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  • The Widow in the Window

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    Claudio Rossi
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    The Widow in the Window is a musical composition transcribed by Sanjay Manohar in 2014. The piece is in 3/4 time and contains various chord progressions and melodic motifs played across different instruments. It builds in intensity throughout and ends with a transition to a 6/8 feel before concluding with the first four notes played in a "Tristan-esque" style.

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    Original Title

    Wheeler Widow in the Window

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    The Widow in the Window is a musical composition transcribed by Sanjay Manohar in 2014. The piece is in 3/4 time and contains various chord progressions and melodic motifs played across different instruments. It builds in intensity throughout and ends with a transition to a 6/8 feel before concluding with the first four notes played in a "Tristan-esque" style.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    16 views3 pages

    The Widow in the Window

    Uploaded by

    Claudio Rossi
    The Widow in the Window is a musical composition transcribed by Sanjay Manohar in 2014. The piece is in 3/4 time and contains various chord progressions and melodic motifs played across different instruments. It builds in intensity throughout and ends with a transition to a 6/8 feel before concluding with the first four notes played in a "Tristan-esque" style.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 3

    The Widow in the Window

    Kenny Wheeler
    Transcribed by Sanjay Manohar 2014
    www.smanohar.com

    Cm11 Em6 Aalt


            
                  
    

    AØ Dalt Falt Bb Dm7 G7 Gb^#11 C7


    
           
    5

         
             

    Cm Em6 Asus Aalt G13b9/B


            
    9

                

    AØ Dalt/C G^ Cm11 A7/C#


            
     
    13

         
             
      

    Dm Bbm F#m Dm11 Cm


        
         
    17
      
            

    Bm G^#11 D^/A G#Ø C#susb9


       
       
    21

       

    
         
      
          
     

    F#/C# C#7susb9 C#Ø F#/C# Calt B^#11 E^#11 Cm11


         
    25

        
            
    3

             
     
    Then turns into 6/8 feel.
    Ending = first four notes,
    played tristan-esque
    2

    Cm11 Em6 Aalt


             
    30
          
     
         

       


     




    



     


    
       

    AØ Dalt Falt Bb Dm7 G7 Gb^#11 C7


           
    
    34

                    
     

         
        
           
        
     

    Cm Em6 Asus Aalt G13b9/B


    38
       
         
               
          

     



     
      




    



     
    

    
       

    AØ Dalt/C G^ Cm11 A7/C#


                         
    42

               

        
         
         
      
       
       

    Dm Bbm F#m Dm11 Cm


    46
                
           
        


       
        
       
        
      
      
    3

    Bm G^#11 D^/A G#Ø C#susb9


        
           
    50
             
      
        

      
      

     
    



    
    

      
    
     

    F#/C# C#7susb9
     
    54

             


     
       

       

    C#Ø F#/C# Calt B^#11 E^#11


     
       
    56

            
    3

       



             
            

       
     
    

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