Scribd Logo
Upload

Welcome to Scribd!

  • Horace

    Uploaded by

    john doe
    8 views80 pages

    Original Title

    387320122-horace

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    Report this Document

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content
    8 views80 pages

    Horace

    Uploaded by

    john doe

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content
    of 80
    SILVER’S Contents ADJUSTMENT AHI SO BARBARA CALCUTTA CUTIE ‘COME ON HOME COOKIN’ AT THE CONTINENTAL COOL EYES DAMERON’S DANCE (The) DRAGON LADY ECAROH ENCHANTMENT GREGORY IS HERE (The) GRINGO HIPPY HOME COOKIN’ HORACE-SCOPE IN PURSUIT OF THE 27th MAN JUNGLE JUICE KISSIN’ COUSINS LET'S GET TO THE NITTY GRITTY MAYREH ME AND MY BABY MELANCHOLY MooD MOON RAYS MYSTICISM (The) NATIVES ARE RESTLESS TONIGHT REATESI H NICA’S DREAM NINETEEN BARS NUTVILLE (The) OUTLAW PSYCHEDELIC SALLY PYRAMID ‘QUE PASA SHIRL SILVER’S SERENADE SISTER SADIE SOYANARA BLUES (The) SOPHISTICATED HIPPIE SOULVILLE SPECULATION ‘STOP TIME STRANGE VIBES STROLLIN' ‘SUMMER IN CENTRAL PARK SWEET STUFF SWEET SWEETIE-DEE SWINGIN’ THE SAMBA TIPPIN' (The) TOKYO BLUES TOO MUCH SAKE vIRGO WHERE YOU AT? YEAH! ehgaisenies BOOKS MARKED WITH THIS IMPRINT have been carefully selected and edited by Bill Lee, Dean of the School of Music at the University of Miami and consultant in Jazz to Charles Hansen Publications. Bill Lee has long been recognized as a pioneer in jazz and jazz education and is the immediate past president of the National Association of Jazz Educators. As a professional jazz pianist and composer- ‘arranger, he has been associated with the bands of Gene Krupa, Artie Shaw, Charlie Parker, Howard McGhe Gerry Mulligan, and other A C E V E R Watching Horace Silver play the piano is an experience that goes beyond the music itself. Silver plays, how shall I say it, muscularly, hunched over the piano, sweat pouring from an already thin body. As he attacks the piano, coaxing from it percussive and yet eerily melodic sounds, one cannot help but notice that Horace Silver does not merely play the piano...he becomes part of the piano. can remember sitting in smoky New York clubs listening to Silver perform such tunes as "Sister Sadie,” “Doodlin"” and (for me, his magnum opus) "Song For My Father’” and being moved beyond words by what this small, birdlike man with delicate features and hands that seem to go on forever was doing. For what he was doing was creating a catalogue right there in front of me, a history of American music, from the slave shouts and hollers that predate even the blues, to gospel, to bop and beyond. Around me, people were finger-popping, nodding their heads, while a history lesson was being given by one Mr, Horace Silver. Born Horace Ward Martin Tavares Silver in 1928, Silver was first exposed to music in his hometown of Norwalk, Connecticut. His first solid professional gig was with Stan Getz in 1950-51. Silver, who soon became a regular New York jazzman, won the Downbeat New Star Pianist Award in 1954.,.and 's never been headed since. Silver actually invented a whole school of jazz, the so-called soul schoo! which flourished in the late fifties and early sixties. His groups were truly seminal aggregations, as they spawned tune upon funky tune, blues upon blues, and influenced such stellar performers as ‘Art Farmer, Hank Mobley, Louis Hayes (later to find funky fame with Cannonball Adderley), Blue Mitchell, Joe Henderson, Stanley Turrentine, Roy Brooks, Mickey Roker and Billy Cobham, all of whom. played with Silver. Later on, he developed into other styles: playing bossa nova cum funk on his classic "Song For My Father” (listen to the first couple of bars of “Rickey Don’t Lose That Number” and see who Steely Dan listens to}, doing more extensive cuts, choral passages, an extended work "The United States Of Mind,” spread over three albums, That Healin’ Feeling, Total Response and Phase III “All”, Yet, with Silver, there is always the blues, there is always the respect for melody, there is always the insistent beat. Out now with still another departure for him, getting down “into the street with brass, Horace Silver remains in the forefront of that small collection of instrumentalists who deserve to be called legends. ~ Medium Fast Blowing Changes BbT Fim? Bb BI Fem BI Thisam AH! SO Br Fmt Br Br AT Abr Copyright ©1962 by Beach Masi. ent Copy © 1975 by Benak Mane tae ed by Permion acral Coppi cred Madeln USA “An Rehr Reed Abt Fmt Aba By HORACE SILVER 'o____. D.S. al Fine AT__pbt AT Bb ADJUSTMENT By HORACE SILVER Fast Swing cro. Ebmaj? Bhat Copyright© 1974 by Eero Mu This aragement Copy 1975 by Bare Mae, Incranonal pyre Sand Madea SK A — Adjustment-2-2 BARBARA By HORACE SILVER =“) @an fs abn f G00 bossa Bit fs Bibs Db7bs Bhmt/Eb bs Abm7 Dy be Ghmaj7 2 Fmt Fm? Bets Gm? cme Flot BT Serr = Fm7__Bbt___Ebmaja Dbmaj9 _Chmajo_Dbmajo__Ebmaj9 Dimaj9_—Chmaj9_Dbmaj9 SBS rat ayy Inertial Copy Seed Maden USA. “ATR CALCUTTA CUTIE By HORACE SILVER Moderate Exotic Mood 2nd time only Introduction ° (Facet tet time) (Bass only 1st time) Bs pin Pav © tric elon bia only. epat OY — @rards) > 61(#9)-35 - Fe 2nd time only cpr Bbt Atha) > BAT, ET) > GT 3 iy TRE Ont, cap MSlnoy —@ co Cony 1976 by Eo Mae. Intemational Copa seer, Made 8 US ARNGReseed ‘Baap Remion ofthe Copa Gwe COME ON HOME By HORACE SILVER Medium Blues (2 fee) Eb ci#o BY BbINCbS) 9 Ebm © crtp wy PNM og: an aad le tp bp = Ebm cuts Bt bbs) Bai, : Emaj(b5) 3 Fmt, Bb slim crta Bt _Bbisbe a llebm cto B17 Bbtibo _-Ebm Fine % 7 FOS by? Se eerie Pe ‘This amangnet Copyright© 19760} Eero Mane In Und by Pemision Inert Capra Seared hdc USA i gis Ree ~ COOKIN’ AT THE CONTINENTAL y By HORACE SILVER Bright Blues Bit ob, FT Fob ait ilo BEE (Break) cong Sr seers 10 COOL EYES + By HORACE SILVER Bright Swing BbT BbT Edim Bh’F Bb Daim aim Dbaim onyrigt 1986 by Esa Mes, ne Ths arangnent Copsight 1975 Lew Me Ie ‘meena Copyright Secued” Madeln 3 Ferminion ‘gh eared u c biato an cto BbT Eb a Cool Eyes-2-2 ee ee ® coda SN eee ait ( Email @) carbs DAMERON’S DANCE ®emain(s) Doms ons Sva lower 80a lower- - 1 a ar Ty | RR ‘ua lower cémt ‘va Lower Play Times _a#'7#9 4 by caoh Ma, Tagamet 195 y Ea st nse Emaji(6) by Pom “ae bi WRF bo To Coda @FFILs atria By HORACE SILVER cite aa D.8.al @ Coda ~ THE DRAGON LADY - By HORACE SILVER Moderate Oriental Tempo Bhm9 Eb9(13) Am9 — Abm9_Db9(13) Gme__ctis abn —H oh 1963 by Eek Masi te arama Cpa Eh Me ed Pm Into Copy Seared Ai Rigs Rowred 4 ECAROH by wonace st.ver ~~) Intro-Mambo to : Bbr#5 —_Ebr(#9) BbT #5 EbTGé9) br B Ebi(és) a9 to to aia #9 eine) arts Eno) pris PMO) ee Entis) aris Ente) Amaii DI(b5) rrr be C Dbmajt pa cio) cmajt Fria) Fins) S79) erga) FU(é9) __D1(#9) EbA(HS) C1(F9) DbTIe9) ° a TP OO onrih 91950 ty Eowoh Mas, in arangonent Copyrat 1915 arch Me he Ud by Permision Incationa Copy Seed Make US Ai htc Beats) BIS) (abide) Arts) bntte) cx¢to) Ext) Fr¢éo) /“Drdto) s @® ‘cHoRus Ponto) pn Fay ot ohmal Db. Gbr(b5) Db (owing Gr(b5) ob Emaj?_Eb-1_AbT Db babs) Db Bbr(H9) G7bs) cb FA1(65) Eb-T AbT I Le | ! | eatoh-2-2 ~ 16 Dbmaj? 3 Aber 3 pba Gbmaj? _AbI(b5) rr BbI(b5) Eb-17 na 3 Erg) ‘Abmaj? Amaj? ad Abra) ‘Bb cbabs) Db orbs) cb Fabs) BETAS) b-tb5) ab7ias) Sva bassa Eearoh-8-3 17 THE GRINGO Cc By HORACE SILVER BbT BT BbT fr Coe Bb BI a BI (AT Melody only) Zed ebmt AMT bb D.C. to Srd ending cmt Dbmt pbmt? Gb? Bmaj7 3 _BI-5) © coda BbT BT 3 Bb ee —— ) ‘opyrit© 1961 by aroh Ms, Ie, “This arangencat Copyrigto 1975 by eran Ma, Tn Us by Peminion tnurmtina Copyrght Secued Madeia USA AN Rho Reed ENCHANTMENT By HORACE SILVER Medium Latin Dino Dmaj? cfm? FETbS Thayne copy ae Und ter “AU Right Reserved 19 cima Fer AT cto Fmt FI Emaj7 pi Dt " Enchantment-2-2 20 GREGORY IS HERE By HORACE stLvER >) Medium Latin J=108 @ st es TPbbmay7 bi = 5 — om Ewe dems copie by Ea Me™ Und eon 21 Abt Dbmajt Bbm? bm? Ab D.S.al @ Coda 3 Cm FIbS AmajT Bhmaj? Bmaj? an Gregory Is Here-2-2 22 HIPPY by HORACE SILVER Moderate Jump Bh = Bb Bb BbT, Eb dim pat bo 7 cmt cmt cmt Cmt FT 8 85 pg PT a a pe FT ti opr 7309 Ea eT Udy Fn Interntional Copyrig Seoued Main USA. AN Rights Reserved 23 HOME COOKIN Cc By HORACE SILVER Medium Blues Bounce a F aa bm? Baim ‘Gva lower throughout) i Ie bt Gm? ct Amt, DT cmt ct Gmc " (@atking Bass) Gut To Letter (By (Fine Gm BbmT EbT ab Bhi? EbT Ab D.S. al Fine Dm? ar c DmT ar cr tel Am? Copyright© 1956, 1961 by Earoh Music, ne his angement Cepyhro 1996 by Eero Main Und by Femision Anvenatonnt Cop Seared Maden USA Ri nighe Rene 24 Dbm? Bbm? HORACE-SCOPE ‘Medium Bounce Db bm? te AbTES vipte te Li BbTbs at 7. ee mn cepa ey Ee a i Used by Permian Aliph Ree By HORACE SILVER Abm? pba > ~ IN PURSUIT OF THE 27th MAN 25 By HORACE SILVER Cc Fast Mambo or tt) cm br cr-(#o) abt Gta) D.S, al Fine S$ (ast Chorus repeat and fade) = Fine LET’S GET TO THE NITTY GRITTY By HORACE SILVER >) Medium Funky Blues Oe abr Db cw pte or cr Fm me Oe ere SRaRO ol sarees, ed by Permian ‘Al gts Rered 27 MAYREH By HORACE SILVER, Moderate Jump Am Abt Gm mcd Amt abt Gmt cr Am? Abr Gmt ct Amt cr Am? DL Gmt ea ony 1956 59 Ech Main. ‘his rangemet Copylgnt 1975 Cah ee mcraons ap ie Penn ee wesesA PRs Rees | | Ce C C: 28 JUNGLE JUICE By HORACE SILVER Big chiet got his head bad drinkin’ Jungle Juice Big chief feel-in’ so sad fon the loose. wom -an on the loose. She caught him a cheat with some oth-er goose Big chief got his head bad Drinkin’ Jun-gle Jute Drink = int Jun - gleguice erremen BION Ut nm i ol a ~ 20 how he Dbmitth Ebmith Fmiith Heart - beat———some -time he lute does - n't | seem sweet_—_when he's with b b 4 Gmitth Big chief say he sor-ry ‘Then they make a truce cri Now they both are hap -py Jun gleguice. ji he ie C. | Drink-in' Jungle Juice, Cc Jungle Juice-2-2 30 KISSIN’ COUSINS By HORACE SILVER ® wn Bibs need for us tobe. haps you'll fin - ally see. think “our face turns red. feet to take =a tour ‘bea basa an-y por-tions of our un = der - wear, wetre not ‘in-to—— no por - | nog- ra - phy, ‘eause of | all the ru-mors | that you've spread, to the | seat of __ your pos-| ter- i - oF, on-ly— kiss on-ly—— kiss on-ly—— kiss on-ly—— kiss bud-dies— till the— end. 2. Go serateh your buddies till the—end. bud-dies— tll the—endta tt did oc = bad-dies— till the_end. Cony 1974 by Bao Musi, Tes arangement Copy 1975 by Ear Ma ft” Use by Pemision lnveratiol Copyeaht ewes Maden US. A eghesere so un - clean so un - clean, were kiss- we're kiss-in" not ob - scene. not ob = scene we're Kiss~ in we're kiss- in! Kissin’ Cousins (Ast Chorus) Our love affair has no need for us to bare ‘Any portions of our underwear, For we're only kissin’ cousins, Bosom buddies till the end. Go scratch your knee and perhaps you'll finally see ‘We're not Into no pornography, For we're only kissin’ cousins, Bosom buddies till the end. Your mind is s0 unclean, we're kissin’ cousi (Our love is not obscene, ‘we're kissin’ cousins. 2 ok (2nd Chorus) Go soale your head Mf you think our face turns red *Gause of all the rumors that you've spread, For we're only kissin’ cousins, Bosom buddies till the end. Itdid occur to our feet to take a tour To the seat of your posterior, For we're only kissin’ cousins, Bosom buddies till the end. Your mind is so unclean, we're kissin’ cousins. Our love is not obscene,’ we're kissin’ cousi ee eee eS 32 ME AND MY BABY Medium 2 Beat Tempo Ebmtt =i Bbt(+5) DI49) _Dbr(49) —— By HORACE SILVER = AbT(45) C149) _BI+9) 11960 by Ea Main rrgran cpp 98 eg Man Udy Peon scr nytt Madetn USA. ~ ~ MELANCHOLY MOOD 38 Cc By HORACE SILVER AdL Slow Tempo Bb G7-9 AbI-9 — c7(H9) B95 Bbr(9) F iro F ap Gmt(-5) C19) AbmT(-5) Db7(-9) GmT Abm? Am? DT Db Fmaj7 D To Coda ® pant mile bat br c ae Dm7(-5) Gr cmi-5) FT Bbm(-5) gl D.C. al Coda Abmt-8) DHT bmi) ct cht Emajt? Fmd Bb @ Code Eb G7(-9) Ab7(-9) Eb G79) AbT-9) Bb a7(-9) AICS) Ebmaj? F Por a ae ° senator Sea RENE amp teed i. 34 MOON RAYS By HORACE SILVER“) Medium Latin Tempo loving, § emt bibs) eb Abmt Gmr(bs) ets Fm? Fmt Am(b5) F |? P= be br #5 To CodaQ eb _ab(#i1) eb Ab(H1) Fmt Bbr(b9) (Sten athe) eb chm ca copyright© 1976 Eero Mase, Intematon ppg Seed, Sen USA. All Right Reed By Rolo fhe Copih Ovrat a 35 Fm? Pm? Am7(b5)_AbmT Gm7(bs) —— r bo to cris Fmt br #5 Eb Abit) Eb abit) AmT Diba) Gmaj? Bhmt AmT Amt Dbmt(b5) Cm? Bm7(b5) eT Amt ir bo D.S.al @ Coda r pris Gm? ct Fmt 8 C8 Bho Moon Rays-2-2 36 MYSTICISM By HORACE SILVER ~ Fr(b9) G7(b9) Fb7(ba) B13(9) cha) 5 Bb13(9) D.S.al 6 Coda gy 80a lower ---~ ‘opyight ©1974 by Eero Mas Ine 1978 y Eero Mo a. Used by Perms ‘inden USA cranial pp “Al Rights Reserved 37 c er cite Mystictsm-2-2 NICA’S DREAM By HORACE SILVER Medium Latin Soimcin, Abm(in) S — Brn Abo 7 = cr AbmT br ‘Ghmaj7 DbT PRPS r File Bbm(#7) 1 'Ebm7/Ab yf vo TW re Fmt Ebm? Dbmaj7 Bt Bobs EbTisEbT Ebm7/ab _abtio #4 sree nN a his aragen Femiaion Imetatinal Copyraht Seced Nadel UsA ATR Rs 30 bmajo(bs-) Em? At Eb? chain mt Eb Dba? BH Bobs EvTbSET Ebmt/ab _abto — : File Dbmaj9(bs-3) «ANC Bbmi(t7) Bbm(#7) mm, Abt bt AbmT pbt obmajt Dt ct | : ; FRE Frbebs FTbe Bbm(#7) 7 ‘iea's Dream-2-2 40 THE NATIVES ARE RESTLESS TONIGHT By HORACE SILVER » Fast Fy 7 Blues Choruses Gm Gmt A(b5) Abt(b5) Gm? D.S.al 6 Coda Someo1976 Ear ts Inara EEN ee Ha eS” A Rh Ree ‘Daa Relon oie Conga Dun a NINETEEN BARS c By HORACE SILVER: Fat CH, cmt nan aban mths cr Fm Fi _—Last chorus ® @ coda, Ee ea) ‘Ths angel Cony roby earn Mose Usd by Avert Cope Secured ie OS AI Right Rewrved az NUTVILLE By HORACE SILVER “ Fast Mambo coe cm Toby Eero Moe Udy Peon Wisden USA Nigh Reed + cmt TS cat hm? _Abm? arts a bo e Nutville-2-2 44 THE OUTLAW By HORACE SILVER Swing a cr Ebm? Abt Dbmaj7 Latin EmT AL Dm cm Bm Bbt Ancto) Abmajt ~ FOF Swing GmT cr Fmaj? — Ebm? Ab7 Dbmaj? een OES yah 1976 by Eo Mane. In Imermtonl Cpa scree Shite VS Rio Reed Fran he Copy Oana 45 Latin Em? at Dm cm. Bm Bbt Fmaj? Swing antsy AbmaiT Gm ct F ‘Ebmt abt Db babs) E1(b5) Dabs) cbs) Gm7(b5) cue) Fmaji(b5) Emaji(b5) Ebmaj(bS) __Dmajt(b9) Dbmajt cro Fine SP neg BS ee Inprovise on C7 14 bars simile aes ee ‘The Outlaw-2-2 46 PSYCHEDELIC SALLY By HORACE SILVER“) Medium Rock Beat cto Fr ctts Psy-che =del - ic Sal-ly | with your_paint -ed face psy-che-del ~ ie Sal-ly you're my say - in! grace give your soul some -time crto a tate—and save your mind with a— taint - ed view Psy-che-del = ic Sal-ly T'm in— tove—with you cris a FI =< crt Psy-che - del = ic Sal-ly what you—search - int for Copyright © 1968 by Eero Mu, ne This amangenent Copyrit 1975 by Eero Musee Und by Permision wera Copyright Seed Maden US. ‘A Rigi Reseed Double time (Long Meter) a7 cus Abr = find the— key— un-lock the door. Wan~ derint round — tovn to town, Live in life—— and to hand, Don't know how. the Wait int for your Pass- in’ ‘round from . "For you know. your —— Abt _ | C feel-in's will be numb, Ab ~_ leva = Fr — che = del = ie Sal = ly don't you—want— to know Pay-che - del - ie Sal-ly IL love— you so. Psy-che- del = ie Sal~ly | | Psychedelic Sally-2-2 48 PYRAMID By HORACE SILVER“), Abm7(b5) Introduction" "—8— Db(#9) Gbmaj? Fmibs),_5__piaiba) r 7 3 gFm7(b5) Bbu(ba) Fm7%(b5) a ‘Abi Copyright© 1957 by Eel Muse In even Cypyraite I91eby Es se ioe Usd by Prison preg Secu Maden USA, iRighs Reseed 49 Fm7(b5)__ br Em cmi(bs) 7 Coda © = a Ebm Fmibg BM, Ebm Frt(65) BUT Ebm Fm7(b9)2t Ebm — Gmtb5) hatch 5 D.s.ale cota Coda Fmn(bs) 3 cmmb9) FT Fmi(b9) BbI(b8) — Ebm? —_AbT ve Se Fmt(h5) pint on PL enh F/Eb ; F Pyramid-2-2° QUE PASA By HORACE SILVER. Moderate Latin bm or —-— FI bt Dbm Fine D.S. al Fine nero by Pendant tie Copytt Ones = => 51 SHIRL By HORACE SILVER Very Slow Seren @avnuay 72 obec cxbay F749) 27¢40) DbvC9) BbTC%) ACHE) Abmaj7 iF bir F pits bin ciipbit abr aris crf rrfo brio wht arto abmay7 [acpi Bhie Ea t F ®pmt Gt \®chmt a7 cmt FI BhmajT Cm7 Dm7Gbmaj? Cm7 F149 Pree Fe FP FPR Eb7(b9) Bbtba ©)abr(be) Db) c7(49) F7(#0) E7(49) Dbr(H9)Bb7(F9) A7(#9) Abmaj7 - ol F F cn, pido) PHIC abt Abt _crdtorertia) F™) _e4a(#6) pitay ancday Abmait Dro BOIbO) abtlO rine # Pl F ie Tl ‘Thisammngonent Cpe 1976 by Ear Masa Usd by Rerinion Imran Copyright Secured Madea USA ‘AN Rs Remed 52 SILVER’S SERENADE By HORACE SILVER Medium 2 Beat Tempo “ or ge sm vs —=> Copyright 01943 by Esato Musi 5 Coprghe 1975 by lara Mtn Used ty Femiion owed” Maden USA. ‘aegis Reed Medium Blues Beat 53 SISTER SADIE By HORACE SILVER, Sa-die was a | mean chick Sa-die nev - er | wor~ ried. ‘And she tho't that she was | real slick.) Sis - ter Sa- die nev-er | hur - ried, aby av She 4 hasn't been the same—since Al-|phon-so put her down. coset t ee “This rangement Copstgh 01978 by Esoroh Mac Te. Used by Prison se SSE a a Back Beat ba fT ' Phon=so put her down, hhas-n't been the same—since Al = — paces a-round the floor. have an-y mind no more, a) A ab i ia stares into emp-ty space (No Back Beat) re @ q — her face. Sister Sadie-3-2 # AL = wayshad a lots a she ran in = to ai & D.C.al ¢ Coda phon-so—— Brown, has-n't been the same— since Al-|phon-so put her down. hhas-n't been the same.since Al-|phon-so put her down. She's just | knock-in’ a -roundthe tov, —s— ew g ia i ii since AL = | phon - so put her down, SS Sister Sadie-3-3 THE SOPHISTICATED HIPPIE By HORACE SILVER ed by Pri 87 Fmtb5 _ ——3— pbrbe Ebm? ‘The Sophisticated Hippie-2-2 SOULVILLE “ By HORACE SILVER Medium Blues Bounce Bbm_ Abt gp Gdim Ghai Bbm?_Ebdim (-8) Ebm Faim Gaim, img = cmi(-5) Dain Dhan 5 Bbm Ebéim 9, ee Bbdim ~ Copygh ©1987 taeh This arngeent Coppa 913 by Each My ‘wert Copyright ead Mae 59 BbT9) Sts Ebm Ebmt(-8) AbI(+9) I> Dbm cmi(-5) FU-5) Bb Abt a Gaim Gham Bhmt_Ebatm Bbii-9) cmi(-5) = adi Dbdim_ Bhai FU-8) Deim bm Gmi-5) cmr(-5) FU(-9) Bbm Soulville-2-2 60 SOYANARA BLUES by Horace si.ven ~) Medium Latin Gm Abr : Abt 61 SPECULATION By HORACE SILVER Cc Moderate Swing pot Bem? ‘Amt hm? cmt Bm og Bm? AmT_Bbm? cmt Bbm? Bhmt AT AbmajT Gmaj? Abmaj? cmt Bhmt at abt or oh - ae Cincy aay 9 EbmajTbS add minor 3rd 62 STRANGE VIBES ~ By HORACE SILVER BTHs/A ATS BT#9/A atto Bottom Line va bassa fetta ato BIPb/a AT 2nd.tine only, BU Brea /a atta Bito/a Atty my Brio /a att <_ —————————— Brta/a aT#o BIH9/A AT#O =< prto/a atts copyright 01972 by Ec Muss, ‘Thi arangunent Copytght 1975 by Ear Saat Ud by Prison inertia Capp Sead” Haden US ‘Ainge Resed 63 c1#9/Bb BbT# Btio/a_aT#

    You might also like