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  • Vidala de La Copla - General

    Uploaded by

    Leo Alarcon
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    The document is sheet music for the song "Vidala de la copla" by Chango Rodriguez. It contains musical notation for guitar and bass parts across four pages. The sheet music provides the lyrics, melody, chords, and instrumentation for the folk song.

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    Original Title

    Vidala de la copla - General

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    The document is sheet music for the song "Vidala de la copla" by Chango Rodriguez. It contains musical notation for guitar and bass parts across four pages. The sheet music provides the lyrics, melody, chords, and instrumentation for the folk song.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    14 views2 pages

    Vidala de La Copla - General

    Uploaded by

    Leo Alarcon
    The document is sheet music for the song "Vidala de la copla" by Chango Rodriguez. It contains musical notation for guitar and bass parts across four pages. The sheet music provides the lyrics, melody, chords, and instrumentation for the folk song.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Vidala

    de la copla
    Chaya Autor: Chango Rodriguez

              
    Arr.: Leo Alarcón

                 
     = 100 I

        
                
    Guitarra

    Bajo        

                 
                  
    5

            
    Guit.

    Bajo             

                
                 
    9 A

                  
    
    Guit.

    Bajo      

                  
                   
       
    13

                 
        
    Guit.

    Bajo      

                           
        
      
     
          
    16

       
             

    
    Guit.

    Bajo      

                             
              
    20


             
    Guit.

           
    Bajo
         

    ESEA N° 1 // Luis Guillón


         
            
    2

                  
    24

    Guit.

               
    

            
    Bajo     

                             
         
    28 1. 2.
    Guit.

                    
    Bajo   

                                
                  

    32

     
    Guit.

                 
    Bajo        

                    
      
                        
    36

    Guit.

                         
    Bajo        

                     
                 
    40

    Guit.

                  
    Bajo     

    ESEA N° 1 // Luis Guillón

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