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Culture Documents
English Dept.
Oedipus the King is the play written by the Greek author, Sophocles
in 420 BC. Also well- known as Oedipus Tyrannos or Oedipus the Rex. The
play is a trilogy of Oedipus which was written in three plays: Oedipus the
King, Oedipus at Colonus and Antigone. These three plays describe the
Oedipus tale beginning from his appointment as the king of Thebes after
answering the riddles of the Sphinx until the fall of Oedipus and later the
tragedies of his children suffer.
Genre: Tragedy
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Themes :
As also Oedipus says to curse himself about the Gods‟ will. He blames
Apollo for the prophecy but he does not blame himself for what he did to
his eyes to gouge them.
Determination/Stubbornness:
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he is exiled because of his determination. Once Oedipus figures that he is
the one who murdered Laius, he keeps his promise to be exiled
Wisdom/Knowledge:
Besides the theme about fate and free will, Sophocles also wants to
show wisdom and knowledge. In Oedipus the King, Oedipus is a
seeker of knowledge and truth. He struggles to uncover Laius‟s murder
and his own identity, despite numerous warnings that he should leave the
truth alone. His pursuit of knowledge and truth, however, results in ruin as
Oedipus uncovers his destiny, which he was better off not knowing. The
wisdom and knowledge is shown in the dialogue between Oedipus and
Teiresias, the blind prophet.
Although Oedipus had the ability to look past the information he was
discovering through his investigation, he insisted to know the truth about the
Laius‟ murderer and that truth itself brought him his unfortunate ending.
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Exposition:
The writer has found that the most exposition happened when the priest
explained about the worst condition of Thebes because of
the plague which suffers the city. This scene introduces the main character
and also the setting in this story which is Oedipus as a King and take place
in front of Oedipus‟ palace. One by one characters appear such as, Creon,
Jocasta, Teireisias, Herdsman, and first and second messengers appears then
he leads to Rising action.
Rising Action:
The rising action of Oedipus the King story happened when the first
messenger entered the stage and told Oedipus that the truth,
when Oedipus find out about the Herdsman and asks him who has given the
first messenger a baby at that time. meanwhile, Teireisas refused to let
Oedipus know more about the truth and by that time Oedipus lost his
temper. After, the Herdsman enters and that leads to the climax of the story.
Climax:
Oedipus finally finds out the truth from the Herdsman that he is the son
of the fallen King, Laius and Oedipus felt that it is too late to turn back. Not
only that the information he got was too late, but he also realized that he
married His own mother already and had 2 children. Knowing that Oedipus
has finally realized that, the second messenger appears and brings bad news
which leads to the Falling action.
Falling Action:
When the second messenger finally enters the stage to explain that
Jocasta has committed to suicide. Everybody is shocked, especially Creon
who was the person which the second messenger talked to. Not only that,
second messenger also let Creon and everybody in the palace know that
Oedipus has blinded himself. Not long after that, the blind Oedipus enters
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and he Confesses to everyone that he has married his mother and killed his
father, He also asks Creon to take his throne which also leads to the
Resolution of Oedipus the King story written by Sophocles.
Conflict:
Symbols:
In Oedipus the King there are found several symbols which are reflected
through the metaphors and the characters‟ characteristics. The metaphor in
the dialogue helps the writer to analyze the symbols in the drama script.
According to Cricka & Grushka (2009), “Symbols, as metaphor, stand for
something other than their literal form and can express
abstract qualities such as truth, strength, wisdom and courage.” Meanwhile,
the character‟s characteristics can also support the analysis of
symbols. Kennedy and Dana Gioia (2010, p. 224) explained that symbols
can be divided into two: symbolic characters and symbolic acts. “In some
novels and stories, symbolic characters make brief cameo appearances.
Such characters are often not well-rounded and fully known, but are seen
fleetingly and remain slightly mysterious.” (Kennedy and Gioia, 2010, p.
224) Sometimes, a symbolic character is when the character only appears
one time or two times, but the appearance influences the story from the
beginning until the end. In general, symbolic characters are when the
character has two roles, a main character and a symbol that makes the
meaning of the story. Understanding the characteristics in a drama or novel
is important. Based on goodyer (2008) the function of characteristics is to
explore human nature and to entertain, to bring an audience in, and allow
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them to get the chance to experience foreign situations and characters, and
thereby learn something about themselves and others.
Words like "see," "sight," "vision," "eyes," and "blind." Since this motif
is symbolic of the pursuit of "knowledge," can be found throughout the
play, along with terms like "oracle," "truth," "prophecy," and "Apollo,"
since he's the god that represents all these ideas.
When Oedipus was three days old, his parents received a prophecy
saying that he would kill his father one day. So, they pierced and bound his
feet and sent him off to be abandoned on a mountainside. Oedipus survived
the incident, but was left with scars on his feet. In fact, his name in Greek
translates to "swollen foot".
Oedipus' scarred feet are more than a little symbolic. They highlight the
fact that he has been marked for suffering from the moment of his birth.
This expounds upon Sophocles' idea that humans have no power in face of
the gods. For some mysterious reason, Oedipus has always been damned,
and there's not much he can do about it.
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The scars also highlight the irony of Oedipus' ignorance. Although his
name blatantly points attention to his scarred feet (which are the keys to
discovering his identity), Oedipus doesn‟t realize his true identity until it‟s
too late.
3. Crossroads:
Oedipus Complex:
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not forget or suppress the memory of killing his father because he had not
killed his "father." He killed a group of strangers on the road that made him
angry. One of those strangers happened to be his birth father. Oedipus
would have had to have killed the King of Corinth, his adopted father, for
Freud's theory to apply. Oedipus obviously loved the parents that had raised
him or he never would have been so appalled at the prophecy that he left his
home to ensure it did not come to pass. Freud's theory would not have
applied to his marriage to Jocasta either. He married a complete stranger,
not the woman who raised him. Again Freud's theory would only have
worked if he had married the mother who had raised him.
King Laius and Queen Jocasta were the real villains in this story. Had they
kept their infant son and raised him, the dire prediction would most likely
not have come true.
Writing Style: