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As the world turns. Arguments flare over whose local scene is. best. Bee's erupt between writers and crews over who kinged the line last Summer. Bored youngsters with comput ers push their rheterical sil as far as they can while trying to knock entire continents worth ofslle es unoriginal. Somewhere along the ine someone geis bitchslapped this month’ trendy fil technique ol pieces get destroyed over munications, We might as well Years w sily mise all be quarreling over women in barrooms. Once ina while, however people emerge ‘who completely reenervize the scene by looking past all of that garbege. They look to themselves for inspiration and in turn make a tremendous contribution tothe cul ture both in their artwork and in the'r per sonal conduct, The twin brothers Os Gemeos af Sao Paulo, Brazil, are such people, |tis for this reason that we feature them in this issue. Worldwide Graft Scholarship, ine Photo Contributions by: ‘Alen, Bases Bask, Bugone, Ceaze, Celo, Cyne, Dask, Dekay, Deed, Duro 3/Third Decree, Edeo, Emi, Ease 13, Ese Jigs, Kemo, Kem, King 157, Kwaze/ Volume, Nesr, News, Os, Patick Swayze, Pove, Rage 3, Reso, Revs, Sask Shepard the Giant, Smesh, Sor, Sub, Wow 123, Zeck Extra special thanks to Coce 2 and Spade 127th fr their generous contributions fothis issue, Deseo guerre Once Pot Manche in idl ire Weenie rst gb now tou {co hamatsrestnco tact whe Une Stay wry BBbou aber ye crce Uted Sex db ke ue jaca ioe parctat behoe yee she rney oreo 0c eae UE DBilancne tons fetter how se uel eaten nae cane bobenh tino edt (Some ee ch pte tase ome ie sree tet seaoa ecg lures Madan weet eres IA abner mare be Geese ea Ove ore Mean sei bbe st warduislagou Hes rs ogazeto bare iy bre cn eaee ite yah oaah spans? Py eps led opratwrbe urbe 28) eigen cael vor St Gps OFS atte 2oxprophet com io @PPazrocteteon Sitelaiei@IPanprogheteon ‘xveehg®2ozprostetcom ‘genset 2oproptcom Wholotle 13052778-3600 Questions 130597.9809 Subserntons 11800.408.9975 Facsimile 1305 278.3698 Proohet Line 308.699.7372 ‘Toe Prophet Magazine PO Bo e060} Mam FLa3t6-060 Us. ee STEM rn PE through all the sleepless nights, physical poundings, Pe ne et Se ey the transformation Prac See OSS eee Re aun a transformation have been designed, bull, and executed Ps ee ed eras) Pane rae “S20 Paulo, Brazil. is where wellve. Ikis 0 crazy and so huge, anything that you would ever want to see can be seeninthestreots. We don't know ifSao Paulois the ony city Wie this, there must be otherhidden cities lke this. In Sao Paulo, if you with to see someone starving, wall around the black. fyouwith to see millionaire, valk around the same block again. You will see men dragging carts around filed with cardboard, writing small poems on the boxes in which theylive, the reallly ofthe stretsisnot something that canbe escaped. The people who have the means to donot do anything about i because they are more concerned with their own situation, People here are too concerned here with day-to-day survivaltothink about other things. People arent concerned with the future becouse they must survive today Because of condi this, everything falls shit. Sao Paulaisaplace where tis very dllcull to notice the good thingsin the street, we only notice the bad things because there are so many them. Everywhere you look you see kids huffing glue, people begsing, people who are delormed. We can stand there painting awallandaman willcome ‘up tous out ofthe garbage and startexplaining his life story tous. Everywhere youlook are the homeless, itle kids and babies living onthe street. The things that ‘ve paint are often a result of seeing that type o thing inthe street. We ‘often paint simply forthe people in the streets andifit makes ther life alittle easier knowing that wo paint justforthem, and bring litle color {othestreetsjust for them, itisa ‘means of excaping the reality ofthe harsh word, These poople are able tosee these big murals and know ry A that they are not excluded from the rest ofthe world. We wantthem to know that they are thought about. Explaining to people outside of Sao Paulo what goes on theres very Ailiclt because the people who live there dont know themselves what’ going on. We suspect that a lotol majorities arelike tha, that people's main concernis for money and survival. Everything that exists must coexist, and Sao Pavlos 2 land of coexistence. There are police who don't get paid shit and bbocause ofthat they don't care about what they're doing, Because colthat everything else followsina vicious cirele. The cops get frustrated and steal rom people. There are things in Brazil that are dificult to explain. There are ‘people who are even poorer than those in shantytoyns because at least people there can scrounge {food fromthe garbage. There are ies vty s people who are so poor that they cannot even tind edible garbage, s they find chunks ofeardboard and learit up and boll, making soup from cardboard. These people ere s0poor they cannot even lve in a shantytovn, they just get soaked every ime itrans. They figure that ‘anything must be better than where they re, any city, anything, They pick up and move to shantytowns and sometimes doa great deal better That's why there are so ‘many shantytowns, because once there, nobody can go higher Kids ‘who are born int that life dont have the resources to go any higher. They lve ther entire lives that way. We paint because it creates a portal into another world that other people hopetully can peer into in order to see another lite and world that exists” OsGemeos sight. Cons generally ether ke or

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