reflector Beam Size Control In addition to the zoom optics, a mechanical iris provides continuous
spotlight — with the versatility of an (Iris Models): beam size control for both rapid changes and smooth timed beam
angle changes.
automated luminaire.
Pan & Tilt: Smooth, timed continuous motion using stepper motors with encoder
correction. Pan range is 540°; tilt is 270°. Resolution is 0.1°. Unit will
Automated functions include CYM
calibrate to support close hangs (yoke-to-yoke) .
color mixing, rotating gobos, variable
diffusion and a zoom lens that ranges Description
from 19° to 36° for normal imaging Source: 575 W Arc Lamp, Phillips MSR 575HR (or equivalent)
and a super zoom function that ranges Color Temp: 6000K CRI: 95
Output: >15,000 Lumens Rated Life: 1,000 Hours
to 70°.
Source: 575 W Long-Life Arc Lamp, Phillips MSD 575HR (or equivalent)
Color Temp: 5900K CRI: 75
Models VL1000AI and VL1000AS
Output: >14,000 Lumens Rated Life: 2,000 Hours
deliver more than 15,000 lumens with
Power Requirements: Depending on the voltage, 3 to 9 A are supplied to the Arc luminaires
the higher color temperature of the and ballast.
575 watt arc source. These models also Reflector: Precision glass reflector with dichroic cold mirror coating.
include a mechanical dimmer and a Operational Temperature: -20° to 122°F (-29° to 50°C).
truss-mounted, fanless ballast. Cooling: Free convection cooling when hung. Floor mounted units and extreme
ambient temperatures activate a low-noise, forced-air cooling system.
The VL1000AS model includes an Control: Completely compatible with a wide variety of DMX-512 consoles.
automated, four-blade shutter Mounting Position: The VL1000 ERS luminaire can be mounted and operated in any
orientation.
mechanism that provides control of
Spacing: Full range of motion on 26.5" centers. Hangs as close as 20.0".
all shutter functions popular in
Weight: 70 lbs (32 kg).
conventional ellipsoidal reflector
spotlights. The VL1000AI model Accessories
includes a beam size iris. 71.2528.0575 575 Watt Arc Lamp, MSR575HR
71.2556.0575 575 Watt Long-Life Arc Lamp, MSD575HR
55.6841.0001 Truss Hook, Mega-Claw for 2” Round Tube
41.6010.XXXX Gobo, VL1000 (Specify pattern from catalog to complete P/N.)
Vari-Lite is a Philips group brand
#
#
194#
#
#
VL1000 ERS ™
automated ellipsoidal
r e f l e c t o r s p o t l i g h t
Arc Units
Arc Ballast Unit Description:
Input Weight & Dimensions
Voltage Range: 90V to 275V, Mounting position:
auto-ranging. Ballast can be mounted in any orientation.
Frequency: 50Hz or 60Hz
Weight:
Current Range: 2.7A to 9.0A* 16.6 lbs (7.52 kg)
Power Factor: ± .97
Output
Open Circuit Voltage: ± 450V
Lamp Voltage: 100V *
Lamp Current: 6.25A* Specifications
Lamp Power: 625W* The unit is an integrally designed, remote-controlled, automated
ellipsoidal reflector spot luminaire. An integral enclosure/pan tube
Output Curent Shape: Square wave supports the luminaire with provisions for two hooks. The pan tube
Output Frequency: 200Hz* serves as an interconnection point for power and data. Low noise
High Frequency ± 3% fans provide forced-air cooling for internal components during
Ripple Current: extreme operating conditions. The rear cap provides three-point
lamp adjustment and easy access to the lamp for replacement.
* Nominal Values
An AC input connector, a remote ballast interconnect cable and two,
five-pin DMX-512 compatible connectors (in and through) are provided.
Photometric Data** The unit can be controlled by a wide variety of DMX-512 consoles.
Each unit is equipped with a high-speed processor providing diagnostic
and self-calibration functions as well as internal test routines and
software update capabilities. A yoke arm mounted panel and display
provide the user interface.
The unit contains independent stepper motors to provide movement
of the head through 540° in the horizontal plane (pan) and 270° in the
vertical plane (tilt). The luminaire calibrates to minimize hanging
distances.
A zooming multi-element optical system provides continuous focus of
gobo images for field angles from 19° to 36°. A super zoom function
provides field angles to 70°. Independent control of edge is provided.
A CYM color mixing system is provided for a broad range of user color
selection. A variable diffusion stage is also included. This stage
provides controlled reduction of the contrast ratio of imagery and beam
edges. The effect is a continuous transition from spotlight to floodlight.
A six-position gobo wheel with five rotatable, indexable gobo positions
and one open position is included. Gobos are easily installed and
removed. (A wide selection of gobos is available from Vari-Lite.)
** All data taken with seasoned light source at 20 hours of life. Framing shutter models contain four shutter blades that translate
1
To calculate center beam Illuminance (I), at a specific distance (D): I = cd radially across the beam. Each individual shutter is capable of
— if (D) is in feet, (I) is in foot candles D2 translating to beam center while also rotating ±35°. The framing
— if (D) is in meters, (I) is in lux shutter mechanism rotates as a unit ±45°.
Models Iris models contain a beam size iris suitable for producing narrow
beams and cropping gobos. The unit is ETL and ETLc certified and CE
marked. Exterior finish is black. Custom colors may be special ordered.
Vari-Lite
10911 Petal Street
Dallas, TX 75238
©2008 Philips Group. All rights reserved. Printed in the U.S.A. VARI!LITE® is a trademark 1.877.VARILITE
owned by Philips Group and is registered in the United States and other countries. VL1000 and
the Vari-Lite Asterisk are also trademarks owned by Philips Group. Certain products listed in this
document may be protected by applicable patents and patents pending. Philips will agressively fax: 214.647.8038
defend all of its intellectual property. We reserve the right to change details of design, materials and
finishes. Specifications are subject to change without notice. VARI!LITE® automated lighting
equipment is made in the U.S.A. www.vari-lite.com
VL1000_ARC_0808
#
#
195#
#
#
(Mumm#164)#
#
196#
#
#
(Mumm#430)#
#
197#
#
#
Specifications-4-inch, 7.5-inch
Color Changers
Power/Data
Receives 24v DC and DMX from Wybron

PS Series Power Supply
XLR Connector Pin Out
XLR Pin # Function Conductor Size
1 Ground 14 AWG
2 Data + 22 AWG
3 Data - 22 AWG
4 24 Volts DC 14 AWG
*Not Compatible with Ram II Power Supplies
Control
Uses DMX512-A Protocol
General
Designed to be an entry level color changer

Fits the most common wash and ellipssoidal fixtures
16 individual gel frames on 4” (Source Four)
& 7.0” models
Features Wbron’s Autoload system for easy
gelstring loading
Wide selection of fixture mounting plates
Integrated stainless steel safety cable
.063” aluminum sheet metal construction
Accepts power and data on one cable
4 pin XLR connector for power and data
4 pin XLR connector output for daisy chaining units
Made in the USA
TEL 800•624•0146 • TEL 719 • 548 • 9774 • FAX 719 • 548 • 0432 • EMAIL: info@wybron.com • WEBSITE: www.wybron.com
198#
Specifications-4-inch, 7-inch
Color Changers
Dimensions & Weights Ordering Information

4-inch Model 4540
FORERUNNER Color Changers

Model Description
3.25"/83mm 4540 4-inch color changer
2.99"/76mm
7140 7-inch color changer
2.65"/67mm
9.86"/248mm PS-SERIES Power Supply
820150 150W power Supply
5.25"/133mm
FORERUNNER Accessories
5.25"/133mm
10.13"/257mm
7042-XX Power/Data Cable (XX=Length)*

FORERUNNER Gelstrings**
4549–XX 4-inch gelstring (XX=number of frames up to 16)
7149–XX 7.0-inch gelstring (XX=number of frames up to 16)
2.59"/
66mm FORERUNNER Mounting Plate INCLUDED. To specify size, see website.
* Available in 3’, 5’, 10’, 15’, 25’, 50’, 75’, & 100’ lengths
** See COLOREXPRESS Gelstrings for available colors
Weight: 3.0 lbs./1.361kg without mounting plate
Front Door: 6.25” accessory holder
7-inch Model 7140
3.34"/85mm
3.0"/76mm
2.66"/68mm
11.72"/298mm
7.0"/176mm
7.0"/176mm
11.07"/281mm
2.59"/
66mm
Weight: 3.38 lbs./1.53kg without mounting plate

Front Door: 10.0” accessory holder
#
#
#
199#
#
#
Specifications-150W, 300W & 600W PS-SERIES Powe r S u p p l i e s
Power/Data
Accepts all standard voltages worldwide

(100-132 VAC 50/60 Hz and 170-240 VAC 50/60 Hz
Sends/passes 24v DC and DXM/RDM
XLR Connector Pin Out

XLR Pin # Function Conductor Size
1 Ground 14 AWG
2 Data - 22 AWG
3 Data + 22 AWG
4 24 Volts DC 14 AWG
*Not Compatible with Ram II Power Supplies
Control
Uses DMX512-A Protocol

General
Infotrace features available using
A component of the Wybron Infotrace Series ANSI E1.20 – 2006 Remote Device Management
of Products over USITT DMX512 standard
Control and power for the following Wybron products:

Parameters and features selectable
• NEXERA LX Luminaires with Infotrace/RDM:
• CXI IT Color Changers
Device Label
• COLORAM IT Color Changers Firmware Upgrade
• ECLIPSE IT SHUTTER/ ECLIPSE IT IRIS Dowsers
• FORERUNNER Color Changers Infotrace/RDM feedback information
Front & rear LEDs indicating signal and power
Type of Device
Integrated stainless steel safety cable
Voltage Output Sensor
Truss or rack mountable; free standing
Device Drop Warning
.063” aluminum sheet metal construction
4 pin XLR connector for power and data
4 pin XLR connector for output
Made in the USA
200#
Specifications-150W, 300W & 600W PS-SERIES Powe r S u p p l i e s
Dimensions & Weights Equipment Compatibility**
PS-150 Model 820150 The following is a chart of compatibility and capacity of

the various models of the PS-Series Power Supply and
the companion devices.
Power Supply PS-150 PS-300 PS-600
Model 820150 820300 820600
Output Power 150W 300W 600W
Maximum devices per Power Supply
Description Model Head Ft.
2.88"/73.10mm
3.27"/83.10mm
CXI IT 7.5” 87200 1500 6 12 24

CXI IT 4” 84560 1500 6 12 24
7.60"/193.10mm
CXI IT Lg Format 816050 750 2 5 9
12.75"/323.90mm
CXI IT 12” 812210 500 2 4 8
CXI IT 8-light 816130 750 3 6 12
CXI IT Mariner 87220 1500 6 12 24
CXI IT MultiPar 87240 1000 4 9 18
Weight: 3.90 lbs./1.77kg
2560LX, 2570LX,
NEXERA LX (tungsten) 2640LX 1500 8 16 32
2580LX, 2600LX,
NEXERA LX (CDM) 2650LX 1500 6 12 24
PS-300 Model 820300 COLORAM IT 7.5” 87110 1500 6 12 24
COLORAM IT 4” 84520 1500 6 12 24
COLORAM IT 10” 810100 1000 4 8 16
COLORAM IT Lg Frmt 816090 1000 6 12 24
COLORAM IT 15” 815010 1000 6 12 24
COLORAM IT 8-light 816080 1000 5 10 20
AQUARAM IT 7.5” 87080 1000 5 10 20
AQUARAM IT Lg Frmt 85000 1000 6 12 24
ECLIPSE IT SHUTTER 1K 89001 1500 8 16 32
2.96"/75.20mm
3.35"/85.10mm
ECLIPSE IT SHUTTER 2K 811010 1500 8 16 32

Lg
7.85"/199.40mm
ECLIPSE IT SHUTTER Frmt 817000 1500 8 16 32
ECLIPSE IT IRIS 1K 87250 1500 6 12 24
14.0"/355.60mm
ECLIPSE IT IRIS 2K 812020 1500 6 12 24
ECLIPSE IT IRIS 24” 823020 750 3 6 12
FORERUNNER 4” 4540 n/a 16 32 64
FORERUNNER 7” 7140 n/a 16 32 64
PS-600 Model 820600
Ordering Information
PS-SERIES Power Supply

Model Description
820150 150W Power Supply
4.03"/102.40mm
4.42"/112.30mm

7.85"/199.40mm PS-SERIES Power Supply Accessories
14.0"/355.60mm 7042-XX Power/Data Cable (XX=Length)*
* Available in 3’, 5’, 10’, 15’, 25’, 50’, 75’, & 100’ lengths
#
#
201#
#
ETC® Sensor®+ Racks

Sensor+ Series
Installation Racks
MODEL DESCRIPTION
SR48+ Sensor+ 48 Module Rack
SR24+1P Sensor+ 24 Module Single Phase Rack
Rack Options*
MODEL DESCRIPTION
AT48 Amp-Trap fuse option for 48-module rack
G E N E R A L I N F O R M AT I O N BK48 Bus kit for 2 – 48-module racks
Sensor+ dimming systems provide high density, professional features BK24 Bus kit for 2 – 24-module racks
and exceptional reliability for lighting applications that require the BK12 Bus kit for 2 – 12-module racks
best the entertainment industry can offer. AUX30-48 30” Auxiliary Rack(s) for 48-module rack
AUX19-48 19” Auxiliary Rack(s) for 48-module rack
APPLICATIONS
s¬ Professional and educational theatre AUX19-24 19” Auxiliary Rack(s) for 24-module rack
s¬ Production studios AUX19-12 19” Auxiliary Rack(s) for 12-module rack
s¬ Concert and performance halls
Vibration Reduction mounts available for all Sensor+ racks. Contact ETC for details.
*
s¬ Themed retail and dining
Note: Power feeds above 800A up to 2000A require addition of a 30” auxiliary rack.
s¬ Multi-use Convention Centers
s¬ Houses of Worship
FEATURES Rack Accessories
s¬ High dimmer density
s¬ Up to two 2.4kW dimmers per module MODEL DESCRIPTION
s¬ 6, 12, 24, and 48 module racks available SSSh24-48 Sensor+ Sound Suppression Hood – large
s¬ Rugged industrial construction SSSh6-12 Sensor+ Sound Suppression Hood – small
s¬ Installation flexibility
s¬ Adaptable modular design Pedestal Floor pedestal for 24-module rack
s¬ 100,000A Short Circuit Current Rating (SCCR) DH Document Holder
s¬ Advanced configuration editing built into rack
s¬ Stores up to 128 presets in memory
s¬ Direct Ethernet control signal input SmartLink Accessories
s¬ Two DMX512-A inputs
s¬ Standard system and rack monitoring with MODEL DESCRIPTION
diagnostic reporting S-LPB SmartLink Power Board for Sensor+ Racks*
s¬ Supports ETC Dimmer Doubling™
S-10005 SmartLink 5-Button Station*
ACCESSORIES
s¬ SmartLink® Button Stations and SmartLink TimeClock S-10010 SmartLink 10-Button Station*
s¬ Dimmer Doubler *One SmartLink Power Board required for station support.
s¬ Sound Suppression Hood S-LPB supports up to four stations.
s¬ Floor pedestal for 24-module rack Only one S-LPB may be enabled in a system.
s¬ Document holder
1 of 4
202#
#

Sensor+ Series
S P E C I F I C AT I O N S A D D I T I O N A L I N F O R M AT I O N
GENERAL Compatible Dimmer Modules

s¬ Racks available in four sizes:
- SR6+ 6 modules, 12 dimmers maximum SENSOR STANDARD MODULES
- SR12+ 12 modules, 24 dimmers maximum
MODEL DESCRIPTION
- SR24+ 24 modules, 48 dimmers maximum
- SR48+ 48 modules, 96 dimmers maximum D15/D20 Dual 15A/20A Dimmer Module – 350µS
s¬ Dual density (two dimmers per module), single density and
D15E/D20E Dual 15A/20A Dimmer Module – 500µS
half density dimmer modules available
s¬ Operating temperature: 0-40°C / 32-104°F D50AF Single 50A Dimmer Module – 500µS – AF
- Dimmer room HVAC systems must at all times maintain
D100AF* Half 100A Dimmer Module – 500µS – AF
the specified ambient temperature at the dimmer rack.
Dimming systems operating within 10°F of the upper or SENSOR SPECIAL PURPOSE MODULES
lower temperature limits must strictly follow installation
ELV10 Dual 10A Dimmer Module for electronic low
and operation guidelines to operate reliably.
s¬ Relative humidity: 10-90% non-condensing voltage transformers
s¬ All racks UL and cUL Listed D15FB/D20FB Single 15A/20A Dimmer Module for two wire
s¬ UL924 Listed for Bypass operation fluorescent with emergency battery backup
MECHANICAL
D15F/D20F Single 15A/20A Fluorescent Dimmer Module
s¬ Rugged 16-gauge steel construction
s¬ Fine-textured, scratch-resistant, epoxy paint R15AF/R20AF Dual 15A/20A Relay Module
s¬ SR6+ and SR12+ uses wall mount installation
CC15/CC20 Dual 15A/20A Constant Circuit Breaker Module
s¬ SR24+ can be wall or pedestal mounted
s¬ SR48+ is floor mounted AFM Air Flow Module
s¬ Top and bottom conduit access through removable panels
(SR48+) or knockouts (SR6+, SR12+, and SR24+) *Half-density modules use two module slots.
s¬ No tools required for module removal or installation Control Modules
s¬ Keyed module slots prevent insertion of inappropriate
module types MODEL DESCRIPTION
s¬ Front access to all wiring and terminations
CEM+ Control Electronics Module +
s¬ Full height locking door
s¬ Electrostatic air filter easily removed from door for Load Wiring Lug Capacity
periodic cleaning
s¬ High efficiency cooling system with airflow sensor CONNECTION WIRE SIZE
s¬ High visibility LED status beacon
10A, 15A, 20A, and 50A lugs 4 AWG Max. (25mm2)
ELECTRICAL
s¬ SR6+, SR12+ and SR24+ accept: 100A lugs 2/0 Max.
- Three phase 120/208 VAC
- Single phase 120/240 VAC Primary Feed Lug Capacity
s¬ SR48+ accepts:
- Three phase 120/208 VAC CONNECTION WIRE SIZE FEED RATING
s¬ Line feed frequencies from 47-63Hz
SR48+ Dual 600 kcmil – 2 AWG 800A*
s¬ Line feed voltage range is 91-139 VAC*
s¬ Load terminals accept up to #4 AWG (25mm2) wire SR24+ Dual 350 kcmil – 4 AWG 400A
s¬ Short Circuit Current Rating: 100,000A RMS symmetrical
SR12+ Dual 250 kcmil – 6 AWG 200A
at 240VAC
s¬ Auxiliary equipment racks and custom switchgear/distribution SR6+ Single 2/0 – 14 AWG 100A
available (call ETC for details)
*Note: Suggested max main transformer tap 135V to allow for Sound Pressure Level (dBA)
line fluxuation
CONTROL ELECTRONICS MODEL dBA @ 1000Hz (1kHz)**
s¬ Sensor+ Control Electronics Module (CEM+) WITHOUT WITH SSSh***
s¬ Single Ethernet control signal input
s¬ Two DMX512-A inputs SR48+ 37.0 30.9
s¬ Standard diagnostic reporting via browser-based interface or SR24+ 40.2 34.0
DimStat™ software
s¬ Supports Dimmer Doubling™ SR12+ 41.8 33.8
s¬ Supports SmartLink® control of presets SR6+ 26.0 21.4
OPTIONS *With addition of an AX48-30 rack and amp traps, feeder sizes can increase up to 2000A max.
s¬ Advanced Features (AF) dimmer-specific load and See Sensor Aux Bay Data sheet for more details.
diagnostic reporting **dBA values for each Sensor rack measured at one meter. Visit www.etcconnect.com for full
spectrum dBA ratings.
s¬ Amp-Trap® fuses to allow feeding individual racks from
oversize mains ***Sensor Sound Supression hood (SSSh).
s¬ Bus kits available
s¬ Vibration reduction kits available for all racks
s¬ SmartLink Power Board
s¬ SmartLink TimeClock
2 of 4
203#
#

Sensor+ Series
TYPICAL SYSTEM RISER
DMX Plug-in DMX Plug-in

DMX DMX SmartLink®
Booth Stage
Preset 1 Preset 6
Preset 2 Preset 7
Preset 3 Preset 8
Preset 1
Preset 4 Preset 9
Preset 2
Preset 5 Preset 10
Preset 3
Preset 1 Preset 6
Preset 4
Preset 2 Preset 7
Preset 5
Preset 3 Preset 8
Preset 1
Preset 4 Preset 9
Preset 2
Preset 5 Preset 10
Preset 3
Preset 4
Preset 5
Congo® jr™ Console
Sensor+ Dimming System
TYPICAL NETWORK RISER
Link Power
Aux Power
Unison® Control Stations
PC for ETC software Link Power
Switch CMEi in Radio Focus

ER4 Rack Remote
(Transmitter)
Eos Remote Video Interface

Eos® Console
DMX
Net3 DMX Gateway

Net3™ DMX Gateway Sensor+ Dimming System
DMX from Radio Focus
external source Remote To moving lights
(Receiver) or any DMX device
3 of 4
204#
#

Sensor+ Series
PHYSICAL
Empty Dimmer Rack Weights Installation Rack Dimensions

MODEL WEIGHT SHIPPING WEIGHT MODEL HEIGHT WIDTH DEPTH
lbs kgs lbs kgs inches mm inches mm inches mm
SR48+ 188 86 198 90 SR48+ 83.1 2110 14.6 370 22.8 580
SR48+ Door* 31 14 35 16 SR24+ 45.8 1160 14.6 370 16.8 430
SR24+ 107 49 115 53 SR12+ 25.8 660 14.6 370 13.3 340
SR24+ Door* 17 8 20 9 SR6+ 16.4 420 14.6 370 13.3 340
SR12+ 45 21 50 23
SR12+ Door* 11 5 14 6.5
SR6+ with Door 36 16 45 21
Rack doors ship separately.
*
SR48+
Full Dimmer Rack Weights

MODEL MAX. WEIGHT TYPICAL WEIGHT
All racks
lbs kgs lbs kgs require minimum
clearance
SR48+ 493 224 459 209 above fan
SR24+ 261 119 244 111
10.0”
SR12+ 115 53 105 48 250mm
83.1”
SR6+ 71 33 66 30 2110mm
SR24+
Maximum – D100AF modules (11.7lbs/slot)
*
Typical – D20 modules (5lbs/slot)
Refer to module datasheets to calculate rack weight for other module types.
45.8”
1160mm
SR12+
SR6+ 25.8”
660mm
16.4”
420mm
Wall or
other
barrier
(all racks)
14.6” 14.6” 14.6” 14.6”
370mm 370mm 370mm 370mm
13.3” 13.3”
6” 340mm 340mm 16.8”
150mm 430mm 22.8”
580mm
17” 17”
460mm 460mm
6” 17”
150mm 460mm
6”
17”
150mm
460mm
6”
150mm
Corporate Headquarters¬s¬¬0LEASANT¬6IEW¬2D¬0/¬"OX¬¬-IDDLETON¬7)¬¬¬53!¬s¬4EL¬¬¬¬¬s¬&AX¬¬¬¬

London, UK¬s¬5NIT¬ ¬6ICTORIA¬)NDUSTRIAL¬%STATE¬6ICTORIA¬2OAD¬,ONDON¬7¬55¬5+¬s¬4EL¬¬ ¬¬¬s¬&AX¬¬ ¬¬
Rome, IT¬s¬6IA¬0IEVE¬4ORINA¬¬¬2OME¬)TALY¬s¬4EL¬¬ ¬¬¬¬s¬&AX¬¬ ¬¬¬
Holzkirchen, DE¬s¬/HMSTRASSE¬¬¬(OLZKIRCHEN¬'ERMANY¬s¬4EL¬¬¬ ¬¬¬ ¬s¬&AX¬¬¬ ¬¬ ¬
Hong Kong¬s¬2OOM¬¬&¬4OWER¬¬0HASE¬¬%NTERPRISE¬3QUARE¬¬3HEUNG¬9UET¬2OAD¬+OWLOON¬"AY¬+OWLOON¬(ONG¬+ONG¬s¬4EL¬¬¬¬s¬&AX¬¬¬
Web¬s¬WWWETCCONNECTCOM¬s¬#OPYRIGHT¥¬%4#¬!LL¬2IGHTS¬2ESERVED¬!LL¬PRODUCT¬INFORMATION¬AND¬SPECIlCATIONS¬SUBJECT¬TO¬CHANGE¬¬,¬2EV¬)¬¬53!¬¬¬
Sensor® products protected by one or more of the following U.S. Patent Numbers 5,323,088, 5,352,088, 7,233,112, 7,019,469, 6,849,943, and 6,002,563; European Number 0603333T2; German 69203609.
4 of 4
205#
#
ETC Paradigm® Architectural Control Processor

Unison® Control Series
Pow
er
DM
XA
DM
XB
Ethe
rnet
Erro
r
1
2abc
4 gh
i
3 def
5 jkl
7 pqrs
6 mno
rece 8 tuv AR
CH
ITEC
nt TU
and RA
9 wxy L CO
0 help z
NT
RO
L PR
OC
ESSO
# na R
v
thru
G E N E R A L I N F O R M AT I O N O R D E R I N G I N F O R M AT I O N
The Paradigm Architectural Control Processor is designed for easy Paradigm Architectural Control Processor
interaction and rapid response. The Paradigm ACP’s built in memory
and processing power works with vast amounts of lighting control MODEL DESCRIPTION
data and is fast enough to process 1024 simultaneous fades over any P-ACP Unison Paradigm Architectural Control Processor
of its native protocols.
Unison Paradigm System Components
APPLICATIONS
• Churches MODEL DESCRIPTION
• Schools
P-DRd-TK Unison DRd termination kit for Paradigm
• Restaurants
• Hotels P-SPM Unison Paradigm Station Power Module
• Museums P-REP Unison Paradigm ERn Repeater Module
• Casinos
P-DREP Unison Paradigm ERn Dual Repeater Module
• Ballrooms
FEATURES P-REP-W Unison Paradigm Wall-mount Repeater
• Designed for use in Unison DRd and ERn enclosures P-DREP-W Unison Paradigm Wall-mount Dual Repeater
• Point of Control Interface – easy to read system display shows
P-REP-RM Unison Paradigm Rack-mount Repeater
the user pertinent system information
• LinkConnect – using Echelon® LonTalk® protocol with P-DREP-RM Unison Paradigm Rack-mount Dual Repeater
LinkPower, the two wire topology-free system gives you the
freedom to put station where you need them
• NetConnect – making use of low-cost, easy to install Cat5/5e
with PoE to connect touchscreen stations and other devices
to a networked Paradigm System
• USBConnect – support for USB flash drives for configuration
upload and download
• QuickLoad – SD Media support for upload, and backup of
configuration data
• LightDesigner™ Access – Web browser interface for easy
modification, activation and monitoring of your system
configuration and status
• LocalAccess – user control at the interface, including creation
of timed events and editing presets or sequences
• Secure-it Access Control – multiple levels of secure user
access at the interface
1 of 4
206#
#

MECHANICAL FUNCTIONAL
• Designed for use in the Unison DRd Rack Enclosure Series and • Capacity
Unison ERn Control Enclosure Series - Supports 1024 channels of control per control processor
• Microprocessor based, solid state technology to provide multi- - Supports up to 62 stations per control processor
scene lighting and building controls • System
• Fully contained plug in module with no discrete - Net3 system interoperability including sACN
wire connections - Network Time Protocol for real-time clock synchronization
• Tool free installation supporting real and astronomical events
• Front panel user interface with backlit LCD and alpha-numeric - Supports 2 physical DMX ports, each configurable as an
button panel input or output*
• Support of RJ-45 Ethernet, Secure Digital (SD) and Universal - Provides configuration of DRd dimming operations
Serial Bus (USB) media on the front panel - Up to 20 control processors per system
ELECTRICAL - Addition of processors to a system proportionately
• No discrete wiring connections required for use in a dimming increases the overall capacities
or control enclosure • Serial Input/Output
• Echelon® LinkPower communications with remote - 8-bit word length, parity selection and 1 or 2 stop bits
devices, including button stations, button/fader stations, - Fully customizable input and output messages
touchscreen stations, sensors, and third party LonMARK - Bi-directional
compliant products • Configuration Data
• Hot swapable - Remote upload from a connected PC running
• System configuration and programming information stored in LightDesigner or another connected Paradigm ACP
flash memory - Stored in removable solid state memory for easy transfer to
• Support of ESTA BSR E1.17 Advanced Control Networks another Paradigm ACP
(ACN) and ESTA BSR E1.31 (sACN) Protocols • Local User Interface
• Supports EIA-RS232 serial protocol for bi-directional - Control functionality for control channels, zones, fixtures,
command and communication with third-party equipment groups, presets, macros, walls and sequences
• Two discrete ESTA DMX512A ports, configurable as input or - Ability to schedule timed events (add/edit/delete)
output ports* - Transfer of configuration using removable media
• Four dry contact closure inputs - Transfer of configuration to and from touchscreen stations
• Four contact closure outputs, rated 1A@30VDC using removable media
• UL and cUL LISTED, CE marked • User Access Controls
- 2 User accounts – Administrator and User, local to
When used in a Dimming Enclosure, the second DMX port is always an output
*
each processor
THERMAL • Web User Interface
• Ambient room temperature: 0-40°C / 32-104°F - Internal web server accessible via Ethernet port
• Ambient humidity: 10-90% non-condensing - Activate and deactivate presets
- Schedule timed events (add/edit/delete)
- Displays status information and log files
- Configuration of processor settings
• Diagnostics
- Standard and Critical Event logging
• Stations
- Connected to a Paradigm processor via topology-free
LinkConnect, or star-topology NetConnect
- Discovery and binding accomplished from the local user
interface or LightDesigner
• Operation
- Configurable DMX output refresh rate
- Support for 16-bit DMX attributes
- User configurable arbitration for multiple internal and
external source data
2 of 4
207#
#

T Y P I C A L S Y S T E M R I S E R – D R d W I T H PA R A D I G M C O N T R O L
LinkConnect
To 3rd party Serial RS232 Belden 8471+(1) #14
serial device Belden 9729 AuxPower
(2) #16 AWG
ETC Net3
Paradigm Touchscreen
Belden 1583A P-LCD
LinkConnect
Paradigm Touchscreen Belden 8471+(1) #14
P-LCD
PC for LightDesigner DMX
Heritage Control Stations
Aux
Power
Link
Power
Fault+
Fault-
Belden 9729
1 2 abc 3 def
and other ETC software

Power
DMX A 4 ghi 5 jkl 6 mno
DMX B
Ethernet 7pqrs 8 tuv 9 wxyz
Error recent
and 0 help # nav
thru
ETC Net3
Unison
Belden 1583A
DRd12
ETC Net3
Belden 1583A
PoE Switch
Remote Video Interface
Net3 RVI
ETC Net3
Belden 1583A ETC Net3 DMX
Belden 1583A Belden 9729
Net3 Gateway
N34G
To DMX
ETC Net3 devices SmartSwitch
Belden 1583A
SS24
ETC Net3
Control Console Belden 1583A
Ion
Sensor+
SR48+
T Y P I C A L S Y S T E M R I S E R – E R n W I T H PA R A D I G M C O N T R O L
LinkConnect
To 3rd party Serial RS232
Belden 8471+(1) #14
serial device Belden 9729
AuxPower
ETC Net3
Paradigm Touchscreen (2) #16 AWG
Belden 1583A P-LCD
LinkConnect
Paradigm Touchscreen Belden 8471+(1) #14
P-LCD
PC for LightDesigner DMX
and other ETC software Heritage Control Stations Belden 9729
Unison
ETC Net3
ERn2
Belden 1583A
ETC Net3
Belden 1583A
PoE Switch
Remote Video Interface
Net3 RVI
ETC Net3
Belden 1583A ETC Net3 DMX
Belden 1583A Belden 9729
Net3 Gateway
N34G
To DMX
ETC Net3 devices SmartSwitch
Belden 1583A
SS24
ETC Net3
Control Console Belden 1583A
Ion
Sensor+
SR48+
3 of 4
208#
#

PHYSICAL
1 2 abc 3 def ARCHITECTURAL CONTROL PROCESSOR

Power
DMX A 4 ghi 5 jkl 6 mno 2.6”
DMX B 66.0 mm
Ethernet 7 pqrs 8 tuv 9 wxyz
Error recent
and 0 help # nav
thru
5.9”
149.9 mm
12.2”
309.9 mm
P-ACP Dimensions* P-ACP Weights*

MODEL HEIGHT WIDTH DEPTH MODEL WEIGHT SHIPPING WEIGHT
inches mm inches mm inches mm lbs kgs lbs kgs
P-ACP 2.6 66 12.2 310 6.0 150 P-ACP 3.8 1.72 4.8 2.18
*Weights and dimensions typical
Rome, IT • Via Ennio Quirino Visconti, 11, 00193 Rome, Italy • Tel +39 (06) 32 111 683 • Fax +44 (0) 20 8752 8486
Web • www.etcconnect.com • Copyright©2008 ETC. All Rights Reserved. All product information and specifications subject to change. 7180L1002 Rev. B Printed in USA 06/09
Unison® products protected by one or more of the following: U.S. Patent No. 5,323,088, 6,849,943, and 5,352,958; European Patent No. 0603333; German Patent No. 69203609; US and International patents pending.
Paradigm products protected by US and International patents pending
4 of 4
209#
#
ETC Advanced Features (AF) Dimmer Module

Advanced Features (AF) Series
nal
Sig
er
Pow F
D20A
nal
Sig
er
Pow
D20AF
nal
Sig
er
Pow F
D50A
nal
Sig
er
Pow F
D100A
D50AF D100AF
The Advanced Features (AF) Dimmer Module is designed for use 100-120 Volt Advanced Features Dimmer Modules
in Sensor®+ Dimming Series modular rack enclosures. Advanced
Features Dimmer Modules enable dimmer-specific feedback of MODEL DESCRIPTION
load circuit data while performing digital phase angle dimming in D15AF Dual 15A Dimmer Module, 500µS, Advanced Features
AF-capable Sensor+ dimmer enclosures. The high-density, dimmer
modules feature modular installation and removal, fully magnetic D20AF Dual 20A Dimmer Module, 500µS, Advanced Features
circuit breakers and enhanced risetime toroidal filters. D50AF Single 50A Dimmer Module, 500µS, Advanced Features
D100AF* Half 100A Dimmer Module, 500µS, Advanced Features
APPLICATIONS *D100AF is a half-density, double-height module that takes two slots in the
s¬ Incandescent lighting dimmer rack
s¬ Low voltage lighting
Compatible Systems
s¬ Quartz lighting
s¬ Neon lighting MODEL DESCRIPTION
s¬ Cold Cathode lighting
SENSOR+ INSTALLATION RACKS
s¬ 2-wire Fluorescent ballast
s¬ 4-wire Fluorescent ballast SR6+ Sensor+ 6 module rack
FEATURES SR12+ Sensor+ 12 module rack
s¬ Voltage, current, and temperature sensors in each dimmer
s¬ D15AF and D20AF modules are dual density SR24+ Sensor+ 24 module rack
s¬ D50AF modules are single density SR48+ Sensor+ 48 module rack
s¬ D100AF modules are half density
s¬ Dual back-to-back SCRs for each circuit SR6AF+ Sensor+ 6 module Advanced Features rack
s¬ 500µS risetime toroidal filters SR12AF+ Sensor+ 12 module Advanced Features rack
s¬ High-density modular assembly
SR24AF+ Sensor+ 24 module Advanced Features rack
s¬ Die-cast aluminum chassis
s¬ Fully magnetic circuit breakers SR48AF+ Sensor+ 48 module Advanced Features rack
GENERAL SRAFN+ Sensor+ GFCI racks
s¬ 100,000A Short Circuit Current Rating (SCCR)
s¬ UL and cUL LISTED SENSOR+ TOURING RACKS**
SP4820+ Sensor+ 24 module Touring Rack (48-20A dimmers)
SENSOR+ PORTABLE PACKS**
SP1220+ Sensor+ 6 module Portable Pack (12-20A dimmers)
**Sensor+ Touring Racks and Portable Packs can be
configured with D50AF and D100AF modules.
Contact ETC for custom configurations.
1 of 2
210#
#
ETC Advanced Features (AF) Dimmer Module

Advanced Features (AF) Series
S P E C I F I C AT I O N S 0(93)#!,
GENERAL Module Dimensions

s¬ UL and cUL Listed for continuous duty at 100% of rated load
s¬ $!&¬n¬K7 MODEL HEIGHT WIDTH DEPTH
s¬ $!&¬n¬K7 inches mm inches mm inches mm
s¬ $!&¬n¬K7
s¬ $!&¬n¬K7¬ $!&$!& 1.50 11.8 5
PHYSICAL D50AF 1.50 11.8 5
s¬ Modular plug-in assemblies D100AF 11.8 5
s¬ #AST¬ALUMINUM¬CHASSIS¬lNISHED¬WITH¬TEXTURED¬EPOXY¬PAINT
s¬ ¬+EYED¬TO¬PREVENT¬INSERTION¬IN¬INAPPROPRIATELY¬RATED¬RACK¬ Module Weights
positions
CIRCUIT BREAKERS MODEL WEIGHT SHIPPING WEIGHT
s¬ Fully magnetic to eliminate nuisance tripping lbs kgs lbs kgs
s¬ X¬INRUSH¬CURRENT¬RATING
s¬ 125%, 10-120 seconds, must-trip rating $!&$!& 5 6.9
s¬ Rated for 100% switching duty applications D50AF 5.5 2.5 6.9
RATINGS D100AF 10.0 4.5
s¬ Modules withstand hot-patching of cold loads up to
full rating Maximum BTU Production per module
POWER DEVICE MODEL BTUS WATTS EFFICIENCY
s¬ Sealed, patented assembly
D15AF 140 96.1%
s¬ Field replaceable with screwdriver
s¬ Two back-to-back SCRs per circuit D20AF 810 95.0%
s¬ One control LED and one output LED per circuit D50AF 808 96.1%
s¬ 4000V isolation between control and power components
s¬ Integral bonded heatsink D100AF 1521 446
s¬ Integral temperature sensor 4HESE¬VALUES¬SHOULD¬BE¬PROVIDED¬TO¬A¬QUALIlED¬(6!#¬DESIGN¬ENGINEER¬ALONG¬WITH¬
s¬ "UILT IN¬VOLTAGE¬AND¬CURRENT¬SENSORS DIMMER¬QUANTITIES¬TYPES¬AND¬DIMMER¬ROOM¬DIMENSIONS¬TO¬CALCULATE¬DIMMER¬ROOM¬
FILTERING AIR¬HANDLING¬REQUIREMENTS
s¬ (IGH¬QUALITY¬«3¬RISETIME* toroidal filters Dimmer room HVAC systems must at all times maintain the specified ambient
temperature at the dimmer rack. Dimming systems operating within 10°F of the
*Risetime measured at full load, at worst case firing angle (90 degrees), from
upper or lower temperature limits must strictly follow installation and operation
10-90% of output wave form
guidelines to operate reliably.
DIMMER RANGE
s¬ Incandescent, low voltage dimming range 100-0%
SCR Rating
s¬ Dimming range of 2 and 4-wire fluorescent ballast is
dependent on lamp ballast combination. Contact ETC for MODULE D15/20AF D50AF D100AF
range verification
s¬ Sizing of Neon transformer used in dimming applications Single cycle peak surge current 625A 1200A !
SHOULD¬BE¬X¬GREATER¬THAN¬SIZE¬USED¬IN¬NON DIMMING¬ Half cycle peak surge current 1620A 4150A 22,000A
application Transient over voltage 600V 600V 600V
ADVANCED FEATURES**
s¬ Advanced Features error messages:
- Load dropped below recorded value
- Load increased over recorded value
- DC on dimmer output
- 3#2¬FAILED¬ONOFF
- Circuit breaker tripped
- Dimmer module removed
- Dimmer load absent
**All AF modules support ETC’s Advanced Features (AF) dimmer specific load
REPORTING¬FEATURES¬WHEN¬USED¬IN¬!& EQUIPPED¬RACKS¬OR¬PACKS

Rome, IT¬s¬6IA¬%NNIO¬1UIRINO¬6ISCONTI¬¬¬2OME¬)TALY¬s¬4EL¬¬ ¬¬¬¬s¬&AX¬¬ ¬¬¬
Web¬s¬WWWETCCONNECTCOM¬s¬#OPYRIGHT¥¬%4#¬!LL¬2IGHTS¬2ESERVED¬!LL¬PRODUCT¬INFORMATION¬AND¬SPECIlCATIONS¬SUBJECT¬TO¬CHANGE¬¬,¬2EV¬$¬¬0RINTED¬IN¬53!¬¬¬
3ENSOR¬PRODUCTS¬PROTECTED¬BY¬ONE¬OR¬MORE¬OF¬THE¬FOLLOWING¬53¬0ATENT¬.UMBERS¬¬¬¬¬¬¬¬¬¬AND¬¬%UROPEAN¬.UMBER¬¬'ERMAN¬
2 of 2
211#
#
ETC 3-Wire Fluorescent Module

Special Purpose Series
al
Sign
er
Pow
F
D20
The Fluorescent Module is a single, plug-in dimmer for use in 100-120 Volt Fluorescent Modules
both Sensor®+ and Unison® Dimming Series modular dimmer rack
enclosures. The Fluorescent Module provides cost-effective digital MODEL DESCRIPTION
forward phase angle dimming of 3-wire fluorescent dimming ballasts. D15F Single 15A Fluorescent module
The patented design features high-density modular assembly, a fully
magnetic circuit breaker and electronic low-end set controls. D20F Single 20A Fluorescent module
APPLICATIONS Compatible Systems

s¬ Linear fluorescent lighting with 3-wire dimming ballast*
MODEL DESCRIPTION
s¬ Compact fluorescent lighting with 3-wire dimming ballast*
FEATURES SENSOR+ INSTALLATION RACKS
s¬ High-density modular assembly SR6+ Sensor+ 6 module rack
s¬ Die-cast aluminum chassis
SR12+ Sensor+ 12 module rack
s¬ Fully magnetic circuit breaker
s¬ Electronic low-end set controls SR24+ Sensor+ 24 module rack
GENERAL SR48+ Sensor+ 48 module rack
s¬ UL and cUL LISTED SR6AF+ Sensor+ 6 module Advanced Features rack
*Dimming range of fluorescent fixtures is dependent on the lamp-ballast SR24AF+ Sensor+ 24 module Advanced Features rack
combination. (Contact ETC for range of specific combinations)
SRAFN+ Sensor+ GFCI racks
SENSOR+ TOURING RACKS
SENSOR+ PORTABLE PACKS
1 of 2
212#
#
ETC 3-Wire Fluorescent Module

Special Purpose Series
S P E C I F I C AT I O N S 0(93)#!,
GENERAL Module Dimensions

s Single dimmable fluorescent circuit
s UL and cUL Listed for continuous duty at 100% of rated load MODEL HEIGHT WIDTH DEPTH
- D15F – 1.8kW inches mm inches mm inches mm
- D20F – 2.4kW
D15F 1.5 38 11.8 300 4.9
PHYSICAL
s Modular plug-in assemblies D20F 1.5 38 11.8 300 4.9
s¬ Cast aluminum chassis, finished with fine textured epoxy
paint Module Weights
s¬ ¬+EYED¬TO¬PREVENT¬INSERTION¬IN¬INAPPROPRIATELY¬RATED¬RACK¬
positions MODEL WEIGHT SHIPPING WEIGHT
CIRCUIT BREAKERS lbs kgs lbs kgs
s¬ Fully magnetic to eliminate nuisance tripping
$&$& 2.4 1.1 3.3 1.5
s¬ 20x inrush current rating
s¬ 125%, 10-120 seconds, must-trip rating
s¬ Rated for 100% switching duty applications Maximum BTU Production per module
RATINGS
s 100,000A Short Circuit Current Rating (SCCR) MODEL BTUS WATTS EFFICIENCY
s Replaceable fuse on both the switched and the dimmed $&$& <10 <4 >99.0%
AC circuit for short circuit protection and fault current
coordination 4HESE¬VALUES¬SHOULD¬BE¬PROVIDED¬TO¬A¬QUALIlED¬(6!#¬DESIGN¬ENGINEER¬ALONG¬WITH¬
DIMMER¬QUANTITIES¬TYPES¬AND¬DIMMER¬ROOM¬DIMENSIONS¬TO¬CALCULATE¬DIMMER¬ROOM¬
s¬ Modules withstand “hot-patching” of cold fluorescent loads AIR¬HANDLING¬REQUIREMENTS
up to full rating
s¬ UL and cUL LISTED $IMMER¬ROOM¬(6!#¬SYSTEMS¬MUST¬AT¬ALL¬TIMES¬MAINTAIN¬THE¬SPECIlED¬AMBIENT¬
temperature at the dimmer rack. Dimming systems operating within 10°F of the
POWER DEVICE upper or lower temperature limits must strictly follow installation and operation
s¬ Sealed, patented assembly guidelines to operate reliably.
s¬ Field replaceable with screwdriver
s¬ One control and one output LED SCR Rating
s¬ 6¬ISOLATION¬BETWEEN¬CONTROL¬AND¬POWER¬COMPONENTS
s¬ Integral bonded heatsink MODULE D15F/D20F
s¬ Integral temperature sensor Single cycle peak surge current 625A
DIMMING RANGE
Half cycle peak surge current 1620A
s¬ Dimming range dependent on lamp-ballast combination.
(Contact ETC for range verification) Transient over voltage 6
I N S TA L L AT I O N W I R I N G D E TA I L
Dimmer Rack
Fluorescent Module
Lug Detail
Power
(switched)
Control
(dimmed)
Power (switched)
Dimmer
Control (dimmed)
Module
3-wire Fluorescent ballast
Neutral
Bus Neutral

Web¬s¬WWWETCCONNECTCOM¬s¬#OPYRIGHT¥¬%4#¬!LL¬2IGHTS¬2ESERVED¬!LL¬PRODUCT¬INFORMATION¬AND¬SPECIlCATIONS¬SUBJECT¬TO¬CHANGE¬¬,¬2EV¬$¬¬0RINTED¬IN¬53!¬¬¬
3ENSOR¬PRODUCTS¬PROTECTED¬BY¬ONE¬OR¬MORE¬OF¬THE¬FOLLOWING¬53¬0ATENT¬.UMBERS¬¬¬¬¬¬¬¬¬¬AND¬¬%UROPEAN¬.UMBER¬¬'ERMAN¬
2 of 2
213#
#
ETC® Ion® Console

Eos® Series
Ion
MODEL DESCRIPTION
Ion 1000 Ion Console, 1024 outputs
G E N E R A L I N F O R M AT I O N Ion 1500 Ion Console, 1536 outputs
Ion 2000 Ion Console, 2048 outputs
Fully integrated control of LEDs, conventional and moving lights in
a compact, portable package. Up to four control devices, each with Ion 2500 Ion Console, 2560 outputs
its own workspace, can be used for programming and playback. Ion 3000 Ion Console, 3072 outputs
Synchronized backup is also optional. With Universal Fader Wings,
multiple cue lists and up to 300 submasters are available. Ion RPU - 2K Ion Remote Processor Unit, 2048 outputs
Ion RPU - 3K Ion Remote Processor Unit, 3072 outputs
APPLICATIONS Ion 500 Up 512 Output Upgrade
s¬ Theatre
Eos - CSK Eos Client Software Kit
s¬ Television Studios
s¬ Houses of Worship Two universes of DMX output are available at the console via 5-pin XLR,
s¬ Corporate Theatre or all universes may be distributed with ETCNet2 DMX Nodes or Net3
DMX/RDM Gateways.
s¬ Exhibits
s¬ Special Events
s¬ Touring Ion Accessories
FEATURES MODEL DESCRIPTION
s¬ 1024, 1536, 2048, 2560 or 3072 outputs
s¬ 10,000 channels Net3 RFR Net3 Radio Focus Remote
s¬ 4 Discrete Users Net3 RFR-RX Net3 Radio Focus Remote, Receiver Only
s¬ Master playback pair with 60mm faders
Net3 RFR-TX Net3 Radio Focus Remote, Transmitter Only
s¬ Four discrete palette types (IFCB)
s¬ Presets function as “all palette” FADW 1x20 Universal Fader Wing - 1x20
s¬ Effects provide dynamic relational or absolute FADW 2x10 Universal Fader Wing - 2x10
progressive action
FADW 2x20 Universal Fader Wing - 2x20
s¬ Central information area (CIA) accesses electronic alpha
keyboard, Hue + Saturation color picker, gel picker, browser Net3 RVI Net3 Remote Video Interface
and other controls ETC -TS 19” LCD touchscreen (1280x1024)
s¬ Configurable high-density channel display, with format and
flexi-channel modes
Eos Offline Editor software for Mac and PC platforms is available for
s¬ User configurable topographical channel views
download from www.etcconnect.com
s¬ List views of all record targets
s¬ Mouseless navigation of displays
s¬ ETCNet2™, Net3™, Artnet and Avab UDP output protocols SHIPS WITH:
s¬ Show import from Obsession®, Express™, Expression®, s¬ Dust Cover
Emphasis®, Congo® and Strand 500/300 Series via ASCII s¬ Mouse and Mousepad
s¬ In/Out: local DMX512 x 2, MIDI In/Out, Networking DMX, s¬ External Alpha-numeric keyboard
MIDI, SMPTE, SERIAL and contact closure via Net3 Gateways
s¬ Virtual Media Server function for pix mapped effects, images
and animations
1 of 4
214#
#
ETC® Ion® Console

Eos® Series
SYSTEM CAPACITY s¬ Patch Views

s¬ 1024, 1536, 2048, 2560 or 3072 Outputs/Parameters - Patch by channel
s¬ 10,000 Channels - Patch by address
s¬ 10,000 Cues - Assign proportional patch value, curve, preheat value
s¬ 999 Cue Lists for intensity
s¬ 4 x 1000 Palettes (Intensity, Focus, Color, Beam) - Swap pan and tilt
s¬ 1000 Presets (all palette) - Invert pan and tilt
s¬ 1000 Groups - Custom fixture editor
s¬ 1000 Effects (relative, absolute or step) s¬ Playback Status Display
s¬ 1000 Macros - Graphic representation of cue list status, past and
s¬ Supports two external DVI monitors or one VGA monitor future cues
at 1280x1024 minimum resolution, with optional - Expanded cue list for selected cue
touchscreen control s¬ Cue List Index
s¬ Hard Disk s¬ Effect Editor
s¬ USB ports for flash drives, pointing devices, keyboards s¬ Group Editor
DISPLAY FUNCTIONS s¬ Park Display
s¬ All show data may be viewed on one or two external s¬ Fader Display
monitors. Views may be expanded across both from easily - Isolates display to active output by fader contribution
accessed front panel controls s¬ Dimmer Monitoring
s¬ The Central Information Area accesses: PLAYBACK CONTROLS
- Browser s¬ Master Playback crossfade pair with two 60mm
- File Management potentiometers, Go, Stop/Back and Load buttons
- System Defaults s¬ Grand Master with Blackout
- Show Defaults s¬ Playback fader controls include:
- Desk Defaults - Timing Disable
- Network Configuration - Off
- Show Data Utilities - Release
- Printing - Manual Override
- Record Target Lists - Rate
- Patch functions s¬ A maximum of 200 playback faders and 300 submasters
- Help (additive or inhibitive) via optional fader wings
- Hue and Saturation Color Picker s¬ A total of six universal fader wings can be attached
- Electronic alpha keyboard MOVING LIGHT CONTROLS
- Command Line s¬ 4 rotary encoders with toggle state, which posts selected
- Selected Cue parameter to command line
- Error messages s¬ Labeling and current parameter value in integral LCD display
- Parameter Categories and individual parameters s¬ Focus, Color, Form, Image, Shutter and Custom
- Filters paging controls
s¬ Channel Displays s¬ Flip
- Live channel or table view s¬ Parameters selectable by category (IFCB), sub-category (Form,
- Blind cue, palette, preset and submaster views, in list, Image, Shutter) or individually for command line actions, such
channel, table and spreadsheet formats as setting discrete timing
- User configurable to show required parameters and/or
parameter categories (IFCB)
- Flexi-channel to determine which channels to display
- Zoom allows user to define how many channels are viewed
- Color coded intensity levels indicate direction of move
- Color coded non-intensity levels indicate change from
previous state
- Graphic differentiation of moving lights, single parameter
devices, unpatched channels and deleted channels
2 of 4
215#
#
ETC® Ion® Console

Eos® Series
MANUAL CONTROL - Referenced mark instructions or auto-mark

s¬ Channel selection from keypad and/or virtual direct selects - Block at cue or parameter level
s¬ Lists constructed with +, -, thru - Assert at cue or parameter level
s¬ Intensity set with level wheel, keypad, “full” and “out” - Allfade flag
s¬ Select Last recalls last sequential channel selection set - Follow or hang times
s¬ Ordered groups - Out of sequence link
s¬ Offset, including even, odd, random, reverse - Loop functions
s¬ Fan - Preheat enable
s¬ Sneak - Cue level parameter category timing
s¬ Remainder Dim and restore - 20 part multi-part cues with default part assignment
s¬ User definable home - Cue level rate override
s¬ Home by parameter, parameter category or all non-intensity - Up to 99 decimal cues between each two whole
parameters numbered cues
s¬ Capture - Execute List
s¬ Park at level · Triggers macros with delay
s¬ Scaled park for temporary percentage adjustment · Triggers go of other cues
s¬ Recall from and Copy to commands · Syncs go to multiple cue lists
s¬ About provides detailed view of selected channels or · Show control triggers
record targets · Analog triggers
s¬ Undo manual control, record, update and delete operations - Update and Update Trace functions
s¬ Highlight and Lowlight, with optional Rem Dim - Undo record and delete
s¬ Lamp controls to strike, douse, calibrate fixtures s¬ Submasters
PROGRAMMING FEATURES - Additive, effect or inhibitive
s¬ Channel Functions - Bump button timing to fade up, dwell and fade out
- Non Intensity parameters set via numeric entry or - Assert/Channel select button
pageable encoders - Exclusive or Shielded mode
- Color matching to gel selector or Hue/Saturation - Faders as progress controller or intensity master
color picker - Bump button to mark NPs
- Apply discrete time and delay per channel parameter - Independent status
s¬ Palette and Preset Functions s¬ Curves
- Record, Record Only and Update functions - Assignable in patch to modify dimmer output ramp
- Toggle display to absolute data - Assignable at cue or cue part level to modify intensity
- Up to 99 decimal values may be inserted between any two crossfade profle or non-intensity parameter ramping
whole numbers INTERFACES
- Filter states to refine contents of record targets s¬ 2 DMX-512 Ports (RDM ready)
- Selective store to refine contents of record targets s¬ Ethernet (ETCNet2™, Net3™,Artnet and Avab UDP
s¬ Effects output protocols)
- Create live or blind s¬ Contact Closure triggers via D-Sub connector
- Pattern based relative dynamic effects s¬ DVI video connectors supports two external DVI displays
- Absolute effects (1280x1024) with optional touch screen control
- Step effects s¬ 1 - VGA connector
- Cycle time, trail and grouping determine channel s¬ USB Multi-purpose (5 ports)
distribution and behavior when moving through effect s¬ Phone Remote
- Duration of infinite, a specific amount of time or number s¬ Net 3 Radio Focus Remote
of passes through pattern s¬ MIDI In/Out (Timecode, Show Control)
- Effect attributes to modify basic behavior s¬ Additional MIDI Timecode, Show Control through Gateway
- Cue Level Overrides to modify size, rate and form s¬ SMPTE Timecode through Gateway
- Multi-part effects easily synchronize parameter activity s¬ Additional contact closure (12 analog inputs, 12 SPDT contact
- Entry mode determines how parameters enter effects outputs, RS-232) through Gateway
- Exit mode determines how parameters depart effects ELECTRICAL
s¬ Cue Recording s¬ AC input (100-240V at 50/60 Hz)
- Cue List HTP/LTP Intensity s¬ 2 amps at 120V or 1 amp at 240V maximum power
- Cue List Independent consumption
- Cue List Assert
- Record manual values or channels in use
- Autoplay back recorded cues
3 of 4
216#
#
ETC® Ion® Console

Eos® Series
PHYSICAL
Ion Dimensions* Ion Weights*

MODEL HEIGHT WIDTH DEPTH MODEL WEIGHT SHIPPING WEIGHT
inches mm inches mm inches mm lbs kgs lbs kgs
Ion Console 5.2 132 17.9 455 18.2 462 Ion Console 20.35 9.23 23.38 10.61
18.2”
462 mm
17.9”
455 mm
5.2”
132 mm

Rome, IT¬s¬6IA¬0IEVE¬4ORINA¬¬¬2OME¬)TALY¬s¬4EL¬¬ ¬¬¬¬s¬&AX¬¬ ¬¬¬
Web¬s¬WWWETCCONNECTCOM¬s¬#OPYRIGHT¥¬%4#¬!LL¬2IGHTS¬2ESERVED¬!LL¬PRODUCT¬INFORMATION¬AND¬SPECIlCATIONS¬SUBJECT¬TO¬CHANGE¬¬,¬2EV¬)¬¬53!¬
4 of 4
217#
#
ETC Universal Fader Wings and Module

Eos® Series
Congo® Series
2 x 10 Fader Wing 2 x 20 Fader Wing
1 x 20 Fader Module
The compact Universal Fader Wings can be used with an Eos or Universal Fader Wing
Ion console to provide more physical playbacks or can connect to a
Congo jr console to provide access to 20 or 40 Master Playbacks. MODEL DESCRIPTION
Connection to Eos, Ion® or Congo jr may be made via USB cable, or FADW 2 x 10 2x10 Fader Wing
the wing(s) may be physically connected to either side of an Ion or
Congo jr console. FADW 2 x 20 2x20 Fader Wing
FADM 1 x 20 1x20 Fader Module
The 1x20 Fader Module can be used with an Ion or Congo jr console
directly, or with the Eos RPU, Ion RPU, Congo Light Server or Net3
RVI in a rack-mounted installation. Ships with
s¬ Universal 12v power supply with Wings
APPLICATIONS s¬ USB A to B cable
s¬ Any situation requiring additional fader control from: s¬ Documentation
- An Eos console
- An Ion console
- An Eos/Ion Remote Processor Unit
- A Congo jr console
- A Congo Light Server
- A Net3 Remote Video Interface connected to an Eos/Ion or
Congo/Congo jr system
- A PC operating with an Eos/Ion or Congo Client
Software Kit
FEATURES
s¬ Two rows of 10 faders, two rows of 20 faders or one row of
20 faders
s¬ Integral LCD display(s), on the Wings only, for identification
and labeling functions
s¬ USB connectivity to console, RPU/Light Server, RVI or PC
1 of 2
218#
#
ETC Universal Fader Wings and Module

Eos® Series
Congo® Series
S P E C I F I C AT I O N S
PHYSICAL
s¬ ¬¬MM¬FADERS
9.45”
- ¬KEYS¬FOR¬VARIOUS¬FUNCTIONS 17.89”
240 mm 454 mm
- Integral LCD display(s) for identification and labeling,
Wings only
INTERFACES
s¬ USB Multipurpose bus
COMPATIBILITY
s¬ In Eos Control Systems:
- Eos Console
- Eos Remote Processor Unit (RPU)
- Net3 Remote Video Interface (RVI)
- Eos Client Software Kit
s¬ In Ion® Control Systems:
- Ion Console
- Ion RPU 2 x 10 Fader Wing 2 x 20 Fader Wing
- Ion Client Software Kit
s¬ In Congo Control Systems:
- Congo jr Console 15.93”
- Congo Light Server 405 mm
- Congo Client Software Kit 5.25”
ELECTRICAL 133 mm
s¬ When rigidly connected to Ion or Congo jr, unit powered
by console
s¬ When connected with external USB:
- 2 x 20 = 10 watt power consumption maximum
- ¬X¬¬¬¬WATT¬POWER¬CONSUMPTION¬MAXIMUM¬
· ¬TO¬6DC¬EXTERNAL¬POWER¬SUPPLY¬INCLUDED
- ¬X¬¬¬ M!¬AT¬6
17.64”
448 mm
0(93)#!,
6.86”
Universal Fader Wing Dimensions* 174 mm
7.34”
MODEL HEIGHT WIDTH DEPTH 186 mm
inches mm inches mm inches mm
FADW 2 x 10 133 240
FADW 2 x 20 133 .48”
12 mm
FADM 1 x 20
1.47”
Universal Fader Wing Weights* 37 mm 3.15”
80 mm
MODEL WEIGHT SHIPPING WEIGHT 1 x 20 Fader Module
lbs kgs lbs kgs
FADW 2 x 10
FADW 2 x 20 12
FADM 1 x 20

Web¬s¬WWWETCCONNECTCOM¬s¬#OPYRIGHT¥¬%4#¬!LL¬2IGHTS¬2ESERVED¬!LL¬PRODUCT¬INFORMATION¬AND¬SPECIlCATIONS¬SUBJECT¬TO¬CHANGE¬¬,¬2EV¬"¬¬0RINTED¬IN¬53!¬
2 of 2
219#
#
#
ETC DMX Node-Two Port

DNODE Series
Node label Node label

Status Status
Port A ID Port B ID Port A ID Port B ID
PUSH PUSH
ETCNet2 lighting network DMX512 distribution device

developed with Pathway Connectivity ®. ETCNet2 DMX Node-Two Port
Part# Model# Description
APPLICATIONS Road House
4105A1001 DNODE-2M DMX Node - Two Port, male
University / Professional Theatre
4105A1002 DNODE-2F DMX Node - Two Port, female
Convention Hall 4105A1003 DNODE-T2F DMX Node - Two Port, Touring, female
FEATURES 1024 DMX In or DMX Out channels 4105A1004 DNODE-T2M DMX Node - Two Port, Touring, male
Configurable to over 32,000 EDMX addresses
Distributes DMX512 over Ethernet
Distributes DMX data to any input/output device
such as dimmers, scrollers, or moving lights DMX Node-Two Port Accessories
Wallmount:
Part# Model# Description
Flush mount in 2-gang, masonry, 3.5” backbox
(Raco box #696 or equivalent) PSW1009 CD-MGB M-M 5 Pin XLR Cable, 1.5’
PSW1010 CD-FGB F-F 5 Pin XLR Cable, 1.5’
Touring:
Multi-way hanging bracket and 4000A1031-1 2P-PS120 24Vdc External Power Supply 120V
power supply support bracket 4000A1032-1 2P-PS230 24Vdc External Power Supply 230V
PSD1014 BB-2P Two-Port surface mount 3.5” deep backbox
Supports any USITT DMX512/1990
compatible console, dimming system, or 4105K1003 2P-UBOLT Two-Port Touring Node U-Bolt kit
intelligent lighting fixtures 4105K1004 2P-PS Two-Port Touring Node Power Supply Kit
LCD screen for labeling, status and 7060A2009 C-CLAMP C-Clamp
configuration indicators 7060A1022 SC-30 Safety Cable, black, 30”
ACCESSORIES 1.5' male to male DMX adapter
1.5' female to female DMX adapter
Surface mount backbox
Touring Node U-Bolt kit
Touring Node C-Clamp
Touring Node Safety Cable
External 24Vdc power supply (wallmount/install)
24V Power supply (touring)
COMPATIBILITY ETCNet2 native product
Compatible on a network with ETCNet2 Video
and DMX Nodes, Emphasis, Obsession II and
Unison CMEi
#
#
220#
#
#
DMX Node-Two Port

DNODE Series
S P E C I F I C AT I O N S TYPICAL SYSTEM RISER DIAGRAM
DISPLAY INFO LCD display for: D P

Node identification
E
Port labeling
Express Two-Port Node
DMX port configuration (Male)
DMX port activity
CRT 2 CRT 1
MECHANICAL Wallmount:
Fits 2-gang, masonry, 3.5” deep back box
E
Touring: E‡
Ruggedized steel flanges included to protect
connectors
Expression ECS
Bracket can be mounted in 4 orientations
U-bolt or C-clamp options VGA 1 VGA 2
ELECTRICAL 3 watt power consumption
E
Wallmount Power Supply Options: P*
24Vdc external power or 48V IEEE 802.3af
powered Ethernet* Emphasis Server
E
Touring Power Supply Options:
24V, individual power supply or 48V IEEE D
802.3af powered Ethernet*
P
2 DMX ports - software configurable as in or out
PUSH PUSH
1 UTP Ethernet Port Two-Port Node

(Female)
*When IEEE standard is ratified
Moving Lights
PHYSICAL
D E
P
Front View Side View
PUSH PUSH
0.742”(19mm)
Two-Port Node
4.488” 2.0” (Female)
(114mm) (51mm)
P
RJ45 Female
Ethernet Connector
Node label Two Port Node
Port A ID
Status
Port B ID Sensor Racks Power Supply Unit*
Riser Wire Types

4.606”
(117mm) 2.75” Data Type Wire Type
PUSH PUSH
(70mm) DMX (1) Belden 9729 D
ETCNet2 (1) Belden 1583A E
24Vdc Power* (3) 16 gauge wires* P
*Not required with 802.3af powered Ethernet version.
‡Ethernet distribution equipment required
Side View, Touring Side View with Backbox
DIMENSIONS & WEIGHTS
2-Gang, 3.5” deep
Masonry Backbox
DMX Node -Two Port Dimensions
Model Height Width Depth
DMX Node -Two Port 4.6 117 4.5 114 2.75 70
6.5”
DMX Node-Two Port Touring 6.5 166 4.5 114 5 127
(166mm)
DMX Node -Two Port Weights

Model Weight Shipping Weight
lbs kgs lbs kgs
DMX Node -Two Port 2.0 1.0 4.5 2.0
3.5”(89mm) Retaining Ring DMX Node- Two Port Touring 3.9 1.8 4.8 2.2
5” (127mm) 24Vdc External Power Supply 4.0 1.9 6.0 2.9
Corporate Headquarters ■ 3031 Pleasant View Rd, PO Box 620979, Middleton WI 53562 0979 USA ■ Tel +1 608 831 4116 ■ Fax +1 608 836 1736
London, UK ■ Unit 26-28, Victoria Industrial Estate, Victoria Road, London W3 6UU, UK ■ Tel +44 (0)20 8896 1000 ■ Fax +44 (0)20 8896 2000
Rome, IT ■ Via Ennio Quirino Visconti, 11, 00193 Rome, Italy ■ Tel +39 (06) 32 111 683 ■ Fax +39 (06) 32 656 990
Holzkirchen, DE ■ Ohmstrasse 3, 83607 Holzkirchen, Germany ■ Tel +49 (80 24) 47 00-0 ■ Fax +49 (80 24) 47 00-3 00
Hong Kong ■ Room 605-606, Tower III Enterprise Square, 9 Sheung Yuet Road, Kowloon Bay, Kowloon, Hong Kong ■ Tel +852 2799 1220 ■ Fax +852 2799 9325
Web ■ www.etcconnect.com ■ Copyright © 2003 ETC. All Rights Reserved. All product information and specifications subject to change. 4105L1001 Rev. D Printed in USA 08/03
221#
ETC DMX Nodes
DNODE Series
TOURING / WALL MOUNT DMX NODE
RACK MOUNT/PORTABLE DMX NODE
Lighting network data distribution device

DMX Node
APPLICATIONS Road House Model# Description Mount
Touring DNODE-RFR3 ETCNet 2 DMX Node 3out/1in w/ RFU Front Rack
University/Professional Theatre DNODE-RFR4 ETCNet 2 DMX Node 4out w/ RFU Front Rack
Convention Hall DNODE-RF3 ETCNet 2 DMX Node 3out/1in w/o RFU Front Rack
Tech Tables DNODE-RF4 ETCNet 2 DMX Node 4out w/o RFU Front Rack
DNODE-RBR3 ETCNet 2 DMX Node 3out/1in w/ RFU Rear Rack
Stage Managers Panels
DNODE-RBR4 ETCNet 2 DMX Node 4out w/ RFU Rear Rack
FEATURES 2048 DMX In or DMX Out channels DNODE-RB3 ETCNet 2 DMX Node 3out/1in w/o RFU Rear Rack
Configurable to over 32,000 EDMX addresses
DNODE-RB4 ETCNet 2 DMX Node 4out w/o RFU Rear Rack
Distributes DMX, RFU and ETCLINK DNODE-WR3 ETCNet 2 DMX Node 3out/1in w/ RFU Wall
over ethernet DNODE-WR4 ETCNet 2 DMX Node 4out w/ RFU Wall
Employs ETCNet1 and ETCNet2 protocols DNODE-W3 ETCNet 2 DMX Node 3out/1in w/o RFU Wall
Distributes DMX data to any input/output device DNODE-W4 ETCNet 2 DMX Node 4out w/o RFU Wall
such as dimmers, scrollers, moving lights DNODE-TR3 ETCNet 2 DMX Node 3out/1in w/ RFU Touring
Rack mount/Portable, Touring and DNODE-TR4 ETCNet 2 DMX Node 4out w/ RFU Touring
Wall mount configurations DNODE-T3 ETCNet 2 DMX Node 3out/1in w/o RFU Touring
Options of DMX only, or DMX, RFU and DNODE-T4 ETCNet 2 DMX Node 4out w/o RFU Touring
ETCLink ports
Supports any USITT DMX512/1990
compatible console DMX Node
LED configuration indicators Model# Description
Supports 16bit DMX values CD-MGB M-M 5 Pin XLR Cable
External power supply and equipment for table, CD-FGB F-F 5 Pin XLR Cable
wall, rack and pipe mounting included with 400CC C-Clamp
rack/portable node BB Back Box
Internal power supply and c-clamp provided
with touring node
ACCESSORIES 1.5' male to male DMX adapter
1.5' female to female DMX adapter
Ethernet UTP termination kit for wall mount
DMX node
CPU termination kit for internal termination
of DMX, RFU, ETCLink
#
#
#
222#
#
#
DMX Nodes
DNODE Series
S P E C I F I C AT I O N S TYPICAL ETCNet2 SYSTEM RISER DIAGRAM
DISPLAY INFO LED Indicators for:

Power
Network Activity
DMX Port Configuration DMX ETCNet2
DMX Port Activity
Rack mount/Portable DMX
MECHANICAL Rack Mount/Portable:
Formed of 16 gauge steel Express 125
1U high by 12.5" deep ETCNet2
Available with front or rear mounted XLRs
Wall Mount:
Obsession SPS
Formed of 18 gauge steel
Fits 8"x8"x4" back box ETCNet2
Touring:
Ruggedized steel flanges included Obsession Remote Focus Unit
to protect connectors Obsession II
ELECTRICAL 10-28 VDC Operating Range
RFU
Rack mount/portable only: power supply included DMX ETCNet2
Touring Node only: direct AC 120-220V
Wall mount only: CPU allows direct power
and Ethernet connection DMX devices
Touring DMX
4 DMX ports - software configurable
as in or out
1 ETCLink dimmer feedback port DMX
ETCNet2
1 Remote Focus Port ETCLink
1 UTP Ethernet Port Wall mount DMX
OPTIONAL Ethernet termination kit for UTP
EQUIPMENT termination of wall mount nodes
CPU header kit for raw cable
termination of DMX, RFU and Link
ETCLink direct to CPU Power ETCNet2
C-Clamp for pipe mounting LCD

Sensor Rack Unison Rack
Network hub/switch
19"/483mm (Rack Mount)
17"/432mm (Portable)
Riser Wire Types
1.8"
Data Type Wire Type
45mm
DMX (1) Belden 9729
ETCLink (1) Belden 9729 and (2) #16 AWG
RFU (1) Belden 9728 and (2) #16 AWG
6.6"/170mm (Touring) ETCNet2 (1) Belden 1583A
Link Power (1) Belden 8471 and (2) #16 AWG
8"/203mm (Surface) 5.2"/132mm (Wall)
DMX Node Dimensions

Model Height Width Depth
DMX Node - rack 1.8 45 17.0 432 12.5 320
DMX Node - wallbox 8.0 203 8.0 203 5.2 132
8"
DMX Node - touring 8.0 203 8.0 203 6.6 170
203mm
DMX Node Weights

Model Weight Shipping Weight
lbs kgs lbs kgs
DMX Node - rack 8.0 3.6 18.0 8.2
DMX Node - wallbox 2.2 1.0 6.0 4.5
DMX Node - touring 2.2 1.0 6.0 4.5
Corporate Headquarters ■ 3031 Pleasant View Rd, PO Box 620979, Middleton WI 53562 0979 USA ■ Tel +1 608 831 4116 ■ Fax +1 608 836 1736
London, UK ■ Unit 26-28, Victoria Industrial Estate, Victoria Road, London W3 6UU, UK ■ Tel +44 (0)20 8896 1000 ■ Fax +44 (0)20 8896 2000
Rome, IT ■ Via Ennio Quirino Visconti, 11, 00193 Rome, Italy ■ Tel +39 (06) 32 111 683 ■ Fax +39 (06) 32 656 990
Holzkirchen, DE ■ Ohmstrasse 3, 83607 Holzkirchen, Germany ■ Tel +49 (80 24) 47 00-0 ■ Fax +49 (80 24) 47 00-3 00
Hong Kong ■ Room 605-606, Tower III Enterprise Square, 9 Sheung Yuet Road, Kowloon Bay, Kowloon, Hong Kong ■ Tel +852 2799 1220 ■ Fax +852 2799 9325
Web ■ www.etcconnect.com ■ Copyright © 2003 ETC. All Rights Reserved. All product information and specifications subject to change. 4101L1001 Rev. C Printed in USA 06/03
223#
C - Series
The most poplar Pathport model. Suitable for flush-

flush-mounting, or for portable use.
FEATURES MODEL DESCRIPTION

• Two DMX512 ports, individually configurable 6201 Pathport C-
C-Series Node with 2 - DMX inputs
• DMX routing on a universe or channel-by- 6202 Pathport C-
C-Series Node with 2 - DMX outputs
channel basis 6203 Pathport C-
C-Series Node with 1 DMX input,
• Multi-source merging or prioritizing 1 DMX output
• Address up to 128 universes
• DMX output speed and signal loss behavior ACCESSORIES
are user-selectable 6901 Surface Mount Enclosure
• LCD display provides status feedback
6911 Portable Enclosure
• Uses Power-over-Ethernet (PoE) or an auxiliary - includes hanging bracket and Ethercon™ RJ45
24VDC power supply (by others)
• Easily configured over the network Pathport Manager Configuration Software is available as a
• RDM-compliant free download from our website
• Fits a standard 2-gang, deep backbox
• Surface mount or portable enclosures
available as accessories
• Elegant design suitable for any location
• Supports the following Ethernet protocols:
• Strand Shownet
• Pathport Protocol
• ArtNet
• E1.31 Streaming ACN (sACN/Net3)
• ETC Net2 (output only)
ten years of Pathport

www.pathwayconnect.com
Printed in Canada 10/10 Subject to change without notice #103 - 1439 17th Avenue SE Calgary AB T2G 1J9 Canada • +1 403 243-8110 Fax +1 403 287-1281
#
#
#
224#
#
EcoSystem® Five Control Input Digital Dimming Ballasts

369-454c 1 11.28.11
EcoSystem® Multiple Control Input Ballasts
Digital electronic dimming ballasts maximize the

benefits of a lighting management system.
EcoSystem® Ballasts offer 100% to 10% dimming;
ideal for use where saving energy, increasing flexibility,
and maximizing productivity are the goals of the EcoSystem® case type G
lighting design.
Features
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responds to one occupancy sensor, one photo sensor,
and one personal control input (infrared receiver or
wallstation)
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lamp life while dimming and cycling
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full brightness
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dimming range
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interfere with infrared devices
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operation throughout entire lamp life
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power failure
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lengths (i.e. 4 ft [1.5 m], 3 ft [1 m], 2 ft [0.5 m] have
same relative output)
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lead, or from lamp leads to each other and/or ground
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Design tool and specifications can be found at
www.lutron.com/ballasttool
® S P E C I F I C AT I O N S U B M I T TA L Page
Job Name: Model Numbers:
Job Number:
225#
369-454c 2 11.28.11
Specifications
Standards Environment
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t4.BSL$FSUJmFE fixture
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Performance local and national codes
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)[ feature and one screw) within a fluorescent fixture
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proper dimming FYDFFEGU N
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light output exceed 3 ft (1 m) for T5 Twin Tube lamps
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specified lamp ratings
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Job Number:
#
#
226#
#

369-454c 3 11.28.11
How to Build a Model Number
Example
E C 5 T 8 3 2 G U N V 2 10 L
" '
B (
$ )
D *
E
A - Type of Ballast
&$&DP4ZTUFN® Ballast
B - Control Type
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C - Lamp Size (2 characters)

5PS5
D - Lamp Wattage (2 characters)
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E - Case Type (1 character)

(PS+
F - Voltage (3 characters)
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G - Number of Lamps (1 character)
1, 2, or 3
H - Ballast Factor
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I - Optional Power and Lamp Leads (1 character)
#MBOL/PMFBET
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Job Number:
227#
369-454c 4 11.28.11
EcoSystem® Ballasts with Integral Sensor Connection for Linear and U Bend T8 Lamps
Lamp No. of Model Case Input Input Input Ballast System System Ballast Relative
Lamps Size Voltage Current Power Factor Lumens Efficacy Efficacy Efficacy
(VAC) (A) (W) (BF) (lm) (lm/W) Factor (RSE)
'5 1 &$5+6/7 + 0.11 2550
JO 240 0.13 31.0 2550
NN
120 31.3 2550
2 &$5(6/7- ( 0.21 5100 1.43
240 0.25 5100
120 5100 1.45
&$5+6/7 + 0.21 5100
240 0.25 5100 1.44
120 5100 1.44
3 &$5(6/7- ( 0.31
240 1.01
120
&$5(6/7- ( 0.41 10,530 100 1.11
240 10,530 1.10 1.05
120 10,530 1.10 1.05
'5 1 &$5+6/7 + 0.10
JO 240 0.11 3.15
NN
120 0.23
2 &$5+6/7 +
240 0.20
120 0.41
'5 1 &$5+6/7 + 4.13
(24 in 240 20.0 4.25
NN
120 20.1 4.23
2 &$5+6/7 + 0.13 2.35
240 0.15 2.30
120 0.31 2.30
Job Number:
#
#
228#
369-454c 5 11.28.11
EcoSystem® Ballasts for Linear and U Bend T8 Lamps: Reduced Wattage
'5 1 &$538+6/7 + 0.11 2350
JO 8 240 0.12 2350
NN
120 0.24 2350
&$538+6/7 0.10 2202 3.23
8 240 0.11 2202 3.24
120 0.22 2202 3.21
&$538+6/7 3.43
8 240 0.10 24.5
120 0.21 3.41
2 &$538+6/7 + 52.5
8 240 0.22 52.5
120 0.44 53.4
&$538+6/7 4403
8 240 0.20 4403
120 0.42 50.0 4403
&$538+6/7 4123
8 240 4123
120 4123
3 &$538(6/7- ( 1.11 1.00
8 240 0.32 1.11 1.00
120
&$538(6/7- 1.20 1.00
8 240 0.30 1.21 1.01
120 1.00
&$538(6/7- 0.25 1.25
8 240
120 1.23
3FEVDFEXBUUBHFMBNQTNBZFYIJCJUMJHIUUPNPEFSBUFTUSJBUJPOT NPWJOHCBOETPGCSJHIUBOEEBSLTQPUT
BDSPTT
UIFMBNQBUDFSUBJOEJNNJOHMFWFMT8IJMFTUSJBUJPOTEPOPUIBSNUIFMBNQPSCBMMBTU JUDBOCFEJTUSBDUJOHJOmYUVSFT
where the lamp is directly visible.
Job Number:
#
#
229#
369-454c 6 11.28.11
EcoSystem® Ballasts with Integral Sensor Connection for linear T5 Lamps
'5 1 &$5+6/7 + 0.15 42.0 1.0
JO 240 42.3 1.0
1450 mm) 120 0.35 42.2 1.0
'5 1 &$5+6/7 + 0.12 1.0

(45.2 in 240 0.14 1.0 3.04
NN
120 1.0 3.04
2 &$5+6/7 + 0.23 1.0 1.55
240 1.0 1.54
120 0.54 1.0 1.53
'5 1 &$5+6/7 + 1.0 2100
(33.4 in 240 0.12 1.0 2100
NN
120 0.22 1.0 2100
2 &$5+6/7 + 1.0 4200
240 0.20 1.0 4200 2.12
120 1.0 4200 2.12
'5 1 &$5+6/7 + 1.0 1350
JO 240 1.0 1350 5.21
NN
120 1.0 1350 5.21
2 &$5+6/7 + 0.12 1.0 3.05
240 0.14 33.3 1.0 3.00
120 33.3 1.0 3.00
Job Number:
#
#
230#
369-454c 8 11.28.11
EcoSystem® Ballasts with Integral Sensor Connection for T5 Twin Tube Lamps
'5 1 &$5+6/7 + 0.20 55.4 4320
JO 240 0.23 55.2 4320
NN
120 55.2 4320
2 &$5+6/7 + 0.40
240 110.4
120 110.4
'5 1 &$5+6/7 + 0.20 55.4 1.0 4000
(22.5 in 240 0.23 54.0 1.0 4000
NN
120 0.45 54.0 1.0 4000
2 &$5+6/7 + 1.0 1.00 1.00
240 0.42 1.0
120 1.0
'5 1 &$5+6/7 + 44.3 1.0 3100
(22.5 in 240 43.2 1.0 3100 2.31
NN
120 43.2 1.0 3100 2.31
2 &$5+6/7 + 1.0 1.34
240 0.32 1.0 1.30 1.04
120 1.0 1.30 1.04
3 &$5(6/7- ( 0.40 111.3 1.0
240 112.4 1.0
120 113.2 1.0
'5 1 &$5+6/7 + 0.14 1.0
'5 240 1.0 2.53
(15.5 in 120 0.33 1.0 2.53
NN
2 &$5+6/7 + 1.0 1.00
240 0.31 1.0
120 1.0
'5* 1 &$538+6/7 + 0.12 34.3 1.0
(22.5 in 240 0.14 34.5 1.0
NN
120 34.1 1.0
2 &$538+6/7 + 0.21 1.0 5200
240 0.25 1.0 5200
120 1.0 5200
1MFBTFDPOTVMUMBNQNBOVGBDUVSFSTTQFDUPEFUFSNJOFEJNNBCJMJUZPGUIFSFEVDFEXBUUBHFMBNQ
Job Number:
#
#
231#
#

369-454c 9 11.28.11
EcoSystem® Ballast Case Dimensions

G Case
"
B
D
$
E
G Case Dimensions
"JO NN
#JO NN
$JO NN
%JO NN
&JO NN
(DBTFCBMMBTUTXJUIMFBETTIJQXJUIJO NN
MFBETGPSMBNQDPOOFDUJPOT
BOEJO NN
MFBETGPS)PU /FVUSBM &BOE&DPOOFDUJPOT
J Case
"
B
$ D
E
J Case Dimensions
"JO NN
#JO NN
'
$JO NN
%JO NN
&JO NN
'JO NN
Job Number:
232#
369-454c 10 11.28.11
EcoSystem® Ballast Wiring Diagrams — T8, T5, T5 HO

Wiring to One Lamp (J case shown)
Blue
3FE
Wiring to Two Lamps (J case shown)

Blue
Yellow
3FE
Wiring to Two Lamps (G case shown)

Blue
BLU
BLU
YEL
YEL
Yellow
N/C
N/C
3FE
RED
RED
Wiring to Three Lamps (G case shown)

Blue
BLU
BLU
YEL
YEL
Yellow
Striped
B/W
B/W
3FE
RED
RED
NOTICE
t.BYJNVNCBMMBTUUPMBNQTPDLFUMFBEMFOHUIJTGU N
t8JSFDPMPSTTIPXOBSFMBCFMFEPOUIFCBMMBTU CVUNBZWBSZEFQFOEJOHVQPOmYUVSFDPOTUSVDUJPO
Job Number:
#
#
233#
#

369-454c 11 11.28.11
EcoSystem® Ballast Wiring Diagrams — T5 Twin-Tube

Wiring to One Lamp
BLU
BLU Blue
3FE
RED
RED
Wiring to Two Lamps

Blue
BLU
BLU
Yellow
YEL
YEL
RED
3FE
RED
NOTICE
t.BYJNVNCBMMBTUUPMBNQTPDLFUMFBEMFOHUIJTGU N
t8JSFDPMPSTTIPXOBSFMBCFMFEPOUIFCBMMBTU CVUNBZWBSZEFQFOEJOHVQPOmYUVSFDPOTUSVDUJPO
EcoSystem® Ballast Wiring:

Power Wiring for EcoSystem® Digital Link
/FVUSBM
NEU
LINE
DH
)PU2,3
HOT EcoSystem®
Ballast
Class 2
E1
E1
Bus
E2
E2
(SPVOE1
1
Ballast is grounded via the case.
2
8JSFDPMPSTTIPXOBSFGPS-VUSPO® controls and ballasts only. Dimming control wires may not match ballast wire colors.
3
5IF)PUNVTUOPUCFXJSFEUPBTXJUDIJOHEFWJDFPSTZTUFNGVODUJPOBMJUZXJMMCFMPTU
Job Number:
234#
369-454c 12 11.28.11

EcoSystem® Digital Link
EcoSystem® Digital Link Overview NEU
LINE
DH
t5IF&DP4ZTUFN®EJHJUBMMJOLXJSJOH &BOE&
HOT
connects the ballasts together to form a lighting
Class 2
E1
control system.
Bus
E2
t&BDI&DP4ZTUFN®EJHJUBMMJOLTVQQPSUTVQUP Ballast Terminals

EJHJUBMCBMMBTUT PDDVQBOUTFOTPST EBZMJHIU
TFOTPST BOEXBMMTUBUJPOTPS*3SFDFJWFST
t&BOE& &DP4ZTUFN®EJHJUBMMJOLXJSFT
BSFQPMBSJUZ
insensitive and can be wired in any topology.
t"O&DP4ZTUFN®&OFSHJ4BWS/PEF5.EFWJDF (3"'*,
Eye®24XJUI&DP4ZTUFN®DPOOFDUJPO PS2VBOUVN®
NEU
system provides power for the EcoSystem®EJHJUBMMJOL
LINE
DH
and supports system programming. HOT
t"MM&DP4ZTUFN®EJHJUBMMJOLQSPHSBNNJOHJTDPNQMFUFE
Class 2
E1
Bus
by using the EcoSystem®1SPHSBNNFS (3"'*,&ZF® E2
24XJUI&DP4ZTUFN®DPOOFDUJPO PS2VBOUVN® Ballast Terminals

system.
To the EcoSystem®EJHJUBMMJOLVQUP
UPUBMCBMMBTUT ESJWFST PSNPEVMFT
EcoSystem® Digital Link Wiring
t%SJWFS&DP4ZTUFN®EJHJUBMMJOLUFSNJOBMTPOMZBDDFQU Notes
POFTPMJEXJSFQFSUFSNJOBMGSPNUP"8(
t5IF&DP4ZTUFN®EJHJUBMMJOLTVQQMZEPFTOPUIBWF
UPNN2).
UPCFMPDBUFEBUUIFFOEPGUIFEJHJUBMMJOL
t.BLFTVSFUIBUUIFTVQQMZCSFBLFSUPUIFCBMMBTUBOE
t&BOE&XJSFTBSFOPUQPMBSJUZTFOTJUJWF
EcoSystem®EJHJUBMMJOLTVQQMZJT0''XIFOXJSJOH
t&DP4ZTUFN®EJHJUBMMJOLMFOHUIJTMJNJUFECZUIFXJSF
t$POOFDUUIFUXPDPOEVDUPSTUPUIFUXPESJWFS
HBVHFVTFEGPS&BOE&BTGPMMPXT
terminals E1 and E2.
t6TJOHUXPEJGGFSFOUDPMPSTGPS&BOE&XJMMSFEVDF
confusion when wiring several ballasts together. Wire Gauge Digital Link Length
(max)
t5IF&DP4ZTUFN®EJHJUBMMJOLNBZCFXJSFE$MBTTPS
"8( 2200 ft
$MBTT$POTVMUBQQMJDBCMFFMFDUSJDBMDPEFTGPSQSPQFS
"8( 1400 ft
wiring practices.
"8( GU
"8( 550 ft
Wire Size Digital Link Length

(max)
4.0 mm2 N
2.5 mm2 N
1.5 mm2 310 m
1.0 mm2 N
NN2 155 m
Job Number:
#
#
235#
#

369-454c 13 11.28.11

Class 2 Sensors
Electrical Contractors and Engineers: Fixture Manufacturers:

t"MXBZTGPMMPXBQQMJDBCMFOBUJPOBMBOEMPDBMFMFDUSJDBM t6-BMMPXT
DPEFSFRVJSFNFOUTXIFODPOOFDUJOHDJSDVJUTUP 'BDUPSZJOTUBMMFEQPXFSMJNJUFEXJSJOHBOECSBODI
EcoSystem® devices circuit wiring that come in random contact within the
t"MMmFMEJOTUBMMFE$MBTTXJSJOHNVTUCFTFQBSBUFE luminaire shall have insulation rated for the maximum
GSPNMJOFWPMUBHFXJSJOHCZBUMFBTUJO NN
voltage that exists in any of the circuits. (EcoSystem®
t4PNFMPDBMFMFDUSJDBMDPEFTSFRVJSF$MBTTXJSJOHUP CBMMBTUDJSDVJUTSFRVJSFNJOJNVN7JOTVMBUFE
be separately routed in a metal conduit wire)
t#BMMBTU$MBTT4FOTPSUFSNJOBMTPOMZBDDFQU t6-SFRVJSFT
"8( NN2) solid conductors; all other -VNJOBJSFTEFTJHOFEGPSUIFmFMEJOTUBMMBUJPOPG
UFSNJOBMTBDDFQUUP"8( UPNN2) power limited circuits shall be provided with a means
solid conductors PGTFHSFHBUJOHPSTFQBSBUJOHUIFmFMEJOTUBMMFEQPXFS
limited circuit wiring from the branch circuit wiring
Lutron Requires: XJUIJOUIFMVNJOBJSF TFF6-GPSEFUBJMT
t,FFQ$MBTTBOE$MBTTXJSJOHTFQBSBUF
t8IFSFTFQBSBUJPOJTOPUQPTTJCMF VTFB7 Lutron Requires:
JOTVMBUFEDBCMFXJUIBOJOUFSOBMTIJFME$POOFDUUIF t,FFQ$MBTTBOE$MBTTXJSJOHTFQBSBUF
shield to ground to provide better noise immunity for t8IFSFTFQBSBUJPOJTOPUQPTTJCMF VTFB7
low voltage circuits JOTVMBUFEDBCMFXJUIBOJOUFSOBMTIJFME$POOFDUUIF
t3FGFSUP"QQMJDBUJPO/PUFGPSBEEJUJPOBM shield to ground to provide better noise immunity for
information on EcoSystem®EJHJUBMMJOL$MBTTBOE low voltage circuits
$MBTTXJSJOH
Job Number:
236#
369-454c 14 11.28.11

Daylight Sensor
Wiring to a Daylight Sensor G Case Terminals

t4FOTPSXJSJOHTVNNBSZ NEU
LINE
DH
SH
Sensor Wire Ballast Terminal Terminal Color
Class 2
E1
Bus
3FE 7- 3FE E2
#MBDL $PNNPO #MBDL
Class 2 (#22 AWG Solid)

+20V
8IJUF *3 8IJUF Common
Yellow Daylight Yellow IR
Occ
Daylight
t.BLFTVSFUIBUUIFTVQQMZCSFBLFSUPUIF%JHJUBM
#BMMBTUJT0''XIFOXJSJOH "8((0.25 mm2) solid only
t$POOFDUUIFGPVSDPOEVDUPSTUPUIFGPVS%JHJUBM
Ballast terminals as shown. Daylight Sensor
t5IFNBYJNVNXJSFMFOHUIGSPNUIFCBMMBTUUPUIF
sensor is 50 ft (15 m).
t#BMMBTU$MBTTUFSNJOBMTPOMZBDDFQUPOF"8(
(0.25 mm2) solid wire.
Class 2
Notes J Case Terminals (#22 AWG Solid)
Common
Daylight
+20V
Occ
t$POTVMUUIFEBZMJHIUTFOTPSTQFDJmDBUJPOTIFFUUP
IR
properly locate the sensor.
t%POPUQMBDFUIFTFOTPSBCPWFQFOEBOUmYUVSFT
EJSFDUMZCFMPXMJHIUJOHmYUVSFT PSXJUIJOTLZMJHIU
wells.
t8IFOXJSJOHCPUIBXBMMTUBUJPOBOEEBZMJHIUTFOTPS
UPPOFCBMMBTU POMZDPOOFDUUIF*3XJSF XIJUF
GSPN
UIFLFZQBE$BQPGGUIFXIJUFXJSFGSPNUIFEBZMJHIU
sensor. "8((0.25 mm2) solid only
t"MMTFOTPSBOEXBMMTUBUJPOXJSJOHJT$MBTT'PMMPXBMM
applicable national and local codes for proper circuit Daylight Sensor
separation and protection.
Job Number:
#
#
237#
369-454c 15 11.28.11

Occupancy Sensor
Wiring to a Lutron® Occupant Sensor (LOS-XX) G Case Terminals

t4FOTPSXJSJOHTVNNBSZ NEU
LINE
DH
SH
Class 2
E1
Bus
3FE 7- 3FE E2
#MBDL $PNNPO #MBDL

+20V
Blue 0DD Blue Common
IR
Occ
Daylight
#BMMBTUJT0''XIFOXJSJOH
"8((0.25 mm2) solid only
t$POOFDUUIFUISFFDPOEVDUPSTUPUIFUISFFCBMMBTU
terminals as shown 0DDVQBOU4FOTPS
t5IFNBYJNVNXJSFMFOHUIGSPNUIFCBMMBTUUPUIF
(0.25 mm2) solid wire Class 2
J Case Terminals (#22 AWG Solid)
Common
Daylight
+20V
Occ
IR
Notes
t0DDVQBOUTFOTPSTGSPNPUIFSNBOVGBDUVSFSTNBZCF
used with EcoSystem® ballasts if the sensor meets the
GPMMPXJOHDSJUFSJB
7JO7- DVSSFOUESBXMFTTUIBON"
t*GPUIFSNBOVGBDUVSFSTPDDVQBOUTFOTPSTBSFVTFE
terminal colors and sensor wire colors may not match
t"MMTFOTPSBOEXBMMTUBUJPOXJSJOHJT$MBTT'PMMPXBMM "8((0.25 mm2) solid only
0DDVQBOU4FOTPS
applicable national and local codes for proper circuit
separation and protection.
Job Number:
#
#
238#
369-454c 16 11.28.11

IR Receiver and Wallstation
Wiring to an IR Receiver and Wallstation G Case Terminals

t8JSJOHTVNNBSZ NEU
LINE
DH
SH
Class 2
E1
Bus
3FE 7- 3FE E2
#MBDL $PNNPO #MBDL

+20V
8IJUF *3 8IJUF Common
IR
Occ
Daylight
#BMMBTUJT0''XIFOXJSJOH
"8((0.25 mm2) solid only
t$POOFDUUIFUISFFDPOEVDUPSTUPUIFUISFF%JHJUBM
Ballast terminals as shown
t5IFNBYJNVNXJSFMFOHUIGSPNUIFCBMMBTUUPUIF *33FDFJWFS
(0.25 mm2) solid wire
Class 2
Notes
Common
Daylight
+20V
Occ
IR
t0OMZPOFXBMMTUBUJPOPS*3SFDFJWFSDBOCFXJSFEUPB
digital ballast
t*GBEBZMJHIUTFOTPSBOEXBMMTUBUJPO*3SFDFJWFSBSF
connected to one ballast, do not connect the
EBZMJHIUTFOTPST*3PVUQVU
t"MMTFOTPSBOEXBMMTUBUJPOXJSJOHJT$MBTT'PMMPXBMM
applicable national and local codes for proper circuit
separation and protection. "8((0.25 mm2) solid only
*33FDFJWFS
8JSFTUP%JHJUBM#BMMBTU
8BMMTUBUJPO
Job Number:
#
#
239#
369-454c 17 11.28.11

Multiple Devices
Multiple Sensors with One Ballast

t&DP4ZTUFN® ballasts accept wiring for one daylight
TFOTPSJOQVU POFPDDVQBOUTFOTPSJOQVUBOEPOF*3 Class 2
JOQVU XBMMTUBUJPOPS*3SFDFJWFS
Common
Daylight
+20V
Occ
IR
t&DP4ZTUFN®EBZMJHIUTFOTPSTIBWF*3PVUQVUTUIBU
allow the device to operate as a programming port.
*OBQQMJDBUJPOTXIFSFBEBZMJHIUTFOTPSBOE
wallstation are wired to the same ballast, do not
connect the white wire of the daylight sensor to
the ballast. The wallstation operates as the
QSPHSBNNJOHQPSUUISPVHIJUTJOUFHSBM*3SFDFJWFS
t6TFUIFDIBSUCFMPXBTBHVJEFGPSXJSJOHNVMUJQMF
devices to a ballast
How to Use the Chart

$POOFDUBTFOTPSUPBCBMMBTUGSPNUIFi%FWJDFTwDPMVNO JOCPME
"MPOH
UIFTFMFDUFEEFWJDFSPX BSFi:TwBOEi/Tw8IFSFBi:wJTQMBDFE UIF
device at the top of that column can also be connected to the same
CBMMBTU"Oi/wJOEJDBUFTOPDPOOFDUJPOBMMPXFE
Devices Daylight Occupant Wallstation Daylight
sensor sensor or Sensor
(with IR) IR receiver (no IR)
Daylight sensor
XJUI*3
Y N N
0DDVQBOU
sensor Y Y Y
8BMMTUBUJPOPS
*33FDFJWFS N Y Y
Daylight sensor
OP*3
N Y Y
Example: When a Daylight Sensor with IR is connected to a ballast,
then only an occupancy sensor can be added for the system to
properly function.
Job Number:
#
#
240#
369-454c 18 11.28.11

Line Voltage Dimmers
EcoSystem® Ballasts and 3-wire dimmers

t-VUSPO®XJSFEJNNFSTPOMZDPOUSPMUIFCBMMBTU NEU
LINE
DH
they are wired to; EcoSystem® does not support HOT
HSPVQJOHPGXJSFDPOUSPMJOQVU
8IJUF
E1
Class 2
Bus
0SBOHF
E2
3-Wire Control Wiring
#MBDL
)PU#MBDL
#BMMBTUJT0''XIFOXJSJOH /FVUSBM
8IJUF
t8JSFBTTIPXO
NEU
LINE
DH
HOT
Line input Connects to
)PU %JNNFS#MBDL8JSF Yellow
Class 2
E1
Bus
E2
/FVUSBM %JNNFS8IJUF8JSF
LUTRON
3FE
Dimmer wire Connects to
Yellow #BMMBTU0SBOHF %)
3FE #BMMBTU#MBDL )05
8IJUF #BMMBTU8IJUF /&6
8JSF%JNNFS (SFFO
(SFFO &BSUI(SPVOE
(SPVOE
t&DP4ZTUFN®CBMMBTUMJOFWPMUBHFBOEXJSFJOQVU
UFSNJOBMTPOMZBDDFQUPOFUP"8( UP
mm2) solid wire. Notice
Emergency and 3-wire 8JSFDPOUSPMUVSOTPGGEJHJUBMCBMMBTUTXIFOUIF

t&DP4ZTUFN® ballasts controlled by a wallbox dimmer control is in the off position. The digital ballast inputs
should not be used for emergency/egress lighting (daylight sensor, wallstation, occupant sensor, and
unless an external emergency ballast is used in the *3SFDFJWFS
XJMMOPUGVODUJPOXIFOUIFEJHJUBMCBMMBTU
mYUVSF4FF-VUSPO"QQMJDBUJPO/PUF is turned off
t&DP4ZTUFN® ballasts may be used for emergency/
FHSFTTMJHIUJOHXIFODPOUSPMMFECZB-VUSPO®
EJNNJOHQBOFM (1
XIFSFUIFQBOFMJTBEFEJDBUFE
emergency panel.
Job Number:
#
#
241#
369-454c 19 11.28.11
Attention Electricians and Fixture Manufacturers
Ballast/Socket Leads Lamp Seasoning Requirements

-FBEMFOHUITGSPNCBMMBTUUPTPDLFUNVTUOPUFYDFFE Some fluorescent lamp manufacturers recommend
GU N
GPSMJOFBSMBNQT 5 5)0 5
-FBE that new fluorescent lamps be operated at full
lengths must not exceed 3 ft (1 m) for T5 twin tube PVUQVU iTFBTPOFEw
CFGPSFUIFZDBOCFEJNNFE
lamps. to render lamp impurities inert, ensuring proper
dimming performance and average rated lamp life.
Lamp Sockets 1MFBTFDPOUBDUZPVSMBNQNBOVGBDUVSFSGPS
TFBTPOJOHSFRVJSFNFOUT
-BNQTPDLFUTBTQFS*&$BSFSFRVJSFEUP
FOTVSFQPTJUJWFMBNQQJOUPTPDLFUDPOUBDU
Further Information
Mounting for T5 and T5HO Lamps 'PSGVSUIFSJOGPSNBUJPOQMFBTFWJTJU
XXXMVUSPODPNFDPTZTUFNPSDPOUBDUPVSIPVS
.PVOUMBNQTJOJO NN
BXBZ
5FDIOJDBM4VQQPSU$FOUFSBU
from the grounded metal surface.
Mounting for T8 & T5 Twin Tube Lamps

.PVOUMBNQTJOJO NNNN
BXBZ
from the grounded metal surface.
)BWJOHBMBNQUPPDMPTFUPUIFHSPVOEFENFUBMXJMM
SFEVDFMBNQMJGF)BWJOHBnVPSFTDFOUMBNQUPPGBS
BXBZGSPNUIFHSPVOEFENFUBMXJMMNBLFUIFMBNQ
nJDLFSPSOPUUVSOPOBUBMM
Job Number:
242#
#
#
#
#
243#
#
#
#
#
244#
#
#
#
#
245#
#
#
#
#
246#
#
#
#
#
247#
#
#
#
248#
#
#
#
#
249#
#
#
#
#
250#
#
#
251#
#
#
IDEAL FOR FAST DATA TRANSFER AND GAMING
5-PORT GIGABIT DESKTOP SWITCH

Transfer files over your network at Innovative design runs quiet, cool, and QoS support provides clear VoIP
blazing gigabit speeds clean, saving power automatically calls and smooth online gaming
THINK GREEN
The D-link 5-port Gigabit Switch (DGS-1005G) is part of a new series of Green devices using D-Link Green technology. Created with the Small or Home Office
(SOHO) user in mind, the DGS-1005G saves energy while reducing heat output, providing you a longer product life without sacrificing operational performance
or functionality. Combined with an efficient power adapter that is EnergyStar level V qualified, minimized the use of harmful substances (RoHS compliant) in the
device and enclosed in recyclable packaging make this switch truly environmentally friendly.
CONSERVES ENERGY
The DGS-1005G 5-port Gigabit Switch helps you conserve energy automatically through several methods. It automatically powers down ports that have no link
activity, allowing the switch to save energy by cutting power usage for unused ports or ports connected to computers that have been shut down. It can also detect
connected cable lengths and adjusts power usage accordingly, helping you save energy without effecting networking performance.
ENVIRONMENTALLY FRIENDLY
The 5-port Gigabit Switch was designed with the environment in mind. It is compliant with energy Star level V, as well as with the strict CEC and MEPS regulations
that require the use of energy efficient power adapters. The switch is also built to follow RoHS standards to minimize use of hazardous materials, and uses
recyclable packaging that helps reduce waste, complying with the WEEE directive.
DGS-1005G
#
#
252#
#
#
IDEAL FOR FAST DATA TRANSFER AND GAMING
GIGABIT CONNECTION FOR

DGS-1005G
HOME AND SOHO
The DGS-1005G offers an economical way for
SOHO and small to medium businesses (SMB) to
benefit from the increased bandwidth of Gigabit
Ethernet. It provides 5 Gigabit ports for fast server TECHNICAL SPECIFICATIONS
deployment to meet increasing network loads. KEY FEATURES NETWORK CABLES HEAT DISSIPATION
+ Built-in D-Link Green Technology + 10BASE-T: + Power On (Standby):
+ Inexpensive Gigabit solution for - UTP CAT 3, 4, 5/5e (100 m max.) - AC input: 3.751 BTU/h
IEEE 802.1P QoS Home/SOHO - EIA/TIA-586 100-ohm STP (100 m max.) + Maximum:
+ 5 10/100/1000 Mbps Gigabit ports + 100BASE-TX, 1000BASE-T: - AC input: 15.345 BTU/h
QoS prioritizes network traffic so that time-sensitive + 10 Gbps switching fabric - UTP CAT 5/5e (100 m max.)
data is delivered efficiently, even during bursts + Auto MDI/MDIX crossover for all ports - EIA/TIA-568 100-ohm STP (100 m max.) MTBF
+ Secure store-and-forward switching
of high data traffic. This helps ensure an optimal + 861,516 hours
scheme
MEDIA INTERFACE EXCHANGE
experience for streaming media, VoIP calls, and + Full/half-duplex for Ethernet/Fast
Ethernet speeds + Auto MDI/MDIX adjustment for all ports OPERATING TEMPERATURE
online gaming. + IEEE 802.3x Flow Control + 32 to 104 ˚F (0 to 40 ˚C)
+ Supports 9,000 Byte Jumbo Frames LED INDICATORS
+ Supports IEEE 802.1p QoS (4 Queues, + Per port: Link/Activity/Speed STORAGE TEMPERATURE
CABLE DIAGNOSTICS FUNCTION Strict Mode) + Per device: Power + 14 to 158 ˚F (-10 to 70 ˚C)
+ Supports Cable Diagnostics Function
The D-link cable Diagnostics function enables users + RoHS compliant TRANSMISSION METHOD OPERATING HUMIDITY
to efficiently detect cable conditions through the + Plug-and-play installation + Store-and-forward + 10% to 90% RH non-condensing
LED display on the front-panel. Users can determine
STANDARDS MAC ADDRESS TABLE
whether the pin connections of their cables’ connectors
+ IEEE 802.3 10BASE-T Ethernet STORAGE HUMIDITY
+ 4K entries per device + 5% to 90% RH non-condensing
are correct, facilitating network troubleshooting. (twisted-pair copper)
+ IEEE 802.3u 100BASE-TX Fast Ethernet
(twisted-pair copper) MAC ADDRESS LEARNING DEVICE DIMENSIONS (W x D x H)
YOUR NETWORK SETUP + IEEE 802.3ab 1000BASE-T Gigabit + Automatic update + 5.7 x 4.0 x 1.3 inches
Ethernet (twisted-pair copper) (144.2 x 100.2 x 32.6 mm)
+ ANSI/IEEE 802.3 NWay auto-negotiation PACKET FILTERING/FORWARDING
+ IEEE 802.3x Flow Control RATES CERTIFICATIONS
+ IEEE 802.1p QoS + Ethernet: 14,880 pps per port + FCC Class B
+ Fast Ethernet: 148,800 pps per port + ICES-003 Class B
PROTOCOL + Gigabit Ethernet: 1,488,000 pps per port + CE Class B
+ CSMA/CD + C-Tick Class B
RAM BUFFER + VCCI Class B
DATA TRANSFER RATES + 128 KBytes per device + cUL
+ Ethernet: + CB
- 10 Mbps (half duplex) DC INPUT
- 20 Mbps (full duplex) + External 5V/1.2A Power Adapter WARRANTY
+ Fast Ethernet: + Limited Lifetime1
- 100 Mbps (half duplex)
- 200 Mbps (full duplex)
POWER CONSUMPTION
+ Gigabit Ethernet:
+ Power On (Standby):
- 2000 Mbps (full duplex)
- DC input: 0.4 watts
- AC input: 1.1 watts
TOPOLOGY + Maximum:
+ Star - DC input: 3.2 watts
- AC input: 4.5 watts
1
Limited Lifetime Warranty available only in the USA and Canada if purchased on or after June 1, 2010. Visit www.dlink.com for warranty details.
All references to speed are for comparison purposes only. Product specifications, size and shape are subject to change without notice, and actual product appearance may
differ from that depicted herein. See inside package for warranty details.
©2010 D-Link Corporation/D-Link Systems, Inc. All rights reserved. D-Link and the D-Link logo are trademarks or registered trademarks of D-Link Corporation or its subsidiaries in the
United States and/or other countries.
PACKAGE CONTENTS PACKAGE CONTENTS

+ Devices Supporting 802.3 Ethernet, 802.3u fast + 5-Port Desktop Switch
Ethernet, or 802.3ab Gigabit Ethernet + Power Adapter
+ CAT5 Ethernet Cable + Quick Install Guide
+ Network Interface Card for each computer + Wall Mount Kit
+ CD-ROM Drive to view Product Documentation + Warranty Card
#
#
253#
#
#
WN802T RangeMax™ NEXT Wireless Access Point

with Gigabit Wired Support
Standard G RangeMax™ RangeMax™ NEXT

Great for Broadband Internet sharing ◆ ◆ ◆
Faster connections for multiple users ◆ ◆
Consistent speeds for streaming and transferring files ◆ ◆
Gaming, VoIP, file sharing and streaming HD-video simultaneously ◆
Key Features Draft 802.11n compliant† ◆
Interoperable at 300Mbps speed with products with TopDog™ ◆
Steady-Stream connections ◆
11n-True Test high-performance testing and tuning ◆
Advanced MIMO technology - for speed and range ◆ ◆
Wireless Coverage Entire SOHO ◆ ◆
Compatibility Public Hotspots, 802.11b/g, standard Wi-Fi, Built-in Laptop Wireless ◆ ◆ ◆
Security Touchless WiFi - WEP and WPA / WPA2 - PSK ◆ ◆ ◆
Compare the Advantages of the NEXT Generation in Wireless Connectivity

First, there was RangeMax, which improved on the wireless g standard’s limitations in speed and coverage. Now, NETGEAR offers RangeMax NEXT, which
gives consumers a new level of capabilities and transfer speeds, including the ability to play online games, use VoIP, download large files, and stream HD
video — all simultaneously and with consistent speeds.
System Requirements Package Contents

- 2.4 GHz 802.11n draft specification adapter - RangeMax NEXT Wireless Access Point (WN802T)
or 2.4 GHz 802.11 b/ g wireless adapter. - 12 V 1.5 A power adapter, localized to country
Alternatively, an Ethernet adapter and cable of sale
for each computer - Ethernet Cable
- Microsoft® Windows® 98, Me, 2000, XP, Mac® - Stand
4500 Great America Parkway
Santa Clara, CA 95054 USA OS, UNIX®, or Linux® - Wall mount kit
Phone: 1-888-NETGEAR - Internet Explorer® 6.0 - Resource CD
E-mail: info@NETGEAR.com
www.NETGEAR.com - We recommend using this product with the - Installation Guide
RangeMax NEXT Wireless Adapter (WN511T) - Warranty/support information card
©2006 NETGEAR, Inc. NETGEAR, the
NETGEAR logo, Connect with Innovation, • Standards • Security
Everybody’s connecting, the Gear Guy logo,
IntelliFi, ProSafe, RangeMax and Smart
- IEEE802.11n draft specification, IEEE - WiFi protected Access (WPA2- PSK, WPA- PSK)
Wizard are trademarks or registered 802.11g, IEEE 802.11b, 2.4 GHz - Wired Equivalent Privacy (WEP) 64- bit,
trademarks of NETGEAR, Inc. in the United
States and/or other countries. Microsoft and 128- bit encryption for IEEE 802.11b and
Windows are trademarks or registered Physical Specifications IEEE802.11g
trademarks of Microsoft Corporation in the - Dimensions: 8.9 x 6.8 x 1.5 in - Wireless Access Control to identify authorized
United States and/or other countries. Other
brand and product names are trademarks (225.5 x 172 x 39 mm) wireless network devices
or registered trademarks of their respective - Weight: 1.2 lbs (.56 kg) - MAC address authentication
holders. Information is subject to change
without notice. All rights reserved.
Maximum wireless signal rate derived • Warranty

from IEEE standard 802.11 specifications. - NETGEAR 1- year warranty
Actual data throughput will vary. Network
conditions and environmental factors,
including volume of network traffic,
building materials and construction,
and network overhead, lower actual
data throughput.
This product has been tested for quality

assurance and this product or its
components may have been recycled. † “Draft-n Compliant” refers to compliance
* Free basic installation support provided
with IEEE 802.11n draft specification
for 90 days from date of purchase. version 1.0 only.
Advanced product features and
configurations are not included in free
basic installation support; optional
premium support available.
D-WN802T-1
#
# #
254#
#
APPENDIX#G#
PUBLICITY#DOCUMENTS#
#
255#
#
# #
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LIST$OF$REFERENCES$
$
"A$YouTube$Horror$History."$A"YouTube"Horror"History.$6$Oct.$2009.$Web.$03$Apr.$
2012.$<http://horrorhistory.wordpress.com/>.$
Brajovic,$Sara.$"Category$Archives:$INSPIRATIONS."$Sara"Brajovic.$19$Nov.$2011.$
Web.$03$Apr.$2012.$<http://sarabrajovic.com/category/inspirations/>.$
"Dvisible$Magazine$|$Exploring$Our$Creative$World$Â»$In\depth."$Dvisible$Magazine.$
Visible$Theory,$2009.$Web.$03$Apr.$2012.$<http://dvisible.com/category/in\
depth/>.$
Dfordoom.$"Classic$Movie$Ramblings."$:"June"2010.$29$June$2009.$Web.$03$Apr.$2012.$
<http://dfordoommovieramblings.blogspot.com/2010_06_01_archive.html>.$
Eifert,$Steve.$"Film$Noir$of$the$Week:$High$Wall$(1947)."$Film"Noir"of"the"Week.$3$July$
2009.$Web.$03$Apr.$2012.$<http://www.noiroftheweek.com/2009/07/high\
wall\1947.html>.$
"Eurostar$Station."$Paris$by$Train.$Parisbytrain.com,$2008.$Web.$03$Apr.$2012.$
<http://parisbytrain.com/tag/eurostar\station/>.$
"Heilbrunn$Timeline$of$Art$History."$Edward$Steichen:$The$Flatiron$(33.43.39).$The$
Metropolitan$Museum$of$Art,$2000.$Web.$09$Apr.$2012.$
<http://www.metmuseum.org/toah/works\of\art/33.43.39>.$
Koltès,$Bernard\Marie.$Roberto"Zucco.$Plays:$1.$Ed.$David$Bradby.$London:$Methuen$
Drama,$1997.$
"MacBook$Pro$(15\inch,$Mid$2009)$\$Technical$Specifications."$MacBook"Pro"(15I
inch,"Mid"2009).$Apple$Inc,$3$Feb.$2010.$Web.$08$Mar.$2012.$$
http://support.apple.com/kb/SP544?viewlocale=en_US.$
Mr.Shultz.$"Train$Station$(black$&$White)."$Flickr.$Yahoo!,$20$Mar.$2011.$Web.$03$
Apr.$2012.$<http://www.flickr.com/photos/mrshultz/5544437013/>.$
Mumm,$Robert$C.$Photometrics"Handbook.$Louisville,$KY:$Broadway,$1997.$Print.$
266$
Smith,$Imogen$Sara.$"Bright$Lights$Film$Journal$::$In$Lonely$Places:$Film$Noir$Outside$
the$City."$Bright"Lights"Film"Journal.$Bright$Lights$Film$Journal,$Aug.$2009.$
Web.$03$Apr.$2012.$<http://www.brightlightsfilm.com/65/65noir.php>.$
The$Parsley.$"The$Parsley.blog.landscape.life."$Paris"by"Train.$WorldPress.com,$25$
Nov.$2008.$Web.$03$Apr.$2012.$
<http://theparsley.wordpress.com/tag/paris/>.$
"Tunesberry.com."$Tunesberry.com.$Web.$03$Apr.$2012.$
<http://www.tunesberry.com/>.$
Winterstein,$Daniel.$“Roberto$Zucco.”$Daniel"Winterstien.$Web.$21$Feb.$2012.$
$ http://winterstein.me.uk/reviews/zucco.htm$
$ $
267$
$
BIOGRAPHICAL$SKETCH$
$ Bryan$Stephan$“B”$Lussier$was$born$in$Gardner,$Massachusetts$in$1983.$He$
attended$the$University$of$Massachusetts$–$Amherst$(UMass)$for$a$B.A.$in$English$
with$a$concentration$in$Elizabethan$and$Jacobean$Drama.$$He$also$was$awarded$a$
Certificate$in$Native$American$Studies.$$During$his$studies$at$UMass,$he$founded$a$
theatrical$group$based$on$the$exploration$of$a$new$critical$lens$that$would$help$push$
the$theatrical$world$out$of$Modernism$and$into$a$movement$more$suited$for$his$
generation.$$His$early$non\profit$work$with$the$newly$formed$groups$Open$Air$and$
The$Sandbox$and$his$freelance$lighting$company$Horizon$Light$Design$in$2004\2009$
led$him$to$explore$light$and$projection$technologies$unlike$many$of$his$peers.$$His$
work$led$to$frequent$guest$lectures$at$the$nearby$institutions:$Hampshire,$Smith,$
Amherst$Colleges,$and$UMass.$$In$2007,$the$Massachusetts$Museum$of$
Contemporary$Art$(Mass$MoCA)$hired$Mr.$Lussier$as$Master$Electrician$in$the$
production$department,$after$a$year$of$employment$Bryan$was$promoted$to$manage$
the$special$events$and$art$museum$supervision$as$Lighting$Director.$$In$2009,$Mr.$
Lussier$left$Open$Air$and$The$Sandbox$in$order$to$pursue$a$Master$in$Lighting$
Design.$
$$
268$

Zucco Production Desinged Lussier Thesis 2012

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!ROBERTO!ZUCCO:!AN!ANALYSIS!OF!A!PRODUCTION!DESIGNED!!

# Scene'III LQ 41 2 Scene'Change Projected'Wall'paper

LQ 42 0 Kitchen'Scene After'scene'change Practicals'are'the Big'Bad'Moon'through'the'window

# Scene'IV LQ 51 Scene'Change Use'scene'2'image'instead

Scene'VI LQ 71 Scene'Change Flickering'Metro Key'light Gregg'at'Center'when'he'finishes

Scene'VII LQ 81 Scene'Change Version'to'the'previous Actors'Are'a'bit'more'downstage'than'earlier'runs

Scene'X LQ 111 Scene'Change High'Light'Wash

# LQ 115 p.'37'Out'of'my'way Child's'Death

LQ 116 p.'37'End Fall Pull'down'surrounding'light,'UP'on'Doll

Scene'XI LQ 121 Scene'Change madame'throne

Scene'XII LQ 131 Scene'Change We'need'to'talk'about'this'one

Scene'XIII LQ 141 Transition

# Scene'XV LQ 161 Scene'Change We'need'light'for'Annalith'for'SR'area

Front%Cool Thin%Line Bench%Special Park%Template Mesh%Panels

Front%Green Strong%Backlight Train%Station%Template Park Rover Brothel

Side%Light Mother Scene%5 RZ%Path Pimp#&#Bro Brothel%Doors

(1) Conventionals/221 Tech Ledge 13 Fr Cool Berky 30 750w R364 W/

(2) Conventionals/223 Tech Ledge 10 Fr Cool Berky 30 750w R364 W/

(3) Conventionals/216 Tech Ledge 7 Fr Cool Berky 30 750w R364 W/

(4) Conventionals/211 Tech Ledge 5 Fr Cool Berky 30 750w R364 W/

(5) Conventionals/213 Tech Ledge 3 Fr Cool Berky 30 750w R364 W/

(6) Conventionals/166 Bay 7 South 5 Fr Cool Source 4 26deg 750w R364 W/

(7) Conventionals/168 Bay 7 South 2 Fr Cool Source 4 26deg 750w R364 W/

(8) Conventionals/171 Bay 8 South 3 Fr Cool Source 4 26deg 750w R364 W/

(9) Conventionals/176 Bay 9 South 4 Fr Cool Source 4 26deg 750w R364 W/

(13) Conventionals/217 Tech Ledge 6 Fr Warm Berky 30 750w L245 W/

(14) Conventionals/212 Tech Ledge 4 Fr Warm Berky 30 750w L245 W/

(55) Conventionals/6 Bay 2 North Top 2 Back CC Source 4 PARNel L269

(61) Conventionals/226 Tech Ledge 2 Panel 6 Source 4 36deg 750w L029 W/

University of Florida School of Thetare and Dance / (1) thru (61)

RZ REVISION 5 FI... CHANNEL HOOKUP Page 2 of 10

(62) Conventionals/224 Tech Ledge 4 Panel 2 Source 4 26deg 750w L029 W/

(63) Conventionals/208 Tech Ledge 9 Panel 10 Source 4 26deg 750w L029 W/

(64) Conventionals/207 Tech Ledge 8 Panel 8 Source 4 36deg 750w L029 W/

(65) Conventionals/206 Tech Ledge 7 Panel 3 Source 4 36deg 750w L029 W/

(71) Conventionals/18 Bay 1 West Top 2 SR Strong Source 4 PARNel L202

(72) Conventionals/17 Bay 1 West 3 SR Strong Source 4 PARNel L202

(73) Conventionals/16 Bay 1 Pipe A 3 SR Strong Source 4 PARNel L202

(74) Conventionals/2 Bay 1 North 2 SR Strong Source 4 PARNel L202

University of Florida School of Thetare and Dance / (62) thru (84)

RZ REVISION 5 FI... CHANNEL HOOKUP Page 3 of 10

(91) Conventionals/80 Under Catwalk 5 Q-Lite-Jr 1kw G888

(94) Conventionals/120 Under Catwalk 6 Window Source 4 26deg 750w L201 W/

(95) Conventionals/36 Bay 3 West 1 Scene 1 Source 4 36deg 750w G885

(96) Conventionals/232 Under Tech 2 RZ Path 2 Source 4 36deg 750w G885

(97) Conventionals/257 SL Boom 1 3 RZ Shin Source 4 50deg 750w G870

(98) Conventionals/256 SL Boom 1 2 RZ Shin Source 4 50deg 750w G870

(101) Conventionals/56 Bay 3 South 5 Metro DN PAR 64 NSP 1kw L202

(102) Conventionals/39 Bay 3 South 3 Metro DN PAR 64 NSP 1kw L202

(103) Conventionals/52 Bay 2 South 2 Metro DN PAR 64 NSP 1kw L202

(104) Conventionals/47 Bay 1 South 2 Metro DN PAR 64 NSP 1kw L202

(105) Conventionals/106 Bay 4 Pipe B 6 Metro DN PAR 64 NSP 1kw L202

(111) Conventionals/66 Bay 5 North 1 SL Bench Source 4 36deg 750w G888

(112) Conventionals/100 Bay 6 Pipe B 4 SL Bench PAR 64 MFL 1kw L202

(115) Conventionals/33 Bay 2 East 1 SR Bench Source 4 26deg 750w G888

University of Florida School of Thetare and Dance / (85) thru (123)

RZ REVISION 5 FI... CHANNEL HOOKUP Page 4 of 10

(131) Conventionals/275 SR Boom 1 4 Mother Source 4 50deg 750w G885

(133) Conventionals/105 Bay 6 Pipe A 2 Scene 2 Source 4 36deg 750w G885

(134) Conventionals/251 Under Tech 1 Scene 2 Source 4 19deg 750w G885

(135) Conventionals/88 Bay 5 Pipe 2 Ironing Source 4 19deg 750w G885

(143) Conventionals/58 Under Catwalk 2 Side CC Source 4 26deg 750w L269

University of Florida School of Thetare and Dance / (124) thru (162)

(171) Conventionals/44 Bay 3 Pipe A 1 SL Strong PAR 64 MFL 1kw G885