Suzuki ‘Violin School VIOLIN PART VOLUME ¢ Suzuki Method InternationalSuzuki ‘Violin School VIOLIN PART VOLUME 7 Wes “ZA yin \@ A) (es) yn Copyright © 1978 De. Shinichi Sueuki Sole publisher forthe world except Japan: ‘Surnmy-Bisehard, In, [All Rights Reserved. Printed in USA ch ‘Warmer fies, Publications fre 1SROO NW. 4th Avene Miami, Frida 33014 ISBN O-87487-150-5 “Tee Suzuki rae, Jogo and whet ae trademarks of De Shinichi Saiki weed ander ‘exchsie icease by Summy-Direhard, Ine, dry expeaner,adataan st anangrat of he eompoatiensINTRODUCTION FOR THE STUDENT; This material is part of the worldwide Suzuki Method of teaching. Companion recordings should be used with these publications. In addi- tion, there are piano accompaniment books that go along with this material. FOR THE TEACHER: In order (o be an effective Suzuki teacher, a great deal of ongoing education is required, Your national Suzuki association provides this for its membership, Teachers are encouraged to become members of their national Suzuki associations and maintain a teacher training schedule, in order to remain current, via institutes, short and long term programs. You are also encouraged to join the International Suzuki Association. FOR THE PARENT: Credentials are essential for any teacher that you choose. We recommend you ask your teacher for his or her credentials, especially listing those relating to training in the Suzuki Method. The Suzuki Method experience ‘should be a positive one, where there exists & wonderful, fostering relationship between child, parent and teacher. So choosing the right teacher is of the utmost importance, In order to obtain more information about the Suzuki Method, please contact your country’s Suzuki Association, the International Suzuki Association at 3-10-15 Fukashi, Matsumoto City 390, Fapan, The Suzuki Association of the Americas, 1900 Folsom, #101, Boulder, Colorado 80302, or Summy-Birchard Inc, c/o ‘Wamer Bros, Publications, 15800 N.W. 48th Avenue, Miami, FL 33014, for current Associations’ addresses.SREeSSSE CONTENTS Minuet, WA. Mozart Courante, 4. Corelli aa Sonata No.1,G.F Handel... 2. Concerto No. 1, /.8. Bach Gigue, JS. Bach . . Courante, JS. Bach. Allegro, A. Corelli : (Nos. 5 and 6 are unaccompanied)Practique lo mismo en las ours cuerdas tambien,s [2 |Courante y= 77} A. Corelli Vivace ps gp ot 2 dim SE 7 ens 5 es Semis sy nmommens cma oH tease. Practice the above trills siowly and exactly. Die obigen Trillernoten langsam und genau iiben. Euercer les rilles ei-dessus lentement et Pracique fos trinos de arte despacie ‘exactement. caacamente,[3] Sonata No. 1 VIO R—-E G. F Handel ALNgente viene Lage 44 posicton ren dimineendos 2EMME pesstion Eweite Lage 218 posicton 2 = fs eens Se >Elementary Practice for Concerto No. 1 "ayta USE ERG Exercice élémentaire pour le “Concerto No. 1” Grundlegende Ubung fiir “Konzert Nr. 1” Practica elementaria para «Concierto Nim. I» DPORBCRM RCC 21 ORABC OE sox emmcr Tring clement cerca marked wih A Bat fr Die olerdengrundeende, i B.C geenaiichncen the parts In the score marked with the corresponding Kiters. Ubsingen sind fur de Tete ime Novela, Sie mi den ‘entsprechenden Buchitaben martin sind. Los siguientes ejereicies elementarios marcados con A,B, C eon para las panes en la paritara marcadas con las vonespondientes eres. Les exercices de base suivants marqués A. B.C sont pour les Parties dela partition marqudes des Ietires correspondantes- The First Movement BRE Le Premier Mouvement Ester Satz_—_El Primer Movimiento , y \ 2 Seam ow 21 e439 {ean to Vtg 2 A i = Poin 8 + _ hmm nuimna Draw a short stroke from the middie of the bow, Binen hurzen Strich vom der Mitte des Bogens dehen Donner un coup darchet court en commencant au miliew de Varchet Hage un golpe con desde la mitad del arc. Oo64k Lal tere omeuN’. morte. Play slowly with correct intonation and with quick preparation for the shifts, ower lentement avec une intonation juste, et avec une préparation rapide des positions. Spiele langsam in dem genauen Tonhihen und mit schneller Vorbereitung des Lagen mechacls ‘Toque lentamente con afinacién buena, y con preparsciéa ripids para cambiar Is posiciéa ‘ 1 ¢ 243 ar pase tesa. 13 A. io #2 = = 3aamisente Place the 3rd finger close to the 2nd. Placer le 3éme doige pres du 20me. Setee dem dritten Finger nahe neben den rweiten. ‘Cologue el tereer dedo cerca del segundo, DR Le deuxidme mouvement Der zweite Satz El Segundo Movimiento 2 re ee | 2, a -. 1 ower uniquement sur ta corde du ta, Spiele nur auf der A-Saite. TTogue solamente en la cuerda laThe Third Movement RRS Le Troisiéme Mouvement Der dritte Satz__E\ Tercer Movimiento The TIe TheB La marque + ou » montre la nature de Mintervalle entre le ton précedent et le nouveau ton: * signifie un intervatle un Tom enticr et = signifie un intervalle d'un demi-ton. 3) indique une position dans Taquelleces deux doigtsdoivent dire lacks és pres Cun de Vauire oe PommeRT. {ton 9m, DAME COMMA SEEM Das Zeichen 1 oder » sit das Intervait torhergchenden Ton, + xt in Gonsion-interyait und ~ in Halbcon. 1) erigt eine Lage wn, we diese vei Finger dich nebencinande gear werden sollen. Larue to + moet interval desde el tenn precede signin un intra de tovo enero y sun iemiono, 3) indica ti outa en eal esto dos eos se eben ‘lua tos,4 |Concerto No. 1 aYV Fz B— HR 41S. Bach Allegro moderato as 2A 344.3 a, i sessher aAllegro assai Ye — f f nets £. sine | £6 agek. Bae é Ras s2t es Per get tere pert ek Dosey P = nea Ppt pe a—S peti Sprint re an 4 = *p 2 £ = = FS Ae Zo — > aia ee = & Ss Y= 3 aad =e ee f 4 ~ — 2 5: PH Se ‘erese. 2X ——e ESP ERE fee , a cepectree 5 -feree 5 fice = 1 tite aS ma fer Epapell ites opie be Se gE leet dda dag aida dteedteed 4 - o deg Tero rest tse Dae RIED, peep pee PPP RP PEP rer PPP fesessaek teehee cre pfs, PES eit ares a Peet aeJS. Bach ‘Vivace rey ns S266 volta rit. — -23 A. Corelli " 3 3 San 13404 a f! tutnr eter tar ag | Sees 3 22iat gear tat tar» Dp tim porarrt 3 emmmay en md CH lc mere. Exercise for the Jed and 4th flagers, Practice bung fir die dritien und vierten Finger. accurately and slowly. be gemau und langsam, Exercice pour le 3¢M€ et le 4®M€ doigt, Ejercicio para lot dedos tercere y cuasto. Sexercer leniement es correctement Practque en forma exacts y lnlamenteISBN 0-87487-156-5 SUZUKI METHOD INTERNATIONAL USA $695 5 tl © 9156