HORNINF Book? John O'Reilly PHIEVEMENT =. A comprehensive band method that develops creativity and musicianship Dear Band Student Congratulations on completing the first book of ACCENT on ACHIEVEMENT. You have already learned a great deal and are well on your way to becoming an accomplished musician. Book 2 will take you even further on this journey. You will play more great music by composers you've already studied, plus 14 new composers. In addition, you'll play rock, jazz, Latin and ragtime pieces, along with fantastic folk songs from around the world. Pra fascinating world of music. i OR LL at Withee diligently, and you are sure to do great things in the John O'Reilly Mark Williams ‘parent pcs eae and pi) a coureny of Vomahe Caran Ano, arg © MCMC ted Paling Co. ne Alaghte resened, PrintedAccent on review | Coe Moe | Hate Note Hate Rest Bb ja - ° | j ie o 12 1 Quarter Nore Quarter Rest | 1 thin @ TT.) TA) (TO) | J t Li Time Sicnatures Key SIGNATURE 12 Tempo Markincs Moderato Allegro Oats, Peas, BEANS Allegro Traditional Go Tet. Aunt RHopy (Duet) Moderato i Americen Folk Song 2 > Some Forks Do Stephen Foster Allegro (0828-1864) i > 2 3% - = suumaensone ARQ SID A Moderato Belgian Folk Song soto BAND solo BANDAlccent ow review Accent Rivarpanpo FERMAaTA > rit. > Stur Divis! Ist AND 2np Enpincs div, fh Fae Dorteo EicuTH Notes Hatr Note 4. roe Pick-up Note ol pM oe te Re 0 te 02 Bb tin: (12) YQ) (F2) (0) (12)T12) (HY Key Sicnatures f Tempo Markinc Andante P Ecuo Duet English Folk Son Andante : : a 5 > Yankee Doopie ‘American Folk Song Allegro = = \3 f THe Man on THE Fiyinc Trapeze Moderato Traditional : : f Pe \? f Merrity We Rout Atonc Traditional Moderato i oF ? ~ =ficcenr ON REVIEW | Dywanic Marxinos mp BARCAROLLE from Moderato “TaLes OF HOFFMAN” (Duet) Sinate EicHt# Nore Eicuta Rest d 1 | | Dorrep Quarter Muuripte Measure Note Rest i 2 | Tempo Markinc : | ae SYNCOPATION t | Ds Sraccaro | Jacques Offenbach (1819-1880) el i Th Deck THE Hats Vivace Buy Boy Allegro "More Syncopation a iq dd > Alccent on review CRrEscenDo © DimINUENDO Tempo MarkinG Se Largo | D.C. (Da Caro) at Fine D.S. (Dat Secno) aL FINE Aut THRouGH THE NicHT Welsh Folk Song DC. al Fine o Largo Fine 2 oe nos mp mf rit Oup Dan Tucker (Duet) peepee aire Allegro % Fine DS. al Fine lene | BS.al Fine Erie CANAL Amoican Folk Song Moderato ee 4 mp f mp America, THE BEAUTIFUL Samuel Ward Andante (1848-1903)Alccenr ON PERFORMANCE Marco Onward Allegro. Tempo MaRKinc Time Sicnarure @ Allegretto. Cut Time-same as Moderately fast tempo }} 2 = 2 beats in each measure 2 = half note receives 1 beat Hace Note Gets THE Beat Moderato 16 o Care eee are Sino Noet (round Allegretto ® Liberian Folk Song SCARBOROUGH Fair Andante English Folk Song Hic Scoot Capets John Philip Souss Allegro (1884-1932) 19 e fre o ‘Alccewr on FRewcH HORN 20 mf ee For more individual technique practice, see page 42, #1.Har Ster/Wuote Step On a piano keyboard, the 12 top distance between any two i a | ia adjacent keys is called a half step. Two half steps equal one whole step. whole step whole step 12 step DIFFERENT STEPS i its Yt Mie Moderato A x 21 — ae SP Up on THE Housetop Vivace Traditional Carol 22 5 mf =f Zum Gaui Gaui (Duet) Allegretto Israeli Folk Song e oe = Alccenr ON THEORY: Identifying Half Steps and Whole Steps Label all half steps with A. Label all whole steps with —Tenuto Hold the note for its full value. Tempo Markinc Maestoso o A TEMPO Return to the previous tempo ° “3 In a majestic style. STRETCHING HIGHER Andante Apvance, AUSTRALIA FAIR Maestoso 6 26 E : = = Down Home Buues (Duet) Allegro 27 o Se see in Accent ON CREATIVITY: Free Rhythmic Improvisation 28 Improvise about eight measures of thythms using any combination of hand claps. finger snaps and foot stomps. Try to maintain a steady tempo while varying the rhythms and sounds,7 —— ne A Suxreentn Notes : | Receive 1/4 be 2 i e Receive 174 beat in § nmi = | Sand § time. i 23) = oJ Four To THE Beat Moderato fe 29 = nf s Connie &o2 & 3k THE THUNDERER John Philip Sousa Allegro (1884-1932) 30 af © Harvest Sonc Allegretto Estonian Folk Song Simpte Girts Moderato American Folk Song Accent ON FRENCH HORN 3 GE SS ——— SS — mp Se ee For more individual technique practice, see page 42, #2Alccewt on PERFORMANCE Ho.ipay Fantasy Ananged by John O'Reilly and Mark Williams Allegro = SS == ote ee st tee eee es See seef | Arter-seats fadyd ; A sera ‘TRANSPOSING || Rewriting @ melody beginning on a different starting pitch, maintaining the same pattem of half steps and whole steps. Key Sionature AIL F's should be played as Fé throughout. Minor Episope Moderato i 34 © mp America/Gop Save THE QUEEN Andante Traditional 35 Z uf : =f as, THe Op Brass Wacon (buet) Allegro Felix Mendelssohn (1809-1847) Allegretto a eee 37 “9 op Count 1 eka 2 & Alccent on tHeory Transpose the first 6 measures of #35 (America/God Save the Queen) into these two keys, then playDynamic Markine An EicuTy Noe ano Two ce SUXTEENTHS Play f° the first time, E THAI | ene p te socond tine. 10k a Dele a Hich Note HapPeninc Moderato 39 ‘a mf SIXTEENTH AVENUE Allegretto 2 40 mp nf EL FLORON (Duet Allegro Se lee Mexican Folk Song oe 4 mf eS b E e mf Tue Pawpaw PatcH American Folk Song Moderato t ~ a | f P . Antonio Vial SPRING from “THE Four SEASONS” ‘ert (1878-1741) Allegretto 43 o 7 te ~ P a ne s fs Accent. ON CREATIVITY: Passing Tones and Neighbor Tones Wiite your own variation on this theme by adding passing tones (notes between pitches a third apart) and neighbor tones (above or bolow repeated pitches). pr Na.| Two SixteentHs : (Te meat 27 EicutH Note lL More SixteenTHs Moderato Tarta Hinpt Allegretto Arabic Folk Song IL EST NE Moderato French-Canadian Folk Song Pat-a-PAN Allegretto French Folk Song —— e ee, Alccenr on Frewcu Horn ividual technique practice, see page 42, #3 & 4.| Dortep ElcHTH Note Receives 3/4 beat in Bond f tie Dorrep EicHTHs Andante B bie of Richard Wagner (1813-1883) Bripat CHorus from “LOHENGRIN” Maestoso a 51 mf —~vs THEME from “UNFINISHED SYMPHONY” Franz Schubert Moderato ae 52 mp P Irauian STREET SONG Victor Herbert Allegro (1859-1824) 53 = = Alcceur ON THEORY MAJOR SCALE CONSTRUCTION: All major scales contain the same pattern of whole steps and half steps. Study this pattern in the example below. Now build your own major scale beginning on the note given, adding any sharps or flats as necessary. a ee a ee Note names must be in alphabetical order. AN AN, =. SSS SZ e oAlccent on perrormance + c £ veerspace Overture | (& i ma John OReilly and Mark Williams Allegro 5 oe CQ é ith repeats) nf i mpLooxinc SHARP Largo 2 co c © Canapa Maestoso. Canadian National Anthem f Aria trom “THE Marriace oF FicaRo a Allegretto (1755-1791) 57 = mp Alccent on CREATIVITY: Improvisation on Chord Changes Improvise your own melody using the notes contained in each triad (three-note chord) You may also use passing or neighbor tones as long as they are of short duration. F bm Gm © F bm om ¢, FD.C. (Da Capo) at Copa Go back to the beginning; then skip to the coda. Rance BuitpeR Moderato Firower Drum Sonc Andante Chinese Folk Song 60 Cee “ ae oC 5 ef td Sy S Nu Ar bet Jut Icen Moderato ‘Swedish Folk Song 61 mf — Cotone Bocey Kenneth Alford Allegro To Coda (1881-1945) = 62 % Ff D.C.al Coda Coda =] ss ae: . Pa Alccenr ON FRENCH HORN 63 Pe] oe. e fe mf For more individual technique practice, see page 42, #5 and page 43, #6ENHaRMONIcs Any two notes that are written differently, but sound the some. Curomatic Crawt Moderato 64 mf 5 o THEME from “Piano Concerto No. 2” Serge! Rachmaninot Andante (1873-1943) Edvard Grog Iv THE HALL OF THE Mountain Kine eae Moderato 1. 2. | mf OveRTURE from “THE BARBER OF SEVILLE” Gioacchino Rossini (1792-1988) Vivace AMccENT ON THEORY Rewrite each of these notes as its enharmonic equivalent 68 eTime SicwatuRE } B = 3 boats in each measure 8 = eighth note receives 1 beat EicHtH Note Gets tHE Beat Moderato 69 ew Count 23 TARANTELLA (Duet) Allegro Italian Folk Song mp Battie Hymn oF THE Repusiic Maestoso Traditional tna ne Es n Et ———e oe eee ae af Accent ON CREATIVITY: Composition Based on a Rhythmic Pattern Write your own short composition, using the rhythmic pattern «a. in different ways. Be sure to include: 1) clef sign 2) key signature 3) time signature. Play your compositionA |CCENT ON PERFORMANCE Water Music George F. Handel (1685-1759) ‘Am. by John O'Reilly and Mark Williams Andante 5 6 2 8Time Sicnature § Six To THE Bar D.S. (Dat Seno) ar Copa Go back to the sign 8; then skip to the coda. 6 beats in each measure eighth note receives 1 beat Andante mp cont 29456 129456 Row, Row, Row Your Boat (Round) American Folk Song Moderato @ . @ 74 eg nf # V's THE B’y (puet) = Canadian Folk Song Allegretto (Newioundland) THe ENTERTAINER % ‘Scott Joplin ‘eCoaa (1868-1917) Allegro 76 mf a te f nf Ft DS-alCoda wae O-Coda ——uf © er —==—r fF Accent on Frenc Horn 7 mf For more individual technique practice, see page 43, #7.| Tempo Markinc Andantino Slightly fester than Andente. Stitt HIGHER Andantino Cazypso Ciims (Duet) Moderato 1 1 Saw Turee SHips Allegretto Traditional Carol 80 oe — (125696 Teas Tue Star-SpaNcLeo Banner Maestoso U.S. National Anthem oe Alcceur ON THEORY — Rewrite the following example in cut time. 82Motto rir. Dramatically slow down the tempo. SmooTH SLURRING Andantino 83 e i ee ; te mp ———— mf Hagaiiera from “CARMEN” : Moderato (1838-1875) Yopetinc Sonc Austrian Folk Song ee | Allegretto 85 i we THEME from “Viowin Concerto In D” Ludwig van Beethoven Allegretto (1770-1827) af - ss z/ mp p mol He Alccewr on ceearivirr; improvisation on a Blues Scale Using the pitches shown, improvise your own melody using any rhythms you know, You may play these notes in any order, repeat notes, or use rests, $ ote} 87 6 oe =]Tempo MARKING ‘Adagio Srorzano fs Slightly slower than Andante. A strong accent. Cioc Dance Moderato Hopak from “THe Fair at SOROCHINSK’ Modest Mussorgsky Allegretto (1839-1881) 5 div, 89 mp ft diy. o S ft © Tannensaum German Folk Song Adagio | eee Brow Away THE Morninc Dew Allegro English Folk Song 1 (Alccent on FRENCH HORN 92 ae For more individual technique practice, see page 43, #8.mae Alccenr ON PERFORMANCE Fiesta Mexicatt John O'Reilly and Mark Williams Allegro 2 2 3 rs 5 DS, al CodaDynamic Markies BEAMING OVER A REST PP tf Pianissimo—very soft Fortissimo—very loud § 7 a 123458 Beam Me Up Allegretto 1 2. Peel 93 e mf THe Sorcerer's APPRENTICE Vivace Paul Dukas (1865-1935) 94 mp ee fe Country GarDENs (Duet) Moderato English Folk Song a = ' og are e mf le Alccenr OW THEORY Draw the correct bar lines, then write in the counting and clap. ee! eeKey Sicnature ve5- AIL B’s, E's, A’s and D's should be played as Bp, Eb, Ab and Db throughout. Muitipte Fiats Adagio ae see mp Over THE River AND THROUGH THE Woops a Allegretto [aaa ree 3 ee Marcu OF THE TOREADORS Georges Buet Moderato (1888-1875) 99 o f Z ae Fum, Fum, Fum Allegro Traditional Spanish Cerol 100 + G Accent ON CREATIVITY: Extended Composition 101. Write your own composition of any length, using a separate sheet of music paper. Use some repeated rhythmic and/or melodic patterns to create unity. Use some contrasting material to create variety. Play your composition,EicuT# Note TrIPLets 4 3 3 1 2 Grace Note ———= PETTITT | | a ae te A T tapelt 2 tipi usualy played just 2 ro) *— before the beat. THREE TO THE Beat a Moderato EF iv 102 mf 8 TripLet Sonc Andantino e French Folk Song rz 4 oe s 2 oe cui i mf’ a3 Finate from “New Worip SYMPHONY” Antonin Dvoték Allegro (1841-1904) 104 C SF DC al Fine : : 5 = : eS = =] Procession OF THE NoBLes Nicolai Rimsky-Korsakov (1844-1908) Maestoso 105 = o f e (Alccenr on FRencH HoRN 106 te For more individual technique practice, see page 43, #9.Tue Outer Limits Moderato i 2 1 107 % ie of Now Is THE Montx oF Mayinc (duet) Thomas Morley Allegretto : (1558-1602) vie 108 mp b = o mp wige tec La Donna & Mosite Goa Moderato (1813-1901) 109 ae Sotoier’s CHORUS from “Faust” a Moderato (1818-1893) Peter Ilyich Tchaikovsky (1840-1883) Marcu from “Nutcracker” Allegro gro 7. m1 For more individual technique practice, see page 43, #10,Alcceur ON PERFORMANCE John Philip Sousa (1854—1932) Ae by John O'Reilly ‘and Mark Williams Sousa on PARADE Allegro &Frencn HORN SOLO When Jounny Comes Marcuinc Home Allegro Horn in F PianoModeratoDAS. al Coda @ CodaAlccenr ow scates F Mayor Scate (concert Bb) e D Harmonic Minor Scate (concert c) o D Me topic Minor SCALE (concert G) © Masor Scate ‘concert F) A Harmonic Minor Scate ‘concert 0) e A Metopic Minor SCALE (concert D) 3 Bb Masor Scate ‘concert Ep o a G Harmonic Minor SCALE (concert ©) G Metopic Minor Scate (concert &)Eb Masor Scate (concert aby Harmonic Minor SCALE (concert F) e C Metopic Minor Scate (concert F) o G Mauor Scate (concert c) o e o E Mezopic Minor SCALE (concert A) o t Ab Masor Scate (concert p» o iw F Harmonic Minor ScaLE (Concert 8) e F Mevopic Minor Scate (concert &) e Cxromatic SCALE (French Horns only) ee | . 4a + oe fe opeA |CCENT ON RHYTHMS i oo LAL yy I 1 Tu by db. TA WA ap QA oOo ils LO Oy Fbneti gl Asm a petit yi pli bl ny 3 $d eo dl Dip JOT dL a) 8 dL gl dd DTI Mu s QL MTL dd dg TTL 1 DTTLy ares e er » DOLL Lg. J dL dU. PLL yb) OL 2, ONL OU, op OU wn Dy mu mu oy LDL ay LTAlccent on restsaa AlA |CCENT ON FRENCH HORN(Alccent on cHorates We Gartner TOGETHER Andante Netherlands Folk Song a mf mp rit. Now Tuank We Ait Our Goo a Maestoso - (1685-1750) Ma-oz Tsur (Rock oF Aces) Moderato Traditional Henukkeh Song mp Aut THROUGH THE NicHT Andante Wolsh Falk Song e mp_p af is mp = Erernat FatHer, STRONG TO SAVE Adagio Navy HymnGuossary Accent (=) Play the note stronger ApAGIo Slightly slower than Andante AtrorD, KENNETH English composer (1881-1945) ALLEGRETTO. Moderately fast tempo AuteoRO Fest tempo ANDANTE Moderately slow tempo ANDANTINO Slightly faster than Andente tempo Retuin to the previous tempo Bach, Jonann Sesasian German composer (1685-1750) Beetoven, Lupwic van German con (1770-1827) Bizet, Georces French composer (1838-1875) Common Time {@) Same as time signature Cur Time (qb) Same as 3 time signature Crescenvo (<=) Get louder gradually D.C. (Da Caro) at Cooa Go back to the beginning then skip to the coda D.C. (Da Cao) at FINE Go back to the beginning and play until Fine Diminuenoo (==) Get softer gradually D.S. (Dat Seano) at Cova Go back to the sign %. then skip to the coda D.S. (Dat Secno) at Fine Go back to the sign and play until Fine Dukas, Paut French composer (1865—1935) DvowAk, ANTONIN Czech composer (1841-1904) ENHARMONICS Any two notes that are writen differently, but sound the same, {F#= Gh) Fermata (7) Hold the note longer Fiar ()) Lowers the pitch of a note one half step Forte (,f') Loud FP Play loud the first time and soft the second time Forrissimo ( ff") Very loud Foster, STEPHEN American composer (1826-1864) Gounop, CHARLES French composer (1818-1893) oser Grace Note A quick note, usually played just before the beat Griec, Eovaro Norwegian composer (1843-1907) Have SreP The distance between any two adjacent keys on the piano Hanpet, Georce F. English composer of German birth (1685-1759) Herseer, Victor American composer (1859-1924) Jopun, Scorr American composer (1868~1917) Key Sionarure Indicates notes which are to be flatted or sharped throughout Larco Very slow Maestoso In a majestic style Mezzo Forres (mf") Medium loud Mezzo piano (mp) Medium soft Menpetssoun, Feux German composer (1809-1847) MoveRrato Medium tempo Motto Rit. Dramatically slow down the tempo Mortey, THomas English composer (1559-1602) Mozart, Wotrcanc A. Austrian composer (1756-1791) Mussorosky, Mopest Russian composer (1839-1881) Narurat () Cane bar line Isa flat or sharp until the next OrFeNBACH, JACQUES French composer (1819-1880) Pianissimo (yp). Very soft Piano (p) Soft RacHManINoFF, SERGE! Russian composer (1873-1943) Rimsky-Korsakov, Nicota Russian composer (1844-1908) RirarDanpo (Rit.) Gradually slow down the tempo Rossini, Gloacciino Italian composer (1792-1868) ‘Sharp (#) Raises the pitch of a note one half step Sctusert, Franz German composer (1797-1828) Srorzanpo (sf) A sitong accent Sousa, JOHN PHILP American composer (1854-1932) ‘Staccato (+) Play the note '4 its normal length Tenankovsky, Peter I. Russian composer (1840-1893) Tenuro (—) Hold the note for its full value TRANSPOSING Rewriting a melody, beginning on 8 diffrent starting pitch Vero1, Giuseppe Italian composer (1813-1901) Vivace Very fast tempo Vivatot, AnTowio Italian composer (1678-1741) Waoner, RicharD German composer (1813-1883) Wuote Step Two half steps46 Feence HORN FINGERING CHART ‘Thumb valve- (on double hom only) F Horns: Use the upper fingerings. BbHorns: Use the lower fingerings. ‘The "T” only applies to double horns. Double Horns: You may use the 8b Horn fingerings by depressing the thumb valve Notes normally played on the Bbside of the horn are indicated with a "1 before the fingering. 1 2 0 23 12 (To) 123) 3) 23) 2)2 a 2 ©) 12) a a A at Bb 8 ic + “fo So —==1=5 == | 23 12 1 2 9 723) T12) Vn) 2) r9) 723) (712) 7 72) ro) Fe co Gs GE A # ko. bo ° fo 2 — = 2 ° 23 12Home PRACTICE RECORD Week Date ASSIGNMENT Mon Tue Wed Thur Fri Sat Sun Total Parent Signature