NO.1FOR DIGITAL ARTISIS INCA cae DINO-ART | eee | pas Ps How t6 paint bigger, better monsters! 7 y shares hisvart skills 4 ie } 5 = ¢ , i P- « ‘ s = PAINT-AGIGANTIC BEAST. , : P(e Pisa nay age7 Si som Tb ALS tol} — A COMPOSE A ZOMBIE~ AE ute Rr enealar Ade ete YTS al W ¥ CONTROL CONTRAST TO +"EN aay FROM THE LEADI VISUAL EFFECTS Solel iel= 7 ele WORLD ee Melee ne leek Med okra) real-time feedback & critiques. rere cy MST ee esol ee a=] 018 Reece ure [eles Over 50 courses rll h CRT em eel gle eM m1 8) [1h ee a ee jee 3 a Classes cover a wide range of subjects and software: eM aS) era a ces a) — roster UAT eURSIot sey ec ue teny Ron On ne cao Sasi) Sees onl oon Pare ren eens eur UL) fees} BD aurodeskmaya ZR zerush © sosmax CP nuke @ unrest BY Houdini mental ray [EGNOMON Fry SiR ars Peete Ree)— Editor's letter > ay re Swesccessorecscececes Welcome... to inspirational art Inspiration drives our art and comes from many places. So this issue we dig a little deeper into where to find it and how to harness it once you have it cornered, trapped and tied. We start with a look at the world of paleoart on page 42, a discipline built on science, infused with human imagination and adopted by artists for decades to inspire their fantasy creatures. WS a fascinating look into a world where fact and fantasy share common ground. ‘Our workshops section plays host to inspiration, too ~ whether you're inspired yourself by the amazing creature painting of Simon Dominic on page 60, or follow Christian Pearce on page 76 as he draws on 40s aeroplanes and trucks to construct a fantastical vehicle set for a fight with aliens in the Bermuda Triangle, A personal favourite this issue, Katie De Sousa seeks her inspiration in the patterns ofthe Aztecs to paint a lost world princess on page 82 I'd like to take the chance to announce the launch of this year’s Rising Stars 2013 campaign, Once again we're seeking 10 new, amazing artists to promote in the pages of ImaginePX. There's also a Standout Newcomer award this year, for young artists. Turn to ‘page 56 to read up on this year’s prizes, judges and entry details. “If you need to be inspired to enter Rising Stars 2013, then turn to page 23 to begin our issue 100 celebrations and discover how you can vote for your favourite artists and most-loved Imaginel’X covers! Tan Dean, Editor ian.dean@futurenet:com EELS Ree ao RRL ON TT f=8 Subscribe! see pages 27 & 31 (digital editions) and 32. Haale \VWW.PDFMAGAZINES.ORG 50000+ DIGITAL MAGAZINES.Forum winners Letters Artist Q8A ‘The art of adapting Many atists strive 10 overcome ‘obstacles to create art but none more so than Francis ai, read his inspiring story. Paleoart ‘The world of dinosaurartis rich in inspiration and artistic visions — the monstrous reptiles have influenced fantasyart since thie first depiction, ‘Sketchbook Fantasy illustrator and creature designer Brynn Metheney laves drawingbeasis while supping her morning cuppa. Rising Stars 2013 Pickyourfive pens mages, plac jou eno deed Mou bday sndyousuld end up being one of this years + 10 Rising Stars! Grafit Studio “Que main goal? To tale over the world, of course” This, Russian art studio certainly likes to thinkcbig, ‘Subscribe today Back issues Next month ImagineFX online Contents Now you can read the digital version of ImagineX ‘on arange of devices! EX Working with scientists ers vi give accurate reconstructions, a pet iia bests PU rol \VWW.PDFMAGAZINES.ORG 50000+ DIGITAL MAGAZINES.Aarau Pee es ron a PCa Urs CO tec peat 4 ete) bespoke brushes, feetlem, Wado ae uc Nic enarnesy eset Sey rere tg erin S oe nes SRG aE Lr) ery sere eee SS Rterneeet ety Ee eee rerieeenna Peace ees rere atetreny See Artist Q&A POM ua Issue 5000+ DIGITAL MAGAZINES 98 August 2013a THE PLACE TO SHARE YOUR FANTASY ART + Robert Nicholls. (ieamion: Sma and ht met Srv and myed-medn aces" ommisstoned by Merin Enetalnment ARTIST OF THE MON’ ‘Congratulations Robert = youve won sé Freelance illustrator and concept artist Mark Facey ‘Casts an appreciative eye over Roberts imagery Y2%@ “Robert's clever composition keeps every thi s working together. | especially enjoy the s] rally a stigma calm meoaing the viewer’ eye towards the creature in the centre.” FXPosé submissions to: Sxoose‘aimaairefccom \VWW.PDFMAGAZINES.ORG 50000+ DIGITAL MAGAZINES.\VWW.PDFMAGAZINES.ORG 50000+ DIGITAL MAGAZINES.Z ‘Andrew Thomas. England ‘isthomsi982samicom Phatozho, Panter Murraor Being sunteriy enables yout a > aa ss > 7 P ® "Usinga striking Sa a i Bp cartes tthe acest using tary Spt / Pa ‘mixing Photoshop Fin otmnsinthe compesiton nthe Dinu ted not tomate eo ‘ovis, battisthere™ _ and Hllustrator, Andrew has managed to give is a new take on some worn ideas, such as a neondit futuristic dystopia.” \VWW.PDFMAGAZINES.ORG 50000+ DIGITAL MAGAZINES.+ Heidi Muranen. ‘wo heidiuranen. ne Telcnmall.1962:9mal.com @ papeereed Serer tke) Serene, inyartstie wesoen afro Seay wah aoa mtn ch ‘rae Ho caren warks te Ings ou of my comfort are every rowan en Pel searching for my paceintewewid™ wich newer normaly happersto me ‘The megewas supposed tobe called The Day wna Fallin Love Wt Mya, Touideaat tot te neo “repped ne endothe te” jeeircattenars SsoeTinagecpee = \VWW.PDFMAGAZINES.ORG 50000+ DIGITAL MAGAZINES.Z » Zi Ray Sinclair (le Photorhop ven hough» ~{ Sntivuah, Rare Srangerto the dtl ‘wonders ofthe nee ania a ital {ote ~Thate gained so much seu owed aout parting a an arts. \VWW.PDFMAGAZINES.ORG 50000+ DIGITAL MAGAZINES.CY “Artists have long been commentators 49% on society and currentaffairs. Given the. farreaching effects of 2008's financial is, it's pethaps no surprise to see a talented fantasy artist, like Ray produce hisown, take on the situation.” Soy beckrsthe ore tommove ati pomtng wens tose Vormea'| Faning nce ant FXPosésubmissions to: \VWW.PDFMAGAZINES.ORG 50000+ DIGITAL MAGAZINES.== Alejandro Garcia ==> ‘Partial silhouettes SPENT ani) Ens time rc) Feasting ener cents Pearce ee power source, together with an aggressive colour Perera ent scheme, bring the Dark Mec oct norsoamn cep Lot peer ara FXPosé submissions to: nose aimaair \VWW.PDFMAGAZINES.ORG 50000+ DIGITAL MAGAZINES9g 2 74 Rinehart Le eeenaeiiee near graduated om Stats \VWW.PDFMAGAZINES.ORG 50000+ DIGITAL MAGAZINES.FXPosé submissions to: |VWW.PDFMAGAZINES.ORG 5000+ DIGITAL MAGAZINES)FXPosé submissions to: /xposo'@imaanehicom \VWW.PDFMAGAZINES.ORG 50000+ DIGITAL MAGAZINES. ==Kelley McMortis ‘ateyaimcnedtncon Photoenop Uadediyoyone fora Wacartablet Say toaive my fantasy carters ‘Roran edge smarty tay long trate ‘wth er Masters degree rom! amy tar te summe dope {iets book covers for ma (racers aeons along wrong ‘Zahir her own cher’ bok, ‘wanted tooroctise drawing drogons, Shetotallystoletne show” WALD SWANS “For my thesis, tahini ug andes eang Ineheare Rua fanny Forme anyway piece isespedally bilan, with a beautiful between crisp detail and emotive colouring”TeBoboy Myers ‘Glatensamalccm thelate NASCARYa -Thenateconicshiftin thinking | cued, ntheeny 1360sthn Ostomy mad comings Between Theropods (epepuarnbras frauen, Trerand kis even ier bch the Spinone and bs - maeples, This hanged ho anatony and woven were depicted The mos efecveadvocate of this va paloertlogic and arti Robert ae who oh ings tothe worl dinoseemscon along ‘ih his ov Cone ina 4 There were very few paleoartists up 70s,'and most were using D Gregory § Paul | being warn blooded. Thanks to Robert and his student Gregory Paul, paleoart became a flection of this test school of thinking “There were very fee regular | paleoariss ata given time wp tothe early 704" says Giegony today, “apa most were eng the repillan model hich was reversed by substantial science Now ee athe point that even the colour ofthe feathers that ace the most brie | ainossurs sein determined” He ads “ut there’ some contoversy over tha.” OVERBOOKED Today paleoartss such as Todd Marshall and Luis Rey areas likely fre up Photoshop as reach fr the ary — twortime Larizendort Paleo Prize ‘winner fulius Caotonyi has wore digitally | sins 207 heaven fit ats created new protlems. Ate Jurassic Park | made dinosaurs prehistoric cash ow tunder funded 30 animations and gh of 2D ans Mood the genre, “which sa business rable,” says Gregory, “Because | themarketis actually quite ime” ME ere oo \VWW.PDFMAGAZINES.ORG 50000+ DIGITAL MAGAZINES.PALEOART. Spanish stator | fascinated by sbne toothed tigers and Mauricio Anton distls the | luckily his courtry had more fossil sites. current situation: “Onthe | fromthe Genomic Era, orthe Ag ofthe bright sidewescealotof | Mammals (66 million years go the talent present), than dinosaurs Peoingbac skin of pumas, aguars and even modern nthe sme ney ake siamo oftheabunaner sing | dy ies oe arlasexprioaiou elrwrk mating | bones Mai ands clleges ta inckaphbourttlowethemanets” | docorednewfcs about peaance y nnn pcs andthe standart votthecivetoated aes Pinemtnanntoned muscles and and movem Artistlike Gregory, Mauricio and ulus | tiger He mad de tamaiion fom artist serettmerat ste arengvingup st yet ugh. They have_| to scients pos esha aia ‘more than just decades of eperience | “Colleagues told me the results cea eve terme roducingart on their sie theyre were ground-beaking and Serene palaeontlogss in ther o¥n righ, deserved tobe he Pahshing the findngs nny te Fuori itu creo in é orking done wth eam a palaces and archarlgis. & pblshed” Ihesays. “Thats haw CHICKEN AND E66 Tsgntmoted inva The Inrecenoyear Mauticio as Ah; seasoned patecrts’s need to reeate the Aiscovenl a knack for ge * appearance ano nabasorextine ana issetingbigats: Hons, | often truss him into the rok ofdetective tigers ses Growingupin ge | areearcer Spainhewasalsays ie Palaeontolay is puz2e solving and sometimes inistaes' ony beeane thought to be contemporary ae gecarmantcntee — DINOSAURS fernucas KNIGHT : thesame, Gregory identiielsuch | ow agtiste such as Alberto Gennari and Julius conan wth eens eit ine tas favour sauioped (thats a long necked dino 1004 and [here are many faces to paleoart Shinning oral artwork perale ge aed The Brae ec toca from digi sl Petioed bli 1903. n 1988 Greg printed is fn ‘what was hough tobe Bi onus was ieee ‘its onn nah tan lostrate new sage an tears Burra or for adominar sisal osu pe ‘ungoninor eae. lis otons"s parormic pining of the anrasie ropii laceros ein > Satterlee cesta nite acct erty faery. tart cin amore hn 2005 Abra Geriati was asked pain he autne ant slleton Sf Tyannocauruby tals Univeraty af Salento abv) vith 2ass of e's ler aw and hn eg bones. what Started a asheetal wad painting tunedinto something Shelyaferent “Twarted fo ho peopte what placontoioay and Int herestoratin ofa iina organs” gays Alberta “he fest oreo cross section ef herrary sl 3 the paleortt. mbna instant, painting ‘SSupture the Saint Fre documents alot of what we haw ofthe ite ofthe Trex tarmac mses og esting Ten mnt ate the rman lang, sé metesah Freewas complet VWW.PDFMAGAZINES.ORG 50000+ DIGITAL MAGAZINES.FEAST YOUR EVES | | adhtiartecometersea | Tod sees nothing wrong with imparting am artiste toa pies aslong athe deailsareright. “Therés room for Imerpretaton as far as colourand some ‘dermal omamentation i concerned,” he | sys “Woking ih scientiss lps you five the most accurate reconstruction, but | existing nie” Some bsic commercial art rules apply | lesan yim patio mh ecilin hee, as believe in eaving some ‘ofan thsration tobe completed by the SCIENCE IMITATING ART >> eng Aca asin 4 Understanding the anatomy of the fact seitferen subspecies. And | sheciatan wasbom. real gives you the wings to exaggerate ARTISTIC LICENCE the imaginary } tem! whidach Piven acy tl sat reset ne enrine WE icomenaiationaaices rim danieaim for artistic licence ~ look at Ls Rey's incorporating the gritty reality of | ‘Teryl Whitlatch, Forher, the cof, playful platings Oryoucan prcistrilife- eae scarsand | Dakar oly Mattemes and Reco becumscos [Py inscdecus sparen earch ecouuson a |”. tea ocwemcumn [2 peri 2 eteous stcenane tay deb pero rs tot syv tae | endemic, | THEY BEDRACONS teeters (IR Mcuwrdoomsiowscn” | pumcriex ennai iia ieconedinte erie eravmmnatacdan |r wecrecyelmememes™ EXTINCTONEVENT | Srcicslatd emsins ofa Velocirapuor ime “Whenyou uadestand ie | drags to Godaile -or depictions are Femmes | Snr peca eet Pee eer ny penta aera Fe a | heey deh ntl coma Decpolepuan’ | ssiceenms acai iment Todd balls ontine | caaggeratetheimaginay’” | continues Ter Presa, wie not > ee |e rriictoriecrs | foe SA wesponsalongsdesomect | — meh ieeel te Simatic tinea iz (hee De oa bac eae YEON THETIGER Ssh sf mtn as ieee he near ‘irAgmna seagate een eeIMAGINING A REALISTIC MOSASAUR TYLOSAURUS See ae ee ermcant ee ene enemy eu Ca aoa ey IVWW.PDFMAGAZINES.ORG 50000+ DIGITAL MAGAZINES)| >> themsehes cnosaus remind of | het eg myth ceatues yer | open at | Some ave pst dar cy he erin. | Eacta *| esque erty, even though ‘Smee | as ata Olet ng a eet | evidence ston | Tor Dinotopia creator | Tames Gumey-thearpeal is | inaicing the land before | Partof the fun | prcectng nlf i thei | wo rosette oka behave in [eee a eens | sninesetey | exposed to science onthe edge of eiscovery a ag | Alot ofpcople don't realise what ine-cuned | int have” | seetiacetes | imaginations scenins have ide ot” | canti | “Sri ae Looking hack the at ofthe Dinosaur Renaissance, his viewpoints evi \VWW.PDFMAGAZINES.ORG 50000+ DIGITAL MAGAZINES.‘ins | atta 4Paleoart is fuelled by a longing for a wild but pristine world, long before humans tamed the Earth } muuricio antin | literally The point afew is usually avays | fustabove the ground looking ona human ‘senkng.a peck at exraoinary creates, | world where ie has ight to be With hina increasinglyopeningupits | Regardless of how Fes the ose | | stesand ndings tothe werd thiswill be | skeleton, the fundamental appealof PALEOART EVOLUTION thepattem forthe freseable future And__| imagining dinosaurs has reallychanget this human viewpeint must beableto | thatsaready made an impression in since the unveiling ofthe Crystal Palace change. Paleoar although rigorous, must _| fantasy. James Gurey's 2007 book statues. "Tthinkthat paleoar is felled bya allow room to move s fos discovers | Dinotopix: Journey te Chandarainchuded | sort oflonging fra wild but pristine word, ‘het nev light on assumed theories. ists | many ofthe feathered dinosaurs such athe | long before human civilisation tamed the ‘ch 8 Gregory haverespondied to constant | hand-laved Theriznosaumis andthe tiny | Eamh,"says Marco, “and there san change by esting eirart akeringa | fourwinged Micrraptor, that havecome affinity between that nostalgia and the img province of China. | ssh taexcapet work’ of fants” @ verebrachere some muscle massthere | outoftheLia ‘CREATIVE WINGS, some =e \VWW.PDFMAGAZINES.ORG 50000+ DIGITAL MAGAZINES.