Professional Documents
Culture Documents
[II]
F O U N D AT I O N S O F WA L D O R F E D U C AT I O N
RUDOLF STEINER
Practical Advice
to Teachers
Anthroposophic Press
The publisher wishes to acknowledge the inspiration
and support of Connie and Robert Dulaney
❖ ❖ ❖
These lectures, from shorthand reports unrevised by the lecturer, are translated
by Johanna Collis from the German Erziehungskunst. Methodisch-Didaktisches
(vol. no. 294 in the Bibliographical Survey) published by Rudolf Steiner Verlag,
Dornach, Switzerland. The lectures have been edited by Anthroposophic Press
for this edition.
10 9 8 7 6 5 4 3 2 1
Bibliography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199
Foreword
quicken the child’s conceptual life. This is the pole of the grow-
ing child that suffers much in this information age, that is
always in danger of becoming too fixed and static, too hard-
ened. This tendency toward hardening is one effect on our con-
ceptual life of the overload of factual information.
The information age has a different effect on the human
will, on human initiative and motivation. It has the effect of
putting us to sleep as far as our personal engagement and
exploration of the received data is concerned. We feel unmoti-
vated and lethargic, we look at the world through a spectator
mentality, not willing to activate ourselves. This is a particu-
larly formidable challenge for growing children who have to
form a healthy relationship with the world and with their social
environment. It is astonishing to witness how lethargic a great
many children have become through our modern culture. It is
more and more challenging for them to direct their will and
attention toward purposeful doing. At an early age they
become used to being entertained, and consequently do not get
the chance to engage in the kind of nature-related practical
activities they need in order to become balanced human beings
in later life. Here, the healing aspect of Rudolf Steiner’s educa-
tion, which is an education through and of the will, becomes
very evident. It is the arts that have the mission to connect
growing children with their active, striving, energetic, creative
Self. It is particularly the head pole of the human being that
needs more and more enlivening through the elements of
imagination and creativity imbuing each subject. The head
pole, the conceptual thought life, is the Apollonian form ele-
ment that is easily in danger of becoming fixed.
Rudolf Steiner describes three stages in the development of
the child between the ages of seven and fourteen. In the begin-
ning of the first stage, he connects the activities of writing and
reading with the intellectual form pole. Both rest on convention
Foreword xi
and are valuable only for our earthly life. He now shows how
these activities can be balanced in their effect on the child by
developing them out of the artistic element of drawing. This is
also the path taken by the historical development of writing.
From early pictographs, (Sumerian, Egyptian and Chinese cul-
tures), individual writing styles were developed. By taking the
path from drawing to writing and having the letters emerge out
of the drawn picture, the child experiences the process as form-
ing a meaningful whole. The artistic activity harmonizes and
enlivens the more intellectual, conventional aspect of writing
and its continuation, reading. This path is the path of will,
from art to writing—where the child is still actively engaged—
to reading, which is the most intellectual process.
This is one example of how all teaching is drawn from the
artistic realm, where creative life is at the core of all experience.
The whole method with which we approach the child must be
steeped in artistry, that is, it must be imaginative, living, color-
ful, immediate, engaging. By thus harmonizing the experience
of learning, we can awaken interest in the events of the world.
Then we will have children and young adults who are open and
eager to explore and discover the world around them.
If we fail to address the heart and will forces of growing chil-
dren, if we fill them with a constant flood of information that
only addresses the conceptual life, the unfulfilled, empty soul
and spirit will opt for thrill-seeking and entertainment, and, as
Rudolf Steiner points out, “animal instinct will grow rampant.”
The musical-poetic element, on the other hand, can provide
a very strong experience, especially for younger children, mak-
ing them dreamy and excarnated. This is connected with the
other pole of human experience, the will pole. An effect of
overexuberant life can manifest in this musical, Dionysian ele-
ment. It can have an excarnating effect on the child; however,
we can keep this effect within healthy bounds by bringing in an
xii PRACTICAL ADVICE TO TEACHERS
elements that are less dependent on the ego” (lecture 8). It is the
astral body that permeates the etheric body and invigorates it.
The astral body, among other things, infuses the child’s soul
with interest in what works in the outer world to link one event
with another. The capacity to think about cause and effect
awakens, and study of the physical sciences begins. Here again
we see what is a hallmark of Waldorf education, that we wait for
the inner developmental step to occur and then we support it
with the appropriate educational measure. At this age, then, it is
appropriate to present the cause-and-effect-based phenomena of
physics.
With these inflowing astral forces, interest in historical
observation and development also awakens. In fifth grade we
begin ancient history through story and biography, while in
sixth grade we can add to our presentations the thread of his-
torical connections; for example, we present the crusades
inspired by religious fervor and show their very unexpected his-
torical consequences. What is often taught under the name of
history, dates of kings and battles (though some are necessary
and helpful) is dead and completely uninspiring. This is not
history. “The real essence of humanity lives in historical
impulses” (lecture 8).
The teacher is called upon to open the eyes of the students to
the evolution of human culture around the world and to the
place and influence of the individual in historical development.
The students begin to see the human being evolve through time
as they live through the struggles, challenges, and triumphs of
human life. Presented vividly and in full, pictorial images, his-
tory is not just more knowledge, but is as much food for the
soul and spirit of the young person as fairy tales and nature sto-
ries are for the first grader. Many questions of students in the
older grades, spoken or unspoken, revolve around “who am I
and what am I doing here?” By experiencing human struggle as
xvi PRACTICAL ADVICE TO TEACHERS
Astrid Schmitt-Stegmann
Lecture One
AUGUST 21, 1919
My dear friends, first we must make the distinction that the lec-
tures on education in general differ from those in this course,
which will deal more with specific teaching methods. I would
also like to say a few words as an introduction, since the meth-
ods we will use differ from the prevalent teaching methods,
which are based on premises very different from ours. Our own
methods will certainly not differ from the other methods
applied so far merely out of obstinacy, for the sake of being new
or different. They will be different because we must begin to see
the special tasks of our age and how we must teach so that
future humanity can fulfill the developmental impulses pre-
scribed by the universal cosmic order.
We must realize above all that by employing our method we
will, in a certain way, harmonize the higher human being (the
human spirit and soul) with the physical body (our lower
being). The subjects you teach will not be treated as they have
been up to now. In a way, you must use them to develop the
soul and physical forces of the individual correctly. The impor-
tant thing for you is not to transmit information as such but to
utilize knowledge to develop human capacities. First and fore-
most, you must begin to distinguish between the conventional
subject matter of tradition (though this may not be stated
clearly and concisely) and knowledge based on the recognition
of universal human nature.
2 PRACTICAL ADVICE TO TEACHERS
“The fish you saw looked something like this drawing on the
blackboard. Imagine you wanted to say ‘fish.’ What you say
when you speak the word fish is present in this sign [on the
left]. Now try not to say ‘fish,’ but only start to say it.” Here we
try to teach the child only to begin the word fish—“f-f-f.”
“There, you see, you have started to say ‘fish.’ Now suppose
people in ancient times gradually began to simplify this sign
[see right sketch]. When you start to say ‘fish,’ ‘f-f-f,’ you
express this in writing by making only this sign. People call this
sign f. So you have learned that what you express by saying
‘fish’ begins with f. Now you write it down as f. Whenever you
start writing ‘fish,’ you breathe f-f-f with your breath. So you
learn the sign for when you start to say ‘fish.’”
4 PRACTICAL ADVICE TO TEACHERS
in the right way. We must face the fact that certain capacities
can unfold only between the seventh and fourteenth years in
such a way that a person can cope with life later on. If such
capacities are not developed during this period, people cannot
contend with life’s later struggles. And this is indeed the situa-
tion for most people today.
As teachers, we must provide those we educate with the abil-
ity to artistically assume their place in the activities of the
world. Human nature, we will find, is such that we are, in a
way, born musicians. If people were sufficiently agile, they
would dance and move in some way with all little children. We
are born into the world in a way that makes us want to join the
world with our own bodily nature in a musical rhythm and
relationship; this inner musical capacity is strongest in children
during their third and fourth years. Parents could do a great
deal if they would simply notice this, starting not so much with
external musicality but with an attunement of the physical
body and the element of dance.
It is exactly during this period of life that an infinite amount
of good can be gained by permeating the bodies of little chil-
dren with elementary eurythmy. If only parents learned to do
eurythmy with their children, something very different would
arise in them than is usual. They would overcome a kind of
heaviness that lives in the limbs. We all have this heaviness in
the limbs today, and this could be overcome. When children
change their teeth, the foundation for everything musical
would thus remain in them. The individual senses arise from
this musical element—a musically attuned ear or an eye for
shapes and forms. A musically attuned ear and an eye that
appreciates line and form are specializations of the whole musi-
cal human being.
Thus, we must cherish the idea that by drawing on the artis-
tic element, we assimilate the disposition of the entire human
Lecture One 13
only with your heart and head. As a simple example, let’s say
that I wish to teach a child about the continuation of the soul’s
life after death. I would only deceive myself and never make it
clear to the child if I taught only theories about it. There is no
concept that can teach a child under fourteen about immortal-
ity. I could say, however, “See this chrysalis; it is empty. Once
there was a butterfly inside, but it crept away.” I could also
demonstrate the process of how metamorphosis happens. It is
good to show such things to children. Then I make a compari-
son: “Imagine that it is you who are the chrysalis. Your soul is
inside you, and later it will emerge just as a butterfly emerges
from its chrysalis. This, of course, is rather naively stated.
You can talk about this for a long time. However, if you your-
self do not believe that the butterfly is an image of the human
soul, you cannot accomplish much with children by using this
analogy. You should not allow yourself the false notion that this
whole idea is merely a contrived comparison, which it is not; it is
a fact presented to us by the divine, cosmic order. These things
are not invented by the intellect, and if our attitude toward such
matters is correct, we come to trust the fact that all nature offers
us analogies for the realities of soul and spirit.
As we unite with what we teach children, the way we work
affects their whole being. When we can no longer feel with
children and instead offer only rational translations of every-
thing that we ourselves do not believe in, we cease to teach chil-
dren very much. Our relationship to reality must be such that,
out of our own comprehension, we bring to children’s souls
more than an arbitrary picture of the butterfly emerging from
the chrysalis, for example, and instead present something we
ourselves understand and believe in as given by divine cosmic
powers. We must not offer children understanding merely for
their ears, but we must communicate from soul to soul. If you
remember this, you will make progress.
Lecture Two
AUGUST 22, 1919
2. The vowels in this context are the pure vowels of the German language: a as in
father, e as in eight, i as in me, o as in order, u as in blue.
20 PRACTICAL ADVICE TO TEACHERS
and aversion mingle, and the tongue, lips, and palate make
themselves felt as organs of aversion that ward things away. If
we spoke only in vowels, we would continually surrender our-
selves. We would, in fact, merge with things and be extremely
selfless; we would unfold our deepest affinity for everything
around us and would withdraw somewhat only because of
nuances of affinity—for example, when we feel fear or horror.
Even our withdrawal would contain an element of affinity.
Vowels are related to our own sounding; likewise, consonants
are related to things, which sound with consonants.
Consequently, you find that we must view vowels as nuances
of feeling, whereas we find that consonants, f, b, m, and so on,
are imitations of external things. Hence, I was correct yesterday
when I showed you how f is related to a fish, since I imitated
the shape of the fish. It is always possible to trace consonants
back to an imitation of external objects, whereas vowels are
very elementary expressions of feeling nuances in people
toward things. Therefore, we can view speech as a confronta-
tion between aversion and affinity. Affinities are always present
in vowels, and aversions are always present in consonants.
We can also view speaking in another way. What kind of
affinity is expressed in the chest region of the human being so
that, as a result, the chest arrests aversion and the head merely
accompanies it? The basis of it is musical, something that has
passed beyond certain boundaries. Music is the foundation, and
it goes beyond certain limits. In a sense, it surpasses itself and
becomes more than music. In other words, to the degree that
speech contains vowels, it encompasses something musical; to
the degree that it contains consonants, it carries a kind of sculp-
ture, or painting. Speech is a genuine synthesis, a true union in
the human being of the musical with the sculptural element.
Thus, we can see that, with a kind of unconscious subtlety,
language reveals not only the nature of individuals but that of
Lecture Two 23
3. The “fifth post-Atlantean” period refers to our current cultural and historical
era, the fifth since the so-called Atlantean period of earth’s evolution. See An
Outline of Esoteric Science, chapter 4, for a full overview of this subject.
Lecture Two 25
4. These evolutionary stages have been given planetary names, though they do
not relate directly to the physical planets as such. See An Outline of Esoteric Sci-
ence, chapter 4, “Cosmic Evolution and the Human Being.”
Lecture Two 27
5. Ahriman is the name given a spiritual being who wants to hold humanity in a
hardened, material state and no longer evolving. Lucifer is Ahriman’s counter-
part, who tempts humankind to disembody spiritually, thus “evolving” too
quickly and becoming overly emotional. Rudolf Steiner posited the Christ as
mediator and balance to these two retarding forces.
28 PRACTICAL ADVICE TO TEACHERS
Be very clear about this; you can best penetrate the twofold
human being as discussed in our seminar. But you must try to
understand every aspect of the human being. Through what we
attempted in the seminars, you will become a good educator of
only the children’s thinking.7 For the will life, you will be a
good educator by trying to surround each individual with real
affinity. These things belong to education: aversion enables us
to comprehend, and affinity enables us to love. Since our bod-
ies have centers where affinity and aversion meet, this affects
our social interaction as expressed in the process of teaching. I
ask you to think this through and take it into your feelings so
that we can continue tomorrow.
2. Heinrich Heine (1797–1856), German lyric poet, satirist, and publicist (lived
in Paris after 1831). Owing to an incurable spinal disease, he was confined to
bed in 1848. His verse transcended Romanticism and began to express a more
modern temperament, containing political and social criticism notable for its
sardonic wit and arrogant radicalism. His volumes of verse contain some of the
best-loved German lyrics, many set to music by Schumann and Schubert.
Lecture Three 33
3. See Rudolf Steiner, Social Issues: Meditative Thinking & the Threefold Social
Order; and Towards Social Renewal: Basic Issues of the Social Question.
34 PRACTICAL ADVICE TO TEACHERS
4. A Theory of Colors, MIT Press, Cambridge, MA, 1970. Johann Wolfgang van
Goethe (1749–1832); during the late 1800s, Rudolf Steiner was an editor at the
Goethe archives in Weimar; his introductions to Goethe’s works are collected in
Nature’s Open Secret: Introductions to Goethe’s Scientific Writings.
Lecture Three 35
invoking the living out of what is dead. After all, what is the
line of a horizon?
blue
green
People today urgently need crafts that are truly artistic and
can find a place in our broader culture. During the nineteenth
century, we reached the point where furniture was made merely
to appear pleasing. For example, a chair was made to delight
the eye, whereas a chair’s inherent character should be felt
when we sit on it, and this should determine the chair’s form. It
should not merely be beautiful; it should invite us to feel our
way into it and should have an inherent character that makes it
suitable for sitting. The way the arms are attached to a chair
and so on should express an integration with even a cultivated
sense of touch; a person wants to be supported by the chair.
We would do modern culture a great service by introducing
artistic craft classes into education. Those of us who want the
best for humankind become tremendously anxious about our
culture today when we see, for example, the way abstractions
and the primitive ideas of those with socialistic tendencies
threaten to flood our culture (which will not happen if we attain
our goals). We would no longer find beauty in our civilization,
but only what has utility. Even when people dream of beauty,
there is no feeling of the urgent need to stress the necessity of
beauty as we drift toward socialism. This must be recognized.
We should not be sparing with the sculptural and imagistic
aspect in our classes. Likewise, we should not spare any effort
in creating real feeling for the dynamic element expressed in
architecture. It will be very easy to erroneously approach the
children with certain aspects too early. But, in fact, in some
ways, it’s all right when this happens. I was asked to say a few
words to eighty children from Munich. They have been
spending their holidays in Dornach, where Ms. Kisseleff gave
them twelve eurythmy lessons.7 They demonstrated what they
1. See first four discussions in Discussions with Teachers and lecture 4 in The
Foundations of Human Experience.
48 PRACTICAL ADVICE TO TEACHERS
have finished, you let each child come to the blackboard and
make a similar small patch. Each patch must be separate from
the others so that in the end you have several yellow patches.
Then you dip your brush into the blue paint and put blue next
to your yellow patch. And you let the children come up and
put on the blue in the same way. When about half of them
have done this, you say: “Now we shall do something else; I am
going to dip my brush in the green paint and put green next to
the other yellow patches.” Avoiding as well as you can making
them jealous of one another, you let the remaining children put
on the green in the same way. All this will take time, and the
children will digest it well. It is indeed essential to proceed very
slowly, taking only a very few small steps in the lesson. The
time then comes for you to say: “I am going to tell you some-
thing that you will not yet understand very well, but one day
you will understand it quite well. What we did at the top,
where we put blue next to the yellow, is more beautiful than
what we did at the bottom, where we put green next to the yel-
low.” This will sink deeply into the children’s souls. It will be
necessary to return to this thought several times, but they will
also puzzle away at it themselves. They will not be entirely
indifferent to it but will learn to understand quite well from
simple, naïve examples how to feel the difference between
something beautiful and something less beautiful.
A similar method can be used when you introduce music
into the lesson. It is good here, too, to start with one note or
another. There is no need to tell the children the name of the
note. You simply strike the note in some way. Then let the chil-
dren strike the note, too, so that here you also bring the will
element into the lesson. Afterward, you strike a second, con-
cordant note and then allow a number of the children to strike
it too. The next step is to strike a note followed by a discordant
note and again have the children do the same. Just as you did
54 PRACTICAL ADVICE TO TEACHERS
with the colors, you try to awaken in the children a feeling for
the concordance and discordance of notes. You do not talk to
them about concordance and discordance but speak of the
beautiful and the less beautiful, thus appealing to their feelings.
These examples, and not the letters of the alphabet, are the
proper starting points for the early lessons.
Let us turn our attention to the class teacher. The class
teacher will hold with the children the conversations I have just
described. Perhaps the musical element will have to be treated
separately and introduced to the children in another lesson. It
will then be beneficial for the music teacher to conduct a simi-
lar conversation, though oriented more toward the musical,
and to go over the same ground more than once. In this way,
the children will discover that the same lessons are repeated by
one teacher after the other, so that they will find that they are
learning the same from both teachers. This method will help
give the school a more unified and cooperative character. In
their weekly meetings the teachers should discuss these lessons
so as to instill a certain unity in them.
Only when you have taught the children in this way to use
their hands and ears is the time ripe for progressing to the first
elements of reading, in particular reading handwriting. (We
shall pay greater attention to the details later. Today, in this pre-
paratory talk, I want to suggest the points of view according to
which we can proceed, rather than pedantically examining one
aspect after another.) With respect to method, it will have had
an extraordinarily good effect on the children to have spoken
to them as early as the first lesson about writing, reading, and
arithmetic and about how they cannot do these things yet but
will learn them all in school. As a result of this discussion, a
certain hope, wish, and resolve will form in the children, and
through what you yourself do, they will find their way into a
world of feeling that, in turn, acts as an incentive to the realm
Lecture Four 55
for instance, that there are nouns. Nouns are names for objects,
for objects that in a sense are self-contained in space. It is not
without significance for us that we find such objects in life. All
things that can be expressed by nouns awaken us to the con-
sciousness of our independence as human beings. By learning to
name things with nouns, we distinguish ourselves from the
world around us. By calling a thing a table or a chair, we separate
ourselves from the table or chair; we are here, and the table or
chair is there.
It is quite another matter to describe things using adjectives.
When I say, “The chair is blue,” I am expressing a quality that
unites me with the chair. The characteristic that I perceive
unites me with the chair. By naming an object with a noun, I
dissociate myself from it; when I describe it with an adjective I
become one with it again. The development of our conscious-
ness takes place in our relationship to things when we address
them; we must certainly become conscious of the way we
address them. If I say a verb—for example, “A woman
writes”—I not only unite with the being in relation to whom I
used the verb, I also do with her what she is doing with her
physical body. I do what she does—my I-being does what she
does. When I speak a verb, my I joins in with what the physical
body of the other is doing. I unite my I with the physical body
of the other when I use a verb. Our listening, especially with
verbs, is in reality always a form of participation. What is at
this time the most spiritual part of the human being partici-
pates; it simply suppresses the activity.
Only in eurythmy is this activity placed in the external
world. In addition to all its other benefits, eurythmy also acti-
vates listening. When one person says something, the other lis-
tens; he engages in his I with what lives physically in the
sounds, but he suppresses it. The I always participates in
eurythmy, and what eurythmy puts before us through the phys-
Lecture Four 57
The human soul being must find healing again. It will be par-
ticularly important in school to supplement the healthy qualities
provided by gymnastics, which benefits the body and everything
that takes account only of the physiology of bodily functions.
The other important factor is the health of the soul: To provide
benefits for the soul requires that gymnastics lessons alternate
with eurythmy lessons. Although eurythmy is primarily an art,
its health-giving forces will be especially salutary to the students.
In eurythmy they will not simply learn something artistic;
through eurythmy they will derive the same benefits for their
soul as they derive through gymnastics for their body. The way
these two disciplines complement each other will be very helpful.
It is essential to educate our children in a way that will
enable them once again to notice the world around them and
their fellow human beings. This is the foundation of all social
life. Everyone talks today of social impulses, yet nothing but
antisocial urges are to be found among people. Socialism ought
to have its roots in the new esteem human beings should gain
for one another. But there can be mutual esteem only when
people really listen to each other. If we are to become teachers
and educators, it will be vastly important that we become
attentive to these matters once more.
Now that you know that when you say a noun you dissociate
yourself from your environment, when you say an adjective you
unite yourself with your surroundings, and when you say a verb
you blossom out into your environment and move with it, you
will speak with quite a different inner emphasis about the noun,
the adjective, and the verb than you would if you were not aware
of these facts. All this is still only a preliminary discussion and
will be continued later. For the moment, I merely want to evoke
certain ideas, the absence of which might lead to confusion.
It is extraordinarily important for us to know what it means
for a person to become conscious of the structure of language.
Lecture Four 59
and say: “I know of something that also waits till a live creature
comes near it and then encloses and imprisons it—a mouse-
trap.” The mere workings of a mousetrap might therefore just as
well be taken as proof that it possesses life as the nature of the
Venus-flytrap is taken as proof that it possesses consciousness.
We must be profoundly conscious that the power of articu-
late speech is a human possession. And we must also be aware
of our position in the world compared with the other three
kingdoms of nature. When we are conscious of it, we also
know that our I is very much bound up with everything that
constitutes speech, even though today’s way of speaking has
become very abstract for us. But I would like to make you
aware of something that will give you a new respect for lan-
guage. In ancient times—in the Jewish culture, for example
(though it was yet more pronounced even further back)—the
priests, or those who administered and represented the cults,
would stop speaking when they came to certain concepts while
celebrating the rites. They interrupted their speech and com-
municated the names of high beings—not in words but in
silence—through the appropriate eurythmic gestures. Then
they continued the spoken rites. For instance, the name that
sounds so abstract to us, rendered in Hebrew as “I AM the I
AM,” was never spoken aloud. The priest spoke only up to the
point where this name appeared, made the gesture, and
resumed speaking. What was expressed in this gesture was the
pronounceable name of God in humankind.
Why was this done? If this name had been spoken and
repeated straight out, people were so sensitive at that time that
they would have been stunned. There were sounds and combi-
nations of sounds in speech that could stun the people of
ancient cultures, so great was the effect of such words on them.
A state like fainting would have taken them over if such words
had been spoken and heard. That is why they spoke of the
Lecture Four 61
word bath, b.” The children have to be led from saying the
whole word bath to just breathing the initial sound, as I illus-
trated with the fish. The next thing to make clear to them is
that just as bath is the sign for the whole bath, so b is the sign
for the beginning of the word bath.
Then I explain that a beginning like this can also be found in
other words. I say, “If you say, ‘band,’ you also start like this; if
you say, ‘bow,’ like the bow some people wear in their hair, you
again start in the same way. Have you ever seen a bear in the
zoo? When you begin to say, ‘bear,’ you breathe the same
sound. All these words start with the same sound.” In this way
I try to lead the children from the whole word to the beginning
of the word by finding the transition to the single sound or let-
ter, always taking the initial letter from the whole word.
It is important that you yourself try to develop the initial let-
ter in a meaningful way out of the drawing element. You will
achieve this very well if you simply use your imagination. Just
think that the people who first saw such animals as beavers and
bears drew the animal’s back, with its hind paws on the ground
and its forepaws lifted up. They drew an animal in the act of
rising on its hind legs, and their drawing turned into a capital
B. You will always find that the initial letter of a word is a draw-
ing, an animal or plant form or some external object. You can
give your imagination free reign; there is no need to delve into
cultural histories, which are incomplete in any case.
Lecture Five 65
From this sign the letter that we use for the beginning of the
word mouth emerged, and the letter is also valid for any other
word beginning with the same sound. In this way the picture
sign for the beginning of a word became the sign for a sound.
Because this principle was adhered to in the history and
development of writing, it is also excellent for teaching, and we
shall use it here. We shall endeavor to arrive at letters by starting
with drawings. Just as we move from the fish with its two fins to
the f and from the bear dancing on its hind legs to the capital
letter B, so we move from the upper lip to the mouth and from
the mouth to the capital letter M.
With our imagination we seek to pave the way for the child
from drawing to writing. I told you that it is unnecessary to
make extensive studies of the history of writing in order to find
what you need. What you might discover through such studies
will serve you far less in your teaching than what you find
through your own soul activity and your own imagination. The
kind of activity necessary for studying the history of writing
would make you so dead that you would have a far less living
influence on your students than you will have if you yourself
arrive at the idea of deriving the B from the bear. Working
things out for yourself will refresh you so much that what you
tell your students will have a far more living effect than lesson
material you find through historical research. Looking at life
and your teaching with these two aspects in mind, you must
ask yourselves which is more important. Is it to take in a histor-
ical fact with great effort and then strenuously seek to weave it
into your lessons or to have such agility of soul that you can
invent your own examples to offer your students with your
own enthusiasm? It will always give you joy, albeit a quiet joy,
to transfer to a letter the shape you have made yourself out of
some animal or plant. And your joy will live in what you make
out of your student.
Lecture Five 67
Next we point out to the children that what they have found
at the beginning of a word can also appear in the middle. You
say, for instance: “You have all seen a little baby; when grown-
ups want to write the word baby, they do it like this: ‘BABY.’
Here you can see that what you had at the beginning in bear is
now at the beginning and in the middle in baby.”1 You always
use uppercase letters in the beginning so that the children can
see the similarity to the picture. In this way you teach them
that what they have learned about the beginning of a word can
also be found in the middle of a word. This is another step in
the process of dividing the whole into parts for them.
You see that the important point for us in our endeavor to
achieve a living rather than a dead teaching is always to start
from the whole. Just as in arithmetic we start not from the
addenda but from the sum, which we divide into parts, so here,
too, we proceed from the whole to the parts. The great advan-
tage of this method of teaching is that we are thus able to place
the children in the world in a living way; the world is a totality,
and the children maintain permanent links with the living
whole if we progress as I have indicated. Having them learn the
individual letters from pictures gives them a link with living
reality. But you must never neglect to write the letter forms in
such a way that they are seen to arise from the pictures, and
you must always take into account that the consonants can be
explained as pictures of external objects, but never the vowels.
Your point of departure for the vowels is that they always ren-
der the inner being of human beings and their relationship to
the external world.
For example, when you are teaching children the letter A
[“ah”] you will say, “Think of the sun you see in the morning.
1. Rudolf Steiner used the German word Rebe (vine) as his example here, so
I have freely adapted his meaning to an English word.—TRANS.
68 PRACTICAL ADVICE TO TEACHERS
Can any of you remember what you did when the sun rose
this morning?” Perhaps some of the children will remember
what they did. If none of them remember, they will have to
be helped to recall how they must have stood there and, if the
sunrise was very beautiful, they must have said, “Ah!” A note
of feeling must be struck, calling forth the resonance that
sounds in the vowel. Then you must try to tell them that
when they stood like that and said, “Ah!” it was just as if a
beam of sunlight from their inner being spread out from their
mouths.
That which lives in you when you see the sunrise streams
forth out of your inner being when you say, “Ah” (drawing on
left). But you do not let all of it stream out; you keep some of it
back, and it becomes this sign (drawing on right). You should
try to clothe in the form of a drawing what lies in the breath
when a vowel is spoken. You will find drawings that can show
in a picture how the signs for the vowels have come about.
Primitive cultures do not have many vowels, not even the prim-
itive cultures of today. The languages of primitive cultures are
very rich in consonants; these people can express many more
things in consonants than we know how to express. They even
click their tongues and are skilled in articulating all sorts of
complicated consonants, with only a hint of vowel sounds
between. You will find African tribal people who make sounds
resembling the crack of a whip and so on, while the vowels are
only faintly heard. European travelers who meet these tribes
usually sound their vowels much more strongly than the tribal
peoples do.
Lecture Five 69
2. Rudolf Steiner’s example here is Dach (roof). Dome fits the letter D so
well that I have used it here and very slightly altered the text accord-
ingly.—TRANS.
70 PRACTICAL ADVICE TO TEACHERS
they have learned and will then understand what they took in
earlier. This subtle process must be very much taken into
account in teaching if we want to bring up human beings who
have an inward life of feeling. For feeling establishes itself in life
in a peculiar manner. People ought to observe what goes on in
this realm, but they do not do so effectively. Let me suggest to
you an observation that you can easily make with a little effort.
Suppose you wanted to obtain a clear picture of the state of
Goethe’s soul in 1790. You can do so by studying just a selection
of the works he produced during that year. There is a chronolog-
ical list of all his poems at the end of every edition of his works.
So you ponder the poems he wrote in 1790 and whatever plays
he created. You call to mind that he finished his beautiful treatise
The Metamorphosis of Plants that year, and you remember that he
formulated the first ideas about his Theory of Colors. Out of all
this you form a picture of his mood of soul in 1790, and you
ask: What played into the soul life of Goethe in 1790? You will
find the answer to this question only if you cast a searching look
over everything that happened to Goethe from 1749 to 1790
and over all the events that followed from that year until his
death in 1832. These are things that Goethe did not know then
but you know now. The remarkable realization emerges that
Goethe’s state of soul in 1790 was a combination of what was to
come later, that is, what still had to be achieved, and what had
gone before, that is, what had already been experienced. This is
an extraordinarily significant observation, but people shy away
from it because it leads to realms that they understandably do
not like to impinge on to make such observations.
Try yourselves to observe in this way the soul life of a per-
son whom you knew for some time and who has recently
died. If you train yourselves to a more subtle observation of
the soul, you will discover the following fact. Let us say that
somebody who was your friend died in 1918. You knew the
Lecture Six 83
person for some time, and you can ask, What was his state of
soul in 1912? Taking everything into account that you know
of him, you will find that in his soul mood in 1912 the prep-
aration for the death he was soon to meet was present; it
played unconsciously into his feeling life at that time. The
feeling life in its totality is what I call the “mood of soul.” A
person who is soon to die has quite a different mood of soul
from one who still has long to live.
Now you will understand why people are not eager to make
such observations, because, to put it mildly, it would be rather
uncomfortable to observe a person’s imminent death expressed
in his soul mood. And it is indeed expressed there. But for ordi-
nary life it is not good for people to notice such things. That is
why, on the whole, this kind of observation is removed from
ordinary life in the same way that the will as a sleeping force is
disassociated from waking consiousness even when we are
awake. But the teacher must, after all, take up a position out-
side ordinary life to some extent. Teachers must not shrink
from standing outside ordinary life and accepting, for the sake
of their work, truths that may bring a shocking or tragic ele-
ment to ordinary life. There is some lost ground to be recov-
ered in this respect, especially in the educational system of
Central Europe.
You know how during the earlier decades of our educational
life in Central Europe, teachers, especially in the grammar and
middle schools, were still people who were rather looked down
upon by the ordinary person. They were considered unworldly,
pedantic people who did not know how to behave properly in
society, always wore long frock coats instead of dinner jackets,
and so on; these were at one time the teachers of young people,
especially the more mature youngsters. Recently things have
changed. University professors have begun to wear proper din-
ner jackets and even manage to get along quite well in the
84 PRACTICAL ADVICE TO TEACHERS
world, and the fact that the former state of affairs has been
overcome is regarded as a great step forward. This is a good
thing. But this state of affairs also needs to be transcended in
another way. In future, this state of affairs must also be mas-
tered in the sense that the way teachers stand outside life must
not consist merely in always appearing in long frock coats
when other people are wearing dinner jackets. They may in a
way retain their position of being somewhat outside life, but
this position should be linked with a deeper view of life than
can be achieved by those who wear dinner jackets for certain
occasions. I am speaking only figuratively, of course, for I have
nothing against dinner jackets.
Teachers must be able to regard life more profoundly; other-
wise they will never succeed in handling the growing human
being in an appropriate and fruitful way. They will have to
accept certain truths like the one just mentioned. Life itself
requires, in a sense, that it contain secrets. It is not discreet
secrets that we need for the immediate future; in education we
need knowledge of certain mysteries of life. The ancient teach-
ers of the mysteries used to preserve such secrets as esoteric
knowledge because they could not be imparted directly. In a
certain sense, all teachers must be in possession of truths that
they cannot directly pass on to the world. The world that lives
outside and does not have the task of educating the young
would be confused in its healthy progress if it had daily access
to such truths. You do not understand fully how to treat grow-
ing children if you are unable to discern the path that teach-
ings take within them when you make them known in a way
that the children cannot fully understand at their present stage
of development. They will understand these teachings later,
when you come back to them again and are then able to
explain not only what you now tell them but also what they
took in earlier.
Lecture Six 85
third grade you return to it yet again. The same action is carried
out repeatedly, but in progressive repetitions.
To enter the rhythm of life in this way is of the greatest
importance for all education—far more important than perpet-
ually emphasizing meaningful structure in your lessons so that
you can quickly reveal everything significant in all that you
have to offer. We can guess what this demand really means only
when we have gradually developed a feeling for life. And then,
by the very reason of being teachers, we shall avoid the external
experimental approach that is so prevalent today, even in edu-
cation. Once again I am pointing to these matters not in order
to condemn them but to improve certain aspects that have
turned out to be detrimental to our spiritual culture.
There are also educational textbooks on the results of memory
experiments with “experimental subjects.” These people are
treated in a peculiar manner. Experiments are carried out with
them to determine the manner in which they retain something
of which they know the meaning. Then they are given a series of
words that have no meaningful connection and so on. Such
experiments seeking to determine the laws of memory are prac-
ticed very extensively today. Discoveries are made that are formu-
lated as scientific theses. Just as in physics, for instance, we have
Gay-Lussac’s law and so on, attempts are now made to register
similar laws in experimental psychology and education. In accor-
dance with a certain quite justifiable scientific yearning, learned
dissertations are expounded on the different forms of memory.
First we have the memory type that assimilates with ease or
with difficulty; second, there is the type that finds it easy or dif-
ficult to reproduce what has been assimilated. You see that first,
“experimental subjects” are tormented for the purpose of dis-
covering that there are people who find it easy to memorize and
others who find it difficult. And then others are tormented in
order to find out that there are those who find it either easy or
Lecture Six 87
Then you try to awaken in the children the idea that the
trunk is a “fragment” of the head. You can do this by drawing
and saying that the head is round like a ball. If you take a piece
out of the round ball [the shaded part of the drawing] by cut-
ting it off and keeping what remains, so that you have what
looks like the moon left over from the sun, you have the basic
form of the trunk. It would be a good idea to make a round ball
out of wax or kneaded dough and then cut off the shaded part,
so that you have the shape of the moon as it arises from the
sphere. With this method, you could really call forth in the chil-
dren the picture of the human trunk as a fragment of a sphere.
And for the limbs, you must awaken the idea that they are
appended to the trunk. There will be much the children cannot
understand, and yet you will rouse the strong impression that
94 PRACTICAL ADVICE TO TEACHERS
they can instead work freely. While the feet are planted on the
ground, the hands can be stretched out into the air so that they
can work. In short, quite early on the children should be made
aware of the essential difference between human legs and feet
and human arms and hands. There is a distinction between the
service rendered by feet and legs when they carry the body and
that rendered by the hands and arms that do not work for the
body but for the world. This difference between the egoistic ser-
vice of the feet and the selfless service of the hands that work for
the human being’s environment should be made clear to the
children at an early stage through their feelings.
By letting the concept arise out of the form, we teach the
children as much as possible about the natural history of the
human being. And only then do we continue with the rest of
natural history, first to the animal kingdom. No doubt you will
have to contrive some sort of substitute, but it would be ideal if
you could bring to the classroom a cuttlefish, a mouse, a lamb
or a horse or some other mammal, and some sort of image of
the human being. Of course, you will have plenty of human
specimens, for all you need do is name one of the children and
present this child to the others when you want the human
being to be the object of their study. You must be quite clear
about how you will proceed. First, you will seek to familiarize
the class with the cuttlefish. You will tell them how it lives in
the sea and show them what it looks like, either by bringing a
live one into the classroom or by making drawings. In short,
you will introduce the cuttlefish to the children. When you
describe it to them, they will feel that you are doing it in a par-
ticular way. They may not notice till much later, perhaps when
you describe the mouse to them, how differently you treat the
subject of the mouse from that of the cuttlefish.
You must try to develop an artistic feeling in the children so
that in the way you set about describing the cuttlefish quite
96 PRACTICAL ADVICE TO TEACHERS
not as obvious as the first step of this process, which took place
in early childhood. When children start to move their limbs with
more awareness, when they begin to walk (even clumsily), when
they start to use their arms and hands purposefully, this is when
they first become aware of the I. The memory will later reach
back to this point, but not beyond. When you hear the child
start to say, “I,” you will realize the beginning of self-awareness in
a way that is clearly noticeable (though it may happen a little
later; there are individual variations, because intentional speech
must first develop). The change in the children’s self-awareness
grows stronger at the age of nine, and you find that they under-
stand much better what you say about the difference between
the human being and the world. Before they reach the age of
nine, the children merge far more thoroughly with the environ-
ment than is the case later, when they begin to distinguish them-
selves from their surroundings. Then you will find that you can
begin to talk a little about matters of the soul and that they will
not listen with such a lack of understanding as they would have
listened earlier. In short, the children’s self-awareness grows
deeper and stronger when they reach this age.
If you come to understand such things, you will notice that
at this age the children begin to use words in a much more
inward way than before, becoming more aware that words
arise from within. Today people are concerned far more about
external than internal phenomena, and consequently they pay
far too little heed to the change that occurs in the ninth or
tenth year. But teachers must pay attention to it. As a result,
they will be able to speak to the children with quite a different
fundamental mood if they put off the teaching of natural his-
tory (which should always compare human beings with the
other kingdoms of nature) until after this transition. While the
children are still more integrated with nature, we can speak to
them about the subjects of natural science only in a narrative
102 PRACTICAL ADVICE TO TEACHERS
form. After the ninth year, we can present them with the cuttle-
fish, the mouse, the lamb or the horse, and the human being,
and it is then permissible to speak of the relationship of the
animals’ form to the human form.
Before this period in their lives, the children would not be
able to comprehend you if you were to connect the cuttlefish to
the head aspect and the mouse to the trunk, while also finding
in human beings’ limbs the element that raises them above the
other kingdoms of nature. You ought really to make use of
what this special age of the children offers you, because if you
apply natural science lessons in the way I have described, you
will implant into their souls moral concepts that are very firm
and do not falter. You cannot instill moral concepts into the
children by appealing to their intellect; you have to appeal to
their feeling and their will. You will engage the feeling and the
will if you guide the children’s thoughts and feelings to an
understanding of how they themselves are fully human only
when they use their hands for working in the world. You must
also show them how it is through this activity that the human
being is the most perfect creature. You must describe the rela-
tionship between the human head and the cuttlefish, between
the human trunk and the mouse, lamb, or horse. By placing
themselves in the natural order of things in this way, the chil-
dren absorb feelings that later help them understand them-
selves as human beings.
You can implant this particularly important moral element
into the children’s souls if you try to shape the natural history
lessons in a way that will give them no clue that you want to
teach them a moral lesson. But you will not be able to imbue
them with even a trace of anything moral if you teach natural
history as something separate from the human being. If you
describe the cuttlefish, the mouse, the lamb or the horse, or
even the human being in isolation, it would be nothing but a
Lecture Seven 103
5. Jean Paul (1763–1825), born Jean Paul Friedrich Richter, German writer
of novels and romances, and on educational philosophy (Levana), patrio-
tism, and politics.
Lecture Eight
AUGUST 29, 1919
I have already pointed out that where schools fall under exter-
nal legislation we must obviously agree to compromise with
regard to both religious instruction and the curriculum. But we
must keep clearly in mind what is right and best as a basis for the
curriculum, so that where stipulations force us to do something
unnatural we can perhaps discreetly correct the bad effects.
To find the right curriculum for children aged seven to four-
teen or fifteen is bound up in general with a true knowledge of
child development over this period of time. Yesterday we threw
light on one moment in this development, the moment that falls
between the ages of nine and ten, when children have concluded
their ninth year and are starting out on their tenth. If we follow
the development of the child from the age of seven onward
through the ages of eight and nine, we come to the point before
the tenth year is reached that I characterized as the time when
ego consciousness is strengthened and consolidated. From then
on, we can approach the child with concepts in natural science
of the kind suggested yesterday with the cuttlefish, the mouse,
the lamb or the horse, and the human being. As you have seen,
we must still take account of the interplay between the human
being and the environment and of how the human being is
really a synthesis of all the other realms of nature and must not
yet be sharply detached from these other realms. A great deal of
harm is done to growing children if we fail in their tenth and
Lecture Eight 107
All this will provide you with points of reference from which
you can learn how the material to be taught should be distrib-
uted in the curriculum so that the capacities of the children are
developed in the right way. There is more to be observed from
this point of view. To a certain extent, it is important that we
should not move too far away from life in our lessons, though
we should not take excessive account of the trivialities of life
either. One might have the following conversation with a child.
You might ask: “What have you got on your feet?” And you
would expect the reply “A pair of boots.” You would then ask,
“What are the boots for?” The child would respond, “For me to
put on.” Some teachers might think of this as an object lesson,
but it is nothing but a triviality. The object lessons occasionally
described in books on education are very boring to children at a
subconscious level and as a result cause much damage in them.
Remaining too close to life in this way and constantly bringing
things to awareness that could very well remain in the uncon-
scious, raising activities that are merely habitual too much into
consciousness, is something we should not allow ourselves.
On the other hand, we need not lose all contact with life and
teach the children empty abstractions too early. This is espe-
cially important for physics lessons. In any case, physics will
offer opportunities for interweaving matters that are close to
life with those that are initially rather removed from ordinary
life. You should therefore make sure to develop the concepts of
physics from life itself. As much as your inventiveness will
allow, you should give the children real experiences. For
instance, after having lit the stove in the classroom, you would
show how the floor remains cold even after the air is warm. In
this way, you point out a fact of life. Beginning with that fact,
you can go on to explain how the air naturally becomes warm
first near the stove rather than near the ceiling, but then the
warm air always rises, making the cold air fall.
112 PRACTICAL ADVICE TO TEACHERS
You must describe the process in the following way. The air
first becomes warm below the stove and then rises to the ceil-
ing, making the cold air fall. This is why a room remains cold
near the floor even when the air near the ceiling has been warm
for some time. In this way, you have started from a fact of life,
and from there you seek the transition to the fact that warm air
expands and cold air contracts. This statement takes you far-
ther away from life. Another example would be a discussion of
the lever in physics. It is not wise to present just the abstract
lever. Start with a pair of scales and move on from there to the
lever. Start with an object that is used in everyday life and pro-
ceed to whatever can be extrapolated from it in physics.
I must point out to you that a considerable amount of what is
included in our concepts of physics wreaks havoc in the child
and that a great deal depends on the teacher’s knowing what is
right and trying to be mature in judgment. You cannot avoid
saying to the bigger children: “Here you have an electrical gener-
ator; what I have here is a frictional electrical generator. I can
make electricity by rubbing certain objects together, but I must
first wipe the objects carefully because they have to be very dry.
If they are wet, the experiment will not work, and no electricity
will be made.” Then you enlarge on the reasons why electricity
cannot be produced with wet instruments. And you go on to
explain how lightning occurs, pointing out that it is also an elec-
trical process. There are many people who claim that clouds rub
against each other and that the resulting friction causes lightning
as an electrical discharge. The children will perhaps believe this
because the teacher actually believes it, but in their subconscious
a special process takes place of which they are unaware.
The children say to themselves: “My teacher wipes the instru-
ments before rubbing them together to make electricity, just to
make sure that they are not wet, and then tells me that if clouds
rub together, electricity is made. But clouds are wet.” Children
Lecture Eight 113
press the key. You know that the actual Morse telegraph appa-
ratus is linked to the circuit by an iron lever attracted by a coil
that contains an electromagnet and that the so-called relay is
connected into this current. You know that with the help of a
wire one such apparatus at one station is linked with another at
another station, so that what is produced at the first station is
reproduced at the second. By connecting the current for
shorter or longer moments, I cause a signal to be received at the
next station that, when it is transposed, can be read by the
operator there. The shorter or longer bursts of current become
visible as impressions on a strip of paper, as dots or dashes. The
strip of paper runs through rollers. You see, for instance, a dot
and then after an interruption three dots, and so on. The
alphabet consists of dots and dashes. The letter a is represented
by a dot followed by a dash; b is dash, dot, dot; t is just a dash;
and so on. In this way, you can read what is transmitted from
one station to the next.
Yet everything that is said about this telegraphy apparatus is
really only a question of intellectual consideration. You cer-
tainly do not require many soul forces to make comprehensible
all the mechanical processes that take place when the mecha-
nism is permeated by electricity, which itself can so far be
explained only hypothetically by science. But one thing does
remain a miracle; such things really can be described as mira-
cles. And I must say, when I think of the link that is created
between the Morse apparatus at one station and that at another
station, it never fails to fill me with wonder when I realize how
the circuit is closed. The electrical circuit is not closed by
means of a wire running from one station to the next and
another wire running back again. This would also be possible,
and breaking the closed circuit could then effect the interrup-
tion. But this closed circuit containing the Morse apparatus is
not created by wires that run back and forth; only one part of
116 PRACTICAL ADVICE TO TEACHERS
the current runs along a wire. At each station the wire ends in a
metal plate in the ground, so that the Earth itself provides the
link that could be made through a wire. The Earth itself does
what the other half of the wire would otherwise accomplish.
Whenever you think of how a Morse apparatus at one sta-
tion is linked to another at another station, you are reminded
of the miracle that makes the whole Earth into a mediator, tak-
ing the electric current as though into its care and duly deliver-
ing it at the next station. The Earth itself mediates in this way.
All the explanations that exist for this process are hypothetical.
But the important point about our human attitude toward it is
that we should be able ever and again to feel the miraculous
nature of this fact, that we should not become blunted in our
ability to grasp the processes of physics with our feelings. Then
when we explain these things to the children, we shall find the
mood that allows us to recapture the way we first grasped such
facts. When we explain a phenomenon of physics to a child
who is full of wonder, we shall ourselves become children full
of wonder. Such marvels are hidden in all phenomena, includ-
ing the processes of physics that take place in the world.
Imagine for a moment that you are giving the following les-
son. Over there is a bench and on it is, let us say, a ball. I
quickly pull the bench away, and the ball falls to the ground.
How would most teachers today explain this to a child? They
would say, “The ball is attracted to the earth; if it is unsup-
ported, it is overcome by the force of gravity.” But that does
not really explain anything. Saying that the ball is subject to the
force of gravity is really meaningless. It is one of those verbal
definitions we have already mentioned. Again, physicists say
that nothing is known about gravity and its nature, yet they
speak of it anyway. But we cannot avoid speaking of gravity; we
must mention it. Otherwise, when our students enter life they
may some day be asked to explain gravity—perhaps while
Lecture Eight 117
have to make room in our timetable at least for Latin and pos-
sibly also for Greek. We must, in any case, really come to grips
with language teaching, for this will be a most significant fea-
ture of our method as a whole. Let us look at the fact that you
will be teaching students who will already have been taught
French or Latin up to a certain stage. Their lessons will have
been conducted in a certain way. You will have to spend your
first lesson or even your first week finding out what they
already know. You will have to repeat with them what they
have done so far, but you must do so judiciously so that each,
according to his or her capacity, will benefit even from this
repetition.
You will achieve a great deal simply by taking into account
that what delays you more than anything else in teaching for-
eign languages is translation from the foreign language into the
mother tongue and vice versa. An enormous amount of time is
wasted when, for instance, so much translation from Latin into
German and from German back into Latin is expected of
grammar school students. Instead, there should be much more
reading, and the students should spend much more time
expressing their own thoughts in the foreign language. How
then will you set about teaching a foreign language, let us say
French, on the basis of this rule?
Let us first consider the older children to whom this will
apply—those who are thirteen and fourteen. For them you
will first have to select carefully what you want to read in a
particular language. Select passages for reading and then call
on the students one by one to read them out loud. You will
save their time and energy if you do not begin by insisting that
they translate the passages into German but instead make sure
that each child reads properly in terms of pronunciation and
so on. In the classes when you want to review work and cover
new material, it is still good not to require translation but to
120 PRACTICAL ADVICE TO TEACHERS
let the students give a free rendering of the content in the pas-
sage they have read.
Just allow children to repeat in their own words what the
passage says while you listen carefully for any omissions that
might indicate that they have not understood the excerpt. It is
more convenient for you, of course, simply to let the children
translate, for then you soon see where one of them cannot go
on. It is less expeditious to listen for something to be omitted
instead of just waiting until the child comes to a stop, but you
can nevertheless find out by this means whether something has
not been understood, if a phrase is not rendered correctly in
the mother tongue. There will be children who make a very
capable rendering of the passage and others whose rendering is
much freer in the use of their own words; this does not matter.
This is the way we should discuss the text with the children.
Next we tackle the opposite procedure. First, we discuss a
subject with the children in their mother tongue, a subject that
they can follow along with us in their thoughts and feelings.
Then we can try to let the children repeat freely (depending on
how far advanced they already are) in the foreign language
what we have been discussing with them. In this way we shall
discover how well these children, who have come to us from all
sorts of classes, know the foreign language.
You cannot teach a foreign language in school without really
working at grammar, both ordinary grammar and syntax. It is
particularly necessary for children older than twelve to be made
conscious of what lies in grammar, but here, too, you can pro-
ceed very circumspectly. This morning in our study of the
human being I said that in ordinary life we form conclusions
and then proceed to judgment and concept.1 Although you
cannot present the children directly with this logical method, it
the children a great deal else that they would not receive in
ordinary elementary or secondary schools, lessons that make
them strong for life and that will serve them throughout life.
It would be particularly beneficial in teaching foreign lan-
guages if the lessons are organized so that they allow the various
languages that children must learn to coexist. An enormous
amount of time is lost when children of thirteen, fourteen, and
fifteen are taught Latin by one teacher, French by another, and
English by a third. Very much is gained when one teacher
develops a thought with a student in one language, then that
same thought is developed by another teacher in another lan-
guage, and so on. One language thus abundantly supports the
other. Of course, this can be accomplished only when the nec-
essary resources are available—teachers in this case. Whatever
is available should be utilized fully. The support that one lan-
guage gives another should be taken into account. This way, in
grammar and syntax lessons it is possible to point constantly
from one language to another, and this touches on a point that
is exceedingly important for the students.
They learn a subject far better if they have in their souls the
method of applying it in a number of directions. You will be
able to say to them: “Now you have spoken a German sentence
and a Latin sentence. In a German sentence, if we are speaking
of ourselves, we can hardly ever leave out the ‘I,’ but in the
Latin sentence the ‘I’ is contained in the verb.” You need not go
any further. Indeed, it would not be good to go any further.
But it is wise just to touch on this fact so that the student gains
a certain feeling for it; then a force will emanate from this feel-
ing that will work as a living faculty for understanding other
elements of grammar. Please absorb this fact and think it over
very deeply: that it is possible in a stimulating, living lesson to
develop capacities in the children that you need for teaching.
This is indeed so.
Lecture Nine 129
events that have happened to them, things that they have experi-
enced. Up to the age of fourteen such narration of real happen-
ings should be cultivated far more than free composition. Free
composition really has no place in school before the ages of four-
teen or fifteen. What does belong in school up to that point is
the narrative retelling of what the children have experienced and
heard; they must learn to take these experiences in, for otherwise
they cannot participate in an appropriately social way in the cul-
tural process of humanity. Indeed, educated people today gener-
ally notice only half the world and not the whole of it.
People do many experiments today, particularly in the field of
criminal psychology. Everything has to be proved by experiment
these days. Let me give you an example. A lecture is announced
(these are academic experiments carried out at universities). For
the purpose of the experiment the lecturer plans the sequence of
events beforehand with one of the students. The professor
mounts the platform and speaks the first words of the lecture.
(All this is written down in great detail.) At that moment the stu-
dent who is part of the plot leaps onto the platform and tears
down the coat the professor has hung on a hook there. He does
exactly what they have prearranged. The professor behaves
accordingly and makes a rush at the student to prevent him from
taking down the coat. All the actions are predetermined. They
wrestle, making the movements they have contrived beforehand.
They have studied it in detail and learned it by heart so that they
do everything exactly as arranged. Then the audience members,
who are not in the know, will behave in some way. This cannot
be predetermined. But perhaps the plot could include someone
whose task it is to carefully observe the behavior of the audience.
Finally, at the end of the experiment, the members of the audi-
ence are asked to write down what they have seen.
Such experiments have been conducted at universities,
including the very experiment I have just described. The result
138 PRACTICAL ADVICE TO TEACHERS
Then we point out that there are also some parts covered
with coniferous trees, so we draw them in, too.
Meadows that cannot be mown but that provide grass for the
cattle, though it is shorter and sparser, are also included in our
map. We tell the children that this is pasture land.
west to east. You can then say, “Look, down below I have
drawn a red line along the rivers, and at the top I have also
drawn a red line. The Alps lying between these red lines are dif-
ferent from those lying above and below them.” Now you
could bring mineralogy into geography by showing the chil-
dren a piece of Jura limestone and saying, “The mountain
ranges above the top red line and those under the lower red line
are made of limestone like this.” For what lies between you
show them a piece of granite—gneiss—and say, “The moun-
tains between the red lines are of rock like this, the oldest
rock.” The children will be tremendously interested in this
Alpine massif. You might perhaps also show them a relief map
of the area. This gives a more plastic impression of how the
river courses divide the Alps into limestone Alps, gneiss, mica,
slate, and so on, and of how the whole length of the range is
somewhat curved and shows from south to north the differen-
tiation into limestone—granite—limestone, divided by the riv-
ers. Without any pedantic object lessons, you can bring much
to this description that will greatly extend the children’s range
of ideas.
Then you go on to describe to the children (you have already
prepared for this in your nature lessons) what grows down in
the valley, what grows higher up the mountainside, what grows
even higher up, and also what does not grow at the summit.
You paint a vertical picture of the vegetation. Next you begin to
show the children the ways in which human beings establish
themselves in a countryside dominated by massive mountains.
Help them picture to themselves a really high mountain village
and what people must do to live there. Mark it on your map.
Then you describe a village and the roads of a valley and a town
at the confluence of a river and one of its tributaries. You char-
acterize in this wider context the relationship between the nat-
ural configuration of the land and the way humans establish
148 PRACTICAL ADVICE TO TEACHERS
the way humans live, do not miss the opportunity to give them
a clear picture of a plough and a harrow in connection with the
geographical picture.
Also have the children imitate some of the things you tell
them, perhaps in the form of a little plaything or a piece of
artistic work. This will give them skills and will prepare them
for taking their places properly in life later on. You could even
make little ploughs and have them cultivate the school garden
or let them cut with small sickles or mow with small scythes;
this will establish a good contact with life. For more important
than dexterity is the soul contact made between the life of the
child and the life of the world. It is a fact that a child who has
cut grass with a sickle or mown it with a scythe, a child who
has made a furrow with a little plough, will turn into a different
person from one who has not done these things. Quite simply,
the soul element is changed. Abstract lessons in manual skills
are not really a substitute. Paper folding and laying little sticks
should be actively avoided, for these things tend to make chil-
dren unfit for life rather than fit them for it. It is far better to
encourage them to do things that really happen in life than to
invent things for them to do that do not occur in life.
By building up our geography lessons in the way I have
described, we acquaint the children in the most natural way
with the fact that human life is brought together from many
sides in various ways. At the same time we take care to deal
with things that the children are well able to understand. Thus,
between ages nine and twelve, we describe economic condi-
tions and external affairs in our geography lessons. From this
point, we lead on to an understanding of cultural and spiritual
matters pertaining to different peoples. Then, while saving the
details for later, we merely hint at what goes on in the rights
sphere of the different nations, letting only the very first, most
primitive concepts peep through the economic and cultural
Lecture Eleven 151
We must not close our minds to the fact that the relationship
human beings have with their environment is far more com-
plex than simply those aspects of which we are always con-
scious. From various points of view I have tried to clarify for
you the nature and significance of the unconscious and sub-
conscious workings of the soul. In the sphere of education and
educational methods, it is particularly important that human
beings should be brought up in a way that suits not only their
conscious being but also their subconscious and unconscious
soul forces. To be a real educator and teacher, you cannot avoid
entering into the subtleties of the human being.
We have come to know the three stages of human develop-
ment between the change of teeth and puberty. We must be
quite clear that in addition to the conscious realm, the subcon-
scious plays a large part, particularly in the last of these
stages—a part that is significant for the whole future of the
human being. By looking at this matter from another point of
view, I would like to make clear to you why this is so.
Just think how many people today travel by electric train
without having the faintest idea how an electric train is set in
motion. Imagine even how many people see a steam engine
rushing by without having any clue as to the workings of phys-
ics and mechanics that propel it. Consider what position such
ignorance puts us in with regard to our relationship with our
Lecture Twelve 155
human life. Very, very many things that are now antisocial in
the world would be made social if we could at least touch upon
an insight into matters that later need not have any direct bear-
ing on our own work in life.
For instance, we ought to take careful note of what is consid-
ered important in school subjects that are still rooted in older,
good, though perhaps old-fashioned insights in teaching. In
this connection I want to point to a remarkable phenomenon.
When those of us who are now old started on our secondary
school courses in Austria at the age of fourteen or fifteen, we
had relatively good geometry and arithmetic textbooks. They
have now disappeared. A few years ago in Vienna I hunted
through all kinds of secondhand bookshops for older geometry
textbooks, because I wanted once again to have before my eyes
what gave us such delight, for example, in Wiener-Neustadt.2
On the day we entered the first class of the senior school, the
boys from the second class met us in the corridor shouting:
“Fialkowskiy, Fialkowskiy, you'll have to pay up tomorrow!”
We students in the first class took over Fialkowskiy's geometry
textbook from the students of the second class and brought
them the money the next day. I actually found one of these
Fialkowskiy geometry books during my hunt. It gave me a
great deal of pleasure because it shows that much better geome-
try books for schools were written in the old tradition than has
been the case lately.
The present-day books that have replaced the older ones are
quite atrocious. The situation in the field of arithmetic and
geometry is particularly bad. But if we think back only to the
generations just before us, they certainly had better textbooks,
which nearly all came from the school of the Austrian Benedic-
tines. It was the Benedictine monks who wrote the mathematical
and geometrical books; they were very good because the Bene-
dictine Order is the Catholic order that takes great care that its
members should be schooled very well in geometry and mathe-
matics. The general conviction within the order is that it is
ludicrous for someone to mount the pulpit and speak to the
people if he does not know any geometry or mathematics.
This ideal of unity that fills the human soul must pulse
through all teaching. Something of the world as a totality must
live in every profession. In particular, there must be an element
of whatever is opposite to the profession, something one thinks
will be of hardly any use in that profession. A person must
occupy oneself with what is, in a way, the opposite of one's
own profession. But one will long for this only if one is taught
in the way I have described.
It was just at the time when materialism spread far and wide,
in the last third of the nineteenth century, that this materialism
also permeated education to such a degree that specialization
came to be considered very important. Please do not subscribe
to the belief that you will make children idealistic if, during the
last years of the lower school and the first of the senior school,
you avoid showing them how what you teach them is linked
with practical life. Do not imagine that they will be more ideal-
istic in later life if you have them write essays on all sorts of sen-
timental feelings about the world, on the gentleness of the
lamb, the fierceness of the lion, and so on, and on God-perme-
ated nature. You do not have an idealistic effect on the children
in this way. You will do far better, in fact, to cultivate idealism
if you do not approach it so directly, so crudely.
Why have people in recent times become so irreligious? For
the simple reason that what is now preached is far too senti-
mental and abstract. People are irreligious now because the
church pays so little heed to divine commandments. For
instance, there is the commandment “You shall not take the
160 PRACTICAL ADVICE TO TEACHERS
name of the Lord your God in vain.” If you heed this injunc-
tion and refrain from mentioning the name Jesus Christ after
every fifth sentence or talking about God's universal order, you
are immediately criticized by those so-called church-minded
people who would prefer to hear you mention Jesus Christ and
God in every sentence. These church-minded circles are the
very ones who regard as an irreligious attitude the meek and
quiet spirit that seeks to be inwardly penetrated by the divine
and avoids uttering, “Lord, Lord,” at every moment. If what is
presented to human beings by teachers is permeated by this
quiet, inwardly working godliness that is not carried sentimen-
tally on the tip of the tongue, the cry, resulting from wrong
upbringing, is heard on every side: “Ah, yes, he ought to speak
far more about Christianity and such things.” We must take
care in education not to drag everything learned by the chil-
dren into sentimentality, especially in their thirteenth through
fifteenth years, but rather lead what we teach them more
toward the workings of practical life. No child ought to reach
age fifteen without having been guided in arithmetic lessons to
an understanding of the rules of at least the simplest forms of
bookkeeping.
Similarly, the principles of grammar should lead not so
much to the kind of essay depicting the human being's inner
life as though bathed in a soup of sentimentality but rather to
business compositions, business letters. The former kind of
essay, a glorified version of the spirit that reigns when people
gather over their wine in the evening or at coffee parties, is the
kind of essay usually expected of thirteen- to sixteen-year-olds.
No child should pass beyond the age of fifteen without having
gone through the stage of writing specimens of practical busi-
ness letters. Do not say that the children can learn to do so
later. Yes, by overcoming dreadful obstacles they can learn it
later, but only if they can overcome these obstacles. It is of great
Lecture Twelve 161
time they have reached the age of nine, the children educated
by our method will have surpassed the others. But in the
interim period it could happen that they would have to show
to some external commission of inquiry what they have
learned by the end of their first year at school. The subjects
that an external commission of inquiry would expect them to
know are the very ones that it is not good for them to know.
Our ideal curriculum would have aims different from the
requirements of a commission of inquiry. Stipulations from
the outside world will partly destroy our ideal curriculum.
This is the position at the lower end of the Waldorf school. In
the higher grades we will be dealing with children coming to
us from outside schools who will not have been taught by the
methods that should have governed their education.
The chief mistake attendant today on the education of chil-
dren between the ages of seven and fourteen is that they are
taught far too intellectually. However much people may hold
forth against intellectualism, the fact remains that the aims of
teaching are far too intellectual. Children will be coming to us
who have a strong tendency to be like old men and women,
who have much more of old age in them than children of thir-
teen or fourteen should have. This explains why, in youth orga-
nizations such as the Pathfinders, when young people today
call for reforms and stipulate how they want to be brought up
and educated, they reveal such appalling abstractions, that is,
such senile attitudes.1 When our young people demand to be
taught in a youthful way, as do the members of a youth move-
ment, they are stipulating the principles of old age. We really
do encounter this attitude.
I myself came across a very good example during one of the
sessions of a workers' council for cultural affairs when the young
cover the area. The second can cover this other area using
another chalk.” And then I say to the child who has covered the
square on the hypotenuse with chalk, “Look, you have used
just as much chalk as the other two children together. You have
spread as much chalk on this square as the other two together,
because the square on the hypotenuse is equal to the sum of the
squares on the other two sides.” In other words, I let the child
get a picture by using the chalk. The children get more deeply
into it with their soul by thinking about how much some of the
chalk has worn away, so that it is no longer on the stick of chalk
but on the blackboard.
bodies. When the time comes for them to leave school at the
age of fourteen or fifteen, you must have implanted in them
the capacity no longer to cling to the body with all the fibers of
the soul but to be independent of their bodies in thinking, feel-
ing, and willing. If you try to immerse yourselves somewhat
more profoundly in the nature of the growing human being,
you will find that during the early school years children still
possess relatively healthy instincts, particularly if they have not
been spoiled.
In these years children do not yet have such a craving to stuff
themselves with sweets and such. They still have certain
healthy instincts with regard to food, just as an animal has very
good instincts with regard to food because it is completely
immersed in its body. The animal avoids what is bad for it. It is
certainly an exception in the animal world for an evil to spread
in the way alcohol has spread in the world of human beings.
The spread of such evils as alcohol is due solely to the fact that
human beings are spiritual beings and can become so indepen-
dent of their physical natures. The physical body is far too sen-
sible ever to be tempted to become an alcoholic. Relatively
healthy instincts with respect to food still live in children dur-
ing the early school years. For the sake of the individual's devel-
opment, these impulses fade away at the ages of thirteen to
fifteen. When puberty finally overtakes children, they lose their
good instincts with regard to food; they have to replace with
reason what their intuition gave them in earlier years.
This is why you can intercept, as it were, the last manifesta-
tions of the growing child's instincts about food and health at
the ages of thirteen to fifteen. You can still just catch the tail
end of a healthy regard for food, for growth, and so on. Later,
you can no longer reach an inner feeling for proper nutrition
and health care. In these years the children must receive
instruction on nutrition and health care for the human being.
Lecture Fourteen 181
This is the proper subject for object lessons. Object lessons can
support the imaginative faculty very well. Show the children
(or remind them that such things exist, for they will have seen
them before) a substance that consists mainly of starch or sugar,
one that is chiefly fat, and another composed mainly of pro-
tein. The children know these differences, but remind them
that it is generally from these three ingredients that the activity
of the human organism proceeds.
Taking this as your point of departure, you can explain to
the children the mysteries of nutrition. Then you can exactly
describe the breathing process and develop for them concepts
related to the care of the human being's health through nutri-
tion and breathing. You will gain enormous benefits in terms of
your teaching by instructing them in this way during these
years, for you will intercept the last manifestations of the
instinct for what is health-giving and nutritious. You can teach
children about conditions of nutrition and health at this time
without making them egotistic for the whole of their later life.
It is still natural for children of this age to fulfil their health and
nutritional needs instinctively. Accordingly, you can speak
about the subject, and what you say will be met by an innate
understanding that is natural to human beings and does not
make them egotistic.
If children are not taught about the conditions of health and
nutrition at this time, they have to inform themselves later by
reading or from information others give them. The knowledge
that comes to people after puberty, by whatever means, with
regard to the conditions of nutrition and health produces ego-
tism in them. It is entirely unavoidable. If you read about
nutritional physiology, if you read a summary of the rules of
health care, you become more egotistic than you were; it is
inherent in the very nature of the subject. The egotism that
originates in our becoming acquainted through reason with the
182 PRACTICAL ADVICE TO TEACHERS
period we must deal with the relationships that exist among the
element of calculation, the circulation of commodities, and the
ownership of property and wealth. In other words, we must
concern ourselves with percentage and interest calculations,
discount calculations, and similar matters.
It is exceedingly important that we not teach the children
these concepts too late. If we do, it means that we can count
only on their egoism. We do not deal with egoism if, toward
age twelve, we begin to teach them about concepts of monetary
transactions and commerce. Actual bookkeeping can be
addressed later; it involves more reasoning. To teach them these
concepts at this age is very important for them, because the
inner selfish feelings for interest rates, bonds, and so on are not
yet stirring in children who are so young. When they are older
and enter business schools, such concepts become rather more
serious.
Such are the elements of teaching that you must take to heart.
Try not to overdo, for instance, when you are describing the
plants. Particularly in plant lessons, you should try to teach in a
way that leaves a great deal to the children's imagination, so that
out of their own feelings they can imaginatively form the soul
connections between the human soul and the plant world.
Those teachers who wax too enthusiastic about object lessons
simply do not know that the human being also has to be taught
about things that are not visible externally. And if, by means of
object lessons, we try to teach human beings particular subjects
that we ought to teach through working on them in a moral and
feeling way, we do them actual harm. We must not forget that
mere observation and demonstration of things is very much a
by-product of the materialistic views of our age. Of course,
observation should be cultivated in its proper place, but it is
wrong to transform into observation what is more suitably
imparted through a moral and feeling influence working from
Lecture Fourteen 187
***
With this, Rudolf Steiner ended these lectures. On the following
day, he gave three lectures on the appropriate curriculum and out-
lined the goals of teaching in various subjects for students of differ-
ent ages.5 He pointed out the subjects that might be connected in
the way they are presented. At the end of those lectures, Steiner
made the following concluding remarks:
Today I would like to conclude these discussions by pointing
out something I want to lay upon your hearts; I would like you
to stick firmly to the following four principles.
First, teachers must make sure that they influence and work
on their students, in a broader sense, by allowing the spirit to
flow through their whole being as teachers, and also in the
details of their work: how each word is spoken, and how each
concept or feeling is developed. Teachers must be people of ini-
tiative. They must be filled with initiative. Teachers must never
be careless or lazy; they must, at every moment, stand in full
consciousness of what they do in the school and how they act
toward the children. This is the first principle. The teacher must
be a person of initiative in everything done, great and small.
Second, my dear friends, we as teachers must take an interest
in everything happening in the world and in whatever concerns
humankind. All that is happening in the outside world and in
human life must arouse our interest. It would be deplorable if we
as teachers were to shut ourselves off from anything that might
interest human beings. We should take an interest in the affairs
of the outside world, and we should also be able to enter into
Bibliography
Other Authors:
Anschütz, Marieke, Children and Their Temperaments, Floris Books,
Edinburgh, 1995.
Barnes, Christy MacKaye, ed., For the Love of Literature: A Celebration of
Language and Imagination, Anthroposophic Press, Hudson, NY,
1996.
Barnes, Henry, A Life for the Spirit: Rudolf Steiner in the Crosscurrents of
Our Time, Anthroposophic Press, Hudson, NY, 1997.
Britz-Crecelius, Heidi, Children at Play: Using Waldorf Principles to Foster
Childhood Development, Park Street Press, Rochester, VT, 1996.
Carnie, Fiona; Martin Large; Mary Tasker, eds., Freeing Education: Steps
towards Real Choice and Diversity in Schools, Hawthorn Press,
Stroud, UK, 1996.
Childs, Gilbert, Education and Beyond: Steiner and the Problems of Mod-
ern Society, Floris Books, Edinburgh, 1996.
——,Steiner Education in Theory and Practice, Floris Books, Edinburgh,
1991.
——,Truth, Beauty and Goodness: Steiner-Waldorf Education As a
Demand of Our Time—An Esoteric Study, Temple Lodge Publish-
ing, 1999.
——,Understand Your Temperament! A Guide to the Four Temperaments,
Sophia Books, London, 1995.
Childs, Gilbert & Sylvia Childs, Your Reincarnating Child, Sophia
Books, London, 1995.
194 PRACTICAL ADVICE TO TEACHERS
T H E F O U N D AT I O N S
O F WA L D O R F E D U C AT I O N
subtraction, 8 W
supraphysical, 3 Wachsmuth, Guenther, 57n
symphonies, 42 Waldorf curriculum, 165–66. See
syntax. See grammar and syntax also curriculum
Waldorf school, 75, 88, 118, 165,
T 166, 188, 189. See also spe-
teachers cific topics
authority, 49 whole to parts, teaching/proceed-
characteristics, 187–88 ing from, 7, 67
cooperation and coordination will, 28, 29, 31, 59, 91n, 171,
between, 54 188
perspective on life, 84 downward flow of physical and
teaching. See also specific topics etheric, 14
goals, 1, 118 educating the, 79
engaging the whole human formation and development,
being, 5 51, 55, 81
nature of, 45 harmony and, 9
telegrams, 114 music and, 39, 46
temperaments, 30n will element, awakening the, 93
textbook quality, 158 women's colleges, 162
Theory of Color (Goethe), 34 writing, 2, 62–67, 136. See also
theosophical movement, 80 letters
“threefold social order,” 57n good vs. bad, 172–73
town schools, 90 history, 65–66
tribal people, 68 taught by using art and draw-
trivialities of life, 111 ing forms, 4
U Y
u sound, 20, 21 youth organizations, 166
unconscious, 18, 113, 154
unity, 33–34
ideal of, 159
urban schools, 90
V
verbs, 56
vowels, 19–23, 69
During the last two decades of the nineteenth century,
the Austrian-born Rudolf Steiner (1861–1925) became a
respected and well-published scientific, literary, and philo-
sophical scholar, particularly known for his work on
Goethe’s scientific writings. After the turn of the century
he began to develop his earlier philosophical principles
into an approach to methodical research of psychological
and spiritual phenomena.
His multifaceted genius has led to innovative and
holistic approaches in medicine, philosophy, religion,
education (Waldorf schools), special education, science,
economics, agriculture (Biodynamic method), architec-
ture, drama, the new arts of speech and eurythmy, and
other fields of activity. In 1924 he founded the General
Anthroposophical Society, which today has branches
throughout the world.