This poem explores the speaker's struggle with their brain sending them false images and signals. Over time, the speaker learns to doubt what their brain tells them and instead finds beauty in real experiences like appreciating nature. In the end, the speaker realizes it was their own loneliness and confusion causing them distress, not the various images their brain presented.
This poem explores the speaker's struggle with their brain sending them false images and signals. Over time, the speaker learns to doubt what their brain tells them and instead finds beauty in real experiences like appreciating nature. In the end, the speaker realizes it was their own loneliness and confusion causing them distress, not the various images their brain presented.
This poem explores the speaker's struggle with their brain sending them false images and signals. Over time, the speaker learns to doubt what their brain tells them and instead finds beauty in real experiences like appreciating nature. In the end, the speaker realizes it was their own loneliness and confusion causing them distress, not the various images their brain presented.
turned out to be Van Gogh thinking he should use more orange; and what I took to be a solar system with two suns as the two centres of the ellipse turned out to be a colony of ants set out to feast on a dead lizard.
It was my brain fooling me,
sending me false images, turning fishes into snakes and crotchets into nebula.
It was my brain that betrayed me completely
sending me utterly uncoded material, for what I thought was a blueprint for an assassination turned out to be history picking applause apart, and what I thought was an avalanche turned out to be crumbs a diner left behind, and what I thought was, finally, an embrace between man and woman turned out to be an advertisement banner for Pandora's box, 25 percent off.
I used to be believe the brain did its work
with all its eighty-six billion neurons, its gray matter and white, and skullfuls water — all you need is to feed it with images of beauty, so I drew blue seas, white stars, green skirts on every wall of every room I lived in, to glut its hunger, I wandered through labyrinths of symphonies — the circumbinary planet of my body, moving through star dunes of great sound.
Now when it rains, I pause
the music. And sometimes I clap. It was a poet who taught me clapping is how hands mourn. Once incapable to tame the monkey that is my mind, flies that are my fingers, the restless ant that is my body, I took to clapping, burning, making waves. I am ready to reverse everything now for the sake of the brain:
I am ready to consider the distinction between snowflakes,
ready to respond to Van Gogh's irises, blossoms, poppies, ready to behold the skeleton of the Milky Way in the canvas of my eyes, and I am, finally, ready to rejoice with my hands.
For it was the gravity of your name,
and not the ache of separation that oppressed me, and it was my right hand, full of ballads and blessings and not my left hand whose rivers had burned, and it was the impression of blue on my face and not the many cumuli in the sky, or the snakes of my fingerprints moving in secret, and it was not really the past of a woman drowning, and it was not Marilyn Monroe standing on the subway breeze, and it was not a bee blowing out the brains of a dandelion, and it was not my crown of darkness or dazzle, and it was not the Rosetta Stone that unearthed in my sleep, and it was not the Ganges in my right palm, or the aria of my breath.
It the brittle house of my loneliness,
and my confusion. It was a boy in a green skirt wearing a tie made of the thread of life, he was mistaken about his place on earth. I did not believe him painting sunflowers beside me, even though he was me.