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  • TODO ESTABA BIEN-Saxofón - Contralto

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    luis choquecota
    7 views1 page
    The document appears to be a musical score containing musical notation. It includes sections labeled "Intro", "VOZ", and "D.S. al Coda" which seem to indicate introduction, vocals, and a directive to the performer. The document contains rhythmic notation, dynamics, tempo markings, and other musical symbols across its 54 lines.

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    TODO ESTABA BIEN-Saxofón_contralto

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    The document appears to be a musical score containing musical notation. It includes sections labeled "Intro", "VOZ", and "D.S. al Coda" which seem to indicate introduction, vocals, and a directive to the performer. The document contains rhythmic notation, dynamics, tempo markings, and other musical symbols across its 54 lines.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    7 views1 page

    TODO ESTABA BIEN-Saxofón - Contralto

    Uploaded by

    luis choquecota
    The document appears to be a musical score containing musical notation. It includes sections labeled "Intro", "VOZ", and "D.S. al Coda" which seem to indicate introduction, vocals, and a directive to the performer. The document contains rhythmic notation, dynamics, tempo markings, and other musical symbols across its 54 lines.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    Saxo

    Alto TODO ESTABA BIEN

         
    DAVID MEDINA GRUPO RIO

                         
             
    Intro
    VOZ

        
                            
    10

                           
                       
    15

                                     
                
    20

                                     
             
    26

                  
             
                
      
    32

       
          
            
     
          
     
    38
    D.S. al Coda

                      
       
               
    49

                       

        
    54

    Fine

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