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    Danilo Sena da Paixao
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    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
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    357 views119 pages

    Faustus Crow - Goetia - Book Two - Succubus School

    Uploaded by

    Danilo Sena da Paixao

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content
    of 119
    EAUSTUS BOOK CROW TWO GOETIA SUCCUBUS SCHOOL Pererbereta rt lo emer es Ce merece vd dys sets gates 28 Perey ee) 2 hy) ete oD RES emaare EL (oc )oloi Wg. te e's Suoae 80 retort Drm CMC cod oe) a ell ceeEeuOp tO NT shadow of a yet to be known selfi~ ARCANE FORWARD Perera en Cesss ees ecco y re Rese Bas same; he to sculpt the cubie stone of synchronicity. At its care, your surreal Imagination to glide into many an emotionally reer Regn ccs a Cea weave of associative bio-photon dreams. A writer lives as a Sorcerer; for letters Runic to that of spell [aor Te SR Cnt Ee Cs SS Rees ee CAS CCR sons Trem dancing at the midst of your “Triangle of Art’ Imagination. Jam both an artist and an author, forging stary paintings of dream born Mandalic vaginal doorways for the mind to slip Denia cee ee ect echt CMe Ga Sage Ue mesic Rr Resa cell Setters raid Shee Muses, wantonly whispering Mantric Doce R ee Rts mes aes on habe sco ie We Crete ea ee eR a ta econ reek a ees Bera ea a Re etre scrying mirror, darkly whisperingt The artwork herein and of previous work, does not follow the usual visual style of the medieval gothic, which is the mainstay of an occult expression, when to explore the shadow side of the! psyche. Mor does it indulge in a New Age Pagan indulgence in BD erecta LH a: o(a Tae LO ar (oa ust Mano de-reMEs)e) rie rites dace loa seen toa eee tetera atencobt ones lated amidst this work who have become accustomed to these established symbolic expressions, which profess themselves to be| magically indined. ‘This is somewhat exacerbated by the fact that this work also utilises’ @ comic ea) Lorem omuL Tag Eorcr emg Mot Gh teen ee Coes aot yar ta eet Tad of Underground Comics, Manga and Bande dessinge, which Dee nae 3 Coles SCR ea Meets Gest cnr ete enor en expressions with the\Occult, Magic, Sorcery, Witchcraft or RSE e eA SA a Dear ger nL nee eB aa card work outside of the (tradition) ‘brand;” it confuses peoples whereby the audience find it diffiaalt to pigeonhole it into an Peete dart Cen eps ania ete ate he Shamanisnilis\ia dasic case of ‘branding,’ which is usually Pri eS C ei cn act ae However, Shamanism, although practiced globally, its term: BORE Tepe Cae casera cele SBT Lal Da Alas, mast books covering Shamanism will utilise Native Pave um SOE mc eee en moc lac)tast SCO Sa Re RC e Rt a mC ibaa a pL PETC U NC te scree cee el ae The Magic here, is how people's perceptions can be trained to [eee eae RAR EU els LCR ete) eur In general, people just assume that anything to do with the Occult has to be expressed in ainedieval gothic style, otherwise it is not taken at all seriously by the traditionalists, while others seck out)the Hollywood fantasy. Dera ane ye ee Soret mean it has anything to do with Magic, apart fram making you Frese creme roses Cor scertsca tea erst cr ges Coe cee CO nee nae ctu cam eeetaten arts, but that of its downfall, when many a Witch was bumed at the stake by the church of Rome, whose religious “brand,” Pete eS eee sta aac Wc Tore traditionally passed down the female lint, of an oral lineage. The likes of Dan Brown'utilised the’ Witch burnings to Fe eee een tee Soa etn ean ee ere Eee eee Tega seo ene 9 eta race eS womb of a neo-Mary, vital meme ‘brand.” At the other end of the Spectrum you have authors and artists Pet eee eRe cen de Rome eet oa ne Te Pe een ert Roki aie Re etek tT Beran of Priests, to thereby possess, which of 2 myth makes Nunsita Seer cCCo sme te corre certs resis tt ‘Demons, of an Animus God fixation. UNM ae tame a Tet ana tela Peele heehee ast Cc Lo ere He Rd ool loos ie Kole al See eee ey ec ure benGsrenetceet particular Matrix of a symbolic paradigm, which empowers the establishment and its lust for war. Hence, after the slanghter of| WWI, the Dadaist’s set about overturning the symbolic tables Beith ie Cometh ye) bad See a ee rts ae eee eee tec a een See teste) mind, which led to Surrealism. Both of whose art forms extensively explored Qeault themes and Shamanistic practices, BSD cree ce peer eae coe etre p ae eee ecg Snot general public. Whereby when the Nazi regime attained powe Rio er ean Cees Tema cosa ites] dassified Dadaism and Surrealism as being Entartcte Kunst. The morality of the Nazi regime couldn't handle the erotic Cea Leen eon Renee en DR Rares Cue eee Cea Cee Tare Oe Rae eras een eee aes care Dey ne ac ented oo eee eee peers Geng ee ee eae tee eee panting quaint pobitically-correct biscuit tin scenes, led to the Holocanst. Piatee teas sey cman coger orfos Bea sera ae ay eee Cele ate Pdal aoc rel sanes i ssuslec ia etre lds AA eres Cele bese ler which was soon censored. Whereupon the artists went underground of Underground Comics, many of whom were Dadaist and Surrealist of orientation. One particular example being the 1973 Last-Giasp Hea Funnies Underground classic, entitled: Tales From The Leather Nun. The firstiissue of which was: memorably ilustratedsby Dave Sheridan and Robert Crumb. ‘One of the techniques utilised by both the Dadaists and SUE beak gm see Kel ei gL ELSTE LS ELAS am ETT Pasty ee No tat eee rete elcome crag ireg hse rete Tie tl aes Mtl ee ai Rox mene aisle ac bas rerrc eee Eas ase cer tere eta gel eben clea ar sic load (Severity) or attraction (Meréy) via disconcerting imagery, to thereby (Hypnotic Shock) spin the subconscious minds of the Execs Comme anetoLMt Me elton atte RCL Ros CSS St ames ced a LSet aels Sa Cool SU oun aa ee ae Seat lers Olid art. Twill leave the making of cult Idals to the one wham came out of UR, from whose loins was sired the three cults of an WEB erg eee oe ace aetna teen crc ar |e and their numerous offshoots consider their artistic expression of a ‘brand’ to be of the established Highbrow. However, Les cae MRL AGU Sade men scree sie Gnu upon their idolised altars, over which they continually war behind the smiley moralising face of their three faced ‘brand’ | a phallic deity. This work is both tongue-in-cheek, Discordian of hue, a8 well as being very serious in what it coumunicates. The reasoning for the Discordian humour is tovoffset the sense of morbidity, Rates eet ah eC meceets Career rro at Mer ret| ees Sie haan ee sro ce Ce mes eT 7 Ce ais eg CML Ck ae MOE Coe) coor ott Pal iciet-iemtst atonal stole eects a te tee t st coel a al ee ae en eee enna rs you believe or disbelieve such is indeed the case, I am not at all Ceol TetusL eM le Hogs MOC AC MR Leltst(e (cited Suche OM oy Me TUT telat taT eet) foray te ‘You will have to seek out the inner reality yourself, when to Poets nC cet CMe er cries se esse Sate t med practice of Magic is indivisible to the practice of Art. No input of personal practice, no output of personal experience. Thave little interest in religion or traditional cliques of the established Highbrow. Although I have an artistic interest, concerning how they manipulate the symbolic perception of the (eel (Te hi Sse sae een Aa uma cree Cu os clea) aieh archetypes, to thence enslave as their personal egregores via Drsterectco ge nese ctetcanrataret cessor git tee sory ac) their product. eee CC a ame omereael rot ibs teaciny eager Per eee es Teme rerio aietrs eiSeeai its then, that’s the Dadaist pdint of this Surrealist work of a symbolic reversal, which is of the Lowbrow anti-cult. By design, this work cannot he idolised of a traditionalist religious focus to tether between the temporal temple pillars of | an indocrinated perspective. But it cam be utilised for Sorcery practice of a Shamanistic stance, concerning Crance ingress into your dreams to make lucid of. awareness. You are only limited by the extent of your Imagination. A eters, Cae taser gs te ahseYoceta geet SUCCUBUS BAT GIRLS INIGHTGAUNT OBSIDIAN BUTTEREFLIES| bere Cen nc ee geet os cocaine comet Neo er aie eckcn rare se sea renee eee heme er irene es PUTO en tae Ree Sel ee eat RNs Ke scot Tc practices, which influenced the mythology of the Mayan’s whom incorporated the Wampire-Bat-under the fierce cave God of the underworld, Camagotz. He was feared) as a bloodthirscy figure among the Mayan’s who was portrayed. as a ‘Bat-man.” North CO aCe vee Arcee Melero re elect a ay served their own version of Camazotz, as his Succubac. Ceo Sema ate ak eee Lt ae beat Peis oes. we tales seco Ras it cel akc stLaes Ue However, these Succubas were associated with the Gaddess anc arihe

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