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Prologue to Chakravartin:
Lav kush and the horse of King Ram
While Luv and Kush were growing up in the ashram of Sage Valmiki, Lord Rama
performed an Ashwamedh Yagna on the banks of the Gomti River. For the proper
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completion of the yajna, Rama sent a horse that roamed all over many lands.
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The horse went near Sage Valmiki’s ashram where Sita’s twin sons were living now
exiled by Rama.. Luv spotted the beautiful horse and was awestruck at the beauty of
the horse. Soon Luv read the message which said that whoever would tie the horse, he
had to fight with the army. Luv tied the horse to a close by tree. The army of Rama
soon reached that place and saw Luv along with the horse. They burst out into
laughter to see a little child tying the horse to a nearby tree.The little child already
knew what would the consequence be and was ready to face it. Hence, he called out
for a fight against the army of Rama. As the war began, Luv did not give any
opportunity to the army to shoot the arrows, instead, he shot the arrow called
Jrumbhkastra. The commander of the army could not believe his eyes and was
astonished to see the bravery of the little boy. He was pleased to see the skills of the
boy and approached him. He requested the boy to set the horse free and at this point,
Kush came. Kush did not want to free the horse and instead challenged the army to
prepare for a fierce battle.
Sugriva and Hanuman came to rescue Rama’s army and battle the children out. Soon
the two brothers outnumbered Sugriva and Hanuman and dragged Hanuman by its
tail to their ashram. They wanted to show their bravery to their mother.
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Rama was overwhelmed to see his sons and thanked Valmiki from the core of his
heart.
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The ruler whose chariot could roll in all 4 directions
unhindered( without any enemies) was to be known as Chakravartin.
Therefore, it is very probable that the Khmer kings had heard of the Indian
polity of Chakravartin and wanted that glorious title to be bestowed upon
themselves. The first time we hear about the word Chakravartin in the Khemer
of “Cambodian” context is in the inscription from the Sdok Kak Thom temple
recounts that at Mahendraparvata, the Mount Kulen or holy mountain of the
Khemer, Jayavarman II took part in a ritual conducted by the Brahman
Hiranyadama, and his chief priest Lord Sivakaivalya. This ritual was the
christening or coronation of the Kings as devaraja which would place him as
a chakravartin, Lord of the Universe.
There have been 2 other Chakravartin in India. King Ashoka and king
Chandragupta both of them belonged to different dynasties. Ashoka also
known as Ashoka the Great, was an Indian emperor of the Maurya Dynasty,
who ruled almost all of the Indian subcontinent from c. 268 to 232 BCE.
Chandragupta, r. c. 319-335 or 319-350 CE) was a king of the Gupta dynasty,
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who ruled in northern India. His title Maharajadhiraja ("great king of kings")
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suggests that he was the first emperor of the dynasty. The concept of
'Chakravarti' occurs in the literature on ancient Indian polity. The sovereign
ruler whose chariot could roll in all four directions without any obstruction was
known as Chakravarti. Thus, Chandragupta Maurya was the first Chakravarti
Emperor. That is also contentious because Ashoka was born and ruled before
Chandragupta and he too, some say, was called a Chakravartin. In fact, a
popular TV serial was broadcast fromm2015 to 2016 on Indian TV titled
CHAKRAVART SAMRAT ASHOK; Samrat being another title which means
greatest of all kings.
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Th titular term CHAKRAVARTIN or CHAKRAVARTY is owned by 3 religions-
Hindus, jains and Buddhists and that is why there in multi-layered and
overlapping nuances that need to be understood and separated in order to
understand what it is all about. Hence, this paper is not about the Angkorean
Chakravartin but the idea –the concept- of Chakravartism.
Chakraborty
Chhatrapati
Devaraja
Kalachakra
Maharaja
Rajamandala- circle of kings
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Samraat
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Maharaja
Raja
As one can see there was a tendency to intermix religious dogma and societal
concepts because none of the migrated religions had taken deep root. The fear
of challenging, manipulating,being mischivious and making a tardy use of
religion to suit a purpose was the order of the day amongst the Rulers. See how
the Khemer switched their religion from Hinduism to Buddhisn as one
changes one’s garments. For example, Dvaravati a period that lasted from the
6th to the 11th century was a disparate conglomeration of principalities of Mon
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people.but it is also the name of Dvārakā, also known
as Dvāravatī (Sanskrit द्वारका "the gated [city]", possibly meaning having many
gates, or alternatively having one or several very grand gates), which was a
sacred historic city and in Hinduism, Jainism and Buddhism the name
Dvaraka is said to have been given to the place by Bhagavan Krishna, a major
deity in Hinduism. It being one of the Sapta Puri (seven sacred cities)
of Hinduism. In the Mahabharata, it was a city located in what is now Dwarka,
formerly called Kushasthali, the fort of which had to be repaired by
the Yadavas. In this epic, the city is described as a capital of the Anarta
Kingdom. According to the Harivamsa the city was located in the region of
the Sindhu Kingdom. In the Hindu epics and the Puranas, Dvaraka is called
Dvaravati and is one of seven Tirtha (pilgrimage) sites for spiritual liberation.
The other six are Mathura, Ayodhya, Kashi, Kanchipuram, Avantika (Ujjain)
and Puri.
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The first references to a Chakravala Chakravartin appear in monuments from
the time of the early Maurya Empire, in the 4th to 3rd century BCE, in
reference to Chandragupta Maurya and his grandson Ashoka.
The word cakra-vartin- is a bahuvrīhi compound word, translating to "one
whose wheels are moving", in the sense of "whose chariot is rolling everywhere
without obstruction". In Buddhism, there is a more passive connotation-
exemplified by what is derived from Tibetan- khor los sgyur ba'i rgyal
po translates "monarch who controls by means of a wheel”- an 'instrumental
bahuvrīhi: "through whom the wheel is moving" in the meaning of "through
whom the Dharmachakra ("Wheel of the Dharma) is turning" (most commonly
used in Buddhism).
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The city is described as near the sea, in modern-era Gujarat; a painting of the city in
the 19th century
14 Ratnas of Chakravartin, 17th century manuscript.
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Tibetan mandala of the six chakravartis
RURAL BRAHMANISM
In Southern India, the Pallava period beginning with Simhavishnu (575 CE –
900 CE) was a transitional stage in southern Indian society with monument
building, establishment of (bhakti) sects of Alvars and Nayanars, flowering of
rural Brahmanical institutions of Sanskrit learning, and the establishment
of Chakravartin model of kingship over a territory of diverse people; which
ended the pre-Pallavan era of territorially segmented people, each with their
culture, under a tribal chieftain. The Pallava period extolled ranked
relationships based on ritual purity as enjoined by the shastras.[9] Burton
distinguishes between the Chakravatin model and the Kshatriya model, and
likens kshatriyas to locally based warriors with ritual status sufficiently high
enough to share with Brahmins; and states that in south India the kshatriya
model did not emerge. As per Burton, South India was aware of the Indo-
Aryan Varna organized society in which decisive secular authority was vested
in the Kshatriyas; but apart from the Pallava, Chola and Vijayanagar line of
warriors which claimed Chakravartin status, only few locality warrior families
achieved the prestigious kin-linked organization of northern warrior groups. [9]
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During the each motion of the half-cycle of the wheel of time, 63 Salakapurusa
or 63 illustrious men, consisting of the 12 Chakravartin regularly appear.
The Jain cosmology or legendary history is basically a compilation of the deeds
of these illustrious men. As per Jain cosmology, Chakravartins are Universal
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Monarchs or World Conquerors. Golden in complexion, they all belonged to
the Kasyapa gotra. The mother of a Chakravartin sees some dreams at the
time of conception. A chakravartin is considered an ideal human being
endowed with thirty-two major signs of excellence and many minor signs of
excellence.
The list of 12 chakravartin of Avasarpini as per Jainism is as follows[-
"Son"
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3. twelve Chakravartin (universal monarchs, emperors of six continents),
nine Balabhadras (gentle heroes),
4. nine Narayanas (warrior heroes) and
5. nine Prati-narayanas (anti-heroes).
word Baladeva, Vāsudeva and Prativasudeva to
refer Balabhadra, Narayana and Pratinarayana respectively. A 1975 treatise,
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royal families, thus foreshadowing 54 of the 63 salakapurusas. Furthermore,
Jaini traces the origin of list of Baladeva and Vasudeva to
the Jinacharitra (lives of the Jinas) by Bhadrabahu (3–4th century BCE).] A
notable hagiography of these individuals
is Hemachandra's Triṣaṣṭiśalākāpuruṣacaritra.
The following Jain texts chronicle the deeds of the salakapurusas:
Digambara texts
history.
Kahavali by Bhadresvara (13th century) — This text raised the number
of salakapurusa to 72 by adding 9 Naradas.
All traditions of Jainism now agree to the figure of 63 salakapurusas. However,
the number of persons is 60 as three persons
(Shantinath, Kunthunath and Aranath) were Chakravartins who later on
became Tirthankaras.
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Tīrthankaras (also known as Jinas) are Arhatas who are teachers and
revivers of the Jain philosophy. There are 24 Tīrthankaras in each half time
cycle; Mahāvīra was the 24th and last Tīrthankara of the current descending
time cycle and Rishabha was the first Tirthankara. Tīrthankaras are literally
"the ford makers", who have shown the way to cross the ocean of rebirth and
transmigration and hence have become a focus of reverence and worship
amongst Jains. The Tirthankara provides all creatures with the means to
liberate the soul from the confines of the body and to rise towards bliss,
enlightenment and release from the eternal cycle of rebirth. He advocates
continence, truth, non-violence, simplicity and purity for those who seek
liberation. Tīrthankaras ultimately become Siddhas on liberation.
Mahavira was the last Tirthankara and Salakapurusa of this descending time
cycle as per the Jain Universal History
1. Rishabha or Adinatha
2. Ajitnath
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3. Sambhavanath
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4. Abhinandannath
5. Sumatinath
6. Padmaprabha
7. Suparshvanath
8. Chandraprabha
9. Pushpadanta
10. Sheetalnath
11. Shreyansanath
12. Vasupujya
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13. Vimalnath
14. Anantanatha
15. Dharmanatha
16. Shantinatha
17. Kunthunatha
18. Aranatha
19. Mallinath
20. Munisuvrata
21. Naminatha
22. Neminathaa
23. Parshvanath
24. Mahavira Swami
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Lord Shantinatha, the sixteenth Jain Tirthankara was also a Chakravarti
5. Immense wealth
6. Huge army of horses
7. Huge army of elephants
Some texts cite navaratna or "nine jewels" instead, adding "prime minister" and
"son". Some texts even further expands to 14 Ratna, jewels.
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Triad of Baladeva, Vasudeva and Prativasudeva
TOP_ Weapons and symbols of Vasudeva or Narayana. Miniature from the 17th
century, Saṁgrahaṇīratna by Śrīcandra, in Prakrit with a Gujarati commentary. Jain Śvetāmbara
cosmological text with commentary and illustrations.
BELOW_Chakravarti, from Amaravati Stupa, 1st century CE, using the "Royal Gesture" and
surrounded by his attributes. Possibly represents Ashoka of the Mauryan Empire.
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to Balarama and Krishna in Jain puranas. Instead they serve as names of two
distinct classes of mighty half brothers, who appear nine times in each half of
the time cycles of the Jain cosmology and jointly rule half the earth as half-
chakravarti. Ultimately Prati-naryana is killed by Narayana for his
unrighteousness and immorality. Jaini traces the origin of this list of brothers
to the Jinacaritra (lives of the Jinas) by Bhadrabahu swami (3-4th century
BCE). Jain Ramayana is based on the stories
of Rama, Lakshmana and Ravana who are the
eighth Baladeva, Narayana, Pratinarayana and respectively.
Similarly Harivamsa Purana is based on the stories
of Balarama, Krishna and Jarasandha, who are the ninth and the last set
of Balabhadra, Narayana, and Pratinarayana. However, the main battle is not
the Mahabharata, but the fight between Krishna and Jarasandha who is killed
by Krishna.
According to Jain texts, Narayana are generally of dark complexion and wear
yellow garments. There are seven weapons and symbols of Narayana, namely:
conch, discus (sudarshana chakra), club, bow, sword, jewel (kaustubha mani)
and a garland of flowers (vanamala). Baladevas, half-brothers of Vasudevas,
are described as fair in complexion and wear garments of dark blue and have a
banner of palm tree. Their symbols or weapons are: bow, plough, pestle and
arrow. The two brothers are inseparable and they jointly rule three continents
as half-Chakravarti. Although Narayana is the mightier of the
two, Balabhadra is depicted as superior for his non-violent ways and he
achieves liberation. According to the Jain puranas, the Balabhadras lead an
ideal Jain life. Out of nine Balabhadra, eight attain liberation and the last one
goes to heaven. On the other hand, Narayana go to hell on account of their
violent exploits, even though they did these in order to uphold righteousness.
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Rama and Lakshmana are the eighth set of Baladeva and Vasudeva
according to the Jain universal history
No Vasudeva / Prativasudeva /
. Baladeva / Balabhadra Narayana Pratinarayana
Tripushta (or
1 Acala Prishtha) Asvagriva
Dvipushta (or
2 Vijaya Prishtha) Taraka
Nara (Purusha)
5 Sudarsana simha Madhukatiabha
9 Narada
No Lifespan (Total
Name Height Narka
. Age)
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No Lifespan (Total
Name Height Narka
. Age)
11 Rudras (Bhimabali, Jitasatru, Rudra, Visvanala, Supratishtha, Achala, Pundarika, Jitadhara, Jit
anabhi, Pitha, Satyaki)
24 Kamdevas (Bahubali, Prajapati, Sridhara, Prasenacandra, Candravarna, Agniyukta, Sanatkum
ara, Vatsaraja, Kanakaprabha, Meghaprabha, Shantinatha, Kunthunatha, Arahanatha, Vijayaraja, Sri
chandra, Nalaraja (male figure of the mythological couple Nalraja and
Queen Damayanti), Hanuman, Baliraja, Vasudeva, Pradyumna, Nagakumata, Jivamdhara, Jambusva
mi)
24 Fathers of the Tirthankaras (For list refer Tirthankara Table)
24 Mothers of the Tirthankaras. (For list refer Tirthankara Table)
14 Kulakara (patriarchs) who teaches worldly deeds to people when Kalpavriksha declines as
per Jain Cosmology
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Lifespan
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Lifespan
No. Name Wife Height Teaching
(Total Age)
750
5 Simamkare Manohari limit of Kalpavriksha 17 lakh years
dhanusha
700
7 Vimalavahana Sumati how to ride an elephant, etc. 37,000 years
dhanusha
675
8 Chakshushment Dharini how to see a child's face 17,000 years
dhanusha
650
9 Yasasvin Kaantmaala how to name a child 1,200 years
dhanusha
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600
11 Chandrabha Prabhavati defence of children 77 lakh years
dhanusha
dhanusha
550
13 Prasenachandra Amitmati how to cure diseases 37 lakh years
dhanusha
525
14 Nabhi Marudevi how to cut umbilical cord 17 lakh years
dhanusha
ago and lived for a span of 8,400,000 purva. His height is described in the Jain
texts to be 500 bows (1312 ells), or about 4920 feet/1500 meters.That does not
help us much. The History of Yuan (Yuán Shǐ), also known as the Yuanshi, is
one of the official Chinese historical works known as the Twenty-Four
Histories of China. Commissioned by the court of the Ming dynasty, in
accordance to political tradition, the text was composed in 1370 by the official
Bureau of History of the Ming dynasty, under direction of Song Lian (1310–
1381)
23
CHAKRAVARTIN- Possessor of the 7 Jewels
In Jainism, a Chakravartin Samrat was characterised by his possession
of Saptaratna, or "Seven Jewels."
Hayam Wuruk also known as Rajasanagara, ruled Majapahit in 1350–89. During this
period, Majapahit attained its peak with the help of the prime minister Gajah Mada.
Under Gajah Mada's command (1313–64), Majapahit conquered more territories and
became the regional power.
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microcosmon and the macro-cosmos by which according to which the forces from
the planets and stars coud bestow welfare and prosperity or wreck havoc. Thus, the
astrologocam significance on the lives of people was considered more than it is today.
Heine-Geldern, R. (1942). Conceptions of State and Kingship in Southeast Asia. The
Far Eastern Quarterly, 2(1), 15-30. doi:10.2307/2049276.
Prior to the “coming” of Jayavarman II, the area had already witnessed the
development of a couple of earlier states that shared many characteristics with
the later Khmer Empire, such as Funan and Zhenla. The period before 802 is
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called the Pre-Angkorian Era. From the 1st century onwards, much of south-
east Asia began to adopt Indian influences.
Chinese documents indicate that during the 1st century, major sea trade
routes developed between China and India., via south-east Asia. As a result,
the people of south-east Asia became involved in trade along the way. Along the
trade routes, ports soon developed to cater for the needs of the merchants,
bringing great wealth to the region.
Funan
According to Nan Qi Shu, Funan, which was located in the Mekong Delta
region, became an important trading power on the trade route between China
and India during the period 100-550: 'The Funan market is the meeting place
of between eats and west … as Funan offers a place of passage from one ocean
to another.'
Archaeological excavations at Oc Eo, a site in Vietnam, reveal evidence of an
important port, being called south-east Asia's 'first great cosmopolitan trading
city.' Numerous artefacts have been excavated at Oc Eo, including gold
medallions of the Roman Emperor Antonius Pius (c.152), iron from the
Philippines and mirrors from China, hinting at goods received from around the
world. Indian inscribed seal stones and Buddhist and Hindu statues
demonstrate influence of Indian religion and culture upon the Mekong
Delta region.
Zhenla
As Funan began to decline and the economy began to shift from trade to
agriculture, the territory to the north of Funan, called Zhenla began to prosper.
Stone inscriptions indicate that the area was not united as a single country but
was ruled by a number of regional leaders. Ishanavarman I of Sambor Prei Kuk
then managed to bring Funan, and much of the area covered by modern-day
Cambodia, under control. His great-grandson, Jayavarman I, continued to
expand the kingdom, controlling a large bureaucracy. However, after the
kingdom broke up into smaller competing states, the Khmer Empire then came
into existence under the unification of these states.
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Britannica, Inc.
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Cambodia. The capital seems to have been located in the Kulén Hills, north of
the present-day provincial capital of Siĕmréab, where he died in 835. Despite
the high status accorded him by subsequent Angkorean kings, Jayavarman II
seems to have left no inscriptions of his own, and the monuments that can be
dated to his reign were small and hastily built.
Khmer empire c. 1200.
volition. Despite the grandeur of the Angkorean temples that were built over
the next four centuries, Jayavarman II’s successors were often powerless or
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Toward the end of the 9th century, soon after Jayavarman II’s death, the
Cambodian capital shifted to the northern shores of the Tonle Sap, near
present-day Phumĭ Rôluŏs. A king named Indravarman I (ruled 877–c. 890)
constructed a large reservoir and several temples there, including a
pyramidical structure called the Bakong—the first Cambodian temple to be
built primarily of stone rather than brick. The so-called “temple mountain”
became the model for the many larger royal temples at Angkor that served as
monuments to the greatness of their patrons and, subsequently, as their
tombs.
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Indravarman’s son and successor, Yaśovarman I (ruled c. 890–c. 910),
moved the capital again, now closer to Siĕmréab, to a location that
subsequently became Angkor—a name derived from the Sanskrit word nagara,
meaning “city”—which has become one of the world’s most-celebrated
archaeological sites (as well as a UNESCO World Heritage site), as well as the
popular name for Cambodia’s medieval civilization. The city that Yaśovarman
founded, Yaśodharapura, retained that name and remained Cambodia’s capital
until it was abandoned in the 16th century. His temple mountain, now
called Bakheng (literally “Mighty Ancestor”), was built on a natural hill that
overlooked a teeming city, the more-distant rice-growing plain, and the Tonle
Sap. The mountain occupied the centre of the city, just as Mount Meru, the
mythical home in India of the Hindu gods, was said to stand at the centre of
the universe. Yaśovarman built a large reservoir nearby. The city wall of
Yaśodharapura measured 2.5 miles (4 km) on each side. For such an
ambitious building program, the king needed to command a large labour pool.
Other evidence suggests that his reign was characterized by tolerance toward a
variety of Buddhist and Hindu sects that occasionally blended into local cults
honouring ancestral spirits and spirits of the soil. Indeed, for all the apparent
absolutism of its kings, a consistent feature of Angkorean civilization
unmatched in medieval Europe was religious toleration.
The closing years of the 11th century were ones of turmoil and
fragmentation. At different times, two and even three “absolute
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monarchs” contended simultaneously for the title of chakravartin. At the
end of the century, however, a new dynasty—which was to last for more than a
century—began to rule at Angkor. Its most powerful monarch took the name
of Suryavarman II (ruled 1113–c. 1150), although he probably was not
descended from the earlier king of that name. Like his namesake predecessor,
Suryavarman II was a formidable military campaigner. He avenged earlier
attacks on Angkor by armies launched from the kingdom of Champa, in what
is now south-central Vietnam, and led expeditions into northern and southern
Thailand. A campaign against Vietnam, which had recently declared its
independence from China, was less successful.
on the principles of statecraft, built a large army, and continued expanding the
boundaries of his empire until ultimately renouncing it for an ascetic life in his
final years.
Prior to his consolidation of power, Alexander the Great had invaded the North-
West Indian subcontinent before abandoning his campaign in 324 BCE due to
a mutiny caused by the prospect of facing another large empire, presumably
the Nanda Empire. Chandragupta defeated and conquered both the Nanda
Empire, and the Greek satraps that were appointed or formed from Alexander's
Empire in South Asia. Chandragupta first gained regional prominence in
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the Greater Punjab region in the Indus. He then set out to conquer the Nanda
Empire centered in Pataliputra, Magadha. Afterwards, Chandragupta expanded
and secured his western border, where he was confronted by Seleucus I
Nicator in the Seleucid-Mauryan War. After two years of war, Chandragupta
was considered to have gained the upper hand in the conflict and annexed
satrapies up to the Hindu Kush. Instead of prolonging the war, both parties
settled on a marriage treaty between Chandragupta and Seleucus I Nicator.
Chandragupta's empire extended throughout most of the Indian subcontinent,
spanning from modern day Bengal to Afghanistan across North India as well as
making inroads into Central and South India. According to the Jain accounts
dated to 800 years after his death, Chandragupta abdicated his throne and
became a Jain monk, traveled away from his empire to South India and
committed sallekhana or fasting to death. Contemporary Greek evidence
however avers that Chandragupta did not give up performing the rites of
sacrificing animals associated with Vedic Brahminism, an ancient form of
Hinduism; he delighted in hunting and otherwise leading a life remote from the
Jain practice of Ahimsa or nonviolence towards living beings. Chandragupta's
reign, and the Maurya Empire, set an era of economic prosperity, reforms,
infrastructure expansions, and tolerance. Many religions thrived within his
realms and his descendants' empire. Buddhism, Jainism and Ajivika gained
prominence alongside Vedic and Brahmanistic traditions, and minority
religions such as Zoroastrianism and the Greek pantheon were respected. A
memorial for Chandragupta Maurya exists on the Chandragiri hill along with a
7th-century hagiographic inscription
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Conquest of the Nanda empire
Greco-Roman writer Plutarch stated, in his Life of Alexander, that the Nanda
king was so unpopular that had Alexander tried, he could have easily
conquered India. After Alexander ended his campaign and left, Chandragupta's
army conquered the Nanda capital Pataliputra around 322 BCE with
Chanakya's counsel.
Historically reliable details of Chandragupta's campaign into Pataliputra are
unavailable and legends written centuries later are inconsistent. Buddhist
texts such as Milindapanha claim Magadha was ruled by the Nanda dynasty,
which, with Chanakya's counsel, Chandragupta conquered to restore dhamma.
The army of Chandragupta and Chanakya first conquered the Nanda outer
territories before invading Pataliputra. In contrast to the easy victory in
Buddhist sources, the Hindu and Jain texts state that the campaign was
bitterly fought because the Nanda dynasty had a powerful and well-trained
army.
The conquest was fictionalised in Mudrarakshasa, in which Chandragupta is
said to have first acquired Punjab and allied with a local king named Parvatka
under the Chanakya's advice before advancing on the Nanda Empire.
Chandragupta laid siege to Kusumapura (now Patna), the capital of Magadha,
by deploying guerrilla warfare methods with the help of mercenaries from
conquered areas.[58][59] Historian P. K. Bhattacharyya states that the empire was
built by a gradual conquest of provinces after the initial consolidation of
Magadha.
According to the Digambara Jain version by Hemachandra, the success of
Chandragupta and his strategist Chanakya was stopped by a Nanda town that
refused to surrender. Chanakya disguised himself as a mendicant and found
seven mother goddesses (saptamatrika) inside. He concluded these goddesses
were protecting the town people. The townspeople sought the disguised
mendicant's advice on how to end the blockade of the army surrounding their
town. Hemacandra wrote Chanakya swindled them into removing the mother
goddesses. The townspeople removed the protective goddesses and an easy
victory over the town followed. Thereafter, the alliance of Chandragupta and
Parvataka overran the Nanda kingdom and attacked Patliputra with an
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These legends state that the Nanda king was defeated, but allowed to leave
Pataliputra alive with a chariot full of items his family needed. ] The Jain
sources attest that his daughter fell in love at first sight with Chandragupta
and married him. With the defeat of Nanda, Chandragupta Maurya founded
the Maurya Empire in ancient India.
Conquest of north-west regions
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Chandragupta had defeated the remaining Macedonian satrapies in the
northwest of the Indian subcontinent by 317 BCE.
waged war until they came to an understanding with each other. Seleucus
married off his daughter to Chandragupta to forge an alliance.
R. C. Majumdar and D. D. Kosambi note that Seleucus appeared to have fared
poorly after ceding large territories west of the Indus to Chandragupta. The
Maurya Empire added Arachosia (Kandahar), Gedrosia (Balochistan),
and Paropamisadae (Gandhara). According to Strabo, Seleucus Nicator gave
these regions to Chandragupta along with a marriage treaty, and in return
received five hundred elephants. The details of the engagement treaty are not
knownAccording to one version, the marriage treaty involved an Indian
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princess, while a different version states a Seleucid princess married into the
Mauryan family
Chandragupta sent 500 war elephants to Seleucus, which played a key role in
Seleucus' victory at the Battle of Ipsus. In addition to this treaty, Seleucus
dispatched Megasthenes as an ambassador to Chandragupta's court, and
later Antiochos sent Deimakos to his son Bindusara at the Maurya court at
Patna.
Southern conquest
After annexing Seleucus' provinces west of the Indus river, Chandragupta had
a vast empire extending across the northern Indian sub-continent from the Bay
of Bengal to the Arabian Sea. Chandragupta began expanding his empire
southwards beyond the Vindhya Range and into the Deccan Plateau. By the
time his conquests were complete, Chandragupta's empire extended over most
of the subcontinent.
Two poetic anthologies from the Tamil Sangam literature corpus
– Akananuru and Purananuru – allude to the Nanda rule and Maurya empire.
For example, poems 69, 281 and 375 mention the army and chariots of the
Mauryas, while poems 251 and 265 may be alluding to the Nandas. However,
the poems dated between 1st-century BCE to 5th-century CE do not mention
Chandragupta Maurya by name, and some of them could be referring to a
different Moriya dynasty in the Deccan region in the 5th century CE. According
to Upinder Singh, these poems may be mentioning Mokur and Koshar
kingdoms of Vadugars (northerners) in Karnataka and Andhra Pradesh, with
one interpretation being that the Maurya empire had an alliance with these at
some point of time
Names and titles
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A modern statue depicting Chandragupta Maurya, Laxminarayan Temple,
Delhi
the Nanda king who had come to power by assassinating the previous king.
During Chandragupta's reign and that of his dynasty, many religions thrived in
India, with Buddhism, Jainism and Ajivika gaining prominence along with
other folk traditions.
Infrastructure projects
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Silver punch mark coin of the Maurya empire, with symbols of wheel and
elephant (3rd century BCE)
competing private parties to operate mines and supply these centres. They
considered economic prosperity essential to the pursuit of dharma (virtuous
life) and adopted a policy of avoiding war with diplomacy yet continuously
preparing the army for war to defend its interests and other ideas in
the Arthashastra.[119][120]
Arts and architecture
The evidence of arts and architecture during Chandragupta's time is mostly
limited to texts such as those by Megasthenes and Kautilya. The edict
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inscriptions and carvings on monumental pillars are attributed to his grandson
Ashoka. The texts imply the existence of cities, public works, and prosperous
architecture but the historicity of these is in question.{{sfn|Harrison|2009|
pp=234–235}}
Archeological discoveries in the modern age, such as those Didarganj
Yakshi discovered in 1917 buried beneath the banks of the Ganges suggest
exceptional artisanal accomplishment. The site was dated to 3rd century BCE
by many scholarsbut later dates such as the Kushan era (1st-4th century CE)
have also been proposed. The competing theories state that the art linked to
Chandragupta Maurya's dynasty was learnt from the Greeks and West Asia in
the years Alexander the Great waged war; or that these artifacts belong to an
older indigenous Indian tradition. Frederick Asher of the University of
Minnesota says "we cannot pretend to have definitive answers; and perhaps, as
with most art, we must recognize that there is no single answer or
explanation".
taking the vow of Sallekhana. Some consider it about the legend of his arrival
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Chandragupta Maurya having 16 auspicious dreams in Jainism
abdication of throne may be dated to c. 298 BCE, and his death to c. 297 BCE.
[58]
His grandson was emperor Ashoka who is famed for his historic pillars and
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The Footprints of Chandragupta Maurya on Chandragiri Hill, where
Chandragupta (the unifier of India and founder of the Maurya Dynasty)
performed Sallekhana.
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I am the true God, the embodiment of the wheel of life, the Spinner of all
Mantra.
— Chakravartin
When I read about this game and played it it has an uncanny resemblance to the Khmer
charaters not just 1 but many. Hence I reproduce here the details of this amazing game
where the hero is CHAKRAVARTIN
Chakravartin (転輪王, Tenrinjōō; Sanskrit: चक् रवर्ति), also known as the Golden Spider, was the
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After possessing Mithra, Chakravartin uses the full extent of his powers and assumes the
shape of an androgynous, multi-armed giant wielding two large staves. In this form, he wears a
mukut, is barefoot while wearing long golden robes, and emits an eerily powerful golden glow.
He possesses a multitude of arms, and a large intricate halo that constantly floats behind his
back.
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Personality
As the God of Mantra, Chakravartin is a calm, benevolent, all-seeing and wise individual. As
the Golden Spider, he showed a knack of teasing Asura by playing and preying with his wrath,
speaking in riddles and questioning him on his motives and the reason of his anger. He is also
shown to be very cold and ruthless, as he did not hesitate in killing Olga to protect Mithra and
the role she would fulfill in his plans.
Chakravartin likes to place his creations on "trials" to see if they are truly worthy of living,
typically without paying attention to any collateral damage and suffering his trials entail, along
with showing a great lack of empathy. This includes creating and releasing the Gohma on
Gaea, which sparked the conflict between the Demigods and the Gohma, and Deus's betrayal
to gain enough power to create a new world. Chakravartin is also Machiavellian, as he caused
widespread misery for the people of Gaea simply to look for an "heir", with absolutely no care
for the suffering of the inhabitants of the planet caused by the Gohma instead of properly
taking care and guiding his creations. Ultimately, due to his unchecked actions, he is
responsible for the misery and despair of both Gaea and Asura. He explains that he put Asura
on a trial to choose him as the "new god" of Gaea, so that he can move on to other worlds
under the false pretense of 'saving' them, implying that he is tired of having to look after Gaea.
Being the Supreme Being of all the Universe, he developed a God complex. He believed
himself above any kind of morality. When Asura denies and fights the god, he reacts in an
extremely calm yet disappointed manner, saying that he would have to destroy Gaea and make
it anew, implying he has performed this process in the past. Even during its fight with
Asura, he maintains a calm and patronizing manner towards the demigod, maintaining
complete confidence in his abilities. However, as Asura continues to withstand its attacks and
damage the god, his calm and polite demeanor is gradually destroyed and he begins to display
visible anger and frustration, and his arrogance grows even further, resorting to increasingly
more aggressive means to kill Asura as he finds himself unable to either get Asura to become
his heir or destroy the demigod. Chakravartin's arrogance was his downfall, leading him to
severely underestimate Asura's power. Eventually as he transforms into his final state and
both combatants go all out in a fist-fight, Chakravartin starts to display an increasing degree of
disbelief at the extent of the injuries he sustains, claiming to the end he is the one true god and
that everything must bend to his will and his commands must be followed. Chakravartin is
very determined in his goals and his beliefs, not giving up when he fought Asura, even when he
was slowly overpowered and still claiming he has all the rights because he is the creator.
Deep down, beneath his facade of wisdom lies a calculating darwinist and firm believer
that might makes right, as he believed Asura to be the perfect being after he had demonstrated
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his might, seemingly not caring about any other attributes other than having the strength to
lead. By proxy this is the main reason why he believes he is in the absolute right despite the
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ample evidence to the contrary. A perfectionist to a fault, his trials and guidance are thus,
nothing more than a farce to purge out imperfections from his idealized worlds.
Plot
The Golden Spider appears when Asura first falls into Naraka, following Deus' attempt to
destroy him. There the Spider appears, questioning Asura's motives as well as the reason for
his anger and incites him to climb the tower and leave Naraka. He would later repeat this same
role the second time Asura fell into Naraka after being cleaved in two by Yasha.
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Chakravartin as the Golden Spider
Eventually, the Spider appears on the Karma Fortress, after Deus and Viltra were destroyed,
preventing Olga from killing Mithra and destroying her himself. He then wraps Mithra in a
cocoon of golden mantra strings and ends up taking control of her body, changing Mithra's hair
color from dark to golden and speaking in a dual voice. After taking control of Mithra, the
mysterious entity reveals its true form and separates itself from Mithra's body to appear as the
primordial God, Chakravartin, the source of all Mantra. Chakravartin explains that the events
transpiring between the Gohma and the Demigods has all been a part of his plan to find a new
heir to inherit Gaea, as he had grown tired of the planet. As he explains his plan, Asura leaps
to attack him since Chakravartin is the reason for all the tragedies that have occurred in the
world and is the "one [he] should kill". Chakravartin calls this attack another test and battles
both Yasha and Asura, defeating them both and forcing them to flee (partly due to Asura
wearing himself out attempting to rescue the captive Mithra). Disappointed, Chakravartin
declares it will have to remake the world as it has done countless times in the past, and
subsequently plummets the Brahmastra towards Gaea in fiery ruin before taking on a new
planet-sized form to destroy the planet.
After completing his planet sized transformation, Chakravartin destroyed multiple planets
using a beam of concentrated Mantra that he fired towards Earth, but the attack was quickly
absorbed by Asura at the last moment. Amused, Chakravartin beckoned Asura to face him
while firing multiple projectiles (i.e. suns, planets, comets, etc.) to test his abilities. Upon
breaking through the structure and appearing in his pocket dimension, Chakravartin calmly
congratulated Asura on exceeding his expectations and declared him the one truly fit as a
perfect being to rule Gaea stating the planet must be "ruled by one of its own". As part of
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Asura's reward, Chakravartin returned Mithra to Asura while stating he was planning on
traveling to other worlds in need of his "guidance". As a gesture of good will, Chakravartin
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stretched out his hand to Asura to have his heir accept his offer only to be struck in the face by
the angry demigod who refused to take part in the destructive god's plan.
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Mithra is the only witness of the final legacy of Chakravartin as the large golden statue of his
likeness disappears along with its maker
Enraged at being spurned for his offer, Chakravartin attacks Asura only to be angered at his
inability to destroy the demigod and the latter's ability to cause him harm. Losing his
composure, Chakravartin takes Mithra back and viciously attacks the demigod, throwing away
his staves and engaging Asura in a fistfight that damages both fighters, but it quickly knocked
away by the demigod. No longer tolerant of his foe's insolence, Chakravartin declares he will
erase Asura's very existence and transforms into his most powerful form to deal a grievous
amount of damage to Asura. As the battle continues, the Mantra God grows more tired, while
Asura continues to beat Chakravartin to the point where he finally shatters his composure. In
a final bout, Chakravartin uses whatever strength he had left to battle the demigod only to be
shrugged off and outmatched in might, all the while questioning in disbelief how a demigod
could become so powerful. In a final attack on the weakened god, Asura delivers a final punch
to Chakravartin's face which shattered the tyrannical deity's face and caused him to vanish a
whirlwind of energy and screaming anguish. With his death, all traces of Mantra disappeared
from the world, ending the threat of Chakravartin forever, but also meaning that without
Mantra, it meant Asura would cease to exist as he fades away into the heavens to his late wife
and to later be reincarnated with the other demigods.
While Chakravartin is not completely indestructible (as proven during his battles with Asura
and Yasha), Chakravartin's durability and resistance to damage alone has shown to be far
greater than any other character present in the story, with only the strongest of beings capable
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of doing any sort of perceivable harm to Chakravartin (with the only being who has shown this
capability being Asura himself.) Throughout the various forms he manifests in, Chakravartin is
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shown to boast exponentially overwhelming levels of strength, speed, durability and endurance,
able to easily hold its own against even Destroyer Asura as well as simultaneously dealing
critical level damage to the demigod all at once. As the most powerful being in the universe,
Chakravartin possessed immortality and was unable to age, likely having been alive since the
beginning of the universe. Futhermore, as a godly being, Chakravartin could also survive in
areas such as outer space or the moon unaided and without any form of discomfort.
Chakravartin also could not be killed by conventional methods, and could only be destroyed by
Asura.
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Chakravartin has demonstrated the ability to possess the bodies of individuals, referring to
them as "vessels", as seen when Chakravartin took possession of Mithra's body. Chakravartin
also has the ability to create illusions and pocket dimensions, as seen on the final battle with
Asura in which he created an illusionary pocket reality of Naraka.
As the origin and tether of Mantra, Chakravartin's destruction would mean all Mantra and
mantra-related creations (such as the demigod race) would inevitably disappear, as seen with
Asura's death in the end.
Transformations
In addition to his unfathomable physical power as well as his ability to shapeshift into several
powerful and even colossal forms, Chakravartin, as the origin of all Mantra in the universe, has
displayed the unique ability to manifest his Mantra in different shapes and forms in sync with
whatever form he was currently inhabiting.
Chakravartin
In this form, Chakravartin's Mantra is golden in appearance and he can manifest it in the form
of enormous beams, a massive golden pillar-shaped explosion around himself, enormous orbs
of mantra, mantra slashes which travelled horizontally above the ground, and can generate a
powerful shockwave of mantra that can force Asura even in his Destroyer form and Yasha
back. Chakravartin also has the ability to stretch his limbs to long distances and at high
speeds. Chakravartin is also capable of producing extremely powerful and almost impenetrable
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forcefields/barriers that were able to restrict Asura in his Wrath form from reaching Mithra,
among other feats. Chakravartin also possesses extremely overwhelming levels of durability
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and strength in this form, as he did not sustain any visible damage given by noteworthy
injuries from Destructor Asura's punches and he even managed to completely shatter four of
Destructor Asura's arms when enraged, albeit with some effort and minor damage to his own
limbs. Chakravartin in this form was already powerful enough to overpower Mantra Asura and
Yasha with ease, although it should be noted that they have sustained considerable damage
and was very tired from defeating Gohma Viltra and Viltra's Core. Chakravartin was also able
to effortlessly dismantle the Karma Fortress and manipulate it to fall on Gaea.
As the Golden Spider, he was able to knead and manipulate a large amount of mantra
composed strings strong enough to disarm, restrain and ultimately constrict Olga to death
with apparently no effort at all.
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Golden Chakravartin
Golden Chakravartin
After sending the Brahmastra crashing down onto Gaea, Chakravartin creates a
colossal golden statue version of himself in a lotus meditation position with dozens of galaxies
around it. The statue was so unthinkably gigantic, that Asura in his Destructor form was not
visible when he punched its forehead. Its function is near-identical to that of the Karma
Fortress, but its size and the power of its blasts far outclasses that of the Brahmastra. Its
colossal beams were capable of pulverizing multiple planets along their path without losing
momentum, and it was capable of creating, controlling and using planets and stars as
projectiles as a show in the fight against Asura. The inside of the statue is a pocket dimension,
referred to as the Event Horizon. In this space, Chakravartin can freely manipulate the
reality inside it to create perfect illusions to fool Asura, even as far as creating an illusion of the
whole realm of Naraka. Even when Asura assumes the form of Destroyer, he still struggles
against the Mantra God to maintain an advantage in their fight.
During his final battle with Asura, he assumes a new form. In this form, he is only slightly
taller than Asura, his body is much thinner and much more sinister in appearance, having a
decorated silver body with a black and red skeletal-like inside that starts at his face and
extends into his chest area. This is Chakravartin's most powerful form in all aspects, as he was
able to destroy all of Asura's arms in his Destroyer form with a single finger, reducing the
demigod to his most basic form and easily overpowering him, but later on beginning to be
overpowered by making Asura angrier. In this form, his combat style changes radically. His
mantra energy becomes dark greyish in color and he can manipulate mantra to unleash an
incredibly destructive ray of mantra from his finger, giant throwing blades, mantra waves,
massive mantra spheres, among others. He can also seemingly stop time to better focus his
attacks on Asura and get him off guard. In this form, Chakravartin's movements becomes akin
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to that of an ice skater, moving with grace through the battlefield. He also becomes a fierce and
extremely proficient hand-to-hand combatant, as he was able to go toe-to-toe with Asura in a
brutal, prolonged display of martial arts, showing tremendous strength, speed, agility, combat
prowess, durability, endurance and stamina, before eventually succumbing to defeat at the
demigod's hands.
Quotes
"You have done well to come this far. Who am I? I am the true God, the embodiment of the
wheel of life, the spinner of all Mantra. I hold everything in the palm of my hand. I
bestowed the power of Mantra on you, and I unleashed the Gohma upon the world to test
you. And you have proved yourself worthy by overcoming these trials. That is why you
are here. You may go now, back to the wheel of life. You have exceeded my expectations
and are worthy of my praise. Hmm? You wish to remain in this world? You are no longer
needed here. But, if you insist..." --Spoken line at the ending of Episode 18; disguised
as ???
"I am the true God, the embodiment of the wheel of life, the Spinner of all Mantra. At last,
you have passed my trials, Redeemer Asura. You have defeated the will of the planet and
proved yourself worthy."--Congratulating Asura for his victory over the Gohma
"I am the guide of all beings. The one who bestowed Mantra upon your ancestors. I had
the planet's will give birth to Vlitra and scattered the Gohma around this world to test you.
All to shape you into a suitable vessel. The one who controls the planet is the one fit to
guide it" --To Asura about his plan and his orchestration of the conflict on Gaea
"I am Chakravartin. It is I who keeps the wheels of this planet in motion...Now give me
your hand, Redeemer Asura. Receive the Mantra's power and with it create a new world
order!"--Beseeching Asura to take up his position as the ruler of Gaea
"Everything is as I have intended it." --To Yasha
"Knowing the differences in power between us will also lead you to true understanding"--
To Asura and Yasha
"Another failure. In that case, I shall bring an end to this world and begin it anew. Just as
I have always done. I will eventually rebuild this world. Until then, enjoy the rest of your
lives. It matters not to me what you do." --To himself after defeating Asura and Yasha
"You are the Redeemer. You must become the god of this world!" --To Asura
"You must accept your fate. If you do not, this world will come to an end!" --To Asura
"If you will not inherit this world...Return to nothing!"--To Asura
It must! You will accept your fate...If you do not, this world will come to an end!" --To
Asura; response to, "Not everything bends to your will!"
"The suffering this world has seen was all to choose my heir! And the one who overcomes
my trials shall be the Redeemer of this world!"--To Asura
"Arrogant Destructor! I shall erase your very existence!" --To Asura
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