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    106 views239 pages

    Balfe - Bohemian Girl Pág 102

    Uploaded by

    Zule Reynaga Maldini

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 239

    00024311781

    BOHEMIAH »^
    V>

    GIRL

    M.W.Balfe
    Oliver Ditson Con7pany
    THE .jSiSS"

    BOHEMIAN GIRL.%>

    IN THREE ACTS;
    THE MCSIC OOHTOSED BT

    B A L F E.
    THE WORDS BY ALFRED BUNN.

    EDITED BY ARTHUR SULLIVAN and J. PITTMA.N


    r

    IHE FULL LIBEETTO ADAPTED, WITH BUSINXSS AND SIAaE DIEE0TIOH8,

    Ry LEON KEAGH.
    52.00

    OLIVER DITSON COMPANY


    THEODORE PRESSER CO., DISTRIBUTORS
    1712 CHESTNUT STREET
    PHILADELPHIA +

    Copyright, MCi\lX, by LuzeiTa Keach. .

    Printed in U. S. A.
    THE

    BOHEMIAN GIRL.
    DRAMATIS PERSON.^.
    ¥9*

    COUNT AKNHEIM. (Gfovemor of Presburg.) . , Babitonb.

    THADDEUS {A proscribed Pole.) Tenor.

    FLORESTEIN. {Nephew of the Count.) . . . Tenob,

    DEVILSHOOF. (Chief of the Gipsiet.) .... Bass.

    CAPTAIN OF THE GUAED


    OFFICER
    AELINK. (Daughter of the Count.) .... Sofbako.

    BUDA. (Ber attendant.)

    QUEEN OF THE GIPSIES Mezzo SoPEABe.


    /
    CHOEUS.
    Ifbbles, Soldiers, Qipsies, Betainera, and Peasants.

    Scene:
    PRESBURG ON THE DANUBE AND VICINITY.
    PLOT OF THE OPERA.
    The action of this drama corameDces at the chateau of Count Arnheim, in Austria. The pcuaatr;
    uid retainers of the Count are making preparations for the chase, when Thaddeds, a Polish exile and
    fugitive from the Austrian troops, arrives in search of shelter and concealment. Here he encounters a
    band of Gipsies, headed by one Devilshoof, who, learning from Thaddeus that he is pursued by sot
    diers, gives him a disguise, conceals him, and puts the pursuing troops on the wrong track. Just at thif
    time, shouts of distress are heard, and Florestein appears surrounded by huntsmen. The Count's
    child and her attendant have been attacked by an infuriated stag in the forest, and are probably destroyed.
    Hearing this, Thaddeus seizes a rifle, and hastens to their relief, and by a well-aimed shot kills the
    animal, and saves them from destruction. The Count now returns in time to hear of the peril of his
    darling child, and to see Thaddeus bearing her wounded form in his arms. Overjoyed to find her still
    alive, ihe Count overwhelms Thaddeus with grateful thanks, and invites him to join in the festivities
    about to take place. Thaddeus at first declines, but being warmly entreated to remain, at length con-
    sents to do so. They seat themselves at table, and the Count proposes as a toast, " Health and long life

    to the Emperor 1
    " All except Thaddeus do honor to the toast, and his silence being observed, the
    Count challenges him to empty his goblet as the rest have done. Thaddeus, to the surprise of all,
    dashes the wine to the earth this, of course, produces a burst of indignation. The assembled guests
    ;

    are infuriated by such an indignity to their monarch, and threaten the life of Thaddeus. At this mo-
    ment Devilshoof returns, and at once takes sides with Thaddeus. The Count orders Devilshoof
    to be secured. The attendants seize and carry him into the castle. Thaddeus departs, and festivities
    are resumed. During the file, Devilshoof escapes, taking with him the Count's infant daughter,
    Krline and his flight being almost immediately discovered, the greatest excitement prevails. Pcas-
    ;

    ai ts, huntsmen, and attendants hasten in search of the daring fugitive, and he is seen bearing the child

    at OSS a dangerous precipice he escapes, and the unhappy father sinks in despair as the First
    ;

    Aif: ends.
    ' Twelve years are supposed to elapse, and we are transported to the city of Presburg, in the suburbs

    of which the Gipsies are encamped with the Queen of their tribe in whose tent dwells the Count's
    daughter, Arline, now a fine young woman. Florestein, a iopp\s\i aitachi to the Court, is met by
    Devilshoof and his companions, who relieve him of his jewelry, among which is a medallion, which
    Devilshoof carries off. Thaddeus, who has joined the tribe, is now enamored of Arline, and he tells
    her that it was he who saved her life in infancy, but he still carefully conceals from her the secret of
    her birth. Arline confesses her love for Thaddeus, and they are betrothed according to the custom of
    the Gipsy tribe.
    A grand fair is in city, and hither, of course, come all the Gipsies, who
    progress in the plara of the
    sdd to the gayety and life by their peculiar dances, songs, ete. Florestien appears, and
    of the scene
    is quite fascinated by the beauty of Arline. While trying to engage her attention, he perceives his
    medallion hanging on her neck and claims it, charging her with having stolen it This leads to great
    excitement: the guard is called, Arline is arrested, and the crowd dispersed by the soWiery. The
    supposed culprit is brought before Count Arnheim ; Florestein presses the charge, and circum-
    stances strengthen the appearance of guilt against Arline, when the Count perceives the mark left by
    the wound inflicted by the deer on Arline's arm. He asks its origin. She repeats the story as related
    to her by Thaddeus. The Count recognizes his long-lost child, and the Act ends with an effective
    laileau.
    In the Third Act we find Arline restored to her rank and the home of her father but the change ;

    in her prospects does not diminish her love for Thaddeus. He, daring all dangers for an interview,
    seeks and finds her here. He comes to bid her farewell, and prays that she will, even when surrounded
    by oiher admirers, give a thought to him who saved her life, and who loves her. She promises fidelity,
    and declares herself his and his only. Here we find that the Gipsy Queen, who also loves Thaddeus^
    has been plotting to uke him from Arline. By her device the medallion was discovered in the posses-
    sion of Arline. Even now she is conspiring to separate the lovers, but her plots fail. Thaddeus
    relates his history to Count Arnheim, who, in gratitude to the preserver of his child, bestows her «pot
    him. Desire for vengeance now fills the heart of the Gipsy Queen she induces one of her tribe to fire
    ;

    St Thaddeus as he is embracing Arline, but by a timely movement of Devilshook, the buUel


    reaches her own heart
    INDEX
    ACT I.

    OVERTURE 5
    UP WITH THE BANNER. (Introductory Chorus ) «S
    A SOLDIER'S LIFE. (Air.— The Count.) ac
    AWAY TO THE HILL AND GLEN. (Chorus of Hunters.) H
    MELODRAMATIC MUSIC 30
    'TIS SAD TO LEAVE OUR FATHERLAND. (Recitative and Air. -Thaddbvs. 3«
    IN THE GIPSY'S LIFE YOU READ. (Gipsy Chorus.) 36
    MARCH OF THE AUSTRIAN SOLDIERS 4a
    COMRADE, YOUR HAND. (Duet.— Thaddeus ahd Devilshoof, with Chorus 43
    MELODRAMATIC MUSIC 54
    IS NO SUCCOR NEAR? (Air.- Florestein) 54
    MELODRAMATIC MUSIC 58
    WALTZ 61
    DOWN WITH THE DARING SLAVE (Chorus.) I
    65
    GALOP 3 74
    WHAT SOUNDS BREAK ON THE EAR I (Chorus.)
    |^ 76
    THOU WHO IN MIGHT SUPREME .... (Prayer.) Z 80
    FOLLOW WITH HEART AND WITH ARM. (Chores.)
    " «i

    ACT n.
    SILENCE. (Introductory Chorus.) 87
    I DREAMT THAT DWELT IN MARBLE HALLS. (Song.—ARLiira.)
    I loi
    THE WOUND UPON THINE ARM. (Duet.— Arline and Thaddeus.) 105
    THE FIRST FOND LINES THAT LOVE HATH TRACED (Song.— Aruns &Cho.) hi
    HAPPY AND LIGHT OF HEART. (Recitative.—Arline AND Chorus.) 117
    BLISS FOREVER PAST. (Air.— Queen. ) 124
    IN THE GIPSY'S LIFE. (Chorus.) I2(
    THIS IS THY DEED. (Duet Queen and Devilshoof.) izi
    COME WITH THE GIPSY BRIDE. (Song.— Arline with Chorus.) 134
    MARCH 141
    LIFE ITSELF IS AT THE BEST. (Chorus.) 144
    FROM THE VALLEYS, &c. (Quartet— Arline, Queen, Thaddeus & Devilshoof.) 150
    GIPSY MARCH 159
    SHAME! SHAME! LET US KNOW THE RIGHT. (Chorus.) i6e
    THE HEART BOWED DOWN. (ReciUtive and Air.—COUNT.) 167
    HOLDl HOLB! (Finale.) 171

    ACT IIL
    INTRODUCTION '85
    MELODRAMATIC MUSIC 8?
    THEN YOU'LL REMEMBER ME. (Air.— Thaddeus.) 18?

    THROUGH THE WORLD. (Trio.— Arline, Thaddeus, and Devilshoof.) 191

    WELCOME THE PRESENT. (Finale.—Chorus.) I97

    THO' EV'RY HOPE BE FLED. (Quintet—Arline, Queen, Thaddeus, Count and


    Devilshoof with Chorus.) 203
    SEE AT YOUR FEET A SUPPLIANT. (Scene.—Arline, Count, and Thaddeus.) 218
    WHEN THE FAIR LAND OF POLAND. (Air.— Thaddeus.) 222
    LET NOT THE HEART, &c. (Trio.— Arline, Thaddeus, AND Count.) 227
    OH, WHAT FUuI. DELIGHT. (Final Air.— Arline and Chorus.) 230
    fKOM THE PERSONAL LIBRARV
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    INTRODUCTION-

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    At the end of the Chorus, Count Aknheim and Florestein enterfrom chateau, folUwed by variom
    nnghboring nobles, pages, huntsmen, b'c, and his child, Arline, attended bv Buda, &c.

    A SOLDIER'S LIFE.

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    I I I I
    I I i'
    rr- i
    '
    '

    ^gj^^

    ^gs^g
    sol .
    ^
    dier's heart can touch, a sol - dier's heart can touch, a sol
    ad la

    w - diei-'s heart can touch.


    e%

    i^ J*
    ^^ s^^ s
    I
    I
    ~
    i* •]
    §^as
    /

    ^ ^ig _ jm<» _ -^-JOm-


    -»•

    ^g-mmi
    • /n per/ormin^ the Optra, tht last bar is to be omitted.
    T-JT-

    Chorus op Hunters. Sopranos.

    i5 ?fc^
    Tenors.
    ^^^^M^j^:=i^^ :^=':S=^
    Away to the hill aud glen,

    w ^^^:^^f^=^=^
    Away to the hill and glen,
    1 g %
    Basses.

    \^M= s c u n^ ^ "^r s 1

    5^E
    Allegro.

    :S?^^^^^^^^ ^ :^^

    s
    /
    -
    ffr
    i «?ff;
    ^^i-t±=r ^ ^-s-^
    -4?:.
    %m :fc=^
    f.

    J-J-J-.1J. J.
    away to the hill and
    M
    glen,
    ^^
    where the hun - ter's

    ^^^^i
    away to the hill and
    J^^
    ^

    glen,
    ^JJ
    where the hun -
    J-
    ter's

    \^ nrrrrTr"^Tn"^ -s-^ T-rrnr

    fe^^js^:^ 1 SI ^^=^=^=^^F^^- ^ 1 g-^


    belt - ed men with bu • gles shake the air!

    T=,t=;^=^^^ -^-^ J^J .NUT^T-IJ


    P s . X .

    v^t=^
    belt - ed men
    ^ ^ with bu -

    ^
    gles shake the air

    ^~^

    ^ ^& ^^ Jn
    ^
    J ^ :j ijJi -=«»i

    m
    34
    r 1 g-
    ^ i^^ /
    —

    The County after bovnng to his frunds, sees Arline, and takes her in hts arms.
    Count. j«_ , .^.

    Ppg-^-^-^-j^±=^=1
    Ah; who can
    ^m
    tell, save
    =Pi±:

    he who
    -\

    feels,
    r

    tue care a

    ^^—m-
    ^=ggrf

    srg^
    Wvr-f
    ^ ^
    ^ ^\^M
    r ir' r ir
    ^^ P^^
    :g^=^S^

    -^^-^^
    :flBr=P3C-n-

    pa - rent's love re - veals ; how dear, fond thing, thou art to

    ^^^-\r r h^~^-4^-^=^
    p =C:^=l=

    this lone wi - dow'd heart, to


    H-
    this
    ^-
    lone heart ! Ah, who can

    W:
    ^isM
    ^ I 1 -t S=: i^^

    m ^«
    r
    I
    •
    r-
    I
    ^ \r r- irT- ^ ^

    dear, fond thing, thou an to this lone wi dow'd


    roUNT.
    rr_r_rQj
    • way., to the hills, a - way,. a - way., to the hills,

    -g 1 y ^ ^—^g-^^ S t y 1 J
    3 IX
    - - 1 -
    I
    j.
    -a 1 X i E*E5
    of our soil.

    of our soil,

    m^ £S3
    p
    -.
    i
    p
    --: • \^=U^^JJ^-^

    (
    ^^ ^£g
    ^^^^^^^^^^^^^ m
    m^r -
    s i^ e-e-en" fnu l^ l^ U U
    p l =t
    I I
    1 I y \^ \ V
    away to the hills,. away to the hills. whero bugles

    Lord, hail, hail to our Lord, hail, hail to our Lord, hail, hail to our Lord,
    with bugles shake tlie air, the air •
    ^ !

    - ^^-^-
    pj-f^i ]
    ^^rr^'p' 1 S 1'

    way,.. way,, a - way I

    m a way,

    $ — :^i:
    is
    J. ,
    J. J.
    iJ 1 y 1
    -t

    '^':r g'^^ T
    way, now to hill aud glen a - way, a - way I

    l± 1^
    f-^^ir c r g I
    r- f I
    r I i
    -r
    1 g 1

    way, now to hill and glen a way, a - way

    1^^
    m. :^=s=
    P3
    -= ^-i r-W
    1 g i ^

    :*=! ^ 1 g
    I* k U-i
    ^zKaan

    ^ -.^^ i 1 a 1
    y—
    £ ^^
    During this, a retainer brings down a rifle to Florestein, who puts it away from him. Count

    ^
    Aknheih exits into chateau. Nobles and hunters ascend rocks and exeunt. Arline petitions Buda
    to let her accompany them, and goes off by a footpath, at side of rocks, with her and Florestein.

    -^
    ^m ^^ ^m^
    ^m
    decres}

    f^-
    ¥^^
    ^fe
    v J-' LG-
    ^=p
    ^ m
    J*^'L^

    ^^^ :^ ^^ ^^
    ^3^^ ^i -lis -1 :»=^ -T^r-f
    J** J —mJ»-t -aUkk
    I

    -^-.J:Sr
    pp
    ^ I r

    29
    Enter Thaddeus, breathless and exhausted, in a state ofgreat alarm.

    I^^^^^fei
    30
    !

    Thaddeus. a gnard ot Austrian soldiers are on my track, and I can no longer elude their vii;iiance.
    An exile from my wretched country, now a prey to the inveterate invader, my only hope is in some
    friendly shelter. {Sees the statue of the Emperor.) Ah 1 that tells me 1 am here on the very threshold r>f
    iny enemies !

    'TIS SAD TO LEAVE OUR FATHER-LAND


    Recitative and Air.
    Thaddeus.
    fcs;
    £S ^
    i With - out
    A llegromaestou).
    m^^B^^ ^^ fc^-^ ^y=^
    f
    /
    g.^(',r, ff^
    t
    ^:(.F^ ^ -iw 1 "^ -l -V^
    P
    ^=^-

    ^
    -* »^-
    isr r-
    fc^
    r-g
    friends,
    z
    and without a
    r^p^= qrn!i7T-r-r^from^i-r3£
    home, my what
    country, too ! yes, I'm exil'd thee; fate, what

    in- m
    ^ p -

    iento.
    £
    ^?^
    3Je:
    g- ^
    '
    ^ ^ ^=^^J,^=J':^^ .
    ir~r g ^-PT-^ e
    «-'
    fate a - waits me here, now pi - iy, Heav'n oh ! calm my de - spair

    H' ,jS e^J-^' - -


    ijj^
    -
    1
    tSp't^^^W^^
    well. to wan-deron a
    i

    stran-ger strand, where frieDds but sel


    gExfS - dom

    ^^IP
    P^ W=^^
    ^ dwell;
    y !

    yet
    »
    acceC.

    ^
    hard as are such ills
    ^^ ^ ^ ^
    to bear, and deep - lytho' they:

    Wt^^
    ._./u

    m t5=^^i
    rgii^^-tfrgr r \ r—i
    zr
    smart, their pangs are light to those who are the or-phans of the

    / W ^^^ "-Sw '^ddi^

    m, ^rr
    -CXJ^
    r- rr ^ •m— m— m » m m—
    ^_;_g^^^
    ^^^^^
    &^m-m- ^3=t=t=^
    rrr^rf -

    heart I 'tis sad to leave our Fa - ther-laad, and tiieuds we there lov'd

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    -f-r-
    -t
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    ^^^^ F=
    ^Ffuf^^^zr^
    i

    3EC3 ?^
    ^ 3:h«
    ssc
    :?c^
    i^
    well, to wan-der on a stranger strand,where friends bin seldom

    :t :iz=;2:
    ^t—s-

    PP
    • w
    sSi
    w —
    ^
    'P~k Si^
    — ^

    atcel. il
    .

    JL-at
    ,
    tempo.

    ^
    2,
    ^ =?=
    i:
    ^ #=^^^^fe#
    dwell, where friends, Tfhere friends, where friends butseldomdwell,but seldom

    A lUgro. agitato.

    :ic :j: :st lit :^

    ^=t^
    eye
    ^ to
    zi:

    weep when
    ^a^^=^^
    I might grieve, one bosom
    £:^+g-g-g
    -
    to receive the sigh which
    f^
    ^^ t>-^^-K^=ii^
    f injr
    1
    -*l
    f^ ">i
    IJ5*:i»:i»
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    r«

    ^'t
    1 ^ 1

    :^ ftS—-S—-ft
    — M M ^ 1
    •-«--
    ^

    ^^s
    ^ i
    feit

    ;it lit rS: lit ^ ^ ^ m


    an,
    ^^-1
    ^
    ^
    f.
    #1 ^
    -I
    -N
    * :
    - > 1 ^
    ^
    i sorrow
    ^
    oft will
    t^ -U' ^ i
    :J«=fs
    :i=jz
    r •
    * r- J3*
    I

    heave,one heart the ways of life to cheer,tho' rugged,tho' rug-ged they might
    I
    ^"
    L ??^^ ^^^
    IU_
    y=^=
    d—-d^.
    fe=Js: *? — j^ _,si r^ " -a±:i^

    1 ^
    ^ ^^^ ;* > «*
    iLz^
    »"
    at33tz^S=rS

    •
    ciE^
    K"
    IK-1 M

    te^^;^
    33
    it: a tempo.

    heart would be to me,would be to me. Heav'n.O Heav'n, 'tis sad to leave our

    ^ ^ tempo prima.

    stran-ger strand,where friends butsel - dom dwell yet hard as are such

    Vi' -S--g--g. -8--g-gb- ^^Mij^§^^


    £^
    m^^^^^=^ «-JS"—
    ^ *^
    *J ^ ^ d d d I
    |_J^ •!-*-

    i?^
    fete

    -t^f-^-^ ^ F^t=±:
    ^^^i^a
    ills to bear, and deep - lytho' they smart, their pangs are light to

    those who are the or-phans of the heart ! . . 'tis hard to leave our

    ^^^S
    *
    #f f fj
    I ^"J.. ^ .g.
    g^:^:i>:
    3=t
    ^55^ ^^ ^
    W^ '

    lf} p-igg -rr;^^ ^S^ *


    ^ii
    Ob tbe sUse tbe 18 tan from • to • are oialrtad
    ^

    ^ ^
    Fa-
    -T
    ther-land,
    T^T^ ^T^— ^
    and friends we there lov'd well,
    ^-TT^gy-^-^
    to wan - der on a

    "• Piu mosso..

    stran-ger strand, where friends but ael - • dom dwell, where friends but sel -dom

    i
    ^\
    ^^33^3^5
    J.g. m
    I

    t-9
    :g
    !-'i^-1
    r.9- ^
    ^ '^ ^^
    f

    ^^^^^
    siringendo.

    P 17 rJ

    dwell,
    -^p-
    I

    where
    r-jj. ;'|j^:#-p-^pr=g^^
    friends butsel • dom dwell, where friends but sel-dom dwell,where

    ^
    ^^i^ ^m^^^ ^
    ^^^^^^^^^^^^^ ^^
    stringendo.
    1

    irf
    —-i-

    /&fc=-
    s^
    At tk4 tndff song, m trttfi afgipsUs, luautd by EtevILSHOOF, thtir leader, juddeniy appear atul nn
    eicut to seiit and rot Thaoosus, htt, presumingy by his dress that he is a soldier, they stni> ana
    examiHt him.

    IN THE GIPSY'S LIFE.


    Gipsy Chorus.

    }^
    iv-"
    —
    Allegro,
    " ^A =1

    —^^
    "Bohemian

    1 ,
    ,.
    Girl."

    ^^ —J—
    By M. W. Bai.f*.

    f
    =^ — —jygj ^^ ^—
    ^^S=^ ^ h^^J-T ?
    f9

    _[ Lj
    1
    —J-
    —
    ^
    ^^P uw -,. — — ^
    *
    s-
    "^

    p ^^ ^ J 1' ^'^ pt
    g— j;— s

    ^
    t^
    ^^ ^ ^
    s ^ -^. fJSJ^^ ^ ^

    Modtrato.

    Sopranos.

    In the gip- sy's life you read the life that all would like to lead.
    Altos Sf Tetters.

    —^ —^—^- -^ C-^S- :S± ^ ^ ^ *» ^- -^ jC?


    I
    In the gip- sy's life you read the life that all would Uke to lead,.
    Devilshoop & Bassts.

    v ^f ^ ^ ^ c nr r -nf ; : c: ^ ^ :rr—^-
    ,'^
    r^a
    ^
    ''^^
    .rg-8-

    in the gip- sy's


    r^r--t
    life you read the
    ?-
    life that all would
    ^=5 3tX
    T
    like to
    i
    lead ;

    ^^^^^^^^^^m
    in the gip -ay's life you read the life that all
    ^4

    would like to lead;

    wr = P
    ^
    P
    u
    -

    E^3^' t^ r m T

    i ^s ? J . JJ -^-^
    ^j:^i-^
    ^^?^
    i

    «k:

    /
    mp-S E?^ :g^
    ^ ^ ^=# 3==t :£:
    3==t:

    ^^^.-Aoj:-
    y=i ^ r I

    f f r r ^m i "3
    -•-^L
    u ^
    Sometimes under
    p ^

    ii -r-r-rr
    -^
    roof,

    3^1=^
    ^^
    and sometimes thrown where the wild wolf makes his
    cres.

    ^ ^-
    lair, where tht-

    ^
    Sometimes under

    ^ S^
    r-r-r

    ^
    \r
    roof, and sometimes throwa where the wild wolf makes his

    r-r r \r :g ^ m
    lair,

    i=^ ^^^f:
    3—S '^
    -• — i-
    *- ^_ I

    i
    I

    J^JI

    ^ ;ja.E
    r r ^ rTrrJ-nj-^ i ^=:=*:
    ra//.

    i wolf makes
    m his lair.
    ^m
    where the wolf makes
    m his lair;
    ea
    i^ for
    ra//.
    =iS=* -^ s g ^" B^ m
    P 5n:r > I ' r i :S::=::^t!^=fe=mi
    I t t:

    where the wolf makes his lair, where the wolf makes his lair for

    ~^^
    ;

    \m^ s
    ^0
    ^ u-r

    5:3^
    P=^
    w > i
    J5
    i r
    ^
    ^r '^^ '

    ^ r 'L^ ^^^^^ ^ 1
    l-a-H — f-

    ^
    rail.

    ^ m jg y-4 a^

    i7
    Itmfo.
    ,i>P

    c f jf L'J4j^.r ^; - i i
    ^-/-jTa
    he who's no home to call his owu will find, will find a home somewhere, ...

    it-^rS-
    ^ •m —» »--^^ ^»
    i: ->t* 1»
    b<—— 1*
    t' la»
    ti> Ui<" — V-*-!
    ^
    1
    '

    own
    1 1^-'-'
    i»» S^ BK — ^> ^»-
    ho who's uo home to call his will flud, will find a home somewhere

    r^-c j-^:iN^J^:.k^aj
    for he who's no home to call his owu will find a
    ens.
    ^^^g home somewhere, ah!
    =^ ^
    s
    for he who's ao home to call his own will find a home somewhere, wiU
    !^ r^ eras. --^ ^^ p
    \ ^^-r^-^^^^H^pp=nrT=-i--'Uj ^^^
    for

    ^ '
    he who's no home to

    g J J
    I
    I
    I
    I
    I'

    ^
    call ais

    wr^
    own will find a

    d:,ad^
    fV^Mr
    home somewhere, wUl

    ^
    find a home
    ?i=e
    1
    ^
    p
    ^
    g i is
    »=^ m mm T-
    S^-i

    call his

    |' r J^^4^^::^6==^ ^^ii


    ^
    /
    •
    C
    tfcn
    . . . . . .-Iv i... for he who's no home, no home to call nis
    ^
    ^ home somewhere,
    ^ S=^
    /
    i
    » »- (
    -«:
    3:^
    -r
    j=t

    find a for he who'snohom?, do hometo call his


    ^ .

    ^^5M/! x-»-
    tc^T*^
    will find a home somewhere. ah I ah I

    """f;^
    :^ £ ^—
    f^>iri>^Z^ will find a home somewhere, ah ! ah I

    /=- cret ^ ^ Jff4

    'Tis the maxim bold of man, what's an- othei-'s prize to claim,

    \ p=^^g-g-g-^=w^ r ^ r-^-g-4 g-gjzg::^

    theo to k eep, then to keep all he can, we gip - sies do the same

    ^^^
    ;

    p=T"g"^g^^^g^^r=
    thento keep, then to keep he can, we all
    r^nr gip- sies
    r
    do the same;

    \^ vi.-irzf^=f^ r
    '
    1
    ^ u r
    ^
    ^m ¥h^^^AM =g

    (te eS^ i=:i: i^


    3!f=:
    ^ I
    /':
    '-&,'*

    /^
    ^r—
    -&•— »
    T"-^
    thus a
    —— ^r^"?^
    *=

    ha - bit once,
    ^—i^-^^^
    cus- torn grown, yes, a cus
    j
    torn
    3
    grown
    ^-^
    ev'ry

    ^^
    'tis 'tis - ;

    ^
    ^^
    , cres.

    P ^^^
    -———^
    thus a

    \^^ r-r^:^r—r
    ha • bit once, 'tis cus- torn grown, yes,
    cres..

    ^'tis a cus

    ^ —^b^
    - torn

    j-
    grown

    s
    ^
    -I r

    1^1^ 5:^3;
    — I 1
    I . 1
    I at—m.

    ^ ^^ 4»
    TT
    L^
    ^ rrrriJ^*^^ ^
    ^ ^g
    will take care,
    ^
    ev-'ry man
    c-c
    will
    i

    take care
    f caTf
    rn//.

    if he

    ^^ -T»-i-
    3i» —• 0-

    ^^ rail.

    ev-'ry man will take care, will take care be


    * -^ -^ ra//.

    \ ^ s g g K" . U K s::
    =^=

    fc^ ri
    i
    15:
    -^r ??
    -•I »i I

    ^LT
    <3^

    '(
    r ^
    '^ gj.Ci^
    t^T-r^ s rail.

    gp^ ^e/r -^^^ -^ ^ :§;

    ttmpo.

    has no hoD le to
    : :
    call his
    n r-CG-r^r-
    o wu . to find, to
    : ^:
    And a home somewhere,
    ^ -Si—

    has uo home to call bis own to flud, to find a home somewhere,


    PP^
    p=^^s-g^^^ gif^ r -z\r- zzzzz- » *

    i
    ^^5^
    in
    ttmpo.
    m \

    ^m J!
    .

    ^—
    ^
    1*

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    ^ S^
    -^WM
    •M
    . —
    I 1 —

    />^-
    • wr:^
    i<
    t=^
    if

    if
    —
    he has no home to

    tx

    he has no
    t* —
    — *— —home t* *
    t* k-
    «-'-'
    call his

    to call his
    U—
    owu, to

    own, to
    find

    H—
    find a
    a
    ens.

    ^
    home somewhere,
    ^.

    home somewhere,
    _
    ah
    pp
    S
    to
    pp
    I

    wr zzzz c^^-p-irT"^-^
    if he has no home to call his own, to find a home somewhere,
    i
    j
    ^-^-^
    to find a home,

    FrT
    , ^ — - ^o
    5^-25 xSj,^
    P T fT
    KiS:
    jrize

    /t/p
    ^
    3=.^
    gy=vg ^-iS-
    «=> p ^m mm
    r^
    call
    sss
    his

    ^CIS
    r -gtfg-i^--^g°br
    i jij
    yes, if
    . }
    he
    jfty
    has no home to call his
    tat

    £eg-:
    tr
    And
    g
    a
    -
    ^^ ^
    home somewhere,
    ^
    if-?9

    yes,
    J

    if
    tx

    he
    ^ ——— >

    has no
    1^ 1»

    home to
    t^ '

    call
    '
    I

    his
    T-
    '

    / J' I-

    own.... to find a home somewhere, ah! ah!


    ^^ p=. =. m^ ^-

    -
    a
    <?t',;

    '-^^

    -v=^ te^ ?^ res.^ I


    -g ^ r-r
    :^-*
    st
    «
    :±2J

    ^^ -==i
    : i^^j ir
    3z±: r^t.
    -^
    ^^J.W
    rHADDEUS. The sight of these wanderers has in- [/« a moment tkey strip the soldier's dress off Tb ad
    spired mewilh a project (To Devilshoof.) DEUS, and as they are putting a gipsy's frock, Sr'c^
    Your manner and habit please me. I should like over him, a roll of parchment, with seal attached,
    to join your band. I am young, strong, and have, falls at the feet of Devilshoof, who seizes it}
    I hope, plenty of courage. Dev. What is this?
    Devilshoof. Who are you? Thad. My commission! It is the only thing I
    possess on earth, and I will never part with it
    Thad. One without money, without home, aud
    [Snatches and conceals it in his bosom, and has but
    without hope. just time to mix himself with the Gipsies, when a
    Dev. You're just the fellow for us, then ! body of the Emperor's Soldiers enter in pursuit,''
    Gipsy (who is on look-out on rod). Soldiers are Officer. (Scrutinising Gipaes) Have you seen
    coming this way. —
    any one pass this way any stranger ?
    Thad. 'Tis me they are in search of.
    Dev. No one— stay yes, a young Polish soldiei
    —
    ran by just now, and passed up those rocks.
    Dev, Indeed then ! they'll be cunning if they find —
    Officer. That's him thanks, friend forward ! !

    you. (March tegims.) [^Exeunt Soldiers up rocks.

    MARCH OF THE AUSTRIAN SOLDIERS.

    Allegro.

    D.C.pP till "oldiers £0 off, then segue Duet.


    \%
    —

    Duel with Chorus.


    COMRADE, YOUR HAND.

    te
    Dktilshoof.

    fc&ZJC
    '

    ^ ~^

    Comrade, your hand,


    ^^
    we un - der - stand,
    £ ^=Ifc3
    we un - der -

    m% A lUgro
    f
    -*-*-
    moderato.
    f
    ^ ^=^
    ?^3E ^^ -^-
    " rr

    yours

    r=5=

    ^' xi^i/-ji
    ^
    :^I*=* ^
    in life, in life

    ^
    and un-til death, this grasp

    p
    ^
    secures its

    i
    ^ ^ X Q U^
    ow - ner yours
    ^'

    in life
    ^
    and un - til death, this grasp ...

    3z
    . bb - cures its

    ^fe^^^
    ^
    ^ ^-

    ^^, ;
    ^
    own -
    ^

    r & ^'s'^Fe-
    er yours in life and un -
    '^^1

    til
    ^^^'^
    death,
    1*-^^

    in
    '

    life,
    "^
    in
    ^^
    life, and un - til

    Vm»r
    t^=^
    i S=g:
    ^^ P I
    I 1= i

    ^^ ^ :^:e:
    /
    ^^ -U-
    fr* i
    J
    iai
    t>j
    43
    TaADDEUS.

    death, yes, im . til death, The scenes and days to

    tr

    ^
    m
    ^ 3
    =p=^
    f
    UJi-i
    =J=4=s
    -^i-s-

    iIE
    i?-p-
    S^± -r-r-r ^^m
    fea^ht ^iiSt=±

    me which seem'd so blest to be, no time can e'er re

    I
    ggj mum ^=i-s-
    HTj JjTJ Jl^-J'n]-
    r-i a j^-^^t-^
    . -

    r?rs
    —
    dolce.

    -r- -=i-S
    I*" I

    -i^=^
    r 1 a

    r=f s 5 ? f ? ?

    store, no
    S^N-J
    time can e'er
    Jl r
    re - store
    »
    '-fn
    the
    r r
    scenes and
    "r^
    days, the

    i u m . ^ ' s

    ^£S^ =*--*- 1 y
    :E3
    j.i s -' —^
    ^
    ^^ y
    ^
    1 y ^^^
    r-irn ^ ^ h
    j^-r
    w rinT-rr^T-T ±
    days to me, which seem'd so blest, so blest to be, no
    65

    time can e'er


    rn

    re-

    fc=eT
    r> , !

    i^=^
    u I

    P
    ^93 t30--^ ^•^ # ^ ^
    Z:X.

    ft*»J*J»-T>-»i»Tj»i*

    S^V^^fs ;S =JS^ IS Ms
    ^^
    ^-.

    =&=
    store, no time can e'er re - store, no time can e'er re

    ty-r^y— :5^

    H
    —

    store, .... no time can e'er re - store.


    Sopranos. ^J' -

    In the gipsy's life


    Si ^:^^
    you read
    :*+^iS^

    the
    Altos aud Tenors.

    m 1^ -^^
    In
    ->> 1>>

    the gipsy's
    —i^ you read the

    ^
    life

    \^
    Basses.

    ^ In the gipsy's life you read


    ?2Z

    the

    /
    4^
    ^
    ^=^ iS:

    ^^
    ^^
    \m I L
    '-- 1
    '

    !
    m^-

    ^ ^
    t P U'j
    -f-J--]-
    ^ =t3*
    iCir

    — ^^
    i £=^-^-f
    hfe
    -»

    that all
    ^^

    would
    £^
    like to lead,.
    ^ in the gipsy's
    =fs=ztsni!z=fr
    * J ^
    life you read the life that

    =^ 8 -^- g-S-g
    i life that
    bi" ——
    all
    U"

    would
    b^
    like to lead,
    g
    in
    •

    :t^=^
    the pppsy's
    ^i^
    life you read the life that

    ^--f^
    life that all
    C g g
    woul d
    £
    like to
    S lead,
    r
    in
    " z c~^^=^^
    the gipsy's life
    :t±:fc

    you read the life that

    ^m -t» 1

    l*
    1:
    ~r,j*-
    —S= vfrx
    =^w=t
    fc^ ^
    r^-b^-k-^
    ':^:f=^
    t=stt

    m ^^
    \s^^- jSI-
    as
    y I. I S=^
    Thaddeds.

    j^^^^^^m
    all would like to lead.
    u u u
    ff

    My wants are
    m ^
    few.

    -1 r
    q^
    all would like to lead.
    Devilshoof.
    ^=
    f-^^ =1^ ^
    all would like to lead. Want wo ne'er
    THADDEna.

    need but all I need. 'Twere but in - deed to borrow, beg, or


    Thadobub.

    That ia

    ^==1^
    a

    ^
    thing....

    ^
    In which, in which

    i
    we nev - er

    ©
    ^
    g r r r i 3;±

    1^ deal!
    Sopranos.
    i£ ?^=^
    =tz=*: gr. i
    r-c^r- ''H- i:j"%'^
    In the gypsy's hfe you read thf life that all would like to
    . Altos.

    Ffef=g-^^^^^qe^r
    i Tenors.
    In
    '^ '^

    the gypsy's life you read


    ^tir^^
    the life
    ^m^^
    that all would like to
    Basses,
    Thaddeus.

    ^^
    The.

    -*=2^
    ^^£
    lead,
    ? ?
    that
    ?
    all would lead, that
    ^
    all would lead.

    V=^
    -2 :3 1
    = ^—=— I
    F-

    lead, that all would lead, that all would lead.

    Devilshoof.

    lead, that all would lead, that all would lead. Comrade, your

    ±&
    w.
    -»

    scenes and
    •
    I
    *

    days to me
    a^^
    which seem'd so blest
    It
    to

    mm
    hand,
    ^^
    ii=m^

    we un-der -
    ^
    stand.
    ^^ — -m

    we un-derstand each
    •-

    other
    tz=t
    in
    ^
    m
    ^=^ i^t^:
    3=

    f
    ij^xnz
    r-^r s - -r—
    ^ ^
    :^=^=s=

    ?
    ; ;

    >
    Zir'frJ>'
    If Ar '
    r/ i r r
    time can e'er re - store the scenes and

    m :^=r=f^

    life,
    IC
    and
    ^m un - til death
    m
    then rest you here while
    m we ex

    J rj^=^
    P -
    ,

    ^^ 7Tj jTT^
    1 X 1- s
    ^^
    f
    ^«-
    pp

    h ^ X

    » - 7^ =^S^
    i i: ^ ±: EP ^
    me no

    ^
    which seem'd so blest to be,

    ^m plore
    -r

    and see
    -4-

    what luck,
    r
    a:
    1

    what luck there is in


    Hf3Z
    It
    store;.
    -r-^

    ^93^ 1 «i * J ;^J^ m :*=*:

    I
    (^ 1 y ^ -^i-S-
    i =^=5=

    ^ ^ p-=^^
    then rest you here while we ex
    ^ £=^zr£ :

    - plore,
    £
    and see
    ^^
    what luck
    ^
    there is in

    =t=St: ::^r---^
    ^^1
    1 S 1 S -=<—s- 1 y
    i^
    can - e'er. re - store;

    C r g r-g
    Then rest you here while we ex .

    Sopranos,

    m In
    X~t
    the gip -
    g
    t
    sy's
    ^=^
    ^
    life you
    Altos and Tenors.
    ^S=S-
    m
    J
    i '^
    k U l»t

    In the gip - sy's life you

    \^
    Basset.

    m
    In
    t
    the
    z g g-i:£
    gip - sy's life you

    m
    i ^ time

    w plore what luck,


    r^-n
    what luck there is in
    g
    store; Now
    r g
    rest
    -r \fr

    you here while


    m^ we ex

    -^-=^^?^=-L
    ± :^2Z
    i ^ ^ 1^^
    that would to

    ^
    read. the life all like

    ^^ rr—^r. =«=«
    V
    would
    — like
    read. the life that all to

    \ ^=p:; ^ ^ C
    that
    C
    all
    C
    would like
    C'
    to
    ..

    $ cau
    -I 1- ^
    no time can
    iMriSz Efee
    E?:

    ^
    e'er re - store, e'er re -store, no time can e'er re

    m^ ^
    plore whatluclj,whatluck tliereis in store, yes rest here.

    i
    Si^^
    *-
    rc^— .=::

    lead,
    fSn^
    a J
    *
    ^
    the life, the life,

    «fc
    ii^ I=P
    =5p:

    \ ^^
    lead,

    lead.
    iztz
    ^
    the

    the
    life.

    life,
    the

    ^^
    the
    life,

    life.

    fc=c
    ^^
    store, no,
    #
    no time, no time,.
    fe^
    no
    /
    fel

    time

    ^ r r r :^
    rrf: f: r r
    rest here while we explore what luck, what luck there

    i
    /f
    -f
    b
    1
    r
    L
    the
    r
    h'^F
    \

    life,
    ^P
    ff

    1?

    the
    if
    >
    life
    1^
    that all
    iSff=
    4i
    would
    i
    like to lead, to

    py^
    =^z
    P acrat^ilBz

    the Ufe, the


    [y >
    life
    5±^
    that all
    It
    would
    _c

    like
    f
    to lead. to

    -
    -
    ^^rl* E^SEl^
    u U U-i-r
    the life, the life that all would like to lead, to

    1>.
    ^^ ff Ptu moi$».

    e'er re - store, can e'er re

    i
    i
    ^s
    ^
    IS

    lead,

    i^^==?2
    ^in

    yes,

    i
    store,

    all
    what

    e
    ^;
    would
    luck,

    ^
    like

    =t& -b
    what

    P
    to

    r^
    lead, yes, all would like to

    l^^ & ife:


    ^ ^
    lead. yes, all would like to

    ^m ff piu mosso.

    ^ -»— •i»-IS— * — —y
    g^g^
    !• w ^-
    ^
    ^ r~r"^'
    =fe=^

    store,
    ^^ e'er
    ^~r—
    store, no time, no

    ^^ luck
    t|^

    there is
    1 ^7~:^^r=g=r
    store,now rest you here while we er
    17-|^
    ^ ^
    ^
    lead, would like to lead, yes, all would
    i

    lead, would like to lead, yes, all would


    tg ,_^
    It
    £ ^
    lead; would like to lead, yes, all would
    r

    f-p-
    ^ r r g ^
    time re store, can e'er re

    ^ — ^v
    plore what luck,
    ^m^^^m
    what luck there "« in store.
    s^
    what luck's

    ^-r~
    i
    like, would like
    $
    to lead.
    -t
    ^-^
    would like
    mto

    3^g=r
    like,
    =!=

    would like
    i
    to lead, would like
    ^to

    ^^ like, would
    e£
    Uke to lead.
    E&
    would like
    :£
    to

    -H«U*.4-jM-jg:
    ff

    w^ t C 1 rd^
    ^ #
    {AlltxeuHi.)

    ^==S^
    - store.

    ^^F^^ store.

    |£=S=
    lead.

    lead.

    \
    lead.

    ^m^ sJl^^;^ s-s^-


    E^
    Segue.
    =ffit
    Loud shouts and alarms art heard, which become more and more distinct, when t bjdv uf huntsmen
    »re seen to cross a chasm in the rocks which is bridged by a fallen tree, &»t., and exeunt by the pa;li
    where Arline, Sr'c., went off.
    Melodramatic Music.
    Allegro vivace ^•C^^^

    ^J^fc.^3:^ ^^'T^^jrr^
    ^^^^ --^5^
    ^ J JflJ

    fi y-p p r ^ ff f^,* ^r
    t
    G*^
    I^Tlj^TT^ ^_g^^5z^z=^ j=jr^^
    m
    :^^|S=|Sr:S=S= g-- -S-|S=jg:qS= S=S=|S:
    '=r-f—F—g^p=g [ ^
    :|?=
    -|_# |
    * | ^! 1* 1 y|-n»t=Pt::jg :aEt I
    »j # # 4*L^[H*-£p:bcb»4H* ^e4-H*-lH*iH«;
    1 1 ^r#-M i

    ^ ti* J>^ Lfct«_fc ^•i^^ ^


    ^=f££^ a» b^"
    i^Se:

    ."L

    ^ i
    »
    =e^£^

    43it_fe^

    a<f
    tf*

    I' *-
    ,
    "g:
    ^
    if

    ^
    ^tj

    r ji»rCg,^-*
    t
    ^^
    ^. tf

    ^ —"r
    :a^E
    1
    i£
    Se^ue

    Alarms continue, and Florestein rushes in, apparently frightened to death.

    Air. IS NO SUCCOR NEAR.


    t

    fLOKKSTZn.

    gen- tl« man, it's ve - ry clear, such a shock should ev - er kmyw, when I

    :^^
    once
    ^—
    be - come a
    -*
    -»
    ^

    peer, they
    g^J^Jg:^
    ^
    shall not treat
    ^
    me so
    •^
    ^ u
    they shall not treat me so, no, they shall not

    *
    I

    ?«=^
    1 D*

    ^
    1 S 1

    •1
    y 1

    s
    ^ f ^^
    ^ 3= ^
    1 S 1
    i^ me treat

    i 2^E ^
    so.

    m
    ^¥T^rt^^
    1 -1

    /
    ^^^^: 1 it- t -j i 1 s
    i
    i-

    ^m ^ =1-
    g ^
    i W^. ^m ffln

    l^gspf

    this state, this state of a - lann will pro- tect my shat- ter'd nerves: to

    p- f ' ^J-i TXts P

    5fi
    ^^m i ^e
    -«C^ g****W*tw-^
    sij?3-
    ;

    think that one un-us'd to fear such a fright should ev - er know, when I

    i'^^^ £f m m m=^ =c:

    E^

    f^rtiqrz-xT-' r fi Q .j';D^g •'


    « ^

    ^ ^^
    once be - come a peer, they me
    shall not treat so

    i»--*-g«^- ^ -^
    »«-

    ^^gj^^^gtg^
    -g-g-g
    i

    -M^-g g gTT^-f^-T LAF U":


    1 1
    ^
    ^ ^^^
    gen • tie- man, it's ve - ry clear, such a shock should ev- er know, and when

    Ipp
    ^S
    ^ 3:
    1 1
    =^^

    f^^ ^-^
    s^f f- f=^ »*^*s -
    s
    i ^ ^ '^'f'f'f'f

    ^^-fj:^

    they shall not treat me so, no, they shall not


    §m
    ^
    -
    ^ 1

    treat me so.

    '^ •^
    t;*>
    ^ q

    t i»
    D:a
    * *'J
    JJT i :±^^ r -=*-?-

    Ses;u<

    iW L ^^*
    .^^^
    =^^7=^fir^~^~j^
    ,

    1*'^l^a^--^^^
    ^» n J J —
    I

    i
    .

    '
    ' i
    -t—
    -J

    —"-^ =
    (-

    ' "^ "-

    At end of song, Thaddeds and Peasant ruth in, evincing the greatest state of alarm and tenor.

    Melodramatic Music.

    i E
    Allegro vivace.

    ^3^^^^^
    ^^^
    J

    ^^
    //»

    =3*:
    J r^ Vs«^ ^^^ r^J-^
    ^=^

    ^
    ^-^^ £^^^jT^ Tl J i
    Li

    f^————— —
    I I I I I
    \ .(^-

    ^ ^ f ^-^j^-^^'^ tS
    '

    '^^^^ ^^
    ^^^ ^^ —J?
    Segue

    fe -CXX Ii-
    58
    ^
    r iKr£g
    ^ g s W
    — ! *

    TH'Addeijs. What means this alarm ? I (He perceives Florestf.in's rifle, teizet it. runt up
    Peasant. The Count's child and her attendant the rocks, aims, fires, and instantly rushes off.
    have been attacked by an infuriated animal, and The discharge of the rifle, and the alarm of the
    are probably killed ere this Peasantry, bring COUNT Armheim and his party
    TBABOBUt. What do I hear ? to the spot. Devilshoof enters at one side, at
    the same time, tvatching.)

    Hblodkauatig Music.

    Allegro.

    ^ 7^^^s3=
    ff

    ^^^g^^gj^ JS^B-B^ 5^-


    J^-CT—CT"!^ -^a~
    3J7P
    g^3^
    -
    ^^*-tm-^ 0S.d — ^-0^-d
    55-HS- tsp:
    •—
    -J«

    *^ ^IIS
    ^

    L^L

    ^
    ^':J.'

    w *=3t:
    K ^
    — — 1-21— fe 3^
    I

    * i» «*—•- "t*—— •* *-
    TTj isJ .

    f^0-
    CoWNT. Whence proceed these sounds of fear, and where is my darling child? (^/; maintain <
    painful silence, when Thaddeus re-appears, conveying Arline, who is luounded in the
    arm, and seems faint.

    Helodbauatig Music.

    i
    ^
    ^ AndanU.

    fP
    S^rTT**
    ^^ ^ j
    J *<
    '^ J J
    jJ "^ j^ j-^^
    J d

    a^
    dolce assai.

    ^i=±^
    iP
    P^P 1 ^ n =fa ^^^ -^.^rr 1 U 1 > 1
    i
    ^-^^
    ^
    1 ^ 1 u ^

    i^ r ^=^
    n^l^
    accelerando.

    I
    fe=s&fi
    ^ .^
    ^=fi

    li
    Sm m W i
    iU—^=A
    //
    .t^,

    ^^ -^ 3:i
    5z:i
    1 ^ -r
    g '

    g '

    ^3s^E3=^sB3sB
    ! ]

    BvDA. (Falling at the Count's feet:) We were Count. 1 you will remain, and join tne fes-
    trust
    pnrsued by th(; wild deer they were chasing, and, tivities we
    are about to indulge in; and 'twill
    but for the bravery of this young man (pointing gratify me to know 1 can be useful to you.
    to Thaddeus), the life of your child would have Thad. I thank your lordship but— ;

    been sacrificed. Count. (To the Nobles.) Pray, my friends, join


    Count. (Clasping his child in his arms.) Praised your entreaties to mine
    be Providence, her life is saved, for she is all that l^Here the Nobles all surround the Co\]^t a«rfTHAl>
    renders mine happy. (Looking at her arm, then DEUS and Florestein coming up to him, says —
    addressing BuDA.) Let her wound have every Flor. 1 am extremely obliged to you for not
    attention, though it presents no sign of danger. —
    shooting me as well as my little cousin and I be^
    you'll — —
    aw stay —
    (Aside.) A very common sort
    [BuDA goes into the Castle with Arline, and Count of personage, apparently.
    Aknheim advances to Thaddeus.] Thad. (To the Count.) Be it as your lordship
    wishes.
    Stranger, accept the hand of one who, however
    Count. Then be seated, friends, and let the ftte
    different to you in station, can never sufficiently
    begin.
    thank you for the service you have rendered him. which have
    [ They all seat themselves at the tables
    Devilshoof. (Aside.) First to serve, and then be previously been laid opposite the Castle. THAD-
    thanked by the persecutor of his country. The DEUS takes his seat at the farther end, Florestein
    fellow's mad occupying a prominent position,)

    WALTZ.
    tempo di valse.

    ffigtslm i
    <?i
    ^i as ^^ ^
    ^ ,
    r>-
    ^ , ^.^.g>^^^
    ,
    ,
    It

    ^^
    9?
    #
    231
    1
    r^i
    rt-r

    i 2i£ i St
    «*
    M s##
    b^n*
    ;i^^ ^f #-^ T m ^^m ^^5

    ^
    I I :
    tp t^rrrr
    I

    W^ ^
    ** -^
    I ^ ^
    -^^
    I I

    ^ :^=t£
    1 ^ ^ zi2 ?2=

    S-<«L

    ^1^ ?-t»^
    i
    ^ ^
    sata:
    r=i*: ^*:
    t-r ^ =g^

    ?^
    :^-
    ^4 ^
    i W i^

    ^i^ —
    -1
    r 1

    piu messo*

    *S^ ^-m »:|*5^


    ^
    fff ^^
    E=3
    ^:

    ^
    jftj:
    A>

    ^^^^ Fe=^
    H 1-
    ^?^ iES
    r=e:
    3^ i^ i^

    ^ ^ ^^ s
    fe. 1^2--:
    — I- r^ L f

    m:
    '
    i I

    ^feij:
    f^
    I

    t=t=t=t F" S S

    S^ q$=S=
    ifKllK:
    1— -r-r ^ r^^ffw^ i=«=ff^

    ^r^^^ — ^ ^**S] r^ P^^


    .ib«=
    ?^^—
    r r
    —^^ y-„''^m
    —

    ^=?*= mm\ — g i Jg g
    ^=^pm—S—PH
    1

    1 m m 1

    t44MJ
    V-f— ^.1

    r r
    63
    ^ff^ti-^^ =fe
    m ¥fff
    a:

    s 144^ ts.
    i m—
    1
    ^^
    ^^
    .at;
    S^
    ^H"r^ ;

    ii

    ^l>>S*tt^iSj
    *** %:^ :
    ^^
    ^ ^ +55Cif&f
    =«: fe gffi
    Zit tr>
    1- r^^
    n-r

    ^^ ^ i ^
    ^#:S: :P-t-

    F
    £^^ =t=:t
    ^Sl^^
    :t=t:

    ^fe^^
    g ^!ferK ^^^^
    m
    ^
    •^1
    ##
    m ^ =y^

    p
    si I I
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    I I

    -Jl
    -®

    i
    -l«

    ^^^ '^^-^—*' -^ --m- ^

    ^-m ri—^1
    —Fl r u— P—
    1

    ^-*^- SSS 3^^5=53


    \f\r~ f
    fm
    64
    I^Pi '
    ^ 1^ r
    "*| S y Sm *-*: -s-s-
    ; —
    (rke Count risis.) your wishes.
    Count, I ask you to pledge but once, and that is, Count. (Filling a glass and going up to Thau nisus.;
    to the health and long life of your Emperor. I challenge you to empty this to the health of ocr
    Here the ^tests Jill their glasses^ rise^ and turnin^^ Emperor.
    towards the statue of the Emperor,drint, while the Thaddeus. {Taking the glass.) 1 accept the chal-
    Peasantry surround it respectfully, Thaddecs. lenge,and thus I empty the goblet.
    alone keeps his seat, on perceiving -which, Flore- Goes up to the statue and throws down the glass
    STEIN ^oes up to the COUNT and points it out to with the utmost contempt: A general burst cf
    him. indignation follows.
    Florestein. Your new acquaintance, my dear Chorus of Guests, rising, drawing their swords, and
    uncle, is not overburthened with politeness or rushing towards Thaddeus.
    loyalty, for he neither fills his glass, nor fulfils

    DOWN WITH THE DARING SLAVE.


    Finale to Act I.

    ^ Allegro vivace .

    m S i*
    Sopranos and Contraltos,
    '

    Tenors.
    f
    —
    I

    /
    S
    Down
    w
    with the dar ing
    m
    slave

    EgE
    -^r--

    who
    — -mz.

    did-

    3t±: g g g-g-
    ^^=^
    Down with the dar ing slave who dis-

    \P^
    Basses. /

    Down
    ^ It
    with the dar
    @^
    ing slave
    in
    who (lis-

    ^
    /bfrfefe^

    putes,
    P
    who
    i^S
    w
    dls -
    t
    putes the right
    F

    of
    F *

    a peo -
    »

    pie's
    m

    de •

    -4i

    w. f g l: l -r P F r -v—V-
    putes, who dis - putes the right of a peo - pie's de •

    -4= -3
    1

    who
    =3^=C

    dis putes
    :t

    the right
    ZZ^
    of a peo
    t ^
    pie's de -
    putes, - -
    |
    ^
    /^
    m^ brave. Count.
    (To the Nobles and Guests, interposing between them and Thaddeus,

    ^^T
    Count.

    ^
    brave.
    ^^ ^
    \i >):
    ^ i . . c I r «

    brave. Al - though 'tis vain to mask the

    fc
    tt I -t

    i i 1^
    ^^^^^^^^ ^^^^^y^

    from youi- wrath


    !

    ^-r-^ r. g r.^-. p r
    ;

    venture to have craved


    I

    the
    i r =^^ j

    one
    y s iq ^
    s s^
    my more than life who

    ^^
    life of ...

    t^. -=t-*t-^j^ n^ 1

    ^m^m^
    l^^^ ^::;«:
    IZ2Z

    r^TT" ^^^^^r";r";- ^^^ 1^

    pii%=£:
    saved:
    (7i? Thaddeus.)
    t
    stran
    g g
    ger, I
    r
    an swer
    r — ^r
    not
    . c z-^=^=^
    one moment for your

    ^
    - -

    ^ -JK
    ^
    ffi =tt:
    1^ i
    -•f=-

    t2=t: ^
    ^ «:Si

    Ufe;
    -^i — k-

    quit, while
    ^^^^ you may, a spot
    Efefe^^E^
    where you haverais'da

    I
    ^ I

    mw=^ strife:
    K'

    your Ion
    X*
    -
    -K^
    ger
    tpi

    pre - seuce will more ex

    m S ^^^^^ ^ sdjK '^ZT^d'^Tr r''^*^

    i^?y Ff -T 5^^ 5-t-


    ^=JE

    (throwing a purse of gold to Thabdkds. )

    ^ ^=^rrn:
    • cite,
    g^. ^ ^

    and this will the ser


    t/m.

    i
    '
    ^a.

    -
    ^^^^
    vice
    ^
    you did me re - quite
    DliviLSHOOF rushes in.

    m
    Devilshoof. {Taking th'. hand of Thaddeus.) (To COITNT ;

    Where's the hand

    ^mm^
    will dare to touch a hair of him I prize so muchf the

    — 1
    ;^—
    f^^^f=^^ ^^m
    m.s^
    ^^^^^ ^^H^ ^ I^^ r .t I

    i g

    ——
    ^ me
    pulse of pride you
    —
    boast, with-in,
    ^ —p
    with
    m
    in beats as high

    ^pgl
    t^ J?m

    IE
    ^
    -•
    (•

    1*
    f_
    •-
    I
    t r^ . t

    ^=f=
    r^
    ^^iS^^E=
    ^
    i^ -j;uUi^
    ft*
    :^ fe^ SfeE
    you aud your ti - tied host, proud lord, proud lord, I do de - fy.

    ^^^^ ^m
    J-
    5535^
    **tiizzizSf ES^^

    Florestein. (Aside, with a glass in one hand, and a


    fls^

    at^zffzz^z^zt

    leg
    :5^

    of a bird in the
    ^^ other.)
    _&C2_

    -1 L i^-

    Florestein. ^^
    ^'-^: : u: : z z \ ^r=r V V t
    <t
    =%=ts: =^=^
    tJ
    Up on my
    - life 'tis mostim- pleasant, just as one had at -
    tack'd a

    S i ?^^ ^^ ^ ^
    :iSii i 1^
    ~§*^

    gn"" ^ ^ 3I=z
    ^•^
    -t ^ =^
    f:
    'L r
    Thaddeus, a/Ao A<w /a/t^n up the purse, and seeing himself and Devilshoop surrounded by the No-
    blesand Guests, throws the purse at the Covht's feet, xh addeus.
    i^ know
    ^ It
    one a-bove aught
    It
    you
    qg-

    can
    I
    r-
    I

    be -
    3^
    8tx)w.

    ^^^^^ i ^=^ :5IWsi

    Chorus.

    I Down with the dar ing slave who would our


    /

    P
    ^^ ¥
    > i^ 1^
    It
    Down with the dar ing slave who would our
    /
    ^^S Down
    Ij
    with
    W
    the
    J
    dar •
    J
    ing slave who would our

    5±5i
    fu
    1
    ry
    ^
    brave.
    ff
    -^rf
    down
    p
    with
    ^ g
    the

    ^
    ^^
    fu
    E^
    ry
    ^
    It
    brave,
    X 1 i*
    !
    »

    down with
    i the

    \^^ *=? 3^ in:^ at


    y 1
    brave, down with the slave, down with the
    Dkvilshoof. (Ufending ThaddeOS, retreats, pressed upon by tne Nobles, Guests, &c., when the Coi'vi
    »rders a party of his Retainers to divide them; they seize Devilshoof. and take him towards the Castle.

    1^ slave
    ¥ ^^a3^
    who would, who would our fu - ry brave.

    m a^^^aa^^
    slave who wouId,who would our fu - ly brave. Devilshoof.

    ^fg I
    1 ^^-f^ I r
    "^
    ^ ^ z^s^m==i £ -ITT-^I^

    ^
    slave who would.who would our fu - ry brave. stand back, ye era - ven

    Ud^^^^M
    —
    gn 5^
    ztz

    m
    m^.
    f^^^^^^^
    Tsz
    H* !
    ^
    ^T f ^T7t
    '

    (g^^^ ^
    he
    m
    who ob -
    li:

    structs our
    S 1 S

    ^^r
    on
    ^g-f!z:^pP"
    his rash -ness brings
    ^^f=^^
    the ven • geance of my

    CHOK0S.

    (US-J^J-
    ^^^ :_j_jr_/ i
    J_/__/_J_^^_/
    Down with theslave! down with the slave I seizehimand bind him, and there let him

    Down with the slave! down with the slave! seizehimand bind him, and there let him

    cxjLiiL.g r-^-^^ r : c^r : c r c ^


    wrath Down with theslave! down with the slave! seizehimand bind him, and there let him
    Chorus.
    ^^ -•
    i^/B It
    P
    ^^^f^
    It :t 1
    i
    ^-z
    S-SZ
    -f—r-
    I I

    g^
    Down with the slave,down with the slave, down
    :?2Z
    :t;

    Down with the slave,down with the slave, down


    zfe:
    It

    ^^ tzX
    -f-r-
    -trt-
    :?=c r^:
    lord, at the vengeance you provoke. Down with the slave, down
    ^
    ^^Xi

    f=t %
    ^ I* W
    5=tz:

    _^^
    ^^^inrr^r ^^^¥
    ^L= :e:L
    ^^^^^ 71
    ^^^^^^m
    ptu mosso.
    0m ^ 1— 1-^
    !^
    1 C^-^T (7^ tr^

    m
    with

    with
    the

    the
    slave,

    slave,
    ^^
    the slave who would our fu

    the slave
    ^ z
    who would our
    r
    fu
    -

    -
    • ry

    g
    ry
    I
    brave, the slave win

    r
    brave,
    ^ c^
    the slave whi

    sr? E& ir-r-


    tz^=t ^ ± -g r.nr-'^"^ ^uc
    with the slave, the slave who would our fu - ry brave, the slave whi

    #^^7TTT r p^
    g r?z:

    -r
    would our ry brave; down with the slave, down with the

    ^^
    fu -

    c r^nr^ :J=

    would our fu - ry brave; down with the slave, down with the

    \^^
    would our
    £e t^
    fu -
    ^
    ry brave ;
    ±
    down with
    It

    the slave,
    dz

    down with the


    ^t
    /i p
    down with the
    P
    slave, down with the

    I ^m
    down with the slave, down with the

    \^ f C-
    down with the slave, down with the

    m^i^^- -=4-5-
    ^^ ri
    f? —
    i1^g?=
    y^ S ^
    J2=
    :^
    slave, down with the slave. down
    S&^
    m ^
    slave, down with the slave, down

    ^A r
    t^ 5cg:[g ^ ^ ^
    slave, down with the slave, down
    Sva.

    ig;3A-y ^=f=g
    S f - f S—
    (Devilshoof is dragged off into the caitlt, the Count, Nobles, ^c, reseat themselves, when the/it-
    tival continues ; BuDA is seen to leave the window at which she has been seated with Arline, and she
    enters and converses with the COUNT. In the midst of the feast, Devilshoop is seen descending from
    the roof of the castle, until he reaches the window of Arline's chamber, into which he enters, and seiz-
    ing Arline, continues his descent to the ground and steals off towards the rocks in the rear. Buda
    then enters the castle, and in a minute afterwards the festivities are interrupted by violent shrieking,
    the window is thrown open, and BuDA, pale, and with dishevelled hair, signifiet, by her gestures,
    that Arline has disappeared.)

    GALOP.
    ^ Allegro vivace.

    1^^ i^
    \^
    W
    ^^^Pg

    j^ --.- ^^
    £ge-.*,^ f
    {^m
    ^»-M

    ^. m
    iri^ge
    't^
    ^
    -*^
    ^ «L^--*^

    ^PB *-^
    :5=1^
    ^ ^ ^~-^V I
    ^Et
    PPf ^^1^ ^a^
    fF^TTTF^

    *
    ^ ^
    ^
    «:Sf:35r :*
    ^*=^ ^^

    ^^
    "Urr^
    -^
    ^S ^ =g
    WHAT SOUNDS BREAK ON THE EAR?
    Finale^ continued.
    Sopranos and Contraltos.

    lil J JIJ^
    What sounds break on the
    Tenors.
    % ^
    ^E
    I i
    What
    p.

    sounds break on
    \

    m
    the
    Basses.

    \m Allegro,
    -
    s s ^ j=t: J^U-J.

    ^^ ^ what
    J
    sounds break
    I

    on
    J J
    the
    N-J
    ^ear,
    X l . .

    what
    J

    ^^ y X
    ^ f i
    r f 1=
    «--s--g-
    ^
    ear. what sounds break on the ear, what

    \^ 7j X =» J U J 7d
    q=t *' i^
    di
    -
    s h; — s-

    /|(ff, J
    looks
    J
    of
    |
    J=.Jj
    wild de
    ^ spair
    «- X X

    a
    :zi=

    grief
    ^
    as
    -

    g'

    wild
    i^ E^
    part!

    ^^
    - iin -

    jS-(-g S=g
    i
    J looks of wild de - spair a
    I

    grief
    I

    as wild im - part I
    .

    Count.

    m s -
    » ^^s---
    My child I my child I that word a - lone with

    Count anJ NobUs dash into the castle, A getural movement of all—some are seen at the windovi
    of K^\AViY^S chamber signifying that she is gone.

    i Be
    ig=
    ev - 'ry

    ^g=Fg
    iE
    Be ev . 'ry

    ^ ^ :^^
    ^ ^ T^
    ^
    lone bursts in up - on

    [— I

    ->t;J—S^
    ^jg^te^
    ::^=^at
    agr 3E
    hand pre - par'd their liege lord's halls to guard, and

    ^^ ^z:
    ^ E^ ^
    hand pre - par'd their hege lord's halls to guard, and

    w ? a- -s—»-
    ^ =?3=
    ? 3^3: »--s
    •^~ ~**. —s-
    A
    ^—^i^E^SjE ^
    ^^
    M=^ff —
    it y 4iaj [i fe|
    ;
    -ti-[ 11

    w with de - vo - tiou's bond, all ties, all ties be - yond —

    ^^^^^^^g^=#^=»=^¥^^^P^^^r^l
    with de vo • lion's bond, all ties, all
    g^ties be - yoad

    f^ds ^ — ri^"^ rT1-r—


    T—
    ^ «-—s- ESffi
    1 I
    ^ I
    r

    Florestein (Kneeling, and appearing greatly alarmed^

    E^i=^
    =&!tr-"fe
    ::l:r-ti
    iP=^
    -I t I
    r —Bp g-rr r ir-^
    All I what with dan - cing, scream - ing, fighting, one real - ly

    J > I ^- I ^ r^ j^ ji
    '

    i
    'm^

    quite
    ^
    one's wit to
    ii
    find
    r
    a
    If
    place to
    ?2=

    pick
    I H- F-^^- ^

    bit.
    ^
    — —

    [Tie COUHT ru-i/us /rom the 'asile, dragf^ng Buda and follovied by Nobles. b'UiA. tremltltng,
    falls on her kitees.
    Count. :S -^ Jt-3

    mr r r
    4= ^ H=-
    :t=tt
    ± ^ :!?:
    I
    — q?t
    I
    -T
    I
    —±'^

    ^
    ^^
    i
    5
    go,

    ^ ^
    all the spoil - ert foot

    m^^
    5=:?
    -

    '4**
    steps track,

    ^/tl^^*!
    il
    the

    ^
    trea

    i:
    - sur'd

    ^
    prize.

    =t Eg

    g^ ^^ ^i^ n-|*-r-* i I i
    I
    -
    m W *
    \ ] !

    j^jiT^ f l[<>r,,i[:i^,,.^^jiv^[; c^^=^^E^


    who stole. But no, vain hope, un- less we pray to him who healeth all

    S I

    I - X - E
    J ^ss=

    irr^z:
    79
    THOU WHO IN MIGHT SU'PKEMK.
    Andante Religioso.

    mi
    sor - row,
    fj r?
    :t
    with
    -

    sup - pliant
    ^ i^z
    limb. Tliou
    ^ ^=^^
    who iu might su - preiue,

    w eI^^
    XT

    Count.
    /
    m^^=^-=^^^rA j^>^lr >^-^^-=g^E£p I
    *

    thou who in mif^htsu- preme, o'er the fate of all reignest, o'er the fate of all

    fJBS^SESi
    Thou who in might su- preme.
    24 —^—

    m
    o'er the
    3 ^—
    Hf-t

    fate
    --^^E^
    a

    ^E^
    *-
    of
    J* >

    all

    pppplpg
    Thou who in might su- preme,
    -s >f-
    ^
    o'er the
    -jziz.

    fate of all

    \^^=^^^
    r#^
    32; ^^^4—g-^
    -I r
    ^=^=^=
    ** i^
    ^ ^si
    fr^ n*
    *l >F

    * *:
    W.
    pp

    -*t • *1 *| •
    *t:
    i ^^ ^^
    g-r p-^^ifc^ N 1 a
    reign- pst, thou who hope's pal- est beam in the mourner sus - tain- est,

    _p^ I
    PP jres. _ ^p

    r^r
    reign- est, thou who hope's pal- est beam In the mourner sus • tain- est,

    — .

    u
    pp
    ^^
    cres.

    m^^^^l'A^
    I

    ^ ^
    ;.,J>'JL^J^ -»-.g 1 g
    reign - est, thou who hope's pal- est beam in the mourner sus - tain- est,

    w -* * V^t\\ rr » 1 s-

    -r -1 * Od the st«ge this prayer is swig ^tbout InetnuneDtal Aoeommnimentti.


    BC
    ~ r — ; —

    ^ ^m
    vouchsafe

    vouchsafe
    to lend

    to lend
    an ear

    an ear
    to

    to
    the grief of

    ^z=mtz
    the grief of

    —
    EJEEJ3
    1
    the wail-

    ^^
    the wail-
    er,

    er,
    cut short the dark ca-

    cut short the dark ca-

    ig ^zS^rnjgzaL
    ^
    vouchsafe to lend an ear to the grief of the wail- er, cut short the dark ca-

    pg^f-j-. J.^ 4-J—JVJU ^^^^U- J"-


    - :^S=^
    ^
    t^
    ml

    q=^
    m
    pp
    ^m p::z=
    g-: -g- ^^ i^ £:
    ^^
    m^l :^=k: ¥=:
    r-
    ^ ^EBf r X u^ z nr r r i r^^
    - reer of the ruth- less as - sail- er. of the ruth- less as - sail - er:
    —Fd— I-
    ^E^
    p 4&^:
    -» • j i i^ I^S
    I1=t:

    r^^f^-rrr
    ^: =F

    - reer of the ruth - less as- sail - er, of the ruth • less as - sail - er;

    «-• - reer of the ruth -less as- sail- er, of the ruth- less as - sail • er

    I
    — -—

    P^ ^
    cut short the dark CM - reer,
    ^^^^^^^ the dark ca - reer of the ruthless
    -m—f-
    tc^
    as -
    :t
    sail er,

    ^imz dsc

    r
    it ztai

    cut short the dark ca -


    -4,^*-
    reer of
    ^^^
    the ruthless as
    -1-^-

    sail

    &
    ±1K
    I
    * m-
    ^* r B r— — ^ -^-j

    cut short the dark ca -


    ?=?
    reer of the ruthless as
    ta

    -
    1

    sail -
    1

    er,
    m^^=^=f^-^r-Sr^^
    cut short the dark ca - rear of
    ^
    the ruthless as -
    :?=:

    sail
    E

    i
    ^
    of the ruthless as
    s

    ^
    -
    J3:
    :i=S:
    sail er.
    X

    $
    X X
    ^^
    of
    S

    the ruthless
    :^
    8

    —*—g- I E
    as - sail er.
    X -

    \m
    2,* m-
    feF^rr-£fffefe;e
    cut short the dark ca - reer of the ruthless as - sail
    ^ er.

    Allegro.

    i .
    S*
    »s
    >^ _
    ^r~ S^S^S ^=3a sV T
    V
    S-

    ^
    -
    -<>- -J.

    1^
    ^ dwn
    -Wr- ^
    [During the prayer, Devilshoop
    I* r

    is
    ^ i»-r

    seen climiing
    -

    i
    r^

    up
    r p

    the rocks luith


    ^ Wi^-^^
    Arline
    F^-F^
    in his arms.

    W^J
    ^if^^ Wi S
    :J: d: dr^ ^^m ^

    ^°^*''^' '^Wv5^:^'1i'
    is:

    -n=- 4i§S=^ lis:


    r^g^i^^ ^E
    f^
    ^
    82
    W -t/r i^P^
    -C2- -^?1-
    -Js.—3li«-
    M-4
    =^^ ^
    '^t the most animatea part of the Chorus, bodies of Gentry, Retatnets, Servants, S/r., are seen rushing
    towards the rocks, and over every part, in pursuit of Dt.\\l.snoov,who, perceivint; his situation, knocki
    away, the moment he has crossed it, the trunk of the tree, which serves as a bridge between the two rocks,
    and thus bars their passage. Count Arnheim in his distraction is about to throw himself into the gulf-
    he IS held back by attendants, into whose arms he falls senseless iome are in attitude of prayer othtrt —
    menace Devilshoof, who,folding Arline in his large cloak, aisappears in the depths of the forest.)

    Chorus.-FOLLOW WITH HEART AND WITH ARM.


    J. Alleero vivace.

    Fol - low, fol - low with heart and with arm, fol - low, fol - low and

    '^s "^~r*^
    Fol - low, fol -
    =ti=t2;
    low with heart and with arm,
    fei=i^=
    low, fol - fol • low and

    w^^^$-^
    m. ^ffi
    Fol - low,
    m P^ =? ^
    fol -
    :i3=t
    .
    low with heart and with arm,
    I
    -'»»
    fol - low, fol •
    1
    low and
    Allegro vivace.

    shel - ter from harm the pride of Arnheim's line, the pride of Aru heJm'a

    :*=if
    =t s^ ^—r ^- s^g—fP g^%g^Epg
    -t-
    rt
    X.
    ^^
    T

    m
    ter from harm Arnheim'a

    tfr^^
    shel -

    -1
    — r
    the pride of

    % mi' Jt=S:
    line, the pride of

    ± 4=
    Aru

    i^:
    . heim's

    shel - ter
    S« — t^
    from harm
    I
    '"-> >
    the pride of
    :t
    Arnheim's line, the pride of Aru helm's

    -| ir^i- . . . .

    hue. fol - low, fol - low with heart and with arm, fol - low, fol - low and

    line, ... fol - low, fol • low with heart and with arm, fol - low, lol - low and

    gf f= ^M=^ -1
    — n^
    w
    fol - low, fol - low with heart and with arm, lol - low, fol - low and
    !

    g^#p^-feCTjX^in iL i^=^ ^
    shel ter from harm the pride of Aru)ieim'a hne, where all ita hopes ea

    shel - ter
    ti--V-^
    from harm the pride of Arnheim's line, where all
    ^its hopes en

    ^S^ shel - ter


    I

    f=
    I

    from harm the pride of


    ^-**-^
    1 r i
    Arnheim's Une, where
    ^
    all its hopes en

    W^ ?^^ =8=^3
    ^^pif^f^g^ FWf^
    ^ ^ f;^^f^ '
    ^^^
    ^^ ^
    L'J^^
    nn g^-pH*?-
    3t3t lii=S=^ i

    ^ ff.
    ^^ <^ g^^
    r.
    4M =j^
    - twine, fol low, fol - low, fol low, fol - low.

    .s^ :§::
    =^ i=t:
    g-^ I
    '^ri-njiE "f —^z=^
    It

    ^^T^
    twine, fol

    E^
    - low, fol

    I^
    Hz
    low, fol

    -f= —=1=4^^
    low,

    ft«-
    fol

    — ft=^
    ^
    low, fol - low,

    E^
    twine, fol - low, fol - low, fol - low, fol low, fol - low,

    Si^
    '-

    ff
    jIt^ d S mf.S
    m i^^idn
    rggz

    ^^ ^ ^^tz
    S:s'
    £
    ^
    -IS
    -1
    —T
    -tm-
    ^g»-
    -4t=^
    -pe-
    t
    rr~T

    low, fol-low, fol low!

    ^
    fol

    low, follow, fol low


    .

    0^^ F'jI

    ff
    - low, fol -
    ^ J:

    low with
    ,
    /^ r ^^=^
    1=>^
    ^s^
    heart and with arm, fol
    :**:

    - low, fol

    m
    - low

    m
    and

    m
    S=S=S=S=Jt=^^
    Fol - low, fol -
    i
    low with heart and with arm, .... fol -
    m
    low, fol -
    b*
    low
    1*-
    and
    ff

    -1
    ^
    ——* T
    shel - ter from harm the pride of Amheim's hne, where all its

    !PE ^
    —
    — fi — ff
    r^^^
    -i
    abel -
    ^
    ter
    Is-
    from harm
    g-NF the pride
    F
    of
    ^
    Amheim's line, where all its

    /i
    ^WiA
    hopes
    i
    en -

    2nd
    -

    time.

    ^
    Piu mosso.

    H-
    twine. Fol
    Une
    -
    H I

    low, fol
    - K
    low,
    IF
    fol

    J
    -
    ^
    low with

    I hopes en - - twine. Fol -


    tf+a^g-

    low, fol
    Wt
    - low, fol -
    r^

    low with
    2nd time, line

    Sva.'

    M 0-
    ^m
    ff Piu mosso.

    ^
    r^
    i&,h ctsi
    EjFLH Eij*
    |

    ^ ^^
    Am
    heart fol - low and save the pride of - helm's
    »« « .p IS-— -«B »-
    m^^=^^:^
    ,

    heart and with arm, low and Am

    ^
    fol save the pride of - helm's

    t^^ —^- ^ i: tZU-^ f^=^=^


    heart aud with arm, fol - low and save the pride of Am - helm's
    Sva.'

    i^
    s line, where aU its
    4ees*
    hopes, its hopes
    ^ en
    i
    twme.

    ^ rt
    ^
    =t
    #=
    i ?=::

    line, where all its hopes, Its hopes en twme.

    ^^^
    t^ -^E^ 5=
    (^
    It
    (=2-

    line, where all its hopes, its hopes en twine.


    Sva

    — - u rJ O'^ eJ^ Id
    *'
    i:,
    "^
    ^P J I Ll

    End or Act L
    ACT II,
    Note. — Twelve years are supposed to elapse between the First and Second Acts.
    ScttiE I. Street in Presburg, moonlight. Tent of the Queen of the gipsies, large curtains at tkt
    —
    tack it is lighted by a lamp. On the opposite side of the stage are houses, one of whiik, an hotel, is
    lighted up. —
    Arline is discovered asleep on a tiger's sttn Thaddeus is watching over her. As tht
    curtain rises, a patrol of the city guard marches by, and as soon as they have gone off, Devilshoof anJ
    a party of gipsies, wrapped up in cloaks, suddenly appear.

    SILENCE, THE LADY MOON.


    Introduction.
    Moderato.

    i^
    ^ pp

    ^[ f'.jb^Mr^^

    P^^H^^
    fe=^tt j^^i j^^
    -

    Jns J.C-
    ^:^^- «^U
    ig
    l^lg ^-=^
    S 1^
    ^»
    1^
    J^•^
    ^
    ^^ ^ ^ .s^ ^sw•^ t£==f£
    \

    ^
    f^^
    Chorus. Altos.

    i usz
    Si
    J X

    lence,
    j^^j^j^j
    si - lence, the
    r
    La -
    ^
    dy
    i T'c-"H^-
    mooQ,
    Tenors.

    ^J'^J^^h-^^ ''-'
    ^r IX
    P Si lence, si - lence, the La - dy moon,
    Bass.

    m \ s ^ F^M^ ^ ?==

    f=^
    ^ 4-S-
    sotto voce.

    ^"^
    m -^^ -•S^*'tjJj4
    Xs^.

    87
    . ^

    m =S=s=

    the La -
    -^

    dy
    I
    J
    moon
    J".

    la
    /E£
    the on - ly wit - nesa now
    r
    a
    r
    •
    i r~-c
    wake,
    ^
    and,

    rii >
    ^
    J J J u-j'. j^j J 1 -^-^ ?2: -^ —
    ^ s-^

    the La - dy moon is the on - ly wit - ness now a - wake, and,

    \ W^^ r :-^r r\ 9==^ r- '


    > ^—
    1 1* 1

    sempre p
    ^Jn-^^Jgt^ ^ ir-^J^ J^lJ^j.
    J-
    J-^ *'''•'
    J._^^-^^J^J^^
    ^ wea- ry
    l

    of watching, chance ahe soon to sleep will her- self be -


    |

    take ! . silence,
    sempi e p
    't=^m:
    ^^- ^'^^^ ^^i^j^ ^ j\~JJ^ /-H^^^^^^i^^ t I

    wea- ry of watching, chance she soon to sleep wiU her- self be - take ! . . , . silence,
    sempre p

    \ ggj^-Jvj^_^r^;^[f A^^;;^-^r-T|:^=^^i^^^y
    ^pHripi|

    %^^m ^^m ^= ^^ ^N^


    ^% j^^ j^^' j^-tc 1 j^^ !»^ s. =j
    ^
    ^ r^ *' 1 1

    ''S N
    si-
    ^
    lence,
    ^Pl^-^
    from her throne in
    ^^
    air she
    ;it=:st
    K

    may look on
    M =^
    for
    :^
    -Sl ..

    aught we
    r ^r—r
    ^--t. ^ |.
    ^
    care.

    ^^^=^=^^-j^-^ r^ -
    ^^^J^^wVJl^j^-:-:^ |
    -rT
    si- lence, from her throne in air she may look on for aught we care....

    1 ^Gl^-^q-L^ I ^ -i^ * ^ ^n y^ 1^1^» jt i qg ^

    ^^ ^ ^
    J*-! 1 .

    J* 1

    I* I

    ifezi
    1 gl 1 J -=»

    i^^
    ^ ^^ 1 '
    lr« I ^ 1
    ^ k 1
    J*1
    P 1 P'^-^-
    :«!=
    r

    but if she at- tend un - to our be - heat, she will go to rest,

    S « l
    1 J-.J: ^^J-. J:^^J^O>|j^^ J^. jw r p rr^TA -

    but if she at- tend un - to our be - best, she will go to rest,

    r^-'-g-^^
    \
    gPfl X C 1 C-^C g g |
    1 C g C-\C^\r -^
    r-
    g p
    -pr I
    g 1
    ^

    ip;^^ S

    —
    ^f-J^ r-g -
    i
    j^z^
    P ^^^^^1^
    i^3!l*
    ^1

    mgi^ ^ g
    -^—S- -rnT
    ^ ^ :±^

    :, j-. j-. J-^j-H .. f> 1 7 X g^F^ s r


    1
    •
    r
    ^»

    yes, she will qui • et - ly go to her rest, qui - et -

    (f fA s j^-^

    yes,
    j^t j^iiJ^i
    she will qui -
    ji r
    et - ly
    I J
    go
    ^ :
    to
    -^
    p
    her
    •'I c
    rest,
    -^
    «
    qui
    ^ - et -

    m ^ : g z^z^zr^t^ • fe=^ .^^


    \ . t •I

    ? 1

    |'''f^i?Jc^
    ^
    ^-S^^^^-=F^
    k
    rf
    T^:*
    "^ a
    ^^
    ^
    It x« J iJisjNx
    g=i^
    3=S=^
    1^
    '/=

    gc '

    ^^ 1 I
    1
    i^=

    ^
    i ly
    I

    go to her rest.

    P ^
    ly
    J
    go
    i
    J'-^^Jll

    to her
    ^
    rest.

    m it
    f
    ^ \ i Cis ^^ — Devilshoof.

    ^1 -^"z'^r
    > i*"

    Tiiere's a deed to
    (7^ Gipsies all draw their daggers^
    and appear delighted.)
    =S?^=ff=
    I I
    3: ^^tr-r-r ^^ irzfc
    do whose gaina will re - ward the risk and paius; fie I

    t>c^ \f^

    K ^^ ^^£fc;£^=^
    ^s^
    tie! to a gentleman when you ap - peal,

    -cy-

    jgff-J^^^gg^ ^
    1^^^ : : c ::^
    :^ ^r im^ r k
    i^
    r
    —and r-
    n^
    purse without drawing your steel, with bows and po - liteness with

    S=^
    Ts — —z:x ^^
    flz^
    ^
    S ^^ rX ^ ^• ^ Wl ig=g§l_ri£—s=^^^^

    r
    ^=^
    U^^' i
    ^UU^^^ '
    T
    ^
    great re - spect, may
    you more take than he can at first sus - pect. See,

    {Pointing to the lighted windows of the hotel.)

    m,
    see, where in
    I

    gob -
    I

    lets
    ^ -Jf:
    I

    deep what sense they


    — ^ it.
    I I

    have,
    ^1
    I

    they
    — r

    m^ steep:
    ^^=^=^=^^^=^-T-,h^--^^:^
    watch here, till each to his home shall reel ou his douhtlul

    ^m
    V Bt72pS^ ^^ 3t7s=*^ -js^^
    m
    R^TtggT ^^ m n^ bJ-

    ^ -^^^^^^ ^
    s— tl»-
    ,^
    ±: I
    -r
    I
    -qg:
    —I—

    i^^ ^
    way, watch here watch here, and the gob let's foam wiil make

    :^df3z h-< pB. ^


    hi JJ*: :1tj-S-
    OK

    J?^

    # tc -'t-S-
    ^^^ ;^=s^

    ^ -4!t — II-
    r- -r .^ -^^T^ 1 m
    1*
    U
    —n»
    I
    1 "^ 1 1
    i^^r^^=
    each an ea - sy prey. Si - leDce I this way, this way, this way, this

    d
    It

    W7'ft
    f>i
    ^JJ^ ^ ;S!=c
    IS-—* ^ ^3p/ t^=^

    ^ t^T^fff ^tZ^^ts:
    ?S^
    svrqz^swz^zi^
    ^^gS -p^

    3^ T"i»-t^
    Tn^ -J J J
    ^ =»-*

    y$-m-
    way.

    Si
    ^fa=^
    lence,
    silence.

    si - lence,
    ^
    this way, this

    this way, this


    g-M^-,ff^^
    way.

    way,

    ^^^ ^"
    ^H 1
    —h f
    -
    ^ r
    f^

    \^
    -^^
    lence,

    1^-^-- ^^^^
    si - lence, this way, this

    rr^'if^
    way, si

    ifc^
    i^^gr^g ? i^j^ :
    f^iSr^
    ..5=---J*
    -1
    a -
    r-»-
    ^_J.
    pp
    ^
    -p— *
    ^ a »-^
    -=»-
    s - 1 s
    t=^ ^=--t^ i

    91
    — ! 1 h —

    H si - lence, this way,


    -S —
    this way,
    E^E
    /^ leuce, si - lence.

    P P§ si - lence,

    wm
    lence,

    1 X -
    ^ ^^
    J&. JL
    ^^
    i S^5=^
    e/'^
    "^'-t' — i p-
    ^=^
    '/:
    C^x s J^
    ^m (/4j M«
    g iPq
    U
    Gipsies retire
    i^
    .

    up
    i
    the stage,
    5=^:
    Florestein
    -s; Bs
    =1^
    staggers out of the hotel— he is elegantly
    ^
    dreued
    with chain, rings, b'c, and a rich medallion round his neck.)

    W%^5
    S-Ot
    si - - -
    1

    is_^^
    lence
    -^^-
    1
    — 1
    1

    „ -^^ ..—^-i
    ^

    '
    m ^ ^ 1
    J " '
    1

    ^ si - lence ^
    l^±-^ B
    SI - - - lence I

    ^s-^ -^
    ,
    !

    m •>. ^ _

    o.
    —m
    1 C^\ **
    W —
    ^ !i —— ! =i^

    ^"1 _^^
    Th
    A
    ^^
    ps^^^r^^:^^^*^^h£ .m- ^ — C?
    ^^«=
    " ^-
    5 *i
    ^—=~ 3
    ^ :

    m
    ^
    Allegro.

    f
    ^ s^ Wi ^^
    ^^^^^ ^^ ^fcl^
    =p=t
    Florestein. (Drunk.) quasi parlando.

    t=^- ^^=^=^^

    ^
    Wine am

    ^
    I wine! if I

    ^ ^m^ A » \*-. 1^
    SEEgg ^^^SEl3^
    quasi par Ian
    ^
    m 82
    li SE^ m :^^
    ! !

    pi it r X r-r £
    1^ 1^
    r i P ^^
    k^f^ m m^^£m.\^^
    heir to the Count, my un - cle's line,

    i
    ^

    r I I I I It

    (Hiccup:)

    i^ wine wine
    "
    -1
    —
    f—r-
    Where's the
    I-

    m 'sSttt^Jtr^s^
    ^ j^^ri^
    ttt -p'*^**a i*-»i-in^k-
    -rr-r

    ^^im\
    i^
    fl
    •• r
    I
    r
    I ]^
    r r r
    I I
    ±. ^ -p — i*-i*-
    I*" t»

    fel - low will dare to re - fuse his ne phew wine, to re-

    -is±
    . 11^'^ ^ i-t-i — —H 1 —^— —u- —
    I
    rp ^-^ i. 1

    (Hiccup.)

    fuse his nephew wine t


    y ^f N* _ >f _
    1:
    That moon there star-ing
    ^^ I i

    me
    S^FI^^^^P^
    on my way can't be so

    if=ffSP=&>i
    ^ t*
    =t==T
    (« i
    13*-

    ^
    />/>
    -H

    g— -s «• —« —«—
    E^ ^ f^ ^
    r^J
    p^i^^ i
    J J i*;jfc
    meet whom she and

    ^
    mod-est as peo - pie say, for will, in what- ev - er spot, she

    (^^^V
    .^ r^
    =S± 4=F

    (
    -e
    ^irf~f^^i8^^ p'^^FTT^ ^ ^
    — — ^
    (T^ Gipsies have by this lime advanced, and Devilshoof
    goes politely up to Flor.) Dev. (To Flor. bowing.)

    te^.^M^^ J J J hf ^ i s y r
    -p
    I
    r—A
    I

    |
    I

    oft- en looks cu at what she ought Dot My ear caught

    1^^
    not
    r IP
    -1—
    the
    1
    clock's last chime,
    r I f iccc
    and might I beg
    dz m
    to ask the
    ^m
    time!

    rrrrrrf frr
    ^^ ^gf 1^ ^^ ffffi-r

    'FFmf^^FF^H'--FFFF=F^^F^^f?^

    P
    FloRESTEIN
    »=«= -^_*L
    (r«/f, recovers
    ^^crjft

    ^
    il l*- c
    U
    a little,

    ^
    l^ i
    and after eyeing Devilshoof).

    Mf ^
    g g i
    r—
    (aside.)

    a H»^^
    ^
    ^^
    If the hot - tie has pre- vail'd, yet whenev - er I'm as - sail'd, tho' there

    ^^ ^^
    ^^ X—I*

    ^ ^y ^^ ^^ m
    g:m 1
    s P I u.- i» m 1

    C ;g>*'
    gF^=f=^
    (To Devilshoof.)

    rpffff l g^^q^' r I
    f J |
    .gj
    may be nothing in it, I am so - ber'd in a minute. You are

    o^
    m^r;^
    fr^fh-n-ffrtf^gEfe^-JEi:^
    m4i^rM=-t-i=\Ut^tH=fm^
    %=3=
    i^^^E :HJ so
    J
    po
    IJ.^.^ ^ (Looking at his watch.)

    »— s s
    It

    ^
    real - ly - lite that 'tis late in - to the ni<;ht.

    j'^ffFnH-CT^ ^^a^sS=S
    I — —

    ^
    (Devilshoop snatches Ikt watch from Dev. (Taking /rem Florestein tiii rtnjis,

    ^it—^
    Florestein and puts it in his fob.)

    FLott
    X

    Might
    (Assuming courage.)
    p
    ^
    I beg to
    ^
    ask
    E^
    I am
    chain,

    real
    and the

    - ly
    rich medallun.)

    griev'd to

    m2r -f—r
    ^ ^ ^^^^ ^?=.ff=
    L*" k -1* * t_T r ir r ^
    see a - ny - one in such a state, and glad - ly will take the

    y&MCf_zFj^^
    >
    s
    ^EJdd=
    ^
    t--^ !

    ^^ =!• s y
    ^^ ^^ --
    I
    ^.
    I

    great - est care of the ring and chains you chance to

    ^
    ^%-^ JtJ
    ^ ^^ g^^
    tJ- E^ -^^—
    :?=
    t^
    f=P^ 7~f-p^
    g^
    lifc
    #fH^^ l=£
    Flor. (Draws his sword.)

    p £fe^.
    wear. What
    fi
    I
    r
    thought was po
    MJ - lite-
    r
    ness
    r
    is
    i
    ;

    down -
    jJi J^rnr r^
    right theft, and at tliis rate I

    £S^^S
    J ,
    ^•-6*-
    I

    ,
    I

    =*=J-
    -sg=-*=
    1^
    gp/f ^ ^ & ^^ S^ •r
    ±=t:
    ^r
    III-

    m r
    soon shall have
    rif
    noth - ing
    r is
    left.

    "t-m y
    J ;, I
    >.
    I ,—
    (P
    ^
    (/4/
    frtm
    ^
    a sign from
    him.)
    ^
    g
    Devilshoof
    g i»

    /A< Gipsies iiuUmtly


    f r r
    Iff
    surround Fix>restbin, and take
    f f
    I I
    f^-f -f
    e-very valuable

    06
    t HOHUS.

    ^^
    /»

    ~^m r- r I r r-=^
    Ad - vance with cau - tiou, let ev - 'ry man seize on and

    -r-g-
    ms'—Ud. g=-f P F
    r r r \^ II I
    -

    Ad - vance with cau - tioa, let ev - 'ry man seize on and

    \ m , . . r \^^^ ^ r
    I
    r
    I
    r-
    t:
    ^H

    i
    :§*=?=
    =1= r^r~r~R' a s ^ ^
    m
    Iseep what - ev - er he can, what er he

    m -m- -£3E3=^
    i I

    keep what - ev . er he can, what er he

    IS r~r~t:z]:fe
    ^-- it^ '^ •.•

    r--^—1==

    >^ .. I rr^tt -*-


    ^^ ^ e^ n^^^Ss^
    ^^
    g?J

    ^fo=
    I I
    ^^ ?2=
    =t= e ^^}=^-
    can, what er he can.

    St& i ^— jg-

    what

    ^
    can, er he can.

    m t^ t^

    (During the chorus, Devilshoof makes off with the medallion, and the others are dividing the rts'
    of the spoil, when a female appears in ike midst of them, drops her cloak and discovers their Queen,
    The gipsies appear stupefied. \

    96
    —

    Mr=^^
    yUEEN. REGIT.

    p ^
    ^^
    To him. from
    ^^
    whom you stole, surrender back
    :S=^
    I1=P==

    the whole.

    P ^^ag i±t:

    ^ J^.'^^
    3f=3^iJ

    \
    ^^
    LORESTEIN, (
    ^sU-

    Trembling and looking over the things.)


    (/"A* Gipsies return the different things io
    ^iy 1^^
    ^s

    Florestein.)
    /^

    ^^m might I re -
    -m
    I

    quest
    — Mr 1«-
    i

    a
    -

    me - dal -
    r~r=^^
    lion in di a -
    \

    monds worth
    u
    all the

    m ^
    —!• •
    It-

    I
    -^
    *—
    I
    i i E ^^ -^-
    -*»-
    -*-
    -1*-
    -I*-
    i*- ^-^
    i=t
    (/4/ a sign from the Queen, who seems to command its restitution.

    i^^^3
    J

    ^
    rest.

    ^ ^^-^^-g-g^-f^
    ?2=
    ^ 1=^ P=P7E=Pc:
    fj-^r-r
    On our chief- tain's share we ne'er encroach, and he fled with the

    m ^ m m »
    ^:^:^=ff==^
    ^ V
    <

    On our chief-
    \-; I

    tain's
    I I

    share we
    m
    ne'er
    I

    encroach, and
    I

    he
    -»
    T

    fled
    \

    with the
    r

    g—s-^T> "g-[¥^ — .y~f^

    B^^^Sf^j^B^^.

    ^i^^^^^^ M^ -0==m-=m ~ ^~y^^


    m
    /IS tftc^z:
    E^^ r- '
    •

    P =pz:
    3E m
    prize at your ap - proach, he fled with the prize at

    :^
    i prize
    ^ your
    ^
    ap
    F^-x-
    proach,
    e
    he
    r?-

    fled
    i^
    with
    ^
    the prize
    ?=:

    at
    at -

    /^ your
    ?=
    ap -
    fe
    proach.
    i
    P
    S=?=2:^ ^pz:
    ^
    your ap proach.

    M 3t=t I y y

    ^
    Queen. (TV) Florestein.)

    Be your
    m-^r-jvn
    safe - ty
    Flor. {Trembling.)
    =fs=?s=
    *

    my care. Fm
    l «l

    in
    ^
    precious
    Tempo prima.

    ^^SL't-^s
    ^

    hands.
    Queen.

    Fol
    (To Gipsies.)

    low,
    j=TJ^~rT
    and list to your
    ^m
    Queen's .... com - mands,
    r— ^

    pp
    J
    ^=«=
    We fol - low, yes, and list, and list un - to our Queen's com - mands,
    PP

    ^^^^
    —M Is ^
    si T~t'^
    ^ '•r'^J'-'J^ J^j^'' J^'«N
    1

    \ l ^—^i^^
    We fol-lo\v, yes, and list, and list un - to our Queen's com- mauds,
    PP
    ^
    ^
    » ^-J^i ^^ ^"~~'
    \^^ I
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    j-i1 r
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    1 1 io 1 ^P=t
    i»

    yes, we list, we list un - to our Queen's com - mands.

    3t=i^_M
    ^
    yes,
    «< y~
    >* _
    C-^lp
    we list,
    v^J'^HJ''^^^"~^~'^^~C~^"^
    we list un - to our Queen's com -
    ^
    mands.
    t:p »
    J ig s U-^ -'^ '^
    i^''u'' T f
    ^ -^' "^
    S "^ ^ '''^ I I-

    ?s:^hS=
    #=t r«- m — fl —-•-
    ^i' i- Sr=^
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    ^ ia ^^^
    J'1 »1^'1 k K
    C^ >11 j**iy
    J-^ J-£
    sac
    ^^z£«!»i*?W:«^
    1^

    /^ yes, we
    ^IJ
    list, we
    J J
    list
    JiJ i
    un- to our Queen's com
    ±:
    =ff=p=
    rt

    - mands,
    ^E^
    yes.
    s
    we

    i zci:
    It
    ^1^=3^^ m f r -i y ?:::»^

    yes, we we list un-to our Queen's com- mands, yea,

    ——
    list,

    r-rrr r r
    •
    f
    r
    p
    r
    f-^
    \(->

    l[-^:
    S:^:
    q?=-

    i -* *Sa*;
    .JTI^
    crcs.
    s 1
    i ~l 1
    i^ t^ti^
    d^ J 1 a -^—»^ii^
    * "^Z^r^ W
    — trf

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    ^^ 1 - ^ 1 S '
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    p
    1 a X Jjm^

    99
    ,
    QUEK^.

    S In-

    / j^^r
    list,
    come,

    we
    ^
    list
    J J ij
    come, come.

    ^rN
    to our Queen's commands, yes, yes, yes, fol low.

    gh=^==m^^J-J-J |j sf^ |
    Jxx_^ -s—--
    list, we list to our Queen's commands, yes, yes, yes, fol low.

    \^ ^EB^ Itqt
    — m 1
    r-
    M ^^ ^ X -

    (Exeunt Queen, hoUing Florrstein, all of a trembU, in one hand, and beckoning the Gipsies l»
    follow, with the other.
    Ast«onas iney have gone off, Arline, who has been I »nd what curious noise awoke me from its pleasaal
    aroused by the noise, comes from Ihe teni, followed \
    ,iream ? Ah, Thaddeus, would vou not like to know
    fy Thaddeus. i
    my dream i Well, I will tell jok
    Akline. Where have I been wandering in my sleep? I

    I DREAMT THAT I DWELT.

    & ^ g m Sl -^^^^

    w ^tf
    S ^T^.,
    tirt ^ ^ror^
    Arline.
    ^ »TC,
    i

    =F-r^^

    »-^ at
    £e
    dwelt
    ^
    in
    iC=^«C
    mar - ble hall.^:, with vas -
    J^
    sals
    ..^

    aud
    I

    serfs
    r1^=J-

    at my

    j^ side.
    =tr=t

    and of
    ^
    all who
    p
    as - sem -
    ^^^^^
    bled with - in those

    ^^ E^^ :5—J-*--J- \
    m \ \

    I
    S^
    itt E^^
    101
    ^
    ^
    ^x I

    walls, that I was the hope and the prid'',


    irS:^

    I liad

    ^^Szz.jd
    rich - es to
    ^a'
    great
    :^

    too
    I
    c^=^y^^^ii^^^^
    count — could boast of a bish an - ces tral

    ^w^^^m
    Taking both his hands in hers.)

    is^^
    (

    83^ 521=12::
    '
    most, that you lov'd me still the same, that you lov'd me, you lov'd me

    ±1
    ff-b-

    stUl
    =P=ff=
    the
    feN:|;=i::j:zj;;^
    same, that you lov'd me, you lov'd
    F^lgSpgii
    me still the

    i#9
    * '
    i
    :^C3;
    3E^S£ ¥S2 i m^
    ^ :1!s==4= ^
    rt
    -=) =)- -^1

    -=t-
    tC2
    — — —

    Sfc:P=

    S
    ip^
    ^^m
    *pe
    «^ Efe
    ^
    ^
    ^ fffrr-

    lJUl ^ f. r:^^
    •
    —^
    r^ ^J — 1
    -w-i 1
    ^ / -^ —-^—T—^
    knighta up - on b end - ed kuee, aud with VOWS uo

    1 ly 1 1 —J ——
    1
    1 J 1 1

    -«

    i^
    ^fr-J.^
    f'^
    =j
    ^
    -\
    ^ —m *^--i — ^
    —^— —
    — ^
    ")

    J-
    T
    J ^i
    2
    ^
    -»( ij ii "M
    ._-] n
    =i
    —
    ^i_
    =\

    i^^^ mnid - eu
    ^
    heart could with - stand, they
    ^
    =^^=§S:
    pledg'd their faith to

    ^^
    ^^ ^
    S^^ ^
    and I
    =&
    dreamt
    ?=n^g=P=^
    that one of that
    ^^ni ble

    1^ ^"'— -J I m I I

    ii^
    ^J»^ l^j^-j" ^
    ^^^ :S
    10»
    ^ m ^
    host came forth my hanrl to claim ; but I

    dreamt, which charm'd me most, thatyou lov'd me

    fe=a^M ^T-
    still
    ;

    the same, thatyou lov'd


    r
    me,
    f'

    you
    i ^-g
    lov'd
    g^
    me still
    ^^K=(tz

    the

    a
    |
    ir
    fe^^^-..L4iT-i^-^=a-i-'n^is
    same, that you lov'd me, you lov'd me
    g^
    still the siuiie.

    -(«e- T=
    -J* U-

    ^^
    ::3=^,=3=
    ^-*- ^Z^E
    :^=i
    ^^ iff:

    rf *^
    fe5 :S=^^^=^ -a =1- fe
    2zzt:
    — r !

    At tic end of the ballad Thadozvs presses Arline aSections and their happiness that I wouij iaic
    to his heart. unravel. (Pointing to her arm.) The mark on
    AhLiNE. And you do love me still ? this arm, which I have seen you so often contem-
    Thatideus. More than life itself. plate, is the key to that mystery, Py the love you
    ARU <E. Yet is there a mystery between our say you bear me, solve it.

    Duet.
    THE WOUND UPON THINE ARM.
    r i*''^raiu.Mt.
    ''^t>-Jtrato.^ -^- h^.
    bit
    *- "" - —- ^ -_ Vs>- flgL'
    ~a>y* K _
    '
    --^

    —— P
    I I

    :t
    » B
    I
    •-
    -i

    es
    ffzfctazsz
    :a *r :l:=t:
    -^M^

    Th ADDEUS. ( Taking her hand and pointing to the mark.)

    mark thro' life 'twill be, iu saving thee from great - er harm was

    JtSE%§^- isiMi^^^fe -^;»g^

    sun had its radiance shed, a wild deer who had lain at bay, inirsurd by
    AKLINE. THAOOlDt.

    Arline.
    -

    this
    ? i:
    ^
    humble
    I
    J
    arm
    j^-^
    to thy home
    =J3c

    restor'd.
    _:)?

    ^
    i*

    Straijge

    ^^=^
    S3 "urrf ^
    3=5-
    -^-h 'm ^ :4zi-tz

    feel - ings move this breast, it nev er knew be - fore, anil bill me

    I
    t^ r*-jH*
    m i^ *
    ( 1

    -^^jgfg#-»
    r*^-"-?.

    -g- -g-.
    FE^^
    It

    =m

    i^;&±=^ rr^-^5^ -JL-^J


    ^«.u>e; ^^^m
    here plore that you re - veal, that you re - vuaJ the

    M==^
    ztz: rt= g ^^i^ ?^ 5J ^ -r-^
    -1
    **!•' «5»^ J- ^M^^p.^5H :^J^_i.
    ifc.:
    :?=:
    :t
    :fl?=:
    i» ^ii
    106
    ^ rest.

    S^ fe«^^^^
    rg^TT^
    -a^
    ^^^
    -I I
    -

    a^=^ fpa

    ^ ^gs^
    ^^I^^ -»hpH a
    ^- ^ d-'
    ^ ^P
    Larghetto CantabiU^

    igg^
    The
    a mezzo
    Thaddeus.

    se -
    voce*

    cret of
    2S; S
    her
    ^
    birth to me
    i<L|^:J

    is od -
    :3:
    tJ^iL-^
    ly
    =t:

    knowD,
    ^^ the

    ;55
    ^ ^^
    :1s=

    ^^ ad lib.

    E^ :^=S T< -
    ;k-

    Wi
    ^g^^^j^^-^^g^^j^g^g^^a^^^fe^
    se- cret of a life whose worth I prize be - yond mine own, be - yond sine

    N-^

    w^ pp-

    ^ Arline

    ZStL
    ^ U—^-^
    |iMa:
    '
    my him on the

    ^rr
    own. The se - cret of birth to is - ly linown,

    i^ HE
    I
    a
    c7

    ^
    ^•y-*- ^ •
    I

    ^ ^
    I

    _^ ^_

    se-cret of a life whose worth perchance he will dis - own, dis-

    "!, T

    ^ -=»—*- -^=1
    K-

    1C7
    r
    a tempo

    The se-cret of ber birth


    )irth to me is on - ly

    ^^
    -

    i^=S:
    % VP
    ^

    Known, the se • cret of a life whose worth perchauce he will dis

    known, whose worth prize be yond minf

    ^^^
    the se - cret of a life I -

    Wz
    -•- ^ -•-
    ij—i— g=d-^- ^

    ^ ^^ ^ ^^
    ^
    own,
    a

    >
    ^
    gi^ir^TH^

    >
    J-J^'^
    U' ^^

    he wUl disown,
    =^=fi=

    the se-cret
    ^
    of
    ^ my
    4=^
    birth
    ^
    to him is

    7f^^efif
    F
    S3=
    ^-r^ n ^-^mtr-^^h-f >-3

    - own, beyond mine own, the se-cret of her birth to me is


    ~. . a tempo.

    ly known, the se-cret of a life whose worth porchajce tie will lUs

    ly known, the se-cretof a life whose worth I prize l)e - jmul iiiii

    m
    -

    -•r ri =!*:

    108
    ^ 5fe^5& ^^ s 1 -\^ 5=
    fa?5^J \njJ1^
    own, he will disown, perchance he will, he will dis-owu,

    -«»-p-i^
    TTCf^- ^ ^s
    - own, beyond mine own, I prize beyond, beyond mine own,.

    i
    ^^ -J^:g^&^^^^¥^5^
    ra//.
    ^^
    ^ ^^?^i^
    / ^ /=
    j^fcSt*
    i
    ^
    ^
    1
    it J ^ ^'

    ?^i^
    *^ * '
    i ^^
    ^^
    itiStH
    E^

    ^ he
    =P=F
    V-fi-L-
    will
    ^
    disown, perchance he will.
    ^ JV4^.
    hewilldis-own
    ri'F q^i:p:jg

    «^ ^rr»-^L
    he.

    f^j J fj - jJT I
    r - J' r-J^ i^^^ l

    beyond mine own, 1 prize beyond, beyondmine own, be

    Arline.
    rr^
    ::e=f^
    i eI: B^ :fc=t u- ;^ I

    Speak, tell me. ease my tor - tur'd


    Allegro non troppo.
    .^^
    fp
    BiEi
    rt »|r..^i
    fv
    :^e^ p ^.=^

    ^ ^
    p==§=^^=^
    -I — 11-
    is=
    109
    ^
    ^f-
    f^^g rirT"'^az£^^
    ^a^^
    iJEE itzfc
    heart, speak. and that secret, e - vil or sood, e - vil or

    /
    y ^"^{igg^CglG^ ^f— ^^ tiiii:

    ^
    £ ^^&
    cres.

    J} pT ^ «J^=e^ -t^-=j^
    ES^E i :^z=rfe; El
    r — r

    Thaddeus.

    heart.
    ^^-^ji^i
    I will tell thee
    J
    all tho'
    s I
    ?3;=P^TC
    t=tzi-it =
    lose, tho' I lose
    r

    thee
    —
    m-
    1

    for
    221:15=2-

    ev - er.

    THE FIRST FOND LINES THAT LOVE HAS TRACED.

    r
    {With Arline.

    What is
    great filling.)

    i» —^^
    the spell hath yet
    5: ± ^^
    ef-fao'd the
    i:

    first
    ^
    fond lines that
    ^
    Modtrato.
    fs=^
    m. ^^ ^^ ^ ^ -^^
    /jp

    ^
    j/OiTi:.

    frF^^ ^
    g4#^
    ^tfc
    t-^—
    ^ > g 1 mis,
    -1 |

    ^
    love hath trac'd,
    #-t-*
    aad
    -

    af - ter years have


    tr

    :t:
    3i
    but im-preet
    I
    I
    ^^ ra//.

    more deep in love's confid-ing

    hi, 1* -^
    ^ ft W J I I
    J .-^ fi

    ^
    ^r~S "Tfc
    •{ i : -!
    ^-r-
    P
    fc.'^

    aj #[ bj*
    !

    f r2«i
    i^r
    ^^P
    fo/ canto.

    ^^" F i C ^ g>f-i-4^-g-n-^ f f f f
    a tempo.
    't'^
    ^-—!» a :

    jj^r r
    i r I ft

    ^ :33e:
    It
    breast t what is the spell hath yet ef- fac'd the first fond lines that

    5—J-U 4-

    ^sE^
    -I-
    5W:
    i^i^j-'i^^^-l^
    ^^
    a tempo.

    ^W 1 k i'<-=i- ^
    c^c.g.^
    Sciz
    -tj*-
    ^ ^^
    fr«. ra//.
    a tempo. ra//.
    3

    ^ r r I f. g :5z:tz: s
    love hath trac'd, and af • ter years have but im-prest more deep in love's confiding
    u

    meno mosso.

    T*~^
    j!g d-^4i * ^F^?S£
    i ?
    *^
    ^^
    breast, more deep in ... . love's con - fid ing breast, more deep in

    t=i
    m
    ^o//a parte.
    r J M^- ^^^^
    *^=e
    ^E=r^ t^ f ¥ 1/ 1/

    ^^^T:i t£\^
    }
    Thaddeus.
    -*—5- ^^ T=^g -4-

    ^
    love'8 con - fid - ing breastt And yet few spells have e'er ef - fac'd the

    fvrf^
    MM /ap stacc
    ^ *=r f*-i h -I

    ^ feS5
    ''"Ff ? 5S^
    ^

    fe«^
    -)•—• «»
    f^-^P^ 1^ ?^^
    .H>il^
    -V-U-IU
    ^ u "tr-t

    ^^^-rr- =^==11
    ^ i^S
    f~ni^ r ^ r

    ^
    i=t
    first fond lines that love hathtrac'd, and af - ter years have but im-piest more
    -^ —
    ^ t,
    -^
    U " g -^b^ J M
    aJ
    -^ ^'^^
    *L bg P
    ^ ^^^^^^^
    »Hit "Fi C C Cj ^- ^^
    g ^ -^£i P-T 1*-^* -^
    1 ^ 1 r
    £ 1 r

    ra//. o tempo.
    :^
    ^£^^yf-HT
    "
    -X
    i -^nM^M: X t ;
    r r g
    deep

    ^
    in love's con -fid ing breast! and yet few speUshave e'er ef fac'd the
    - -

    r
    ^*^^
    ?^ ^^
    ^.-^g,r.
    :^ i J "i1 111'
    "

    ^
    » J
    * 1 •! 1 W 1^1
    r =rr
    1 l l

    r^
    ^*i-4g 1

    ^
    <ro/ canto.

    P=g=
    o tempo.

    1
    (ii

    r~T ^^s:^z^:B^ g
    ^ f
    1*.

    l
    -i ^» i- i .
    -ti*
    B^ _S?L

    ^^ -i^wk^^
    first Unes ^V»r*^
    fond 14v-«r^n
    ^«-hk-*^ l*-vTTj^ >irt4-l-i
    that love hath
    ra//.

    +^*d f\^ f\
    trac'd, f\r\^
    ana
    a tempo,

    rtT
    af -
    -
    ^r\r*
    ter
    g

    ^i
    years have
    ^^^
    but
    ^
    im - prest more

    r-t w- fe^
    • 1-1 '
    a -fii rT L 1 w^ ^^
    ^
    -

    l| a^ iir:^
    col canto. <7 tempo.

    c^i,^ r r ^ ^ J ,.
    I

    J =1::

    I
    ife
    112
    rail. -_ menc mosso. ^ bbbhb /^ "m- -^.""""^
    '"^

    deep in love's con-fid - ing breast, more deep in love's con - fid- ing.
    N —
    dolce.
    —•-
    i -m
    ?ti=f= -m
    EE3 ^^^ ^
    P
    What

    r=t E^
    What
    is

    is
    the spell hath yet

    the spell hath yet


    ^ ef-fac'dthe

    ef-fac'dthe
    first

    -*
    first
    fond lines that

    y J-
    fond lines that
    love hathtrac'd,

    love hath trac'd,


    *:
    and

    ^
    and

    years have but imprest more deep in love's con -fid

    ^^
    ai - ter - ing breast t
    =*^ ^ > N
    s5^=?=
    It It :^
    af - ter years have but imprest more deep in love's con- fid - ing breast?

    b Vi -g^=8|i
    P 3^^^
    -^^J ±^
    n i ^n-< 1
    <>«

    J
    IS

    ^ ^^
    ^

    M
    =*=f= ri-r

    b^ff^f^#ff -''I F i^
    £=f

    what is the spell hath yet ef - fac'd the first fond Unes that love hath trac'd, and

    fe^=^^^
    what is
    '

    r
    the spell hath
    r-rrr-^
    yet ef -
    lU
    fac'd the
    t^
    i:
    first
    "tp
    I
    ^ 3^
    I

    fond lines that love hath trac'd, and


    *^ " S
    ^J.

    ^— b
    ^ —
    s~^^ i ^ —^-
    ,J
    -J
    '^^ — j-

    ^ ^^^ fesdt
    r. ^-

    ?
    co/ canto.

    ^ ?^^^^^
    W e£ It p*
    :3it:

    i
    tf' J ;-:r r i
    -r-^ -1
    — I- ^ ^ : .
    --fi=i^
    3=^2:
    w^
    meno mossa*

    ^
    [ I

    af - ter years have but imprest more deep in love's con-fid - ing breast,more deep in

    af - ter yearshave but imprest more deep in love'scon-fid - ingbreast,more deep in

    -iniP
    • ^ J—^ I
    !
    J .
    r

    —
    1 » 1 8 E^Ei^t
    1^
    !
    :$:
    * j
    FP
    J :Mi
    T
    ^
    * *
    1

    gS^-fcz^|l5^g^
    ^v t^
    t^
    > i
    114
    . . — .

    ^r^ Q^ ± f^^^9^^-p^
    love's con - fid - ing breast, more deep in love's con - fid - ing

    ^v^r
    i
    fc=ff=^
    "T^r more
    5f=^
    ^j
    -*-
    It
    ^i1
    —
    t=fit:

    ^^
    love's con - fid - ing breast, deep in love's eon - fid ing

    T ^?j^r -j^ E
    f pin mosso.
    -i
    *"
    s»=
    ^ :&
    ^^
    > — tiT-
    *
    ^
    =fci
    iS±t
    -v-t^

    H
    r ^
    F
    ±
    breast, more in love's con - fid - ing breast, more deep in

    i^It 1/ k 1^
    r t c t: =1=
    ^
    breast, more deep in love's con - fid - ing bre ast, more deep in
    it

    love's con - fld- ing breast, .... con - fid ing breast,more deep in love's

    ^Mdm
    . . .

    V a
    4-^=^z*
    J
    3=^ 4C3;
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    / 'SSSi- I* ^
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    ^ J. J-'
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    :tt=t|i —trt:
    -I—— I • *
    1 1

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    I

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    l
    *"
    :flp=

    con -fid- ing


    U' i2=t
    :^
    breast
    ^^^more deep in love's
    ^

    con -
    ^

    fid -
    I
    '

    ing breast
    ^sc;»
    :^
    con

    con -fid -ing breast. more deep in love's con - fid - iDg breast, . . . con-

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    ^ F
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    #
    ^gy
    115
    —
    ^
    ^"^nn^^^^p
    ing breast, more.. deep.. in love's

    - fid lug breast, more.. deep.. in . love's con

    i^g£
    £fc=i^

    -fid
    ^^ - ing
    t;

    breast, in
    JM^
    love's
    ^
    con - tid
    ^m
    ing breast, in

    -^
    giT^
    w rr^r^ ing breast, in love's
    ^fT=ff=fn
    con tid ing breast, in
    fid • -

    py-^u^ ^^^ fes ]t=C


    Eg
    t" y -I f -I
    "

    ^ j=^ ^ ^
    P^

    ^^^ ^ts m
    ^
    love's con - fid - ing breast!

    es
    love's con • tid - ing breast I
    )

    [.1/ the end of the duet, Thaddecs throws himself, ARLtKE. Yes : let him speak tor himself, and
    in an ecstasy, at the feet of Arline, and is bath- choose between us.
    ing her hand with kisses, when the back curtains Queen. Be it so.
    of the tent are withdrawn, and the QUEEN ap- (Thaodeus, who has been anxiously watching tk*
    pears, pale, and trembling with passion. She two, here runs and embraces Arline. She sur-
    advances toward ARLINE, and pointing to Thad- veys the Queen with an air of triumph.)
    DEIJS — Arline. (7>/.4ir Queen.) I made no idle boast
    (Then to Thaddeus ) Summon our comrades —
    Queen. And dare you aspire to the love of him
    who possesses the heart of your queen? hither.
    Arline. I possess his heart, and will yield the
    possession to no one. He is the savior of my life, {The Queen is standing in the centre, while Thai>
    and the only friend I have in all the tribe ; he has DEUS calls the Gipsies together, who enter on all
    sworn how much he loves me. sides and surround the Queen, and appear tooth
    Queen. Loves you t what is going on.)

    (Trumpet sounds twice, then segue.)

    HAPPY AND LIGHT OF HEART.


    Recitative and Chorus.

    iw ^ Arline.-,

    ^ ad libitum.

    Dl'r/:r^v I
    r'^g^^ ^
    ^
    Listen while I relate the hope of a gip- sy's fate ; I am

    ^
    Allegro moderato.

    m
    pp ad lib. 4
    /
    ''

    ^^ -1=2-=

    i —^)

    lov'd
    t=t
    by one,
    *-

    by
    ^
    one I love
    J
    all
    IJ

    oth -
    J

    er
    rXfti

    hearts
    ^
    a - bove,
    - - zz
    and the

    (Taking the hand of Thaddeus.)

    ^ r nt
    ^^=r=Mc: i r3
    sole de - Ught to me is with him u - ni - ted to be, yes I

    *P^»^m m \ - "^,^^r. |
    -|
    ^*»^** **«. m^\^^^^^^
    -1=^^

    1 »^T7^
    (
    -r^.\T^' piM r?c.<^
    ^^gr^JEHE

    117
    — —
    ->-->-

    Hap - py and light of


    35^^J^^3E^fy^F Si
    heart are those who in
    K
    i^
    each bo- som one faith re- pose, who
    ^ I r fe f^

    Hap -py and light of heart are those who in each bo- som one faith re - pose, who

    Devilshoop. (Aside.)

    W:
    in each bo - som one faith, one faith re - pose. (A ri - val's

    som one faith, one faith re - pose.

    pp,
    g: Zpi. biP-
    *^
    ^^^^fPlB
    •I* V.

    pf^H£
    (maliciously pointing to the Queen.) '^'^V-
    ^^^Ei
    hate you may
    t?p==^

    bet- ter
    ^gB=^h^gas^
    tell by her rage than by her tears, and it
    =t=t:

    perchance may

    — —Ml— ^
    =3 —J— J^=g:
    -=1 1-=1

    zi!=^—-B=-'g-
    1-^

    ^
    ^^ £5=^=^-
    :Si:: 3E3^
    aU-^^-j^=
    !?«-

    (To Queen.)
    5*

    EgJrr^^-i7=af=aiF iip^:

    be as well to set them both, to set them both by the ears.) As


    — ^^^f.
    m—
    hf*^!*.
    i ^^^ ^f»^^
    (P
    t"-
    ^S:
    i
    118
    r H J-
    ^^^^J— r -I ^
    -:5L
    — — «5——
    -jS-i—
    '^
    I I
    1
    — I -

    ^ ] s-s—s-
    r

    Queeu of our tribe, 'tis yours by right, the hands of those you rule to u - cite.

    i& ^ I
    X
    t»- ^^-
    iz

    I> -z^

    SE
    m m^ ^t^
    &
    m :5s:
    te*-
    »
    Cho rus. (7V> Quee n, v/Aa draws back and hesitates.)

    fe
    W=X=Jt=^=^!rM=i s=s , V
    ^ N*
    J>:
    =0e z»
    J3=^
    —a
    i»
    -t- i- -r -r -I •—
    In love and truth by thee their hands u • ni - ted be.

    pf^f^f^
    In love and
    m
    truth bv thee
    Wi
    their hands u
    ^^
    rt
    ted be.

    im=i l)-iH J„J„i. ^ S-H^ J_J J |


    -j-4-^ -S

    «—<» — —•-
    i 3^ z-l=4:
    'P=F^=
    zfcdoc ^ i
    ^P^P^^
    —H^tzzfciC^^«z
    e>>

    Meno
    Queen. (Haughtily advancing, and taking
    - I n
    m \=r3

    Hand
    mosso, quasi a piacere.
    •

    to hand,
    i
    the

    ^^
    _
    heart
    hands <j/'Arline and Thaddeus.)
    -;

    to
    : i -,
    :5=
    :t
    , —r P
    -^^-H* ir
    heart,
    tc=tz:
    who shall those
    ^ I've u-
    — 1 ^ *

    {y^Hsng tMr hmmis.) AlUgrtUo.


    <^ ^
    ^^m
    /?!

    iftri* r r i r }
    1 X —
    spell of my away, part them who may.

    9^
    »1 nil
    Hap- py and light of
    i» '
    1/
    heart are those,
    i -=t—

    yes,
    PP
    1 i g— *--rt-%
    S=tZ=tiCZtE i U" U' u i

    /^^^—
    /»/
    \

    hap-py and
    M ^ r—a
    t^

    light
    i?
    Z'
    of
    U
    P" "^ ¥
    ^^ ^^^^^^m
    heart are those
    ^
    who
    ^
    in
    w
    each oth - er faith
    ^
    re- pose.

    -^S—S±:
    w. ^ ^
    '
    ^
    ]
    '^ U '
    t^ ui^ lo '
    i)* i^;i> V -
    =^
    hap- py and light of heart are those who in each oth - er faith re- pose.

    /
    fe^J^Y^ U t/ u 1^
    f^-g Jil J' l
    -.J'-' J J
    hap- py and light of heart are those who in each oth - er faith re - pose,

    hap- py and light of heart are those who in each oth - er faith re - pose,

    < ^ <
    v gf^-*-^^=l^
    . g —

    — Pt-

    r-:f^yjt ^j^
    f>
    ^=e=\-^z
    s3irir; f.
    \

    hap - py and light, .... and light of heart are those

    ^
    /

    hap
    eseS
    py and light, and light
    i^
    of heart are those

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    who. faith re - pose,. in each oth • er faith re - pose, ah I

    /
    ^^^^
    .s
    i±

    who.
    g^ c
    faith re
    I

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    pose, .
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    -r-^
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    ^ g ^ ii;^ri^=£=^A^-e

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    I £ •f^f3S;^=Pg=^i^'"^;:^^;qjrjf
    hap- py and light of heart, are those who in each oth - er faith re- pose.

    ^ a ^— —^ I ^ K —S— —^
    ~ I
    zr

    U 1^ L** i** i» ' ^ V U " ' l^ ti" ¥ 1*" ' l<


    « ti»-

    hap- py and light of heart, are those who in each oth - er faith re- pose,
    r . ^

    -^-4*-
    H: ^-=S=^^ ^ r £ W=^=mr-m-:.
    =^—• —
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    ^ ? S* ? ? ?^^
    hap- py and light of heart are those who in each oth - er faith repose, who

    =s-z£-^
    '^^
    liap- py and light of
    ^
    0^
    heart
    -

    are those who


    ^r^rtn^
    in each oth - er
    ^^
    faith repose, who

    pp

    / ^^iji^^iiimr j-^^^ i s H
    z^iiA-i-
    in each oth- er faith, one faith re - pose, hap - py and
    PP
    ^2l5^0
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    ^5=5=^^5 C
    *:
    1 s ^ \> m^\ S -

    u in each oth- er faith, one faith re - pose, hap - py and


    i*/

    in each Oth- er faith, one faith re - pose,


    1 m
    hap - py,
    ^
    yes, hap
    ^^
    - py and

    m3 1^ IPSP^^P^
    light of heart., are those who.... in each oth - er faith.... re

    fefc=»^
    H7—
    light

    fc=3=
    ? &»'
    ^
    ^
    of heart.,

    -0! -^0

    J---iJ3
    are those

    I*:
    ^
    =gz

    ^ ^
    who....

    r- gcnr-
    in each oth - er

    ^
    r ^
    faith

    i=t
    ^^^
    re

    ^ ^^
    ^.
    5
    . hP-'
    te

    122
    — — ^ — : —

    f
    ^^^^^^s IK 1 X 1 > 1 y 1- y 1
    ifm ;£:

    ^
    r
    who faith re who each

    m
    • pose, hap- py and light - pose,
    /
    %—% S^
    Hi=^g "^
    »
    -y y^ ——
    t^
    ^:^^^ -.M-^^-4:3S

    pose, hap - py and light who faith re - pose. who in each

    ' ^v r ^ U
    a—a—a-i-^
    U U "
    1 a 1 SI
    i* ::tz=tz
    ^ S 1
    /
    ^
    i^^s=*=sST-k^ ^^^ 1
    ^ mw 1 S
    /
    i ^=JF

    * =^=S=

    I
    ^^ ^
    e
    yn '^o^.

    oth
    -1
    er faith
    JiH3
    re - pose,
    1
    " J .rr;
    who faith re - pose.
    IS n -

    oth er faith
    ^^-
    re - pose,
    ^m who faith
    g==S=^
    re pose,
    s j :

    —
    -

    g
    ^m '?)\\> 9i f s g
    ^ ^ -=i-S - -^

    t
    ^ ^
    ^i *=^ 3^:
    #
    ^ ^
    ^^
    m I
    * — m-
    ^^ S«=2-
    o '

    ^ SS «-« S

    Chorus lie down, assuming picturesque attitudes. Quben comes forward, then segue Batloit.

    ->• ta-i y^ 1

    /
    ^=^ •^
    ——
    \ \
    1

    =f==?^ -fL^
    -I-
    p_*r 1 si* 1 r1* 1
    1

    ^ >^H-—-|•- -^^3 £:^-=ir^ *=-^


    jj^
    -feB

    r
    ^ ^ ^
    '^'
    ^^
    _— i

    123
    BLJSS FOR EVER PAST

    ^ J.
    Larghetto eantabiU.

    jg 1 • g^ J. iJ;j r ^ ^
    KS :^as
    PP dolce

    ^:n:
    ^ Jcs: * i M^ -^ "^a* '
    -,
    ^

    $ Queen.
    53r 3=
    li^J r i"r~j"^^
    1. would that I had died e'er now, For

    ^ ^
    2. But nol but no I not one poor ray Of

    ^ /^

    -i? ^
    P ipp
    P^ 7 f f
    ^^ ^ 5 ^ ^^
    ^ ^ 1 P 1 K-V-g-

    ^ then
    com
    I had
    W

    be
    !

    not
    ^felt....
    mine;
    The
    No
    bit

    gleam
    •
    =C*=tt

    of
    ter
    ^
    pang, the
    hope how

    ^^
    - fort will •

    ^^ h-1 s
    w r
    ^ f
    ^ S^ h
    1 s
    ^ w^^ ^ •!-
    ^
    -z

    ^ V

    i^
    y^
    crush - ing blow,
    =«* a==»i==s
    Thy
    =y=it
    cru -words
    el
    S ^m
    have dealt 1 I've
    ev - er faint, WiU thro'mysor row shine I That
    —
    a5;5«
    ~~J^
    but
    8or -
    oneso
    row is
    -
    r
    laceu
    so
    1^
    hea
    sharp,
    -
    a*'
    ven grant
    so
    J
    great,
    'CI
    It
    It's
    '

    ^iiJ r^^
    cheer me,
    pow'r so
    ^
    -^
    cheer
    —
    me
    ^
    n-

    to the
    deep, so (ieep,so

    bliss for - ev er past, 'Tis sad fondmem'ry faithful still, To blias for - ev - er
    bliss for - ev er past, That e'en the mem'ry will it crush Of bliss for - ev - er

    ^:
    ^ i
    % f ^ m
    w^- 1 y ^•^^ t s •| 1 a —
    -^=1 s-

    g%^ past,
    — —|S^ —
    Strst %
    ^

    'Tis sad fond mem'ry


    That e'en the mem'ry
    fr
    i^tzni
    faithful still.
    ^^
    To
    ^ ^

    bliss for-
    crush Of bliss for-
    ev
    /^

    -
    -c^

    £
    er past.
    1st.

    past, will it ev - er
    {During this sane the stage has been growing somt- QUEEK. Summon the rest of the tribe, and meet
    what lighter. Gipsy enters.) me forthwith in the public square. (To Devils-
    Gipsy. Morning is beginning to dawn, and crowds hoof.) Do you remain to bear my further orders.
    of people are already flocking towards the fair: (Exeunt Thaddeus a«rfARLiNE, hand in hand,fol-
    the sports begin with daylight lowed by the other Gipsies repeating chorus. )

    Soprano.
    CHORUS.
    f
    ^ ^ ^
    In the gip sy's you read

    ^^ ^
    - life the

    I ^ Tenor. /
    ^-
    In
    Z /
    the glp -
    ^^g-T^
    sy's life you read
    Bass.
    —

    in the gip-sy's life, you read the life that all would like to
    dim.

    in the gip-sys hfe, you read the life that all would Uke

    dim.

    1^ lead.
    dim.
    in
    f^

    the gip-sy's
    h -f-

    life you read the


    ^
    life
    I J J
    that all would

    jE=j!:z=fc=fi=::j£ h h

    lead. in the gip-sy's life you read the life


    -±^t^
    would
    that all
    dim.

    \^ . J' J- >^^-^ h
    s mh s
    h f»
    s s
    h -

    it
    r % 1^=£:
    i -> V-
    dim'

    ^
    —

    Duet
    THIS IS THY DEED-
    Allegro ma non troppo.

    Queen.

    % J J J
    h pj
    This is thy deed —
    ^^
    seek not t' assuage

    Devilshoof.

    i^^^g^^:^
    S
    m j S- ^^S^
    my jealous fear; a ri • val's rase I neither

    n^^^^- =i

    Queen. {Aside to Devilshoof,

    -y
    ^^E$^^:r^=^
    veuge is the woumied bosom's balm.
    ^
    That jew
    "

    :
    .«-l<«-
    t*---^-

    el uitli
    ^
    which llimihast

    128 2
    n

    im
    •h
    ^^=S—J—J=^
    -N f< -i^" I

    ^ —
    I
    »-
    ^ ^ J J J
    dared todeckthy fore-doom'dneck, answer me — where didst thou

    s^
    m^^M _yt*
    *>
    .

    #f^^
    b
    # ^ # #»=
    [» I*
    "^ <^ I* I*
    ri r r '
    '
    '
    '
    I i

    i ^
    get itt
    f^'f^
    where J Twas en-trust-ed
    DEVlLSHOOif.

    tz=^?

    to my care.
    ^^
    Queen.

    This ve - ry

    night,
    ^m
    on this
    ^
    ve -
    ^
    ry
    I
    ^
    spot,
    ^
    thy
    '^
    soul
    ^
    for once
    u "^

    its
    —£=i^fears fr>r

    ^^=^ -8 -S S= 8 8 9
    -«U-*^
    g 8-=
    ^^
    d=g
    z
    ZIJZZg:

    ( ->—"-*

    P - got,
    ^
    a
    It

    drunk - en gal -
    C: ^ ::—i:
    Hard who eruss'd thy way
    [^^3^.3=
    be •
    £
    came thy

    Devilshoof.

    ^p^^E^i irr- T- 1
    _i<t

    U
    — ,«_
    ^E^
    t> nrnv
    proy. Fiend - born! 'twere vain to fly the glance other

    124
    Queen.
    j5=a
    p-^:-^r r \^.?^' ir Ff J J-f^
    Down on thyknees,the gem re - store, e'en in tby shame a - maz'd,

    or long years of sin shall deplore the storm which thou hast
    )

    mj^r ^
    Btorm which
    J
    I
    ^^
    have rais'd : Queen
    ^^^^
    {Knttling euul prtsenting the medallion to the Qdeen.)

    I o - bey.
    Qui

    Tis,

    \^^^TJ^n^ Hi^ re.^


    35

    p^:"^
    the wi
    r-H^^^^r
    - sest thing
    ^
    thymiscreantheartcoulddo.
    ( Takes medallion )

    ^
    iP "H
    /
    ^^m
    \m^^
    t^
    =^

    Devilshoof. (Aside.)

    P#^(Whofrom
    rt^-f^r-=?^
    my grasp such
    i r' F r
    prize could wring
    r
    the
    i r
    do -
    r
    ing it
    ^
    aay
    iIE m -| II -^ J J \ J
    Now de - part, and join the rest,

    wrongs we forgive not, and can -not for-get,will vengeance more sharply whet. the

    Zit^^
    ^
    wrougswe for-give not, and can

    ^^t=^
    -

    ^
    not for-get, will vengeance more sharp -ly

    ^
    Sm; ^M
    f P
    ^— F>"^ ;=?i=5=i" :^

    m ^rrr^r-^=f=^=^\-r—^^ ^ ^^
    uJ.T:q;=CTr-CTT^^a^
    i«st. the wrongs we forgive not, and can - not forget will vengeance more sharp-ly

    i^.^r|i
    whet, the wrongs we forgive not, and can - not forget will vengeance more sharply

    £U- Cuu
    l^S:^,- ,- fl j^^i ^fe^feg^EE^^
    whet, the wrongs we forgive not.and can - not forget will vengeancemore sharp-ly
    £^-^ - - ^
    whet, the wrongs we forgive not, andean - not forget wUl vengeance more sharply
    , — i

    ^ piu mosso.

    whet, yes, will our


    r r
    vengeance eharp-ly
    ^ r
    /filS^'

    T-
    fe
    whet,
    zt
    wUl vengeance
    ^
    sharp

    ^
    - ly

    ^^^^^ t r f f f f i
    :t :t:

    whet, yes, will our vengeance sharp-ly whet, will vengeance sharp-ly
    p iu tn osso.
    __^ ^^ ^^^^ BS

    @|^^ -« ^^-l^^~* I «i-»^m-^

    5=i ^ * ^t ^**-a^
    zrr^A I I I
    ~ ! !
    '-4— 3E^

    fr=^^=^=f^
    ^
    g—
    J=t:
    p- I
    I
    -4S--

    i^
    whet, yes, will our vengeance sharp-ly whet, will vengeance shari>ly
    ^ ^ ^
    p^^r cres.

    r
    _
    |£^
    t^
    g=^=g ->t: fHyj^-

    whet.
    iEfe^
    whet, yes, will our vengeance sh arp- ly will vengeance shai'p-ly

    ^^ 'T \
    ^^^=^^^xm^

    V -X —*— ;S- ^
    r- 1^
    -&*-
    :fe=^ tEE^
    i
    ^ whec.

    ^ whet,
    Lt=

    will
    ^
    ven
    It:

    -
    ^
    geance more
    M<=i-

    sharp - ly
    <.ffS:

    wliet,
    m ~^^

    will
    . — .

    aCX.SK II.—Aiu/lttr ttntt im Pruhtrt. DmyligU.

    COME WITH THE GIPSY BRIDE.


    Song -with Chorus.
    N. B. If mois witbont the Cboma. the snuUl note* Is the AjdeomiMirtiiMwl ihoiild be pUyed u a nbetitnte for the l
    ( Behind the Settut.)
    Arline and Sopranos.

    ^S^:
    S «1- — ' I I ^ '
    ^ ^. ^ I ^ ^1 1.^ ^ .. .^ —^ i ^ ^ —^ ^ ^.^ ^ L ^» ^iTZ
    r c c c c c CT'C c c c c
    ''

    In the gipsy's life you read the life that all would like to lead, ..
    Altos and Tenors.

    P ;^E|^ rmr^a^
    In the gipsy's life you read
    :^3:

    the
    r^rc
    life that all
    c c
    would like to
    c if^
    lead,.

    ^
    . .

    Basses. ^ / ^ .

    \^lk£U vx=vt=t=c \'


    ''X \ r: : t ^^

    V r
    r r
    c r
    c -r—r-r^''^^
    c c ^ r^^^^ r r T r- r
    " "'^ r
    in the gip- sy's life you read the life that all would like to lead.

    ^
    ^^^^
    1^ in
    -^-^-g
    the gip- sy's life
    C ff^^
    you read the life
    ^
    that
    j^
    all
    M-
    L
    F=?^
    would like
    I

    to lead,

    \ Wy^ t t fViVT^tr .Llr r


    ._^ -q a' -t
    •

    ^
    ^=1=^^ ^m i-JsiUA
    ^
    Allegretto.

    ^=^ 1-^

    ^
    =£=SS
    y

    Eg
    ^^^^^^^
    fc^ ^^=^ zt=
    ^
    ^
    {Enttr Akline, in a fanciful drtss, followed by m troop of Giptiot. Sht has a tamborint in her hand.)

    • Ob tbr S«^«, tta* Ant and tk* laM il^ ban of Chorma va nac wlUiooc Accompt nlni a M ,

    (M
    Aiti.im.

    ^ ^
    .^^
    ^^
    f^¥
    where the ma

    m-H^r
    ?^
    - zy

    i
    dance

    -2
    will the

    ^
    ^
    hours bq - trance.

    ^^
    -^=1
    —s— -=^

    ^
    ^==f^
    ^ ji
    -E*-

    ::':''
    ^
    a rr—^^-rrr J* -,rJ^jj..
    |
    ./rJ^
    ^
    Comf . with the gip - sy bride, and re- pair. to the fair,

    t;i^.
    | gl|L~-i;-4-f
    Come with the
    I e
    gip
    '

    -
    g f
    sy bride and
    ^
    re- pair . .
    ^m
    to the fair,

    -^ ~g~
    ^b^r •

    : rr\:^:r -I* *
    •^
    c
    ;
    c
    »
    jL:
    »

    Jt^^
    plT-LG. f|J
    Come with the gip -
    r
    sy bride, where
    i

    .
    c
    .
    ff f rJ" n ^^M
    souls as light pre- side,
    S^E^
    life can give nothing be-

    ^^^g
    ^m
    ^^M^
    ^f.

    •
    ^
    —t^
    -1^

    yond one
    b?i4=

    heart
    FiTT^
    you know to be
    .-..-
    ^ic:r:rJjL_g^c
    fond,
    /^.

    wealth with its


    g z t
    hoards cannot buy.
    ^n . the
    :f:
    a^ Hi".

    ^
    Si

    ^^^^- peace content can supply,.


    g^M^ wealth with
    g c
    its
    ^ ^"

    hoards cannot buy


    g i^^^^'Q-^^j^P
    the peace content can sup-
    '

    '^T^ :g:

    -JtiOee
    Et^EEJ
    3?: :*:

    i^^^^^^^^ ply, . . . and rank in its


    rallent. aiiacere.

    halls
    j^

    can - not
    —I
    :*e— •
    find . .
    I

    —*N 1 *
    the calm of
    ^ K
    i^ ^
    a
    N ^
    i

    hap
    —=^
    -
    py
    -
    ""*

    ^^ ^S=^ iMz
    ^ -iM^-^
    ^
    colla voce.

    ^f^ rr r r
    i'

    ^^ ^ ^
    ra//. p^
    ^
    w-f-^ r^f=e=it=^
    ^
    r-cir'rcrr-c^ g^
    W3=^ :?=:

    i miud,
    w
    .ind
    '

    rank
    1^ — —t^
    i«<

    in its halls can- not find ihe calm of a hap - py mind. ^

    ^g-i

    ^^j^h^^r It:
    ?£

    fer=c ^ ^ y±: ^fe


    136
    . —
    :

    s Umf,
    ^A" r ^r
    Come ....
    '
    with the
    ^ 1
    ^r^'
    gip - sy bride,
    ix-^h^-;
    and re • pair
    i
    g 1^ -
    ;,o the
    S-^
    fair,

    £^
    is t^ I L.
    ^^ -*«w-
    ^ IS 1=

    .^
    wv^r
    ^^
    where the ma-

    fT3
    zy dance

    ^rrJl r<Z r^Zt^-"


    will the hours en - trance.

    "^-"^

    m r r '
    h - i j -j d:.'
    -
    I

    im^ i
    >.^
    atztJt^S
    C C'C
    N
    a ' C f
    -.^^^^
    rrr 1 g « »L

    Come. with the gip - sy bride, and re- pair to the fair,

    ^^h^^
    m r it
    Come. with the
    mrs gip - sy bride, and
    ^
    re- pair t* the fair,

    ^^ 're c K 1 c f: ::^=3=
    c [ r
    "^
    M
    ^
    c ^ * *
    . ,

    Aklink.

    ^ \^'^r- ^^ ^ IX ^
    $ Love is the
    F :rr!-'
    first thing to clasp, but
    ^
    if he es- capes youi grasp,
    :
    \

    m=^^-^r-^r-r. r N^ J^ '-
    r^-A-zj' r^
    -Cr
    friendship will then be at hand in the young rogue's place to

    1^ ^^* i F=p- ^^g=*=g


    ^•^
    ^^
    r=^?^=^

    U JV i.
    ^m
    ^ stand.
    -^ —s- ,;-

    hope
    J-

    will then
    J- J-

    be
    J^-J^
    noth - ing
    i j.,

    loath .
    i
    to

    P
    ^^^
    JV
    Fi^
    c^ m
    r r r
    -
    y
    a * ^ *u ^^ ^^-j-W-^
    rrff.^f

    is^ : : : r : feg
    t^
    -b«
    r
    1^
    -r r r
    point out the way to both. hope will then bo noth- iug

    ^^^Siez^.:rj,.z=jr5^ j 'd 'g^ S :^«^:2«=

    ^ f- f- f^f-r P^^i^^ —ta^ M^H^knn

    -£^ ?? •
    =g p •
    :S^
    ^^^^f^=^'r-rHg g g r g
    to point out thb way to both

    ^»S-.:Jr
    1»
    .

    r^^r r^r-Q"^
    Come with the gip - sy
    r-
    bride,
    i
    * r.

    and
    g re - pah-.
    ^^ to the fair,

    where the ma- zy dance will tbe hours eo - trance.

    l^^f^"fTJn^ ^^^^^ -1 —s -=t-

    ^E i ^^ "^ w 1 *

    $
    =fcr
    S
    r^
    Come...
    -fe—^
    i^ ^ CK

    nrr^TT
    with the
    ^ -

    gip- sy bride,
    'J^-'^^i-=
    TTT
    and re- pair.
    ^^^^ 3^

    to the fair.
    ^

    %m u i
    Lb-^vr
    rT~i: I c ^ e f
    ^1 — =1-
    E^
    -=i =^

    Come.... withthe gip- sy bride, and re- pair. ... . ... to the fair,

    ^b^r
    -/,
    Ff^n^^^^ 1 M ^s
    *
    r
    M It
    :g=~
    ^ I* g_

    :^^^^S
    t£fc^
    ^^^
    ^ cXfiJ^^

    is^^?=*= SE sS J^^^E^E^ ^ ^
    EEtf
    where the ma - zy dance
    irrr will the hours en - trauce.

    1^ where
    r nrma
    the -
    c
    zy
    ^dance will
    t=^
    the hours en
    fS - trance.
    ^•'r

    \^^
    I

    -^ i r rr * * *
    :i r
    . a .

    » Itmpf

    J » - - — — — m
    r^rTTT
    . ,

    c r'c c c [ c
    In the gipsy's life you read . the life that all would like to lead.

    f
    ^?.
    ^'^^-t^^T' i
    r rt r:t \ c ct ife

    In the gipsy's liie you read .... the life that all wouldlike to lead,

    Hr,
    /
    r 'tX^.^ ^ luc i r It v ^ ^¥=^

    ^ in
    b^
    rr-fTTT^^CM r
    the gip-
    r

    siy's
    r

    life
    H-i
    you read the life that
    "
    all
    '

    would
    '

    like to
    r ^*^
    lead.
    -
    ^ 1

    ^t^=r-z-T=^ n r
    •

    : rP^j-^ ^r ii FiT"^^
    in the gip- sy's life you read the life that all would like to lead.

    \ ^b r- c r-F-^^H^^^^H^"H^Hr ^
    s^a^^M ^ f^

    (Exit Arline, followed by the tribe of Gipsies.)

    3<=,»
    —

    SCENE THIRD. A Grand Fair in the public Platii ' Presburg. On one side a iari^e hotel over wh.
    it inscribed "The Hall of Justice" Various groups of Gentry, Soldiers, Citizens, and Peasantry covi
    vert
    the stage. Booths are seen in various parts. Rope Dancers, Showman, WaxTvork, a Quack Doctor, Ex-
    hibition, (fc, Ir'c., are dispersed htre and there. Flags hung out of the windows, and ringing of bells,
    jmliven the scene.

    MARCH.
    ItVhen the Scene changes.)
    Allegro moderate e marziaU,

    ^^j^X r-j;^^^J^t^

    ^"m
    «/
    :5t=st m nmr^ J J r e f- »* ^^^
    ^is^m rf-rf-rmr^^^^^^^m

    *JK3
    ^^as^^ m SSJSto
    3=t:
    ^^^p r^-Jr S
    t^N ^r^ ^ rr^i%
    ^^ '^'^^

    B
    ^^
    Molto marcato.
    m
    tA
    PJ-U ^J^

    ^— —5—|JE^=^ ^ ?2i
    IP
    /
    ^ ^^
    ^
    iBr^Jf^i^J^
    ^^ ^S ^ ^

    ^^
    IS^
    I
    ^^
    ^iS^ ^^
    iitf

    ^ ^ ^ ^^
    Tt«^

    •
    ^ 1^ '«
    J..^
    1
    J-J^ J..-^
    142
    >^5

    '.from A to B, then the folUnuing.


    —

    LIFE ITSELF IS AT THE BEST.


    The Fair Scene.
    Bohemian Girl." By M. W. Bal,f«

    ^^^^^p^ w W^
    =
    ^!sF-W^-i-^Jj" I rff

    y.f Soprano and Contralto.

    p
    Life it -
    f—f
    self is
    IF
    at
    F
    the
    mbest one sceue
    ^ 1
    in

    i
    '^'
    J,

    Life
    f Tenor.
    * f«-
    I

    it -
    :t

    self
    ?^
    is at the
    r
    best
    r
    one
    I

    scene
    f
    in

    pftg-l^

    mask of
    r=^^=^
    fol - ly drest, and there
    pis
    -\

    uo
    —

    mt^s-^r^=^
    s mask of fol ly
    :?==

    drest,
    ^^
    and there
    I

    is
    I

    no
    #
    tit _

    part
    —
    of its
    ^ wild ca -
    s

    reer
    s
    but
    myou will meet
    *
    with

    part of its wUJ ca - reer but you will meet with

    ^^ Hl^

    here, and there


    m is
    —
    -\

    no part
    -s^
    -V
    of
    1^—
    its wild
    mca

    \m
    u
    here,
    f —
    and
    r
    there
    \r—^
    is no part
    fcigzitC:^
    of its wild ca

    ^sJt-

    i^m i ^ izi:

    reer but you will meet with here I

    ^g^ ^
    reer but you will meet with
    P
    here!
    To these symbols of life your voices swell, vive la
    ^^^
    la;masque, et vive la
    m
    ba-ga-telle,

    Vive la masque, vivo la masque, vive la masque, et vive la ba ga - telle.


    —

    '=^fe =s=s=
    i drest. and
    rt
    there
    p part of
    -^
    its
    1
    wild

    m
    \^S
    drest,
    ±:
    and
    i
    there IS no

    ^
    J.

    part
    ^
    of
    p *5>

    Its

    t
    I

    wild
    g —%
    ca .

    drest, and there is no part of its wild

    ^
    «-»

    i -f j4
    '==
    ^9 BJ . i 3tl

    reer but you wiU meet with here, and there

    ii zt :±: ^ & =t
    reer but yuu will meet with here. and there

    W^^^ but
    XL
    you wiU meet with here, and
    %
    there
    reer

    *- -i*- i*- i'


    !

    no part wild ca but you

    ^
    is in its • reer will

    is no
    A
    part
    i
    in
    "fc=4
    its
    S=W
    wild ca -
    ^
    i^
    reer but you will

    \^ t=e:
    t I I
    :t: It
    It
    is no part in its wild ca - reor but you will

    $
    iL*=
    i :^ ^ ^ a

    ^ meet with here, you'U find

    !J^

    meet with
    ^
    here,
    m
    you'll find
    ^==

    ^SJ m ^

    i^ ^ * i 3
    here, you'll find it here, you'll flud it here!

    ^ * B g^ I
    B *^ HB * W
    mS^
    here,

    here,
    you'll

    you'll
    ^
    find

    find
    it

    it
    here,

    here,
    you'll

    you'll
    find

    g
    find
    it

    it
    here

    here!

    &5^^ ^^^
    ^ m
    "

    T"-
    148
    /r. -f.
    Allegroassat.

    A movement is perceived al the further end ef tk4 pUUn, which is followed by tht entrance of a double
    party of men Gipsies, headed by Devilshoof and Thaodeus, who force a passage down the centre
    of the stage, which they occupy; they then open their ranks, when another fie of female Gipsies,
    headed by their Queen and Arlihk, pass betwetn thtm. FLOlt.BSTB.ls and cititens are teen watch-
    ing them with great curiosity.

    * Theae II ban an now OBitted la perfonnaaoe.


    149
    .

    FROM THE VALLEYS AND HILLb.


    Quartet* " Bohemian GirL" M. W. Balf*
    sotto voce
    Arlink.

    ^
    From the val leys and hills where the sweet - - est buds grow

    ^ 5t==^ -T-rT:\
    m-
    From
    fp
    m^
    Thapdeus.

    the
    ^

    Devilshoop.
    I

    I^S
    rJ

    val
    ^
    leys and
    r
    hills
    i

    where
    r rij^
    the sweet est
    r
    buds
    r \f
    grow

    ^^ '^
    ^ ^
    ^ ^
    I I
    1 1-
    J J I J

    (^
    Allegro assai.

    =^1^
    %
    I
    I I

    i 5
    m ^^ ^ ^ ^^ ^
    i^s aad are wa
    :pt.rJ!i-
    d=ft
    >J >
    ter'd
    «
    by
    i
    ^^
    rills
    ^ ^ which
    *=.^Mz.
    are pur
    .^^^
    est that
    1^flow.

    m— 1 t-

    ^ ^ 4=
    hn

    ^S ^
    I,-,
    IJ J- W- *zzat

    ^3 S=Tt=ffz
    and are wa -
    ^
    ter'd by
    I r
    rills
    I r
    which are
    '

    pur est that


    —
    1*

    flow..
    I*-

    ^r^^^^ :^ r I J J \-j-J-\j^

    «-'
    pp
    im
    e=£
    i =^=z m ^
    ^^4^^- s
    adagio. ff^
    p
    •^

    $
    t=^
    come
    w^^
    we, come
    3^
    ±
    we, come
    i\ rj

    we,
    \-Ji^

    come.
    f
    :^i.^^r^^
    l»

    we,
    :?=

    yes,

    St
    a^ :^= i^-i ]j 1^ ^ =p:

    . J ^
    ff-

    #<
    ^
    :i?=^ :^2: ^ Jp
    rt
    I
    y(-
    -
    j
    I
    Cl
    fg^r:^ 3^
    ^ =f2=
    t^

    m
    come

    it:^
    we

    s^
    come we, come

    -^g
    we,

    T
    -t \
    come

    r
    adagio.
    \ jz
    we,

    S-^^
    yes,

    ^ ^ ^ ^
    • 6b the Stage thli Qnutet i> loiic
    ^E^ P
    wttboot AocoBiptniinenu
    -:#--
    ff.
    £>>— >
    n .

    i
    IE
    from the

    ;^
    val

    izi: ^ leys and hills

    :^-
    where the
    ^^
    sweet - - est

    ^
    buds grow

    cJ .-J

    ^
    from the
    ::^
    val leys and
    :t
    hills
    itz
    where the
    ^
    sweet est
    rt:
    buds grow

    mH^ Umpo
    =t:
    Imo.
    :5=ff:
    1 1- ^ i:
    T ±:

    ^^^"P^

    ajd are wa
    ^^S^= ter'd by rills which are pur
    E£^
    est that flow

    P :t=tzti=!:
    s

    'r-r—r-
    s

    it 1^ ^
    m
    i

    J
    I

    ::^==
    -I I

    -t--s-r-f^

    and are wa ter'd by which are pur est that flow

    ^ ^
    rills

    ^ff~.*~!*~ =t -;
    ^ i
    ^ -I

    J^ i=t: :«=r
    ^ »^T* * •*
    U
    3-R —
    t?=t I-

    3^^
    ^
    '

    «-'
    t

    m :tei ->ry
    atztz
    2
    ^^ 3^
    5
    ^— 5*2=5:
    1 -r- ^ ^^r
    *<-^-h.^
    tJ pnmo
    come TCP
    we, mm
    come ft tpp
    we, come we, come we, come we, come we

    |Vj^^^^^^ 2i: ^ ^ IP
    ZjUZ J^V^fc :^^
    — Come we, come we,
    f^
    come we,
    ^f^
    come we, come we, come we,

    ^^fe ;^.
    ~^ 1 k-^ '-e^
    ^ P-.
    * 1 U -1

    .^
    ^m
    ^ i»l
    i
    ^
    p2i
    ti
    H&i 1^ ^ 9
    a.
    W^
    j^
    i :*-i U
    151
    $ life :hat
    ^^
    all would like
    ^
    to
    ^
    lead. in
    ^
    the
    T :*:
    S^
    ^ ^
    life that all would like to lead, the
    ^?g=g
    \^ r± ^ ^
    life that all would like to lead, the

    :^
    lHF=~f= eSe
    :i=iSi? P /
    zS^^^f^ =r ^=^^^

    S
    fc
    UUJ^=^ a ^
    ^=^=&-
    gipsy's you read. the that would

    ^ssa
    life life all

    ^ is J- / '^-^ i^s
    gipsy's life you read the life that all would

    \ ^^^ gipsy's
    :
    life
    ^
    you
    I
    r
    read
    =^p the life that
    ±
    all
    ^
    would

    ^ 1
    g^e I -i-
    ^ a ^i=l^

    ^^l:L j I j ^
    like to lead.

    ^t ^^ :l^

    like to lead-

    \ e^,i r r s

    ^m m^ W
    like to lead.

    dim.

    w'r
    . 1 ^
    §=
    -1 1' a
    Vi =r
    ^m ^
    i^^asas S^ g
    '
    >-'V
    g ^
    i^ :^=^
    ^ tz: ^
    153
    E g
    During this. Ihe body of Gipsies have been enacting characteristic Dames, when Arlxn^, iiirtying ajlvm/tf
    basket in her hand, glides round to the assembled company and sings.

    Allegro manon troppo. .

    ^ n*i*-r
    g
    ^SEt=^
    ^ — iJ ^^^
    P ^ Arline.
    * *
    ^ {To a lady.)

    ^ a_g c=^^

    ^
    I I
    -S
    u u I
    c
    Sir knight and la- dy, list-en t That bright eye seems to glist - en

    ^=F
    tn It ^P^£^
    1^:

    ;S=^
    [
    . r ._j
    -

    ^^ ^^=5=

    c c\o C -^—\-^C C C 1^ Il-Z


    as if bis trusted tale did o'er thy sense prevail I

    ^^ E^B*^ r

    ^
    I

    -f mm 1^

    ^—SIP" tsi'^ L>e^


    ^
    ( To another, pointing to her hearty

    i
    Pret
    ^=g=i
    - ty
    g
    maid-en,
    g c N^—^-r
    pray, take care, take care,

    P
    ^ ^m r-ir ^^^

    ^m ^^=^
    E£^ m ^^ "g^^
    :^^;^^~P^

    ^
    love
    g
    is
    g
    ma -
    gTT^
    king ha - voc there,
    IT)" '^

    love
    :g
    is
    g 'rJZ
    b

    making
    * |g »
    |

    ha -
    B>:
    ^
    voc there.
    (
    Ta a third pointing

    g=r"eig
    to ring on ker finger,

    This "token which from love you


    g g
    i

    ^c> ^
    ^^
    ti
    bor - row,
    g --^
    the
    g
    prelude
    ngg is of
    gg
    ma-ny a
    ^ sor row,

    eSe
    ^^ ^^ I ! I
    ?=g=»

    ^^^ ^^ w u^
    ^ »^ ^

    g i: ff^=^
    [;

    E6:

    there
    =2P=
    ^^ E£
    are those have liv'd
    i*
    to
    r
    kjiuw,
    >
    =g=r^
    the gip - sy's words
    I I

    are
    >» a
    m ^ ^
    Chorus. {As the dance if the GipsUs centimutt.)

    -r f IF F

    %m
    tt
    Life

    1/

    Life it -
    self

    self
    is at

    at
    the

    the
    best

    best
    I
    one

    one
    I-
    scene

    scene
    ^ in

    in

    mg3£e^--:i^
    wm^ best one scene in

    :i2.l^

    ^ 5E
    r ^ iS5:
    ^F r r T ^

    mask of fol ly drest, life self is

    i ©£
    ?
    IC ^ :}= 4:
    mask of fol ly drest, life self is

    \^^
    m.'tsk
    -ri--

    of fol ly
    m
    drest, life
    I

    self
    L:
    is
    - — — !

    /I^^
    meet
    M
    with
    m here,
    m
    you'll find
    n
    tr
    m E ^2=

    meet with here, you'll and

    \m meet
    m with
    g
    here, you'll find
    m
    i^^^^ ^fe Sr^ -*. e H--3= C: .«-

    ^ -t -^

    ^^M u ' ;'


    ^M
    ti
    /iS5 i i i ^ s
    ^ here,

    here,
    youll

    you'll
    find

    find
    •
    it

    it
    here,

    here,
    you'll

    *r

    you'h
    find

    find
    i
    it

    it
    here!

    W
    here

    \^^ ^ ^
    here, you'll find it here, you'll find it here!

    ^:^fe^ ^^ ^S see «^i^

    --- qt ^ 55:

    m Pf^ tr \
    y.

    i F^
    r J"

    — —^—
    '^

    J - — ~~ '

    P^
    —
    f)
    - '
    -'^

    - -
    ^ ^
    Liz^
    » .

    /?v

    ^^-
    \t2_Jf_l ^\ 1
    r^ 1

    •» -^
    mi^%^^ -m- -m-

    F^^fe
    -g-
    =4=
    — —^~=tl
    •
    1

    iy
    €> HMaiB

    'i^J^
    -^
    't^
    H
    L^EJ*
    ^ — — —
    — —— '
    s
    y=
    ^
    -1

    -^
    5
    —

    {Attfuindo/ihe dance and chorus, Count Arnheik Arline. (Bursting out laughing.) Ha ha ha ! ! i

    and some Officers of State enter ; his hair has be- Flor. Your indifference will drive me to despair.
    come grey, his step is slow, and his appearance is Arline. Will it really !

    that of sorrow. He is accosted by Florestein.)


    Flor. Do not mock me, but pity my too susceptible
    nature, and let me print one kiss upon
    Flor. My dear uncle, it delights me to see you
    amongst us. and here is a little gipsy girl that
    would delight you still more, (aside.) if you had my (Here Ari^i^e gives him a violent slap on the face,
    the Quee.«j, who has gone ufi the sta^e with Thai>
    blood in your veins she's positively a charming
    :

    DEUS, now brinfjs him on one side and points out


    creature.
    COUNT- I have lost the taste of joy, and the sight
    the situatict o/Aru.\e and Florestein he it —
    about to rush upon Florestein just as Arline
    of youth and beauty recalls to my memory that
    treasure of both, my loved and lost Arline.
    —
    has slapped his face on receiving it, he turns
    round andfinds himself between the two, and both
    (He gases attentively at Arline, sighs heavily, then are laughing i.i his face )

    exits with his retinue into the Hall of Justice.)

    Flor. (To a party of his friends.) no use re-


    It's
    Queen. (£^)'«k^ Florestein.) It is the very person
    straining me— I'm positively smitten. (Breaks from whom tiiey stole the trinkets. (Taking the
    from them and goes up to Arline.) Fair crea- medallion from her bos„m.) Tiiis too is his, and
    ture, your manner has enchanted me, and 1 would
    now my project thrives (Florestein turns up
    fain take a lesson from you. the stage to join his party, and the Queen crosses
    Arline. Of politeness, sir? By all means. To to Arli.ve.) You have acted well your part, and
    begin, then whenever you address a lady, take
    ;
    thus your Queen rewards you. (Places the medal-
    your hat off. lion around her neck ) Forget not the hand that
    Flor. Very smart (with a titter), 'pon my word, gave it.

    very smart. Your naivete only increases the Arline. (Kneeling, and kissing the Queen's hand.)
    feelings of admiration and devotion which a too Let this bespeak my gratitude.
    usceptible heart Queen. And now let our tribe depart

    GIPSY MARCH.

    159
    ) ^

    (
    fe^^ ^ ^^ -4=^^ s
    j-i ^^^^ *-= f* 0-

    F ^m ^
    -J 1
    rM-l—iz^jEfe ^
    rf=^ ^ =^3;
    i
    ^ O ^ — 1
    !r
    b\m^

    (Tit Gipsies are all about to march off, Thaddeos All. We do, we do. (Here Devilshoof is seen
    and Arline bringing up in the rear of the body; to steal off.)
    when Florestein, who, with his friends, has Flor. And I accuse you of having stolen it
    been watching their departure, perceives his med- Arline, Stolen It was this instant given me by
    —
    allion on the n/vk of Arline he breaks through
    I

    our Queen, and she is here to verify my words.


    —
    the crowd, and stops her she and Thaddeus (Arline runs about looking everywhere for tiu
    come forward Queen.)
    Florestein. Though you treated me so lightly Flor. That's an everyday sort of subterfuge.
    some moments past, you will not do so now. (To the crowd.) Worthy people and friends, that
    That medallion is mine, my friends here recog- medallion on her neck belongs to me, and I accuse
    nize it her or her accomplices of having robbed me.

    SHAME! SHAME LET US I KNOW THE RIGHT.


    Chorus.

    Sopranos and Contraltos. ff (Chorus of fopulace surrounding Akline.^

    im Shame ! shame!

    ff
    Ps zzzz

    Shame I shame I

    Basses. ff-^

    Allegro vivace.
    --gj^
    =^=^2: H*

    let us know
    »z

    the
    ^^
    right,
    ^
    and sbame on the gull
    is£

    - ty
    g
    one
    ;^'
    a -
    W
    'l^ht I

    p=^;:r r 1^ ^ J J^Nr It ^^e?


    let US know the right, and sbame on the guil - ty one a - light I

    p Thad. (Rushing befort kXLOft. to shield her.)


    ^^ a^^ It
    =?=
    ^ tr-' r?

    He who a hand on her would lay. through my

    ^ ll
    "^
    [^'
    fej

    «:&
    ^
    heart must force his way.

    I
    ^ =T
    /I -^.. >i» i -
    d d
    Tear them a - suuder, but still pro -

    ^^ I I
    - ^ I I
    ^ i
    I I I-

    Tear them a - sunder, but still pro

    p r?
    1 P 1 1
    I I
    ;

    C2:65
    ^ m
    Arlikv

    f f-fi
    gg 1

    -TT^
    tect
    -T^
    un
    3=t
    til
    J J
    they can
    Li
    prove
    J
    what they sus -
    ^pert
    To

    ^
    I

    J fi l
    -t gj J J \
    tid=^ rh P-
    - tect un - til they can prove what they sus - pact 1

    V^r^ :?2:
    V r nv {
    '

    \ v V

    ^ =p=ff=
    -L I.
    ^ ipz ^^ ^ r'"'r-^ ^^:£^
    (Florestein, j»^i7 has, during this movement, entered the '^ Hall of Justice" is now seen returning,
    followed by a strong guard, who file off on each side of the steps.)

    pointing to Arline.)

    t> „„„
    you T
    I /.ol
    call
    "T ri

    con- duct her


    TT
    a -
    BP=
    4:
    way
    ^^^to the hall
    -^-^rfr^

    *
    1

    P^g-J^JJJ- g P ^ i^
    m% rgrT- ^— 3:: Ss -
    4 g ^^ ^ ^ ^ *=*

    16?
    ^
    53:
    Captain. Cbokds. mmit.

    (Apt^iHK ioois at Aim with great contempt ; the Gipsies, perceiving her danger, range themselves
    around her. Tk ADDEUS breaks from those who are holding him, and rushes up to her. Floresteim
    has got behind the Captain of the Guard, who gives orders for his soldiers to seize Arline, upon
    tuhich the Gipsies draw their daggers, a conflict ensues, in which the Guard maintains possession of
    Arline, a body of the Populace re-seize Thaddeus, and the Gipsies are routed.)

    Thaddeus.
    nr^
    s-9.
    m—m-
    Free me,
    ^S=
    or else the law
    mup
    Florestein.
    ^
    ''+H
    g =P2=
    i:
    ?2=
    ^ ^
    •J They who would brave the law

    ^ Captain. _
    -. r
    They
    Sopranos and
    I f
    _

    who
    ^ _

    would
    ^=^
    brave the law

    ^
    Contraltos. (People.)
    l^
    **:
    /f They who would brave the law
    Tenors. (Gipsies.)
    :^:
    W- ^ 3)2Z
    ^ Why should we fear the law
    Basses. (Guards.)

    ^ i
    ^^
    They who would brave the law
    •
    Sva
    4W. ^;:^
    W^^t:^ ^^^ dE
    5i^
    ^' * ig
    V*-*-^
    j

    6<
    ^^^ P ^g-^
    ^ 1 .. 1 ! —

    iV
    sit
    ^
    Arline.
    ^ ^
    Vm in no - jent'
    Thaddeus.
    rn^r m s
    P on your
    Florestein.
    head you draw

    pifs-r-r
    them gainst -
    ±:
    selves
    It
    but
    F^^^nf' gi^
    draw !
    J^

    to the hall I to the


    g hall. to the
    Captain. '

    A
    r.y%^^
    ff'
    :^
    ±: f i
    r r ,
    d= sM,
    them draw

    ,^^^^^ tt&T-t
    gainst
    1
    -

    .—
    selves but

    -g^s^
    1
    .—
    i
    !

    ^,
    to the

    -
    ^tf rt-f
    hall, to the hall,

    :?=
    to the

    -^^-V^
    m
    them draw

    ^
    ** gainst selves but to the
    - - I hall, to the hall, to the
    Jtu— O <S r-^ O r-m ff-i

    all
    m
    the arms you draw f
    ^\v
    to the hall,
    --g g
    :?=:

    to the hall. to the

    \^ ^-p—
    i i s-s-
    JJ -^^— ES
    gainst them - selves but draw I to the hall, to the hall, to the
    iva

    !LiA=±^ 1737 ^^^t


    tFrpCEcr
    ^ ai&a
    sa=:Ba

    1^
    1 i=^
    Florestein.
    /«(:(? /«» mosso. ^ te?-

    ~c^
    ^^fefs^^ |:£_X-|=F=^
    K; hall, to the hall I yes a way, a way,
    Captain.

    mi ^^^ T , r r^
    way, way,
    hall, to the hallj yes, a - a -

    $
    H^^^
    ^^^¥=^
    ^^^

    hall, to the hall !


    :^z

    yes, a
    3=
    way,
    m a
    ^s^
    way.
    =3=
    i
    y^ r ^F F! ^^ I
    ^^
    I

    m a
    hall, to the hall I yes, - way, a - way,

    \ ^^8=^^=^
    ite ^ ,
    tr^^
    —

    ;^rfc
    rr r

    ^
    to the hall, way,

    1
    S -H=—

    to tbe hall, way,

    ^^ to the
    S ^i

    hall,
    P^^P
    way,

    'Ms=^
    to the hall.
    ^^
    way,

    ^ ^

    #s
    i
    l¥.
    A pg*

    S FP==:
    ^
    fl^
    way,

    way,
    ^
    to

    to
    ^
    the ball,

    the hall,
    ^
    way.

    ^
    way,
    E&

    P
    ^^ ^± ?=:
    SE
    way, to the hall. way.

    33gs-
    way,
    5g=t:

    to
    :?=c

    ^
    the hail. way.
    ^
    ::72:

    SSfli ^E? i
    _Q=2. .£2.

    mm ^ 165
    (Arline is conducted by a file of the Guard, led by the Captain, and preceded by Florestein and
    —
    his party, into the ^^ Hall of Justice," the people follow in a mass, while Thaddeus is detained by
    those who first seized htm; and as Arline is going up the steps, the figure of the Queen is seen, in an
    attiiudt of triumph over her rivaPs fall.
    —

    SCENE IV. /itterior a/Covm Akshbiu's afiar/ment in the Hall of Justice— a view of the last
    Sunt
    —Aanfull
    visiile throughont of the ivindmos at the back. lergth portrait Arline, as she wot
    of
    M the First Act, hangs on the wall—state chairs, Sfc. elevation or dais on the side.

    THE HEART BOW'D DOWN.


    Recitative and Air.
    Larghetto cantatile.

    i #
    4- .

    -«*-
    ^^ ^:m~-
    s=? tt*-
    -n 'l. I
    X

    - ss4<' r '^^
    dolce.
    i ^^ -[, i-«^ J ^5iiU.^j*^
    i-
    (Count Aknheim enters, thoughtful and dejected, he contemplates Arline's portrait, and wipes
    a tear from his eye.)
    Count.
    ^-r-^-^=^=^^^tS\ "^^-g-r- ' ji
    i=^^i^
    Whate'er the scenes the present hour
    ^Y iJ^.
    calls forth before
    | J
    the sight, they lose their

    P
    ^ :fc^St
    5^
    ^y-^-
    U
    splen- dor when com-
    fd=^r-
    par'd with scenes
    >(,

    of
    r
    ^=^-^

    past..
    ^^ de • light I
    ^B fcfr

    ;r
    ^ 2*-
    ^ ^s
    ^^S:

    ^ tBS*-
    ^fc?:

    168
    ^ 1.

    2.
    I
    f

    The mind will, in


    r
    The heart bow'd down by
    its
    r r iG^
    weight of woe,
    worst despair,
    to
    still
    ^
    weak . est hopes will
    pon - der o'er the

    e^
    ^ cling,
    —\ —
    to thought
    -m

    and im
    0-

    -
    ^^
    pulse while they flow,
    z£:

    ttiat

    past, on mo - ments of de - Ught that were too

    T A^
    -^"
    rrl rail. I— I {^^

    (
    |
    ^^
    ^ I

    r 1^^:^
    5^g
    can no com - fort bring, that can, that can no com - fort

    ^
    beau- ti - ful to last, that were too beau- ti - ful, too beau- ti- ful to

    ^^^^^iP ^i
    '

    ^i?f^
    colla parte.
    strtngendo.

    '^^ -=^Sg-
    — ^^
    »i »i-

    bring; with those ex - cit - ing scenes will blend, o'er


    last; to long de - part - ed years ex tend its

    PP •

    ^^ i2^ 3=
    "JT^ *- -^ *- :srsF

    169
    .

    I tspretsiout di dtlort.

    ^^-r-r^-^ pleaa- ure's path •


    way thrown;
    ^ ^^
    but mem - "ry is the
    vi - sions with , . them flown; for mem - 'ry is the

    guf.
    m^ •T-'^ ^g ^ =1 1 s 1 a;

    ^^S
    ^
    — g g- it ^^-r-r-^ ^
    bfe

    on - ly friend that grief can call its own, that


    on - ly friend that grief can call ita own, that

    ^^ *>
    ^ ^ ^ rt

    grief can call its own, that grief can call its

    grief can call its own, that grief can call its

    ^wS^ W—
    1—^

    strtngendo.
    I-

    f
    i
    ^^^ i
    ^^ fc^
    own.
    own.

    :fete

    If*ft
    :^
    =r=F
    tt±2?t
    ^?*t
    ^^ ^ -tryf
    S^
    --^
    crfe

    / ^fgjgjgg ,C^.CP^J^ ^.^


    ^^^^
    yj^
    170
    f—^^r :^P
    ! —

    {At the tnd of the song^ a confused noise it heara CoONT. Her words sink deep into my breasL
    outside, when the Captain of Guard enters.) Childless mrself, I fain would spare the child o(
    another, (to Florestein.) What proofs have
    Captain. A robbery has been committed, and the
    accused is now in the hall awaiting the pleasure
    you of this ?
    of your lordship, as chief magistrate of the city,
    Flor. (Pointing to his friends.) My witnesses
    are here, who all can swear they saw it on her
    for examination.
    neck.
    Count. Bring the parties before me.
    All. We can.
    (The Captain arranges the magisterial chair, bows Count. Still does my mind misgive me. (To
    and retires.) Arline, in a kind tone) My wish is to establish
    Any thing to arouse me from those distracting —
    your innocence explain this matter to me, and
    thoughts, though the sole happiness I now enjoy without fear.
    is in the recollection of my long-lost child. Arline. The medallion was given to me by the
    (Seats himself when the doors are violently opened, Queenof the trbe to which belong — How it came
    I

    and a mob of Citizens, Guards, and Gentry, enter. into her possession, know not. IBut a light
    Florestf.in is in the midst of them, who instantly breaks in upon me —
    see it all— I chanced to
    I

    rushes up to the Count ) incur her displeasure, and to revenge herself upon
    Florestein. It is your lordship's nephew, I, who — me, she has laid for me this shameless snare, into
    which I have innocently fallen, and of which I
    have been robbed
    Count. Some folly of yours is for ever compro- have become the victim.
    mising my name and that of your family. (Hiding her face in her hands, and weeping.)
    Flor. But I am in this instance the victim — I
    have Count. (With a struggle) I believe your tale,
    been robbed, and there stands the culprit. and from my heart I pity the inexperience which
    has led to the ruin of one who seems above the
    (Pointing to Arline, standing in the centre, pale
    and with dishevelled hair, but still haughty in her
    grade of those she herds with but in the fulfil- —
    ment of duty, I must compromise the feelings of
    demeanor. )
    nature, and I am forced to deliver you into the
    Count. (Aside.) 'Tis she I saw but now in the pub- hands of Justice.
    square. That girl, so young, so beautiful,
    lic Arline. (7b M^ Count. ) To you my earthly, to
    commit a robbery ? Impossible I
    Him my heavenlyjudge, I re-assert my innocence.
    Flor. She stole this medallion belonging to me 1 may be accused, but will not be degraded, and
    we found it upon her. from the infamy with which I am unjustly threat-
    Count. (Addressing Arline.) Can this be true? ened, thus I free myself.
    Arline. Looking contemptuously at Florestein (She draivs a dagger from beneath her scarf, and is
    and turning with dignity to the COUNT.) Heaven about to stab herself when Count Arnheih
    knows I am innocent, and if your lordship knew rushes forward, seizes her arm, and wrests the
    my heart, you would not deem me guilty. dagger from her.)

    HOLD HOLDl I

    Finale to Act II.

    - ad.
    ^ lib.

    ^tFF E
    Count.
    ^ e.

    .
    r^
    r fT hg
    Hold, holdl we can- not give the

    ^ t^^^*^e^

    ^ *;ri
    #<l«^H
    MiK^ -j i

    ar&- ^ T^=i
    f^
    ^ Ufe
    r
    we
    I
    r r
    take, nor re
    r
    -
    r
    u -
    U ^
    nite the heart we break, nor re
    M- ^ _:^^__^
    =12

    - u - nite the

    tJ
    fp
    ^ '
    < s h-t g=

    ^4^=^^^, ^=r^r-

    ^MMI? 17t
    !

    a tempo. (Taking the hand »/"ARLrAE,

    wound on
    and suddenly

    £|Ui-^ ^ 1^-f^^
    what
    seeing the

    visions round me
    her arm.)

    rise, and
    I -t

    cloud
    ^
    with the mists
    s
    of the

    ET'f rn^^^r l
    l"'' -^^ ^ k
    -TS^J^
    ^ y ^
    past mine eyes T that mark those fea- tures ! and thy youth,

    f^^m ^
    ^m ^^ I
    (Dragging Av.i,WB. forward and in great agitation.)
    •
    frt-C'ff C g'g g^"^^ .1^gff P
    |
    ^ u u ^
    my ve-ry life hangs on thy truth; how came that mat kf how came that

    I
    ^
    ^
    /
    t^=
    i
    -i
    ^^ /
    atzz^t

    ^ -^^»l
    fe»-
    « =F

    K ±:

    mark J

    K J'SSTiJ'S^^^
    ^^ 1»=
    //
    r''rr'r r. ^^^
    ^f f ^ f ^ e^
    -» -^- -»- -m-9-
    jm- -m- -[»- -j*-.^
    -»-
    -^
    -»-
    -|*-

    1 72
    — )

    (Arline tries to recollect the words ofTlnxoDtVS.)

    Arline.

    T
    im :3=2= :s=S
    :^t:St
    m ^ 72=
    S^
    head my sixth sun had its radiance shed, a wild deer who had

    g-»W :^
    ^ ^E^p
    -zi: ^^ ^

    I
    ^ fctt
    fe«&a
    S ^^ff f yp pyp"^ ff-rny 1 ^

    (^ Imost forfeiting.

    f>^rj JXTT^'ji^ Qx-g^s Ifce


    5^
    lain at bay, pursued by hun- ters, cross'd my way, a wild deer

    ^^\r^^^:zj^^ =^^ ? i^

    ^i:
    »
    "

    S""S^

    3t
    1» — —3^
    iS^

    (Recollects again
    to^^
    SS
    and smiles.)
    ^ il=:|=

    im cross'd
    ^^
    my way,
    CT-rTr^rgf^T"^"^!::^
    myten-der form by his antler gored, an humble

    3?i
    i youth
    m
    to my home, to
    ^
    my home
    ^^
    re-stor'd. The

    m p^mfr ;ag ^3^^^


    '

    zi: 3

    u u
    ^ Sr^ gi^
    3=^^
    ^ ^ ——
    «-M I

    I r

    &
    tale
    =s=s&;
    =sc:^
    he but
    ^S
    this day confess'd, and 13 near at

    iJHFt ^ s'vTTTai^ ^^ ^ ^ ^
    ^^^^
    tt

    -^^ JS88
    «=«: ^^^^^ ?^^ <^rr^^^*r
    -ff

    F^-^ hand to
    J'g
    re -
    ?tn^jvr-
    late the rest, to re- late
    c
    the
    P
    rest.

    m^m=$=jis^-
    m m
    the room, and rushes into ihe arms of AKi.int«
    excitement prevails^
    S ^m ^
    (Here a tumult is heard, and Thaddeus, having escaped from those who confined him. breaks into
    The Count, on seeing him, reels back. A general
    --^
    It

    Count.

    Arline. (Approaching the Count and


    pointing to Thaddeus, who starts on
    on beholding him.)

    tar&^r^^ r -
    r r- Jhi^fe -''
    i
    v ^ r.
    p
    -U—i^
    fear and hope my feelings have to cope I Tis he the dan- ger

    ^ ^ ^
    t±

    m
    tM
    ^ ^^^
    ^5E
    t^
    :?=
    brav'd, 'tis je my :"e who saved, my life who saved.

    175
    L *

    m t-p^
    all.
    ^ F
    those wild
    C g
    a - larms
    1^~r^l^r
    that as - sailM thy
    —
    feel - iugs
    1

    ^^ ^
    ^^ ^k^^^ X -

    E^ wild
    ^^ ^^^^i^^
    do - li- rium of my soul, this wild delirium of
    t^ ^g^r?
    ^
    my

    g^r-
    ^^^1 :^^-
    &
    > f^ 7^
    i
    Ak-ine.

    soul, this wild del li- rium of my soul, of my soul. Sjieak,

    —
    ppl
    I-
    M'

    ^ jt

    (Count
    * rri
    ^ — —— g
    1—^J^i U
    I

    bewildered, starts from the Count o»</ ru>M /o Tbaddeus.)


    *i*i*^*i

    —
    I i

    ^/ar/i Arline to his heart kisses her head, hands, hair,


    '

    ^i i
    '^ =
    «T;is

    and shedding tears ofjoy. Arune-

    176
    r '

    aJ •'j" I hJ J J W H
    my fame de - peod on thee 1

    /
    ^ ^^
    Thaddeus. (Poiniing to Couht Akkheih wM deep emoh'oH. Aside.)

    P-P— -g-^^
    Dear as thou long hast been,
    tj=

    dear
    g ^^glr
    as thou long wilt be,

    m
    i w&m
    Meno
    PP
    mosso.

    ^ $-^ LJi
    wr?f-^fTT^ rrnr » fc:^
    r mff-Fi^ E^
    f
    i
    flr*-
    tit
    ^
    t$^
    r
    mourn'd
    r ^^'P r
    as this passing scene
    i
    • "^
    will
    i
    ^-*^^^
    be thro' life
    ^
    to me,
    Is
    =it=9:
    the' this
    K

    ^^=^
    - stringendo.

    3^
    and none o- ther
    -(^ I
    izjrjg
    ^^^^^feJ
    minecaa
    S I

    :ic=it:
    I
    (Aloud.)

    ^^ ^
    ^^ Pg^?
    heart, like a - dorethee, yet thou art not de-
    *"
    v.^ ^ ^~ ^ 1 r 1
    **

    *
    I

    Uringendo.
    »*"
    i f»

    ff

    ^i J'l Jri^ ^'^^p-'g


    f

    %5
    i77
    !
    ! !

    Arline. (Staggers, and then rushes into Count's arms.)


    ^u '^ Andante mosso.
    8-Jt
    ,
    /?v -T- ^ ^ fc5±=^
    ^tt ggM.^.^^=#
    =^ 3J5 fe=& 5E!t
    i :t J
    Oli Heav'n! Prais-ed be.... Hea whose
    the will of - ven,
    Thadd eus Hides his face in his hands, much moved.)

    ^^
    (

    /?\ /> /^
    dj S- iAfc^ M«5^ --w^.
    I ^ -s-s-t>< S:*
    E£ ,-=f

    fore thee ! Though from. this bosom riv eu, That


    Florestein.

    P
    /^
    /?V /?v
    ^-
    <lht-ff'S0-

    Oh, Heav'n !
    =^^^
    Prais- ed
    a-J^^-^
    ipg: 7-p-
    be.
    £^
    :^
    *« :^*^
    the will of Hea - ven, whose
    Count.
    ^ I^ H"^
    /^
    W^ ^fc ^ P 1>1 f n ^^
    Oh, Heav'n ed be the will oT Hea Prais- - ven,
    Devilshoof. (Suddenly emerging from the crowd, and dragging Thaddkus away.)

    S ff\,!^

    All's
    fry-^
    ?
    ^ ^ ^

    o'er I
    ^t^^
    ._ PP

    Bet- ter to go now


    ^^
    ere
    ha-

    driv -
    s=

    en,
    Sopranos and Contraltos.

    m>-^^%-
    M
    zbSz

    Tenors.
    /7\

    Oh,
    ,

    ^
    Heav'n
    -^ o ^
    -^ ^ ^_ S^
    PP

    ^ %S :#=^
    Oh, Heav'n Prais ed.
    Basses.
    PP
    \^ 5
    fe
    >«-^-^S-S- 3;^^^^
    ^^ ^:m=s^ l^'^l^^ ^
    Oh, Heav'n Prais- ed bo the will of Hea - ven,

    o^ ^ .
    b-*:
    1^-^^ ^ tZZ3t
    ^tu-
    -

    ir— p-- =t=»=


    5^
    I Andante mosso.

    ^ f-*- -«— s-
    ^m^£^ ^«^5e ti^:

    178
    Arline 4 Floresteim.

    whose pure lisht up ou me smil- ed, and whose bouuty thus hath giv- eu

    ^m^^^E
    gs
    than for ev - er
    I

    be
    W- ^ ,

    re-
    -1 » ?=>5
    '.

    vil - ed,
    :i«^
    for hea'vn's
    PSC^:
    H^z:
    bounty
    ^
    thus hath gir -eu
    -ro»i

    m
    fe ^r^J^^
    prais ed be the

    \^ *=^l >1 g-^1—^-q- 5ie^ 1 PI Pi ^"^r^ qD^M-


    -Uu_U-
    whose pure light up on them smil- ed, and whose bounty thus hath giv - en

    fe^^
    fa - ther
    ^
    ^^
    his cliild.
    fr^
    :^=it
    praised
    fe?=:=

    be
    im~m-m-m.
    U U-
    the
    U i^-
    will of
    3=t
    Hea
    ^
    ven, whose

    ^H>-p-
    Ee5 ^^: -P-^t-
    U 3i; E^:
    3=
    i fa ther his child,- Though from
    i**

    this
    |y
    bosom
    l^-
    riv eu, that
    ^=^-
    ^m
    to a fa - ther fond his fihild ! yes, prais- ed be the will of Hea- ven,

    to a fa - ther foud his child I yes, bet •


    ter to go
    2*=
    now
    ^
    ere driv - en.

    m S
    i l l «> ^^ 1 -^a s "
    I Praia- ed be Heav'n,
    ^z^g^
    3p: S m
    will of liea prais - ed be
    ^=^ On ~^ 1 g 1 r |^j"17^1 /l as
    fc^
    |
    1 ^ 1 -^
    fund his child I yes, prais- ed be the will of Hea - veu,
    — —

    i
    ^
    ^^
    'i*
    light

    "^ ^
    o'er
    ^^^ —
    me
    ri sm^=t=^_
    smil-ed,
    ^
    <
    aud whose boun

    ^^^^S ^-JS| _|
    -

    n"bJ T
    rUTiT
    ty has
    i
    giv

    g^^:y ua
    -

    tiji^- ^^
    en a

    :hS:

    ^\
    heart

    JN
    prais- ed
    ^'--^
    is

    J^C
    be
    be

    the
    -^
    \
    guil- ed,

    J^C
    will of Hea-
    the be

    M^^t » 1
    -\-^!^S^^=^=^K^^i^

    v(>n,
    - reave

    and whose boun ty


    |
    ment hath

    -
    i*
    t 1
    giv

    thus hath giv


    "^TH*^
    en

    -
    Sthe

    en

    J^ . U-^
    J^ U 1 J^-iU-: J*'i:£ ^|^i ^1 j»
    3*: r
    it^T^
    in* 1 r- z^=±

    ^
    I

    than for ev - er be re-vil-ed, for Ueavn's boun-ty thus hath giv - en

    li s i :9=a!=
    tr
    prais'd be Heav'n, prais-ed be
    f
    Heav'n,

    i
    i^^^
    Heav'n, Heav'n
    ^^S
    thus hath giv - en

    prais-ed be the will of Hea-ven, and whose boun - tv thus hath civ

    to a fa- ther fond his child yes, I prais - ed be the will of Hea- ven.

    ^'^^rVi U-iU -^
    -r
    -n
    X0 -
    3: ^ J!2=
    1^:^=tz=^

    5^ gj
    to

    prais'd
    a

    —
    fa-

    ^
    U©
    ther

    l_»l

    —_
    fond

    1^^^
    Hea - ven,
    -^-Tm
    his child

    -TL.

    prais
    w..
    I yes,

    -
    t:^
    ed,
    1-^
    bet

    prais
    i-M^.
    -

    -
    ^^
    ter

    =
    ed
    ^i
    to

    be
    m
    go

    the
    »
    now

    L^
    ir^
    will
    ere
    35E=5 1
    -^-J-J.
    of
    _
    K
    h-
    driv

    Hea
    -

    -
    en

    BE
    von,

    ^1^
    ,

    5^g L^,

    -^
    to
    I
    "1 g-M-g-M-g-
    a
    1^ 1 ^
    itf *1

    ^
    -u u
    bC
    fa •
    u
    1*:

    ther
    1
    :

    fond his child yes,


    1^

    !
    ^^-1
    1
    1

    prais -
    1

    ed
    :3>c
    1

    be the
    1
    --^
    will
    s;;^
    SE^
    W-
    Hea
    ot
    1^
    -
    !»:

    veu,

    \
    ^_^,^,^.:,|f "T T'^r fr r f r ic i<' -I j^i j^
    3? -^ lO?: «: ie
    ! »

    pi
    f (fZ^TTfT;;;^ ^^
    ^^
    child,. ia - ther bis child I

    r flXr fTi^rr i

    child. ther his child!

    P S

    ^ who hath giv


    civ

    :^
    .en
    eres.,
    to

    l?c
    a fa - ther
    ^ i
    fond
    /r=?
    his child

    ^ 5E7C:
    tzit ^
    g ^»A-J
    /I
    than for

    J
    5=P
    ev

    ^
    - er, than for

    ^ J- ^
    ev - er be vil'd

    ^
    ! better be off at

    |
    who

    iVr-f»f
    who
    hath giv

    hath giv
    -

    -
    en

    RF^
    en
    to

    to
    a

    a
    &
    fa

    fa-
    - ther

    ther
    ^S=
    fond

    fond
    his

    ^
    his
    chUdI

    1^
    r
    child!

    i
    ^V^-
    prais -

    Thaddeus & Florestein.

    ^
    ed be Heav'n,

    1
    prais-

    I ^
    ed

    I
    be Heav'n,

    ^
    prais - ed be Heav'n, prais- ed be Heav'n,
    b^
    tj? >f I
    ki
    ^ a I
    U eS^ 1^
    prais - ed be Heav'n, prais- ed be Heav'n,

    £^ ^ - fcglg^-g^-h^
    than remain to be re - vil'd. re
    =£
    -
    ^^
    vil'd.

    ^ y 3 —S 3 -» — = t?2:
    prais - ed be Heav'n, prais -ed be He;u''n,

    ^^
    «7
    -/ -S

    prais -ed
    S g:

    be Heav'n, prais -
    ?^?^
    ed be Heav'n,
    /•j- ~v -^ —V

    \^fe -V\ v \
    V
    ^ s I
    U i
    >
    — ^ .

    ^ who
    mhath
    T
    giv
    r r r
    to fa
    ^
    ^
    r^
    ^
    who
    ii^
    hath giv - en to fa tber,
    :13c:

    .
    3:
    .

    *3=
    ^
    ^-^T-i^
    who hath
    ^?r
    It:
    giv - en to a fa - ther
    the
    =1=

    fond
    ^ his

    T
    bet ter
    5p=
    go
    m at once
    itN=
    than here
    It
    re - main, than

    3^ arfflK:
    i r F^^^
    who

    ^ hath giv to fa ther fond his


    -

    Efc* ^g-t> tW*


    Is Ei
    :^=
    i fa - ther foud his

    \i^

    child, prais be ven ! prais


    —r - ed be

    ^ here
    ^
    main to be re vil'd 1
    ^

    bet - ter
    ^

    to

    221 P i — =.^ ^ IP
    r i-
    ed

    ^^
    child, fa - ther fond his child I prais - be

    y=^r=^

    —
    fa ther fond his child prais ed be
    -
    child. !

    H^
    \m
    8va~<
    ^ -fa-
    -T =t=

    H«- -(•--(«•-•--»- -*-


    I

    I
    _S!t_
    ^^
    lc=^: %»
    - # ^ ed be

    ~ed be

    Heav'n, prais -
    ^^
    ed be
    C2

    Heav'D, be

    ^t^ ^
    /«

    m
    «^
    ^ ^
    iizt
    go

    Heav'n
    at

    prais

    ^
    -
    once,

    ed
    to

    E«E
    be
    go

    Heav'n,
    zSz :#=
    at

    be

    >J

    \^ r
    fe^v,
    Hea
    Heav'n prais

    f
    - ed

    I
    —
    be

    —
    ^
    Heav'n,

    1 ^
    be

    ^7 j< i -f=i-

    ^ ^^ ?^
    ^
    tli
    I
    I

    Heav'n, prais ed
    !^
    fcg- -^ l^S--
    sfc=F: ::Sz

    Heav'n, prais ed

    ^ I
    I

    ^ ytrt
    Heav'n,

    once,
    prais

    bet
    -

    -
    ed

    ±
    ter
    be

    ^
    to
    Heav'n, prais

    PP^g
    go at
    - ed be

    once' than
    Heav'n,

    be

    S^
    r
    -a»- i =^
    Heav'n, prais

    ^ m
    - ed be
    ^ —
    Heav'n, prais - ed be Heav'n,
    ^
    m
    'J Heav'n, prais - ed be
    5S
    Heav'n, prais
    gg
    4=
    -
    ^ed
    r O

    be
    f \
    ^ !

    Aklinb.

    is
    b«
    rrsz

    Heav'n, prais
    m
    • ed b«
    m
    HeaT*!!, ah, . yes I

    Thaddeus.

    E dz S ;^# r r i r
    be Heav'n, prais - ed be Heav'n, prais - ed be Heav'n I

    FlORESTKIK. ~^i=.

    ^
    .(2.^

    r r ir r \\ i ^
    be Heav'n, prais - ed be Heav'n, ah,. yes I

    ^ ^ ^ ^ ^ ^ ^
    be Heav'u, prais - ed be Heav'n, prais - ed be Heav'n I

    ^ ^ ^^ ^ g. ^ ^ »-*-
    re vU'd, come, come, come, come, come, come, come, come

    ^
    I

    ^^
    be Heav'n, prais - ed be
    ^^
    Heav'n, prais - ed be Heav'n I

    ^ ^
    be Heav'n, prais ed be Heav'n, prais ed be Heav'n

    ^
    - -

    \m m :S2=e ^ s
    ^
    <f2/<r-

    ^
    P
    fe^
    j*
    t I
    r I*
    e.-
    g
    ^m 3P^
    ^
    ijc
    gi=i 2^23 7^
    "L.f^-Q

    ^1^ ^
    ^E^
    e^^:

    -4
    ^
    — I-
    zi — r

    ^m
    ' ^^^

    ^ decres
    ^
    ^ ^
    -,^-^. >--p--^--p--

    ^ ^^ -,.1^

    1^— S
    ,.t^

    t-t ^^

    End of Act II
    <84
    ACT III.
    A sf Undid Saloon, >'<• the Castle of Count ArKHEIh, a large windmo-door at the batk opening on lltt
    Pari. On the side, the door of a small Cabinet, doors at the back leading into spacious Galleries.

    INTRODUCTION.
    —

    Enter Arline, elegantly dressed for a Ball. Arline. I am once more left to my thoughts, and

    Arline. The past appears to me but a dream from all the deep regrets that accompany them. No-
    which I have at length aroused me. Yet my heart thing can drive the recollection of Thaddeus
    recalls enough to convince me it was all reality. from my mind, and the lonely life I led, was to
    When I think of the wandering life I led, my me far happier than the constrained one now I
    memory will revert to him who in every trial pre- pass ; and the graceful dress of the gipsy girl be-
    served its honor, who twice restored me to a fa- comes me more than all this gaudy apparel of
    ther's arms, and at length to a father's home. nobles. (Going round the room to see if any one

    Count Arnheim enters with Florestein Ar- — is watching.) Now no eye beholds me, I may at
    least indulge in a remembrance of the past.
    line runs into his arms.
    (melodramatic music.)
    Count. Every moment you leave me is a momcDt
    of unhappiness. I am jealous of whatever divides (Goes to the Cabinet and brings out her gipsies
    us. short as may be the interval. On a night of so dress.) The sight of this recalls the memory of
    much joy, when so many friends are to assemble happy days, and of him who made them happy.
    and participate in your father's delight, let me in- [As she is contemplating the dress, the window at
    tercede for one you have too much cause to be the back suddenly opens, and Devilshoof springs
    angry with. into the apartment]
    Arline. (Averting ker head.) The very sight of Arline. (Screaming.) Ah J what seek you here
    him disturbs me. (To the Count.) The wishes with me?
    of my dear father I would cheerfully comply with, Devilshoof. Hush fear not but be silent. I
    ! ;

    but the repugnance I cannot overcome. come to ask you to rejoin our tribe we have never —
    Florestein. (Falling on his knee.) Fair cousin, ceased to feel the loss of one liked more than all
    let me plead my own cause, and express the the rest.
    aw— sorrow I really feel at having for an instant Arline. Impossible! Leave me, I pray, and let me
    believed it possible in fact, I never in we have ever been acquainted.
    forget
    reality
    Devilshoof. 1 have brought with me one who haa
    {Enter a Servant.)
    undoubtedly, greater powers of persuasion than I
    What the devil do you want at such a critical part can pretend to.
    of one's conversation t
    [Here Thaddeus appears at the window ; enters
    [Servant crosses to the Count. the room, an;/ Arline, unable to restrain her feel
    Servant. The castle is filling with guests who in- ings, rushes into his arms.]
    quire for your lordship. [Exit, Thaddeus. In the midst of so much luxury, so
    Count. (To Arline.) Let us hasten to meet them much wealth and grandeur, I thought you had for-
    and afford me the joy of making you known to all. gotten me.
    Arline. Allow me but time to fortify myself for a Arline. Forgotten you (Pointing to the gipsy's
    !

    ceremony I am a stranger to, and I will follow you. dress.) Had I nothing else to remind me of you,
    Florestein. That is but reasonable, uncle — I will this would always speak to me of you. Forgotten
    live in hopes of my cousin's forgiveness, which you?
    can alone restore me — peace — of mind. (Aside.) Thaddeus. The scenes in which you now move,
    I shall postively expire if I don't lead off the first may drive from your memory every trace of the
    quadrille with her. past, and I only come to ask — to hope that you —
    [Exeunt \ OUNT ami Flokkstein. will sometimes think upon me.
    TDEViLsaooF £i>es up to the wtmiow, an the lookout

    186
    Uelodbakatig Mubio.

    Playsd whtn Arlim taitt out Mtr Giftjr Vrttt.

    Allegro moderate.

    [^
    /
    ^ ^ sf

    ^K\ J ^-f^ r^Zirm ^^

    '

    b r
    -
    C id£

    Akline. —The sight of this recalls the memory of happy days, &c,

    ^ ^""^ ,
    1 J^

    (Enter Devilshoop.)

    187
    Air.-THEN YOU'LL REMEMBER ME.
    AntiaHU cantoHU. dolct.

    ^ J ^ "UJl ^ J J =^^
    ^3 IH
    WWr^ J .
    J^i

    $
    ^s ^•' X ^ 1 £
    1

    r^
    J '

    r
    1 tl=.
    5 ^^
    ^^t-X- -tr^g-

    pZ ^ :st

    B ^iS
    fcH
    ^^^^E^^^^^^^^a^^ ^^ ^
    ^
    Thaddeus
    iw—>^i w—-
    :s^
    ^ ^
    -*^«^«U

    •t y Li 1 -^
    f

    When o - ther lips and o - ther hearts their tales of love shall

    p tempo.

    tell in language whose ex • cess im - parts the pow'r they feel so


    s^ ^ ^^ =t
    ^ ^ 3

    ^
    re - col - lec Son be of days that bare aa

    i^
    ;5*
    t)
    "^
    5^5i^
    B*L-'
    ^^
    A / ^ep

    ^^£g^ r«, ^ ,
    ^^ ^ ^ i y

    ^^ M-r ^& ^
    r r
    fW- J^
    ^^
    ^
    ^^
    ;fc?
    bap - py

    -^
    been,

    ^
    and you'll

    g^^^ i
    re mem • ber me,

    bur*5*5^
    ... and you'll re
    t8= ^
    -

    ^^ ::^::g^ 1 ;; 1 g

    ^
    iiz^
    .S 3^=^=P C— £:
    Wbencold.iess or de

    ^ J: i 4^'4 t i
    i^^gg^ 5^
    ;i^" f^jfip
    ^^ :^i^ -

    A-^^^- ^ ^ ^^^^
    t^ ^^S^E^^E
    a .

    fc^iiiiS:
    ^fr=f-
    litirt: ^=^ -s- ^ —^ I
    " -
    ^
    ceit shall slight the beau - ty ndw they prize, and deem it but a

    mr-f^
    i
    i?
    T' — ;*-
    :t3»=i!
    :r EEi^EE
    ^?f^^=^
    "Tn"

    te :^^= ^^^: ^ IS r
    '

    IS3= -'^l-S-

    189
    r

    ^ £r^ ± ^^ r- ^j.\

    ^^
    i ^^
    fa ded

    J J
    light

    ^
    which bums

    J
    within

    ^ your eyes;

    -*
    *t
    when

    ' * :

    ^
    !

    -S - -SL

    m
    ^^^ r -1 s ^^^^-=g=

    p^ hoi -
    ^ low hearts shall
    ^^g
    wear a mask,
    i
    'twill
    =a
    g-f""1^-^
    break your own to

    I
    ^^^ ^.
    -*- ^*^
    h.

    -J- t^^t^t^
    ts^=*=
    ^^ni=^
    aw,

    1*=^
    g^b^.
    t /^ J^^F^S ^ £

    ^^ ^ 866 : In
    ^
    such a moment
    ^
    I
    ^
    but
    ^—
    ask that you'll re-
    -I

    mem
    -a-

    -
    m
    ber

    $
    ^=^
    t>tg ^ ^^
    |,
    -1
    1
    ;

    ^^m ^ i*^
    -T'-t

    g^
    | r^
    /

    g=
    i
    /
    (* 1 - 1 X
    ^^^
    r IS r 1 y- ^
    s
    i1^
    ;»;

    me
    -ff
    C
    that you'll re
    r
    -
    I

    mem
    r-J 3iEh
    - ber, you'll re
    [^

    -
    ^^
    mem ber
    r
    me.
    a-

    cres \

    ^
    I^^ m m
    1 s 3^ ^^-s- '1 a ^
    r^r^
    ^ a^ ^ — -=' *- 1 s- -r^ g_jgz
    » .

    [At the tnd of the song, Arline goes np to Thad-


    DEUS, and with great emphasis, says:)
    with happiness:
    ration, for
    — yet, alas! 'tis
    must leave you now forever.
    I
    but ol sh.i:t cir-

    Arline. Whatever may be our future lot, nothing Arline. Oh, no, no say not so! I cannot
    ! live
    should persuade you that I can ever cease to think without you.
    of, ever cease to love you. Thaddeus. And will you then forsake your home,
    Tbadoeus (Overjoyed.) My heart is overpowered your kindred, all ! and follow me ?

    Trio.-THROUGH THE
    Thaddeus {to Arline.)
    WORLD WILT THOU FLY,
    Legato.

    i^H^r^
    fi-
    V-'
    i:
    =ff==t
    Through the world
    3=

    thou
    It ^ from the

    ^
    wilt fly, love.

    ^
    Andantino con vtoto.

    ^ /'
    r-
    El^ -m »
    =e=a= ^^ -^)—
    =r*
    ! m 1

    ^ fe^
    SiF m ^ ^ ^
    ^^=3;-

    P te&=^
    world with
    ^
    me,.
    ^ '^
    ^
    wilt thou
    ^
    for
    1^

    -
    ^
    ft
    w>

    tune's frowns de
    ft
    =ir=ft:

    . fy,

    ^^^ ^ ^^^ i^— r


    -tr—r
    ^
    ^^ j-^1
    ^ r^ Arline (/o Thaddius.)

    ^-^r- cr i gr^—U-

    ^
    i
    5; It
    love. as I will for theet Through the world I would

    m^
    ^^'^^^
    ^tjr-r

    3^
    :r_ :?_- jt

    ^^ %^

    irvn*" ^ i: -C

    w^—
    fly love, from the woild with thee, could I

    sfcs=^ 3=3=i
    rr ^^^
    i From the world wilt thou fly, from the woild with me.

    i
    1
    =f^
    ^" 1 gj ==3
    rr ^ ^3--5^
    31CH:

    I^H <i

    ^
    n

    191
    —

    hush a father's sigh, love, that would heave for me.

    m fefc
    J- I JVC
    ^
    from the world
    ^E =pi=Js:
    i^tat se
    ^
    wilt fly with ine, wilt fly, fly,love, with
    Devilshoof. (Coming forward. To Thaddeus.) --.

    m
    (^^ ^ ^S
    Come,

    m
    come,

    i=E
    g .-I-W m
    ^ ^ ^=n; ^=^^z=m=s;=3r
    i -
    1 1
    #
    j:^:

    ^
    P^ ^^^^^^^^^
    through the world I would fly, from the world with thee,
    Fl^
    r-^^
    met Come, my
    zii—zft

    love,
    -r
    come,
    Jt
    fly
    ^
    with me,
    1 1

    ^ /-
    ^ESESs^sffee ^
    all the world hi ther fly, now, come
    ^a - way with me,

    Ster
    ^ I
    I

    , ^E.r^^=i-
    ^ES a>
    jS^^
    *!*' i^^l^^^S
    ah yes, for

    W^
    m
    come,

    ^
    wilt

    ne -
    thou fur-tuiie'sfrownsde-fy,.. ..love,as

    ver let
    S^^^pEs^
    a
    ^^^ lo - ver'ssigh. . ru-iu
    I

    -*

    bring
    -0^-
    *^«:
    will, ius 1 will,love,for

    on tbecru inbringon
    r^-^^
    v-ua.

    ^ 3^fc^
    i^F^t^^ ^^
    U^ 'J
    :iC=]: =rtir^-^a.
    ^
    ^
    192
    sS^
    1rtr>-
    ^^^
    ^ i -J--

    ? ii
    :^=^
    •i ^^-J— 1 1
    ^^
    thee: could I

    -4>-
    P^
    .^ -1 1 -Se^
    t=:--
    thee?

    w^^'^l
    thee ! come a -
    -^^^^^^^^m^^^
    way, come a - way, come a - way, come a - way, come a -

    f )
    m 5>--5>-^i^ 1>«- ^= S ^ "^

    hu'5h,couldI hush a ta - ther's sigh

    I±± u=^^
    ^^EEE£
    tr^
    ^ t?— y i-k
    1 -p

    way, cornea - way, come fly, love, with me,


    Devilshoof. {going towards the window.)

    fc_g_g:^£^
    - way,come,come,come,a -way, cumea- way, come a -way, come a - way, come a-

    P -=i — =^
    &g (»
    ^==t
    ^^r=rtrT-
    that would heave, that would heave, that would heave for me,
    ^

    Sfc^ -^^
    '9=^9^

    come a
    ^

    -
    ^m^m^^m
    way, come a • way, come fly, love,with me.
    is=^

    ^^g ^r^^^zF^=^-Xr^jtX^^5^
    ^
    way, come a - way, come a- way, come a - way, come,come,comea - way,
    .

    p 1^ ^??^^ ^ timertando.

    ^ ii-c
    ^ ^^ PP.

    ^
    a ^
    i^
    /
    ah,. yes,..

    ^^^
    that

    fly,

    3-tpi^wi^
    ^
    would heave,my
    smorxando.

    fly, love, fly,


    smorzando.

    ^5^^5=a^
    love,

    love,
    pp

    ^
    pp

    i^=i.^
    come, come,come a

    ^^
    come. - way,

    S& *J^,^^
    f^3
    ^ ^E
    ^ ^it* 52
    is; S
    ^£
    tt«»^

    ^
    Adagio.

    £:
    ^

    more and your doom is cast !


    ^ The hopes that were brightest, the

    i^ ,-^7 u sa .

    m :^
    -ip»^
    ^
    ^S 311 -g-j^^- 2M: fejct: ^^ m
    It jS^V g
    dreams of
    g g-
    the
    itz

    past,
    :»:
    in the
    ^-
    tulness of
    ::&g
    promise re -
    $it
    cede, and

    ^
    m 7 fj» :
    ^ ji^-H
    w^ ^
    ^ iI
    ^^^^^^m tv^-^
    .SffL.

    ^ >qij, qi |*^-^-t:^^
    5*

    1M * Th«* tea Wn ire nar w the Mm* witbmit MeoapulamL


    !

    Akline. (Pointing to caHntl.)

    ^ ren - der the pros • pect duk in - deed.

    •I 3
    p* ^ -^
    zr^zz^g
    En-ter

    ^ gf^
    ^4^?-°^
    ^
    =^
    ^ tiig=t
    i*^
    ft^
    rit
    g 1 1 a
    p|*
    ^
    4»3
    ^^
    f ^
    ^U qiM-H 3 lip
    i
    Escape is

    :i^
    hopeless

    ^rW^hU^
    Sjl
    W^ ^
    f
    i

    m' J J^ J^ .^ =iN^=^ ^ ^
    here, where de - tec - tion we need not fear, where de

    m ter
    ^ m
    ^^ :at
    3 1
    1^
    Hgr
    «^
    q
    :ff:
    t>«-

    :^

    f^'V ^ t^^u fr^^


    Through the world I would fly love, from the world with thee.

    ^ r~ri'"^
    ff

    i: i
    r^^ ^^s
    Through the world wiltthou fly, love, from the world with me.

    ^ii
    g^ ^ ^^-¥ &
    All the world hither now, come a - way with me,
    fly,
    m- -^- »

    195
    .

    ai5x4-g-^4.!:^5M=»^-^mv^j=
    could I hush a father's sigh
    ^^g^^
    that would heave for me. that would

    ^s wilt thou for-tune'sfrowns de-ty, as I will


    :5t
    for thee, as
    =t:

    fcfiET
    !^
    iE^ i^^^i
    ]«t3!!!:
    :^#
    a
    r
    ig
    gL ig-trg
    fcdd
    It
    ne - ver let a lo - ver's sigh . . ru - in bring on thee, ru - in
    ^

    Thaddeos fias barely time to take remge tn the cab- and presents her to the company.
    inet,and Devilshoof to escape dj the •window, Count. Welcome, welcome all — share with me all
    when the great doors are thrown open, and a bril- the joy 1 feel -vhile I present my loved and iong
    liant assemblage enters, led by COUNT Arnheim, lost daughter.
    Florestein, &•€,, Count takes Arline's hand

    FINALE.

    P —
    —^—^"^J3=C:
    -)
    • 1

    — — i y

    m m m
    » -»•
    -».
    -»• -»- -m- -»
    9-
    -«-)-

    :r

    ^ * I* I* |g
    -f—
    T-
    >- * ^g^
    |
    ^
    ^W:^ ^
    Chorus.
    Soprano and Contralto.

    Welconibtlie pres - eut ohpuDilfi- nut uu the d.iys de - part ed now,


    Tenor. ^i

    :^^. EE
    MZ •^ h- _«L.gL
    E^ 1^
    t^
    - -I1
    r
    Welcome llio pres - eut uh puuder Dot on the days de - part- ed now,
    Bass.
    US
    welcome the present, oil ponder not on the days de - part-ed now,

    ^^^^^^^^^^^^m
    ^^
    welci;me tho present. oh ponder not on the daysde- parted now,

    :&
    It -^^ =t It It

    welcome the present, oh ponder not on the days de - parted now,

    -gsiu

    1^ :Siz=st 35Bt: ^^^^^^^'


    the cares that were theirs be for
    j
    got.,and 'ras'd from plea8ure's,from pleasure^i'8
    Ji^^;' ;^i i
    brow;

    ^
    let -

    ^iim'~F= ^rrfrrr7i^=i^=^^-k^-^ :^3Z

    W
    let

    let
    thecaresthatwere theirs be for -gotjand 'ras'd from pIea8ure's,from pleasure's

    r C^5l-JUa^^rl^^^l^•'TTT^
    thecaresthatwere theirs be for -got,and 'ras'd from pleasure's, from pleasure's
    ^ brow;

    brow;

    nevermindTimenor what hehasdone, ifhe the present will smile up - on.

    fs=^
    i m J I M ^^ -

    F u=^- \^-^s,
    ifhethe present will smile up
    dz
    nevermindTimenor what hehasdone, - on.

    uj^L-a-mUiXf.nr"
    nevermindTimenor what he has done,
    irc'Bii
    ifhethe present
    S^ will smile up • on.

    Iji I f=rr\. I
    , ^-^. .
    .
    ^ ^ _n I I
    , .
    :
    JHPi-:
    Florestein. (Sttimg IM* gipsy Jrest im a chair and taking it if.)

    (Pointing to the cabinet.)

    r=^
    Arline. IVhose attention has teen riveted on the cabinet and seeing FLORESTElN_fo near it. )

    ^^
    (

    f^ eyes. That
    ^It
    room and its
    r
    treasure
    c ffiT
    be •
    tf

    long to me,
    ^r^f=.

    and from

    ra//.

    S^
    -y—r- -^^=PFg
    ^i
    ^
    ^ all in - tru • ders . . must sa-cred be.

    m
    rail.
    P m
    gg gg
    a tempo.
    S?!^ ^..0^..0 .

    #; P *=?S
    t9S
    ^^g^^^F^^ Welcome the pres - ent,

    4-
    oh ponder not
    i j |

    on
    i.:,3tMHr
    the days de part-ed

    m—m- ^^J.
    ^ ^ now.

    fe 1^ USrzift
    t^ Jl f J I
    f

    ^ Welcome the ent, oh ponder not

    ^
    on the days now,
    pi'es - de - part - ed
    P
    -e;^-:ft
    -^-g^
    J^
    liSE
    Welcome the pres - ent, oh ponder not on the days de- part-ed
    ^
    now.

    welcome the present, oh ponder not on the days de - part-ed now.

    M ^E^ P
    welcome the present.
    1^
    oh ponder not the days de -
    5^:
    1^=tz
    parted
    y— a- -

    now.
    |

    w; r r
    s ^ ^ ^=ES=

    ^^
    welcome the present, oh ponder not on the daysde - parted now.

    i ^^
    's^ m ^^
    ^S ^ ? ^• '^j

    /I
    (A confused murmur is heard at the back of the stage.)
    :3s=^
    -.^UJ-W tij w
    ^ • > s-^
    Whatsoundbreaksinupou the

    ^ ^
    ear, checking youngjoy's career ?

    ^^^ ^-zMzftczfczlti^s

    Whatsound breaks inuponthe


    J J J W b gt
    ear.
    t^J J • *
    checking young joy's career ?
    ^••^ -

    csr:
    * 5^=^
    tt
    £=BS ^
    Whatsoundbreaksinupou the
    l^
    I

    u u
    ?2=

    ear,
    ^
    checliing youngjoy's career ?
    ^ — 1

    Queen, (closely veiled, enUrs tne apartment and gfes up /a CousT Arnheik.)

    S=^
    Heed the warnins
    dz
    voice,
    rHf wail,
    g
    and
    i r-^
    not re -
    ::^

    joice,
    ^1 ^=^^^the foe to thy}

    5=t i:
    ^~ piS: 2=*;

    ^S PP-'

    3E ^
    ^ ^ a=
    (i"^ lets her veil fall, and discovers the Queen

    Count. °^ '^"'^ Gipsies.)

    ^r^-gr rr^^
    >-S tl* :#-
    1^=^
    !a±zr±: ^ I I I

    rest is one thou lov'st best. Who.and what art thout let me know,
    Regit.

    m ?^ ^ ?^ i
    ^ P zh*

    Queen.
    nr^i
    ^^-r
    »
    —
    whom
    «~:
    g
    —*
    g
    dost thou deem
    •
    r— •• —»— —-\—^
    my
    T' 1

    foet
    r 1

    6
    Q \)m
    r
    Think not
    m
    g
    . m fm »-npb;-^
    g r r
    my warning wild.
    1
    '^^•-
    r
    'tis
    ^ p
    g
    thy refound
    1
    '

    p
    r
    —
    ^>^^
    b8 kg j

    a tempo.

    ^
    ^^¥- '
    \Hr3 ^7?-3
    ^ Httt
    fe biS- ,

    p ^ [—t^?r?
    z\r-% r o: t*!* I*
    H^-g I
    r
    ---
    g:

    child! she loves a youthof the tribe I sway, and braves the world's le - proof:
    =ep2
    T-tys-
    ^^=^ m n ^ fe^
    ar
    |Sg=5i
    r- 1^
    ^ ±2SZ
    "HiTT-
    -^^i'?- ;^
    r.^

    list to the words I say, he is now conceal'd beneath thy roof

    s^ 20<
    QUEBN.

    --^cir g gT>^ir g g r-'gTFF^^=Ri


    Count. Thy faith I be -grudge, o - pen the door, and thy-self be judge
    1^ e e
    Base wretchjthou li - est I

    ^
    7f
    m 3^
    -1f=^

    rCoUNT ruihing to the door oftht cabinet, which


    Abline in vain opposes.) ARI.INE.

    f==^==^
    U U I
    [^

    Thrown thus a - cross thy path,

    w t t f^ f ^^:
    Stand not a - cross my path! brave not a father's
    Allegro.
    Sh-if ^ dE
    4-
    5=»:
    ^ =^

    ^-f—^gr-gir"^^
    let me abide thy wrath, thy wrath.

    m ^^^^
    Mrrathl brave not afather's wrath 1

    2=s *i
    ^3-

    ^
    (7"A< CovtiT pushes Arline
    ^'rsT g'g^
    ajjV&, opens the door,
    :Ji

    >ic
    and Thaddeus appears
    5 I

    —the
    git
    Count
    ^ ii
    s4^

    reeJs^back, and
    every one seems panic-struck.)
    —

    THOUGH EVERY HOPE BE FLED.


    Quintet with Chorus.
    Andantino con mota. Thaddeos. {To Arline.)
    ;S E fir r \t --^

    Though ev-'ry hope be fled which seem'd so


    (Arpa.)

    j^.^ti J J-
    bright,which seem'd so bright be
    ^j:p^^ s
    -
    I
    s
    fore,,
    "T -f^=:m
    t:z=ziii=^
    the veugeance
    ^ I weuld

    JS^
    Us
    5*^
    1
    I
    ! I
    I
    !

    -*^ ^^
    F^
    I

    !
    1*=;^x=x
    ^ J* *J
    S^
    a^^^^^
    I
    I i
    j !
    ~T i
    T~!:^rrr

    ^ EiE
    ^ ^
    ^^^ ^S
    g zi: ^

    ^
    scorn to dread, which they on me can pour, which they on

    i i

    _IJ*'*JJJ
    i
    j 1 1 1 i

    ^ S
    i

    -I ^ i=r:
    j^
    113:
    i^
    "^^d— — — ^^^
    s?*i^ n ~r*^^^
    t

    i
    I

    ^^^:

    ^^ ^ ^^ ^^^^

    i
    f
    ^ Ci--

    puur, can
    ±:
    iiour,
    C iUNT. {7"(? Arline.)

    m -M>

    To shiimeandfeel-ing
    —g --^
    .

    m^ r->

    ^^
    I

    though hope be fled. for 3v-er


    =»e:
    P If ^
    ^ ^
    f=^^=^ ^
    dead, to feel - ing dead, now hopeless to de - plore,

    fcri
    §p
    pm^imm'm
    rtJ I
    I
    M^^^L^LjO^^^
    gS^SSE^
    J M
    S
    T

    (^F==^^ !^

    t=^
    !ifc

    led.
    ^
    which
    T-^"=T
    seem'd so

    ^^^ the
    i» —*-
    thunder bursting
    I
    I
    -(•
    :^=^
    on
    •-

    my
    ^
    head had
    itP=

    not
    ^^
    Bur- pris'd nie

    fs n :^ \^^ =U:J=g^J=JJ^ gS
    m¥ ^

    Arline. {Horror stricken on seeing the Queen.)


    >'k-
    r r
    -

    pr r tf di ztr
    To all but vengeance dead, she stands mine

    bright.which seein'dso bright, the ven gfiiiice


    . r

    -N-tr
    '^S
    -iW *;l:. S I
    J"~~^
    eyes, she stands mine eyes be - fore, its thunders wait - inR

    i
    i=!^
    would
    =&
    rt
    scorn.
    ^
    yes, I
    ^ would soorn, the

    ^^ i& U
    to
    ::»=:
    U' i^-

    feelinsdead,

    t^v^ei
    ^ ^- r^
    -^^J—

    ^
    on

    5,r
    my
    ^ —
    head, iu all

    7^
    her hate

    ifc
    to pour.

    :&-
    her

    geance, yes, I wouldscorn,whiohthey ou me can

    ^ :i: ^
    uow hope - lessto de - plore, now hope

    @SJ J
    t ^^^^ —
    -^^
    . J ^

    Arline.

    All o-therfeel -Ings dead, re - venge can hope, revenge can hope re •

    Thaddeus.

    scorn the ven geance which


    Florestein.

    ^ ^ ^ ^^
    ( To Arline.)

    ^^ J \
    \—i\^=m==^
    And this is why she said, I must not touch, I must not touch the
    Count.

    m . plore,
    ^^itofeeliagdead,
    ^^1^=^
    ^ ^
    to feeling dead,

    33 1—i=tn:
    ^
    ^* — I i
    j I rni
    t*^^-*' l
    «gB^ j3l!Sfc

    ^ ^^^ ^

    rr
    hate
    ^^ ^
    vengeance to pour.

    ^^•t=^r- it -J —
    ^ - store,

    me.
    ^^^^^ yes, they can pour,
    its

    4:

    3^=^^
    thunders on her

    -X-

    which
    dar

    ^
    they
    - lug head

    ^
    I

    i :»^^=^ J^-> ^
    ^^=j=^
    door,

    Wi -,';--E^^;
    'twere hopeless now,
    it clear - ly would have been

    :2:e:
    ^
    ill -

    yes, to de-plore.
    bred, for

    206
    P r^~^ f=
    ^ r .. ..

    -i^
    35^1^^
    zzi —tHg-L ' P I
    r t=£^ MisimaseSfrat: ZC2:

    to all butvengeancedeadjShestandamlne eyes, she stands mine eyes before,....

    - ^s
    ti . a) ti M J J J J IJ
    Z|Sl-fl_g< f
    i-JS
    =t zm:^

    all otli-er feel-ings dead, re -vengecan hope, revenge can hope re -store,...

    ff. -
    f
    ir~g
    "

    r r! -g^=g:
    r I r r r r i
    r- ^gzdr-^-rM^t
    ^

    ^^^
    tho' ev-'ry hope be tied,whichseem'dso bright, which seem'd so bright be-fore,....
    j

    ^ :S=g
    U-tf^
    ^f — r q*
    I
    r
    I
    r
    I- Mf- g z^^=mr r^i
    aud this is why she said I must not touch, I must not touch the door, ...

    ^ =£^gf r f f=£
    Siis i

    -rrrir^
    to shame and feeling dead, now hope-less, hope - less, hopeless to de - plore,

    CHORUS.

    —1 ?^Br
    At length to feel-mg dead, her sor - row we de plore,yes,we de- plore,.

    .-__£
    grrg^g-g—S— g—p—p=3:p
    i t r- I ± t
    g^Fpy
    w^'w^m ^
    At length to feel -ing dead, her sor - row we de - plore, yes, we de - plore,

    ^
    vszqp
    -t>

    At length to
    — »" :)=t=

    feel - ing
    I

    dead, her
    I I

    sor
    —P
    - ro w
    ^^
    we de -
    V iV

    plore, yes, we
    ^ de - plore,
    ^
    its thunders waiting on my head she on - ly lires to pour,

    '-%
    '

    ^
    I

    ^
    rs
    .JJ J |J J J^L4J-. ^ I I

    ^
    its thunders on her da -ring head I on • ly live to pour,

    P
    m
    theveDgeaDcel
    =e=3t:
    I I
    f
    I
    f*
    I
    r

    would scorn to dread, which they


    I f gr
    on me
    ^
    can pour.

    it- clearly
    m r
    would have beenill
    r
    •
    r r
    bred, for
    i f
    n •
    sr
    valsare
    r
    a
    m
    bore.

    m rrtr * ^=^ *
    ^^
    the thunder bursting on my head had uot surprised me more,

    i^r^F MFr ^-^


    the thunder bursting on our head had not
    m s=^^
    i

    surprised
    ^ 2^
    r—
    us more.

    S—S-'^^S-f-
    i
    i^ ^l 1
    E^
    h ^^ ff:^
    g
    the thunder bursting on our head had not surprised us more,

    m^^-^^^ f-1^^-^^ f-
    -
    i
    fCZ
    r:

    the thunder bursting on our head had not surprised us more,

    :oo
    ^
    she
    ^
    on - ly lires, she llres to
    ijS:

    pour,

    I
    EE zeSi ^^^^ m
    J
    on - ly live to pour, to ponr,

    ?F=^
    ,ff

    which
    ^^
    they on me
    r
    can
    I f
    pour,
    r-

    can
    g
    poor,.
    ^f=

    p^
    #

    for
    ^^
    rl - rals are
    ^
    bora,
    J J
    a
    'b
    nt ,

    bore,,
    ^

    ^^ fgir r I I

    had not surprlB'd, sur • pris'd me more,

    ri'"

    bad
    ^E
    not Buipris'd sur
    IP
    pris'd
    U
    us
    f
    more,

    ^ bad
    fc.:_i

    not
    l

    Burpris'd,
    l
    rJ Sg
    It

    sur •
    ^^
    pris'd us more,
    "^gfj

    ^^ ^^m ijCi_

    had not surpris'd, •ur • pris'd UB more.

    ^ tr

    m P ]f
    r>

    <*>
    p?;

    ^^^\^*44^^.
    ^ she on
    Cr ^
    ly
    i^
    lives,
    f
    she Ures
    TXZ

    to
    Pou pin
    j'^r r-
    messo.

    poor, Its thunders

    i
    r cd
    I
    -J

    on
    \-
    «i
    ^^^M:
    Uve, Uve
    ^
    to
    =^=?s
    ^^
    pour, Its thunders

    va-

    P
    dJ3:
    ^?==k ^ ^ :e^
    q'^^^ r
    ±:
    U=t
    •
    e :

    which they on me can pour, can pour, the vengeance

    ^^ for ri • vala
    ^^
    are boro,
    V \r^^
    bore, It clear - ly

    s afc=-

    had
    ^
    not sur -
    m
    pris'd, BUT - pris'd me
    ^ PP

    more, the thunder

    i
    'J
    -$s^

    had not
    -^ j:

    sur pris'd, anr


    ^ prlB'd us
    ^
    more,

    P
    'j
    cMM±jJ
    bad not
    P
    Bur
    -IT^
    pris'd, sur pris'd ns
    -r-y-

    ^lla-

    g
    bad not pris'd, sur • pris'd us

    li\
    a

    wait - ing,wait-ing on my head, in all her hate to pour, in all her hato to

    J' h h =f:
    f^^-JJJJJ- I J. J J-
    :*=r!:
    i^t^Si
    r»

    ^—J—»L-J=JZ
    rf

    on her da -ring head to pour, its thunders on her da-ring head I Uve to i

    Pm I
    W ^
    ] ^
    would scorn, yes, I would scorn. which they on
    4-^-g-;-H^-^
    me can pour, which they on me
    ^
    can

    IhJ J' J J J J*! J J J .^ J-J i


    .^ .^ .^ J^
    would have been, have been ill - bred, for ri - vals are a bore, yes, ri - vals are a

    i^^.^s-j-j-j^^^,__j> J
    burst . ing, biu^ting on my head,
    J. -j^
    had not surpris'd, had not
    J. J. j^ j^ r
    surpris'd, surpris'd
    ^ me

    P ^P i^^^ /

    ^=^=^
    ''z r
    VP
    G^
    1-TJz^^s
    ^ r r. g c ^
    >
    ^
    -.^u^JM
    pour, its thun - ders wait - ing, wait-ing on my head, in all her hate to

    PP ^
    -^ — w>- J I J. JJJJ'J I J--
    3s:
    -

    m ^
    thunders on her
    h
    s
    h
    J
    |
    j

    pour, its thun - ders on her dar-ing head to pour, its

    PP

    i r r It ^ u > V y f-
    would scorn,
    t
    which they on
    g-^:^
    me can
    pour, the ven - geance I would scorn, yes I

    np - ^
    — hNNhNri >
    ^^^» t i—

    bore, it clear • ly would have been, have been ill - bred, for ri - vals are a

    more, the thun - der burst - ing, bursting on my head, had not surpris'd, had |
    f^.
    p^-^^_ r^">ir»r i i-
    T i r r
    pour, In all her hate to poor, in all her hate, in all her

    ff
    ^., J
    i

    ._jj,p.,j, | j^^i ^ ^, | ^ S
    da-ring head 1 live to pour, I live to pour, I live to

    fiff r. ff ff r-'^i r»ri r ^^^^


    pour.whichtheyon me can pour, which they can pour, which thev can

    / ff 1

    f^
    .' J- ." J-
    r f^ It ^ 31 ^
    bore, yes, ri - vals are a bore, they are a bore, they are a

    mr.^ j-.^.^r"6i r^^i r


    ff

    ^ ^ =?=z:

    not surpris'd, surpris'd me more, snr • piis'd me more, Bur • pris'd me

    ff
    ^=
    p i P f
    Bur - piis'd, 8ur - pris'd, but - pris'd

    eyr-' T3Z.
    S22=
    zt

    sur - pris'd, snr - pris'd, sur - pris'd ns

    ^
    ^ r
    BUT
    i

    -
    r
    pris'd,
    r
    BUT - pris'd, but -
    32=
    rt

    pris'd
    ^

    fj .... I

    _ "T
    -^ > 213
    m
    s
    •T^~
    ^g 3^
    hate to pour, to. pour.

    pour, I live pour.

    ff.
    r^—^
    ^i ITS-

    P
    I I

    pour, which they pour.


    t
    ff .
    ^t:^:
    ± g
    bore, they are
    IZ2Z

    bore.

    S ^S more,8ur-
    Tg~

    pris'd
    iT^

    m
    A A.

    i^^^
    *
    more, sur - pris'd

    5f^ ^zs:
    ^
    ^ i
    more, sur - pris'd

    ^ i:

    more, am* -
    33:

    pris'd
    ff^

    Count. (Advancing to iMKOQ^M-,.)


    Allegro vivace.

    m 3=
    3t -r- a g f ^ "\
    zb
    Leavethe place thypol-lut-inf:stei)hath

    'l^llli^ir*t"*i«rs^s «*

    ^fe
    1\K
    /P

    ^ ?^ ^ :^(l
    ^^ ^^^^
    Th ADDtvs. {Calling a sorrowful look on Arline as he is about to go.)

    5 5

    i^^
    -^=^

    yield.
    ^ Arline.

    The
    {Summoning resolution.)

    i:
    burst -
    m
    ing tor -
    T
    rent
    If
    I
    r
    will stein, and

    ^^^s£^^^ ^^^3^j^^ ^j,j.j.^^S^


    ^^ ^=S=
    m
    /a*« Thaddeus fy
    ^n ,
    J,
    ,
    j^^^
    hand and goes to the Coukt,
    ^^
    gsg -r
    I
    —(5"^^
    r-
    I
    the

    ^ I
    then turns to thecoi-.jany.)

    I
    13?=-^
    I I L
    him I live for shield. Break not the on - ly tie, the on - ly

    m h
    -=i
    h
    =^)

    h —
    =»-
    fv-
    r^^-»-

    * ^ 3

    i r? y ^ ->— ^s
    tpr: Cz:^ ^ =t
    B=i: ^
    tib that bids my heart, my heart re - joice, for

    il -f>i ,1 .^y y
    G
    W "'^^^j'-'
    T^
    ^
    -i
    ztt±i
    ^
    ,

    ltI=I!C
    V- ^Sr
    53 ^ 21a
    p

    W- whom It:

    con -
    ^
    tent - ed
    ±
    I would die,
    {Ifiih energy.)

    ^^ -f—^ ^
    the husband of my

    ^^^^^^ ^^^^§
    ^^ P t^^^ ^=1*^=?:^
    J •'^
    =1^^
    ^ —1=^
    -f^rfH — 1*=*— J^

    CoONT. (Rushing between them and drawing his svDtrd.


    ad lib To Thaddeus.)
    M^^ energico.

    J. j|7-T^cf^=.nr
    choice, the husband of my choice. De - part, ere my thirs ty

    ^^P 11 IJ I ^q
    i
    JBfygg

    J&*: IS X-
    ^TTV^ ^ ^ ^
    f*1

    J
    >1
    l .ta --
    s
    ^
    E g m ^ r iP
    itr^i
    rqgur^
    I =t g

    ^
    I

    wea - pon stains these walls with the blood of thy re - creant

    -I-

    m^
    ^
    1 X » *f
    i Ji ^ ^ i J '
    ^^'-i-^t-

    m ^1 "^
    C'^r
    ""
    ^^

    ^^ ^
    Recit. (To Arline.)

    g^ rr-p-
    £:±=: -1— S^

    ^
    veins! False thmg I be • lov'd too long, too

    /
    ^
    ^^ f
    *fe$

    ^ r %
    ^;i-

    S
    le i^ii r ^
    well,
    r fg i r
    brave not the madness thou cans't not quell
    p n^^^
    'i=A^ijM^
    ^ ^1
    P
    ^
    -«-=»'

    -^-^ T
    -m — 1»-
    1
    ;^

    216
    'f

    ^^
    )

    Queen. ySeiting Thaddeus fy tlU mrm,

    f-^r.
    List' to
    f
    the warn -ing voice,
    nj-- ^
    who
    r
    calls
    j
    thee I
    i
    r
    fly
    c: r
    from the pe
    f
    -
    g^s
    rU which enthralls theel

    72SZ
    -^r :g=

    m "2ZZ

    (Darting a furious look at Arline as she passes her.) .

    Lento assai. ^^—~^ ' ^\

    i Weep rivers ! weep rivers ! for a - ges pine I he shall never, ne - ver be

    ^E^
    i
    I

    #
    I

    ^^^ ^F^ ^=#^


    ^
    /sp

    ^ :j:^

    <'<;/
    4^
    fon/o.
    3^
    (At the Queen is dragging Thaddeus towards tht window, Akline stops him.)
    ^ Arline. (To the assembly.)

    i thine. Tour par


    J-->
    - don,
    J
    if
    J
    I
    l
    J^^
    seek with my
    :i=

    fa - ther
    S^ a - lone to

    w=w
    ^g jk-
    (Exeunt every one at the large doors each side of the windows, which close upon them — the Qu een is
    Allegro. seen to pass out of the window.
    SEE, AT YOUR FEET A SUPPLIANT.
    Scene.

    i^
    Arline. (Falling at

    ^^ ^ tht Count's yi?/.)

    ^
    See at your feet a sup - pliant one,
    Larghetto con gran espress.

    ^ ^^ ^ ^ JR^
    ^
    ( ^ ^ ^
    ^-,--^^-^^J^
    whose place should be
    ;i
    your
    O
    heart-
    - -^1^'
    be - hold
    ^v
    the on ly

    i
    ^^
    —I——It=t: *-
    1 3^ ^ |
    J l
    ^-r-J

    -X-
    ^^
    ^
    ^ 2i: ^^s^-J^H^ ^^
    /,

    who sav'd her life,


    ?=

    ^^
    Uv - ing thing to which she had to cling,

    ^
    l^=^F^ - i^ J ^ y .

    ^ i S=F 5^
    /

    i
    p

    ^ ^
    decres.

    i ^ r^ i:,^^
    =*±;it J^ l
    ^-

    ^^
    watch'd o'er her years, with all the fond- ness faith en - dears,

    I
    F9^^^^^ ^3
    decres.
    ^ 4=*=
    tt*- i"^^^
    i ^
    ^:::^
    ^^"-^
    — j- 1 X

    ^-^^-^^ ,^:,^^-r
    ^a
    ^^^^^
    and her af-fec- tions won; rend not such ties.

    #
    ^S ^
    218
    H ^ ^ ^
    ^E ^S
    i=
    ^
    * — r

    - part.
    Count.

    Child! Ar - linel
    '^^^r^^
    wilt thou t darest thou heap
    i ^ ^

    a staiu thine af -
    ^^ ter-

    1^ life
    ^
    will e'er weep
    r
    I

    on
    r
    I

    thest)
    ^
    hairs,
    r
    ^
    by thee and
    r
    ^
    r
    ^
    r^-r-
    ^
    soi'-
    ^
    row

    ^ ^ grr^ ^ m^ — —*
    ri> r r 3,!» '
    !
    e^:=ff
    '
    I ^^ ffS

    S y.?.-F.f 5fef-^T^
    i ^
    =^s^]—P I

    '
    ^-4-
    ' . I
    -

    Arline, (Rising and seeking

    m^3 jsrzfsr
    ** j i

    bleach'd, on this heart dis- hon- or. never reach'd. What - ev - er the

    ^ ^^
    ^
    e ^V p
    r!
    - I*

    I
    f
    r,'
    "^
    !
    ~r ^ ^^^ ^ -r-t—r-

    arms of Thaddeos.) Count, { fKzW

    ^
    refuge in the ra?*. )
    "^^ i
    3=?E=£
    SM ml
    - ml r
    U* IX
    r-t r
    t^
    r ^ w^j^j 'j^z'i^ '

    ^
    danger, the ruin, the strife, it mustfall ; u - ni - ted we are for life ! U- ni - ted 1

    ^Sg*—
    ^k^1"^ r-^^^^
    v«^
    3g-3.^ -i i ^
    *

    ^ -^«— ^SiC JL;* -J* —-^ -*

    r-h* OlJ P
    3:
    ^^^^^^^S united! and would'st thou link
    r
    I
    p
    I

    my name in
    ji.'ij^

    a chain of such
    .^"^ [T

    dis- grace t
    tempo prima.

    ^pSs 219
    ! #

    ^^ my rank, my ve- ry
    _t! LJ^ J^ r i

    blood de
    r
    -
    r
    fame
    -
    g g g g-r-K
    with a blot no time can ef -
    ^
    face t The
    t= =

    P^
    child
    -f-^lTT^
    t^

    of
    »
    mv
    I

    heart
    -rt^-^-tf:
    ofmy house the pride, an out -
    ^^
    cast,
    i?^4zi
    ^
    an out - cast gip- sy's

    ritard.

    rc'i : T'
    '

    jr-rg 1^
    .&
    ^ ^ ^S ^^
    F
    i^
    bride the

    s
    chUd
    T -r-

    •r ^ -r
    -m ^
    of my heart, of my house the pride, an out

    5
    ::tE^
    - cast

    ritard.
    gip

    ^^=^
    - sy's

    @ Fg^W LU^^*Ci-^ ^ei -I-^


    1S=^

    /"oiTf? //« mosso. Th ADDEUS (Breaking from her, and going up with great dignity to the Count. )

    m s—^— — *i ^ a) m
    l

    i^
    tr
    fall
    ^3r
    bythewea-
    =^^=t
    :^^=^^=
    pons thy wealth hathbrib'd;
    ::^ip:

    al - tho' m
    k k
    reveal -
    :^=(^
    ^
    ingthe
    i»

    220
    5f ^ ^ ^ ^S^
    m name
    f^^f-^r
    I bear, the
    l f f'^'c^
    home I shall see no more,
    =t
    the
    '±£ r
    -t»—»
    land which to thee
    I
    r
    ^
    r
    y'

    in its

    m ^ deep despair,
    ^
    the dead -
    ±
    liest
    ^ ha - tred
    ^
    bore;
    :^
    I may

    $=t

    fall
    qcqc
    :5l=5t

    as have
    i
    fall -
    Pn=h:
    :^t:it ^
    en the brav- est of
    ii
    J-^'r
    foes, the
    r ^
    brav - est of
    dz
    foes.
    =g=g
    'Twere

    ^'U^'^^'jyjjj^^^s^
    ^"
    5_g r g |
    r 'r- g|*^ --^ ^ Sci:

    ^ bet - ter like them to die,

    :^2=

    ^
    and
    ±?=:
    in honor'd

    izii
    earth

    =52=
    to lie,

    *=t
    than

    lEi:
    i:

    ^ -^g^
    ^^

    (Count Arnheih fl«</ Arline betray symptoms of astonish-

    i
    iqr
    ^^^^ ^
    I

    hear un
    '

    •
    I

    resented
    1"
    Jtrff:
    1^

    re- preaches
    -s^
    ^ ment, yet great anxuty.)

    like these.
    ¥==e _^
    Start not,
    s

    but
    ^^^
    lis- ten !
    IS.

    ^
    (Segw.)

    221
    — ;

    THE FAIR LAND OF POLAND.


    Air
    Allegro martialt grandUto.

    -#-T-g^ rT f i

    Thaddeds.

    Hjf ' r-eir


    When the fair
    Mr
    land of Po -
    i^\^-
    land was plough'd by
    r-^^ ; g
    the hoof of the

    m -y^-J- ^ ^^^ -g 1 *j -^
    =5=5=

    ^
    -car

    ^^
    ¥ ^ :^=;
    ^ u u

    U^
    ruth - less
    ^S
    in- va • der, when might
    ±:
    with
    r
    steel
    r
    to
    g-f^fciig
    the bo - som, and

    fc=^
    i
    :8=^
    t S^ ^^. 1
    -^
    g1 1 *i
    ip^-

    /
    r3K=r=mz

    ^ ^ "J—err iT > *»

    ^^^^^^^^
    flame to the roof, com- plot- ert her triumph o'er right
    -r-r ^3^^.
    \^ 1^ t=!if—p"
    in that moment of danRer whei

    —m ^ —— — ^ ^ I _^
    ^ r^g^ 2(« m -« — — —B-
    - i=t—

    3^^4
    1-q m *
    i--m—

    -iS--
    /
    t- I

    ti^
    C
    - ^'-
    C"
    - M^r ^e -I ——^ I

    j,>
    ' •^rL'ft^^
    — ta*-
    li^^
    u >

    rr r '^-^U^=g=H;=ig-.-.ug»^^^s^ '

    =t«^=^
    free • dom in-vok'd all the fet-ter-less sons of her pride, in a

    ^ 35St '1 H

    ^
    «. '
    :

    322
    i-^ ^ ^^# * tt
    i* ti
    ^ ^

    g:^^=^
    y ^
    pha - lanx as daunt- less as free

    —
    - dom e'er yok'd, I fought aud I bled by her

    ^^ :^=i— =1
    — g
    ^
    1 •—
    1^

    f
    <s
    1 !
    -P»-
    1
    s^ e
    ^=^
    jH^^^^^y
    l

    ^ ^
    1 I

    !•
    >
    1
    «
    >
    »-
    U
    1 g
    i
    1

    =4
    ^
    >l L
    t*

    />«<ro meno.

    ^=^ J— r--^

    ^ ^^^^ 5
    : r
    i side
    rt
    My birth is no - ble, un-
    I

    my stain'd crest

    U
    i ^^P
    I I I
    -

    ^-J * J
    ^
    ^
    L/

    W^ ^
    p f
    *
    ITTT^ IX ^.1 g- ^-^ ^ g-r ^ ^
    r-
    ;~r q
    as is thine own, let this at -test, my birth is no - ble, un-

    ^
    ^
    ^^ !

    -»:Sit^
    I
    ^—1-^
    ! J
    *^3t
    ! !

    J J J 1

    ? 1 iJ-L'
    ^•^—

    g= i P f=
    rait. Adagio attai. ^

    • stain'd my crest as is thine own, as is thine own, let this at • test.

    ^m g^=*Z
    ^
    ^^= mm^
    m=f^=^ -^ .f^r^ffT-^
    1— ^ ^
    (TaJUi hit commiisioH from hit iftorn, and givtt it U tht COUNT, who standi fixed and bewildered.)

    m ^l 3)^
    ?^
    ^
    ^ ^^R^
    .*i-<».
    ^a=t
    ^S I ^^ ^ 2i»
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    dred with whom she dwelt,
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    ^ ^^^ ^^^c
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    first link'd me

    m
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    tor as
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    not one who hath a/\ lov'd

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    your child;
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    on

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    this

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    one who hath so lov'd your


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    child,.
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    Count, (greatly moved)
    pp
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    be that homage paid at hers who the
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    ^rg
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    ^^
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    est af -
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    on thee con-fers,
    ^
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    ra/l e piaccre

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    ^
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    tirm-est af-
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    fe( on thee con-fers.

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    P ^^ ±2±
    228
    LET NOT THE HEART.

    for sor - rows grieve, with which the


    Let not the heart
    Thaddeos.

    '^^^^^
    bo-somhathceas'd to.. heave, let
    ^^m
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    *-
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    -
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    ha ven at let not the


    past, if we reach the - last.

    ha ven at last. let not the


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    r

    heart for sor - rows


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    som hath
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    the
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    m
    u last.

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    last

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    * In performing the Opem thete B ban an to te omitted.

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    il£ It
    last.

    P last

    ^^ fc=t

    {During the trio, the wan figure of the Quekk has been seen at the window in the back, and at the
    tndofit, as Thaddeus is about to embrace Arline, the Queen, in a transport of rage, points htm out
    to a Gipsy by her side, who is in the act of firing at him, when Devilshoof, ivho has tracked their
    steps, averts the Gipsy's aim, and by a rapid movement turns the pistol towards the Queen tt got! —
    off, and she falls.)
    Count. Guard every portal —
    summon each gaest and friend
    ADd this festive scene suspend.
    {Crowds of Nobles, Ladies, Guests, &*f, pour in at each door^

    A llegro pesante.

    w^ \V± -^^-9^ $ -4 -t- 0* 4 ^ a* -fe


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    DELIGHT.
    ^ ^
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    [Segue.)

    id

    (Arlinb rushes into the arms ^Thaddeus, and then passes ever to the Count.)

    i "SE
    Allegrv.
    ^^ i
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    Arline.

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    Oh, what
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    And a wild - er glow in my heart in stilsl

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    ^ wild- or

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    i my
    :s:iF

    glow
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    heart.
    ^^^ 1 m - stils I
    PP

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    bliss un-felt, un - felt
    ^ 5=c

    be- fore,

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    m 1=^^ "K 1 K
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    — 8

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    hope with
    y
    liisf:

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    »

    out, with - out


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    speaks with rap
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    of my heart the joy! Ah!.

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    Oh bliss,
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    Chorus. Oh bUss, oh bUss un - felt, un- felt be -fore.

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    .

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    oh, what full de -
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    =>hS=

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    ±
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    som
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    '

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    and a wild - er

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    oh, what fiill de - light through my bo - som thrills, and a wild • er

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    «l
    Sr.-4
    ^
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    oh, what full de - light through my bo - som thrills, and a wild - er

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    oh, what full de - light
    W^
    through my bo som thrills.
    >-J»-
    1-114
    and a wild - er

    i
    /
    ^^ ^ ^^ ^ -(=2-

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    rt

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    glow my heart, . my heart.. in-

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    glow my heart in - stilsl

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    glowmy heart in - stils!

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    oh, what full de - light through my bo som

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    oh, what
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    full
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    light through my bo 8om

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    J—
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    ^ w
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    glow
    J

    in my heart

    ^
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    -

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    ^ ^^^ :^£:

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