It you focus your two eyes on 8 pencil heid cone to the face, wheat the same tine sca terra pt tery rr wom ta {to concentrate on the object while the pencil is in front, the pencit doubled and the object just one Lo Y In KINESTHETIC vision, mon experiences space in the movements ofthe eve from one Pat, ‘a two-dimensional of a whole work of art to another. Space is experienced while viewing cistace beceuse we unconsciously attempt fo orgenize its operate perts 60 that they can De Seon a8 a whole. In addition, man explores objects surmental recognition of them. Objecss Sore to the eye require more, Ocular movement then those more distant, and this factor ‘adds spatch illusion to man’s Kinesthetic vision. THE PERCEPTION OF OBJECTS: visually but by the sound of familiar voices, people can be they may be touched and weighed in the hand. If they are ted. Thus the observer may continue examining the impressions until he has made up his mind Objects can be perceived not only recognized. In identifying objects, food objects, they may be smelt and tast object and placing together the verious sensory what itis. Cur behaviour through experiences hes become habitual, automstic and effective. An ex- cars wtien we walk Jury, of run hurley whan a vehicle fe epproscring. We ts0 omple Mirna sense of poston, by reacting automaticaly, shifting the body to one side ave ang bicycle. We perceive viaualy whether the bicycle i upright in relation to the road. THE PERCEPTION OF SHAPE ature of a shape or object is its general outline or contour. Whenever ne oes cbjects, they seem 1 be ceartyoutined and demarcated from thei background, ye oe vid object the particular contour exhibited to us at an ene moment varies with ies position in space: “The visual shape of a square —topped table is square only when we look at it from above. ‘The most important fe 167