It you focus your two eyes on 8 pencil heid cone to the face, wheat the same tine
sca terra pt tery rr wom ta
{to concentrate on the object while the pencil is in front, the pencit
doubled and the object just one Lo Y
In KINESTHETIC vision, mon experiences space in the movements ofthe eve from one Pat,
‘a two-dimensional
of a whole work of art to another. Space is experienced while viewing
cistace beceuse we unconsciously attempt fo orgenize its operate perts 60 that they can De
Seon a8 a whole. In addition, man explores objects surmental recognition of them. Objecss
Sore to the eye require more, Ocular movement then those more distant, and this factor
‘adds spatch illusion to man’s Kinesthetic vision.
THE PERCEPTION OF OBJECTS:
visually but by the sound of familiar voices, people can be
they may be touched and weighed in the hand. If they are
ted. Thus the observer may continue examining the
impressions until he has made up his mind
Objects can be perceived not only
recognized. In identifying objects,
food objects, they may be smelt and tast
object and placing together the verious sensory
what itis.
Cur behaviour through experiences hes become habitual, automstic and effective. An ex-
cars wtien we walk Jury, of run hurley whan a vehicle fe epproscring. We ts0
omple Mirna sense of poston, by reacting automaticaly, shifting the body to one side
ave ang bicycle. We perceive viaualy whether the bicycle i upright in relation to the
road.
THE PERCEPTION OF SHAPE
ature of a shape or object is its general outline or contour. Whenever
ne oes cbjects, they seem 1 be ceartyoutined and demarcated from thei background,
ye oe vid object the particular contour exhibited to us at an ene moment varies with ies
position in space: “The visual shape of a square —topped table is square only when we look at
it from above.
‘The most important fe
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