Professional Documents
Culture Documents
Your Influencer
Strategy
This Playbook from BoF Education unlocks the actionable
insights required to succeed at influencer marketing today.
Created exclusively for BoF Professional Members.
Executive Summary 03
Preface 04
Introduction 06
Conclusion 40
Appendix 41
Further Reading 47
businessoffashion.com 2
Executive Summary
Fashion and beauty brands exploring marketing mix: according to a study by
influencer marketing often discover more Launchmetrics, 60% of brands expect
questions than answers: should they their influencer marketing budgets to
feature a micro-influencer or mid-tier increase in the near future.
influencer in a campaign – or spring
This Playbook was created with a simple
for a Kardashian? How can they tell if
goal: to provide a set of guiding principles
an influencer marketing campaign is
for brands to develop best-in-class
working? And above all: is influencer
influencer strategies in fashion and
marketing really worth it?
beauty. Its principal aim is to provide
Social influence has always existed as actionable insights and a step-by-step
a marketing tool, but the rise of social guide to working with influencers across
media and the Millennial generation has all execution phases, from identifying the
supercharged the landscape. With two right brand partners to measuring results.
out of every three Millennials installing
To accomplish this, we spoke with
ad blockers according to PageFair, an
influencers, marketing experts and top
influencer strategy spans beyond
minds at leading agencies and brands to
traditional ad space and integrates
gather rich insights about the industry
branded content “in feed” instead. With
today. Drawing on the far-reaching
the added value of the ability of
experience of our industry sources,
influencers to tailor a brand message for
we conducted qualitative analyses to
their followers for greater impact, an
distil what makes a fashion or beauty
influencer strategy is now critical to
influencer strategy successful.
reaching consumers the world over. When
executed strategically, influencer The Playbook is split into four chapters
marketing is a powerful way to reach new mapping each stage of the influencer
markets, deepen brand loyalty with partnership process:
existing customers and drive sales.
Chapter 1 provides guidance for selecting
Global ad spend on influencers is the right ambassadors
predicted by Business Insider Intelligence
Chapter 2 suggests best practices
to reach between $5 billion and $10 billion
for influencer-brand relationship
by 2022. But getting an influencer
development
strategy right is increasingly complex
and challenging, and the murkiness of Chapter 3 outlines the ingredients
the nascent space doesn’t make it any for successful content strategies
easier. Brands can feel like they are
Chapter 4 provides guidance for
operating in the dark, with no clearly
measuring success
defined rules for payment rates or
measuring return on investment. In addition to interviews, the Playbook
also includes a series of case studies on
Influencer marketing has the power to
some of the most successful influencer
drive authentic customer engagement
partnerships, as told by those directly
and sales, but brands must be willing to
involved. And in the appendix, you will
adapt to market changes in this dynamic
find practical tools and frameworks
industry. Where sponsored posts modelled
designed to help you apply these
on traditional product endorsements were
learnings to your business.
once the gold standard, consumers are
growing increasingly sceptical of With this Playbook, we’ll remove some
influencers who come off as “inauthentic”. of the mystery surrounding influencer
This means that, above all else, identifying marketing and provide the guidance any
the right influencers and campaign fashion professional needs to thrive today.
messaging is key. Brands should consider
influencer marketing as an investment in
diverse brand ambassadorship rather than
transactional product endorsements.
Navigating influencer marketing is not
always a smooth ride, but no matter the
size of your fashion or beauty business,
it’s an increasingly important part of the
businessoffashion.com 3
Preface:
A Brief History of
Influencer Marketing
A shift in the landscape of traditional advertising is prompting fashion professionals to invest
in influencers as a strategic priority in their marketing mix.
businessoffashion.com 4
Preface
2020+
1980s 2000s
Influencer
Pop stars become fashion Bloggers hit the maturity
marketing powerhouses mainstream
businessoffashion.com 5
Introduction:
100%
A little over a decade after Facebook objectives and KPIs should be specific
became available to anyone with a and measurable, including timeframes,
valid email address and an internet platforms, audiences and metrics.
connection, the consequences of social
media’s near-ubiquity have become
impossible to ignore. And while Facebook
Be creative with
Of all influencer campaigns in
2018 incorporated instagram
has been challenged by crises around your objectives
data mishandling and fake news, social
“Don’t think Instagram only,” says Tina
media use across platforms continues to
Craig, founder of influencer agency Estate
grow. There are 3.48 billion total global
Five, also known as @bagsnob. “Don’t be
active social media users in 2019 across
90%
a tunnel-vision brand that’s like, ‘we just
20 platforms, up 9% from the previous
want a bunch of likes and we want to grow
year, according to a report from social
our following.’”
media management platform Hootsuite.
Additionally, the report shows that the For example, apparel and sportswear
average social media user spends an brand Good American’s “Style Squad”
average of 2 hours 15 minutes on social programme has influencers curate a mix
media each day, representing a significant of their favourite products and create
Of brands increased their earned opportunity for fashion and beauty brands their own dedicated shoppable page on
media budget between 2012 and 2017 to reach new markets and communicate the label’s website. This is likely to drive
with existing consumers in new ways. more sales than if the same influencers
had merely posted images of themselves
But first, brands need to set core
wearing Good American apparel.
84%
objectives and develop deep knowledge
of their customers. Objectives should be adapted according to
the characteristics of your target market,
Set measurable objectives since cut-and-paste methods won’t be
as effective as tailored campaigns. To
When it comes to influencer marketing, make a campaign work regionally or for
“the brands that know themselves the best a specific consumer segment, you’ll need
are the ones that generally do make the to tailor which influencers you select, your
Of top 10 beauty brands’ 2018 EMV
right decision,” says Max Stein, founder overall content strategy, goal-setting and
was generated on Instagram
and CEO of creative management agency platform choice. For example, Russian
Brigade Talent. fashion editor Sascha Amato told BoF
that consumers in his region “aren’t that
The first step in the influencer
interested in things that are at the top
marketing process is to establish and
of the agenda for Western Europe and
align key objectives for your brand with
American brands right now,” such as fur
accompanying key performance indicators
and model size on runways.
(KPIs). These should cover short-,
medium- and long-term goals. “Really
think about who you are and what message Understand your
you’re trying to communicate,” Stein says.
target consumer
Be sure to include objectives for both
As with any form of marketing, brands
your overarching, channel-agnostic
should begin by developing personas
influencer strategy, then drill down into
to understand the identity of the target
KPIs for specific campaigns as you move
consumer profile, including both
into the execution phase. Whether your
demographic and psychographic layers.
objective is to increase brand awareness
Delphine Del Val, founder of creative
within a particular audience segment,
agency Pool Creatives, encourages brands
drive sales of a new product launch,
to ask: “Who is your preferred customer?
or change brand positioning through
What does she do? Where does she live?
Source: Tribe Dynamics creative storytelling, your campaign
businessoffashion.com 6
Introduction
12%
What does she look at? What is she “Who is your preferred
reading?” Then, try to determine what
kind of influencer is going to talk to customer? What does she
that audience.
do? Where does she live?
Consumer personas describe the profile of
Of top 10 beauty brands’ 2018 EMV
the audience you are trying to reach, and What does she look at?
not necessarily that of the influencers you
was generated on YouTube
should be engaging. Lyn Slater, otherwise What is she reading?”
known as Icon Accidental, the 65-year- Delphine Del Val
old New York college professor with a
83%
650,000 strong following, says that brands
frequently make the mistake of assuming
she’s best-suited to pitch to senior citizens.
“They don’t understand how inclusive it
is,” she says of her audience. “They want
me to sell something that is for people who
are 60 to 80… that’s not my audience on
Of top 10 luxury brands’ 2018 EMV
Instagram.” Slater’s largest follower group
was generated on Instagram
is aged 25 to 45, she explains.
Brands need to understand their target
audience’s DNA and how this maps onto
an influencer’s own audience, specific to
each platform where the brand wants to
engage.
“On my Instagram, for example,” says
Slater, “what my audience is attracted to
is my attitude,” and so she’ll use language
that is familiar to a younger generation. On
her blog, she writes for an older audience
about social and cultural issues. The more
you can hone in on your focus, the easier
it will be to determine your strategy.
But how should you go about matching
influencers and campaigns to customers?
Source: Tribe Dynamics Read on to find out.
Source: Unsplash
businessoffashion.com 7
01
Picking the
Right Influencer
businessoffashion.com
01: Picking the Right Influencer
A perfect match between influencer and brand can only happen through careful evaluation,
backed by a mix of data and intuition. Brands must consider not only the size of an influencer’s
following but make choices in line with their own business strategy and values.
The most effective influencers are diverse individuals who not only have wide-reaching platforms, but the know-how for engaging with
them and shaping behaviour. But with anecdotes of overpayment and under-delivery plaguing the practice – such as “It” boy Luka Sabbat
who is on the wrong end of a lawsuit about his influencer obligations (see page 23) – and PR disasters erupting out of seemingly innocuous
missteps, how do you know who will be able to deliver on your objectives?
The influencer selection phase can very easily become a numbers game that involves chasing talent with the highest social following. But
brands shouldn’t think of one million followers as a magic number. Influencers need to be evaluated also for how they engage with their
following, and numbers only tell part of the story.
It’s not enough to bank on instinct either. “You can have a girl who you think is totally perfect for your campaign but her following could be
95% male,” says Annie Harrison, senior PR & influencer manager for the UK division of beauty giant Benefit Cosmetics.
Tier definitions
Influencer Type Follower Count Key Value Drivers Limitations Examples
• Sales and
engagement • Requires high level Alexis Baker
with otherwise of resourcing to @alexisbakerrr (3,239
unreachable niche manage and scale Instagram followers)
Nano 1,000-10,000 • Accessible and • Influencer less
approachable experienced Example brand
• Personal, authentic in delivering partnerships:
relationship partnerships Clinique, Dr. Jart+
with audience
businessoffashion.com 9
01: Picking the Right Influencer
0
Innovators Early Early Late Laggards
2.5% Adopters Majority Majority 16%
13.5% 34% 34%
EM Rogers (1962)
businessoffashion.com 10
01: Picking the Right Influencer
Searching for influencers organically celebrate previously underrepresented “Even though you want
is the most cost-effective method, but people of influence.
also the most time-consuming. You can
Remember also that consumers —
to find influencers that
start by looking for influencers who
organically post about your product,
particularly those who luxury brands complement your brand’s
target — want to see some better
your brand’s industry or its competitors,
using hashtags and geo-tags to identify
version of themselves represented by messaging, you don’t
brands. Influencers should strike the
accounts. Even if you don’t have a
right balance on the spectrum between want to limit yourself to
substantial marketing budget, doing
smaller deals with micro influencers
aspiration and accessibility, with specific
attention paid to the make-up of the
influencers only working
that are already advocating for your
brand “will ultimately lead to new
brand’s target audience. Whether your within your vertical.”
brand is more aspirational or accessible,
opportunities,” said Ali Bird, New York
it’s paramount to take the time to find
director of artist management agency Even though you want to find influencers
new personalities that complement your
The Wall Group. that complement your brand’s messaging,
brand and involve them at each stage in
you don’t want to limit yourself to
Investing in in-house influencer research a campaign’s development.
influencers only working within your
can pay off later. Influencers are now
Keep in mind that in other parts of the vertical. According to Raina Penchansky,
such a critical part of the marketing
world, consumers do not always respond co-founder and chief executive of the first
stack, argues theAmplify founder
well to racial or national diversity. influencer talent management agency
Rezvani, that outsourcing isn’t always
For example, in Asia, using a Korean Digital Brand Architects, brands should
the most effective method for brands
influencer in a Chinese brand’s campaign think about being multidimensional.
to find the right partners. According to
may not be well received due to various
Tribe Dynamics’ Conor Begley, Fashion “People don’t live in one space,” she says,
social and political nuances. Market
Nova “has 20 people full-time in “we all follow a multitude of different
characteristics should be well researched
LA, their only job is working with kinds of people. Sometimes brands
with the help of cultural experts or
influencers… when they choose the make the mistake of thinking they
influencers native to a given country.
models for their new collections, it’s just have to be very one-note with who
based on who posts the most on Working with a talent agency can bring they’re working with.” This could mean
Instagram.” (Read more about Fashion added value to the selection process. identifying prominent creators from
Nova’s strategy in BoF’s report.) Agencies have good knowledge of their other related industries, such as interior
clients’ unique capabilities and can design or health and wellness.
When it comes to selecting influencers,
advise on successful partnerships.
brands should also assess the diversity
“First and foremost, we hear the goals
of their ambassadors. Influencer
of the brands, then on those criteria we
campaigns in Western markets are
do the screening of the influencers. We
regularly scrutinised by consumers for
might know they’re strong in different
their representation of different body
territories, or they’re strong in sales,
types, races and ages. In the influencer
or they’re strong on branding and they
landscape “everybody is 25 years old
open up great press opportunities for the
and everybody is six feet tall, skinny and
brand,” says Hannah Løffler Schmidt,
beautiful,” says Estate Five’s Craig, whose
managing director of the social-
agency makes it a point to highlight a
influencer and marketing company Social
range of influencer voices and represents
Zoo, co-founded with influencer Pernille
a diverse client list of 40 influencers such
Teisbaek.
as @caralynmirand, @hautehijab and
@themiddlepageblog. Before approaching an agent, ensure that
you have done your homework. Agents
In the West, influencers that specialise
scrutinise the opportunity to partner
in working with accessible brands and
with your brand on behalf of the talent
represent diverse perspectives and
they represent. Brigade’s Stein says that
aesthetics are often celebrated for their
when he assesses brand partnerships for
ability to connect with consumers.
influencers he represents — which include
Along with #YouBelongNow, there
Reese Blutstein of @double3xposure and
are myriad consumer-driven hashtags
fashion editor Shiona Turini — he looks
(#SupersizeTheLook, #MakeMySize,
for brands that “really want them for
and #ChicAtAnyAge among them) that
them, rather than projects where they’re
represent initiatives to encourage and
just trying to cast in 20 people.”
businessoffashion.com 11
01: Picking the Right Influencer
Case study:
Style Du Monde
Inside the #GanniGirls strategy
Danish brand Ganni, a breakout label of the Instagram boom, just as important success criteria as the traditional engagement
began to tap into influencer networks well before it became metric, as this means a Ganni follower has saved a post they’d
standard practice to secure legal endorsement contracts like to revisit later and potentially shop or have as a reference
through agencies and managers. for style inspiration.”
In 2015, model Helena Christensen coined the now-infamous Ganni has found the most success with micro influencers. When
#GanniGirls hashtag. Christensen, with her friend and actress a Ganni FW18 pink denim jumpsuit was worn by a few micro
Kate Bosworth, uploaded a photograph to Instagram of the two influencers in 2018 – most of whom had approximately 30,000
wearing the same Ganni coat (uninitiated by the brand) and to 40,000 Instagram followers – it started a trend around the
captioned it “#GanniGirls,” – a hashtag now synonymous with world.
the quintessential Copenhagen girl who embodies an effortless
“Our product ended up in Lyst’s yearly report as the most
laid-back style. At this point, the brand didn’t even have a social
wanted item on Instagram in 2018,” says Reffstrup. “Our
media manager, admits Ganni founder Nicolaj Reffstrup,
initial posts starting this movement were of the cool local
who took on the brand with his wife Ditte in 2009 and has
Ganni Girls wearing the jumpsuit. These posts had a 1.5%
since sold a majority stake to consumer-focused private equity
higher effectiveness rate than the average effectiveness rate
firm L Catterton.
in that period.”
The label subsequently adopted the hashtag. Ganni quickly
In comparison, Ganni also reposted content of an influencer
embraced influencer marketing and nurtured an active group
with more than 500,000 followers during that same period, but
of ambassadors, including those from then-micro and mid tiers.
the post performed at an average rate.
Ambassadors ranged from the half-French and half-English
fashion blogger Camille Charrière and Danish model Pernille Today, Ganni’s strategy focuses on engaging influential figures
Teisbaek to German model and editor Veronika Heilbrunner. who have a social media presence as a by-product of their
Choosing Ganni Girls is based on identifying how closely aligned primary career. Examples include Ana Kraš, the Serbian-
the influencer’s profile, their audience and the kind of product born American furniture designer, photographer and fashion
and price point they could sell is with the brand, explains designer (@teget 84.9k Instagram followers), and Egyptian
Reffstrup. Still, it’s always been about delivering brand stories chef and food installation artist Laila Gohar (@lailacooks
rather than selling products for Reffstrup. 104k Instagram followers).
“We’ve always tried to let authenticity be the blueprint for This strategy illustrates how brands are seeking out influencer
anything we do on social media. We’ve never been governed by partnerships with people who are artists in their own right
commercial ways to find product sales,” he says. The aesthetic to keep the relationship aspirational, with “influencer”
of the Ganni Girls adds to the brand’s effortless cool persona. becoming a somewhat tainted word associated with stars who
simply push product for a living. As consumers get increasingly
Ganni measures the impact of campaigns by considering
fatigued, the notion of what it means to “influence” has been
effectiveness rate, reach, engagement rate, impressions, click-
put into question, with some so-called influencers distancing
through-rates, website traffic and sales. “We look at effectiveness
themselves from the moniker to emphasise their genuine
on Instagram over engagement, as effectiveness... takes post
creative credentials. We are at a “tipping point,” says Reffstrup.
saves and video views into consideration [in addition to likes
With this, brands are choosing individuals who resonate
and comments],” says Reffstrup. “Saves and views are important
with audiences for reasons other than their style to bring an
metrics for us to take into consideration, as we only expect one
increased level of credibility.
action from our audience. We see post saves, for example, as
Lesson: Influencer engagement is successful when the selection process involves a careful identification of brand
objectives and an ambassador aesthetic and profile that complements the brand’s identity. Engagement of the
right group of micro influencers can deliver a better return on investment than one-off engagement of a macro
influencer with a higher following.
businessoffashion.com
businessoffashion.com 12
12
01: Picking the Right Influencer
Equipped with the knowledge that finding the right influencers is about more
than making deals with the industry’s most followed accounts, you can begin
to assess which partners will help your brand reach its goals.
Cautionary tale: 01 — Start with your objective Dior’s independent feminist spirit,” Yiling
#RevolveSoWhite Begin by thinking about the specific
Pan, associate editor at Jing Daily, told
BoF at the time of the backlash, with some
objectives of your influencer strategy to
of the online community citing rumours
Online retailer Revolve is known for both establish your selection criteria. What are
of plastic surgery and criticising her
its influencer-heavy marketing strategy as your KPIs? Will the partnership help you
acting ability. The brand since revealed
well as its glamorous “Revolve Around The reach a new audience, elevate your brand
a second Chinese ambassador – actor
World” trips, which immerse influencers in by association, or drive direct sales?
Huang Xuan – who received a warmer
fully-branded experiences, often in exotic
Lyn Slater of @iconaccidental identifies online response. Brands should pay
locations, at the company’s expense. After
two different types of influencer: close attention to aligning values in the
imagery was posted to Instagram from a
somebody who is a sales person, and delicate matchmaking game of influencer
January 2018 trip to Phuket, Thailand, it
someone who is going to broaden how selection.
touched off a storm of negative attention.
consumers think about your brand.
Instagram users expressed outrage that
“I’m not necessarily going to be someone 03 — Research an influencer’s
none of the brand ambassadors on the
who’s going to be selling a lot of things partnership performance
trip were people of colour or plus-sized
for you, but I’m inspiring people to think
and thereby projected a message to You should also explore the make-up of
about how to relate to your product,
consumers about which kinds of people your influencers’ campaign history, either
and how to use it to express themselves,”
Revolve values most, prompting the organically or through their agency, to
she explains.
hashtag #RevolveSoWhite. ensure that your goals can be fulfilled.
Annie Harrison, senior PR & influencer
Blogger and activist Valerie Eguavoen 02 — Understand your brand values
manager for Benefit Cosmetics UK, says
called out Revolve’s lack of diversity
Brands that understand their values are she uses a free online tool by online
on her blog and Instagram, further
those best equipped to assess influencer marketing platform Phlanx to assess an
compounding the backlash. Social media
fit. Develop detailed brand identity influencer’s average engagement rate.
users generated so much conversation
personas to help with your analysis.
on the topic that Eguavoen created the This doesn’t have to stop with data. Ask
Kate Spade New York looks for a woman
Instagram account @YouBelongNow as where they have seen the most success
who is “the heroine of her own story…
a direct response to the Revolve event, on their platforms (via Instagram
someone who’s really strong and has built
focussing on content that celebrates stories, permanent feed posts, or
themselves on their own,” says Lalena
people from a diverse range of some other channel) and with which
Luba, VP of global public relations for
backgrounds and appearances. objectives. “Many of the more established
Kate Spade New York. Their partnership
influencers do have stats and information
At the height of the backlash, Revolve with Medine Cohen exemplifies that
from their past work that they are always
saw its earned media value (EMV) drop to ethos. “Our objective with someone like
willing to share with you, to a certain
the brand’s lowest for the year, to $83.8 Leandra is to elevate the brand and to give
extent, when you ask, but a lot of people
million, according to Tribe Dynamics. The it personality and give it depth,” Luba says.
don’t ask,” says Luba.
dip was temporary and cannot be solely Not only should you ensure influencers
attributed to the controversy, however, have the right look for your brand, you
04 — Understand the influencer’s
with Revolve’s EMV bouncing back to should pay attention to their attitudes and
audience
more than $140 million in the subsequent behaviour. If you align on common values,
two quarters. Whether Revolve has such as sustainability, the partnership
Asking for audience demographics is
changed its approach to influencer will feel like an authentic part of the
essential. While some agencies and
selection in response to the backlash is influencer’s existing feed rather than a
influencers may not be willing to share
undisclosed, but its first partnership with transparently transactional post that
raw data on their followers’ average
an influencer on a private-label brand is followers may reject.
age, nationality and gender, you can ask
with Korean-American Aimee Song (see
Consider the case of Dior and their for anecdotal information, says DBA’s
page 29).
selection of the brand’s first-ever Chinese Penchansky.
Lesson: Brands should represent racial or ambassador Angela Yeung Wing, the
Remember that every influencer will have
size diversity of their target audience in model and actress better known as
their follower count inflated by bots to
their influencer selection in order to be Angelababy. Although Angelababy has
some degree. Analysing over 20 million
accessible. But diversity needs to be part 86 million followers on Weibo (one
global Instagram account followings,
of the brand’s DNA; consumers can spot of China’s most popular social media
digital agency Fohr Card found that, on
when casting is a tokenistic afterthought. platforms), the 2017 appointment
average, 7.8% of an account’s following
Influencer campaigns can occasionally sparked intense criticism from some of
was made up of bot followers, with some
turn into PR nightmares, but brands are the brand’s fanbase, particularly from
influencer accounts averaging as much as
not always seriously tarnished as a result. some Chinese netizens who complained
20% , as reported by influencer marketing
that her “poor reputation” in mainland
agency Mediakix. This can occur even if
China did not align with Dior’s brand
the influencer never engaged with or paid
values. “Chinese consumers don’t see
for bot followers. Beginning in November
Angelababy’s public image [as fitting] for
2018, Instagram began sweeping for
businessoffashion.com 13
01: Picking the Right Influencer
inauthentic likes, follows and comments on their platform by removing the brand
“A brand-influencer from bot accounts; however, bot accounts hashtags from the negotiation. While
still remain prevalent in the industry. this is not always straightforward and
partnership is contingent Manage this risk by analysing trends in could also reflect the influencer’s concern
on developing a followers and quality of engagement. for their own brand dilution, consider
carefully whether the partnership is
relationship rooted in 05 — Consider the influencer’s win-win for all involved with open
experience and partnership history communication. Not disclosing
reciprocal trust and open If a potential partner has a history of
sponsorship is also illegal in most
territories (see page 28).
communication.” successful collaborations, consider
reviewing what kind of content strategies
07 — Don’t be afraid to flex
have worked for them in the past and
your formula
how your brand sits among their other
collaborations. Keep in mind that Partnering with the obvious influencer
repeating the same kinds of content, choice may be a safe bet, but brands can
however successful the first time reap the rewards of taking a risk on a
around, may not resonate later with their new approach, especially when trying
followers, who may already be inundated to break into a new market or diversify
with branded posts. While influencers from competitors. Mango chose 65-year-
with a long history of brand partnerships old college professor and influencer
will be equipped with valuable knowledge Lyn Slater to be part of their “story of
and experience, there can be too much uniqueness” campaign in SS17, which
of a good thing. According to Activate presented a slight flex on the influencer
Marketing research, brands consider demographic selection formula while
influencer feeds with more than 44% still ensuring value alignment. While
sponsored content oversaturated when Mango did not share specific metrics,
assessing partnership fit. the brand says the relationship with
Slater “performed extremely well” for
06 — Establish solid trust them. By mixing up your selection you
and communication may find an ambassador that really
resonates with your audience and enables
A brand-influencer partnership is
your brand to stand out from the crowd.
contingent on developing a relationship
rooted in reciprocal trust and open Ultimately, strategic selection is key.
communication. Pool Creatives founder “You don’t need to work with everyone
Delphine Del Val advises the brands she to be the best,” says Estate Five’s Craig,
works with to look out for influencers “but everyone you work with needs
who attempt to disguise the partnership to be the best.”
Source: Unsplash
businessoffashion.com 14
01: Picking the Right Influencer
China’s influencer
economy essentials
The importance of the Chinese market to
global fashion brands is hard to overstate.
But brands can often struggle to tap into the
value of influencers in unfamiliar markets.
The Chinese influencer or “wanghong”
economy can be more opaque than its
Western counterpart, and is further
complicated by the rapid speed at which it
is changing.
Key characteristics
• Influencers are known as KOLs (Key Opinion Leaders) or wanghong (romanisation of
Influencer Terminology
the Mandarin for “internet celebrity”).
• Influencer networks and platforms, such as ParkLu, manage and measure brand
partnerships with KOLs.
Agencies and Platforms • In particular, China’s thriving Multi-Channel Networks (MCNs) handle influencer
management for companies such as Douyin. Unlike the rest of the world, it can be
difficult to work with Chinese influencers without going through an MCN.
• KOL “incubators” such as Ruhnn (also known as Ruhan) are one option for KOL
management and the operation of KOL e-commerce businesses.
• The remit of incubators extends beyond that of Western influencer agencies,
ranging from logistics and photo editing to coaching, training and content
creation for their influencers.
• Incubators were born out of the rarity of influencer management agencies in China
Incubators and the opportunity to monetise influencer marketing — some experts argue that
as a result, the country’s influencer ecosystem became increasingly homogenised.
• Incubators primarily build their influencers’ own brands, rather than collaborating
with third party brands.
• Though still in the minority in the Chinese influencer market, approximately 200
incubators with varying business models exist in China, founder and chief executive
of influencer marketing platform ParkLu, Kim Leitzes, told BoF last year.
businessoffashion.com 15
01: Picking the Right Influencer
• Like everywhere, many KOLs are singers, celebrities, reality stars, TV personalities
and models.
• Some rare personalities such as Zhang Dayi were skyrocketed to macro influencer
fame by incubators.
• Owing to the size of the market and the relative self-contained nature of the country,
follower counts of Chinese macro influencers extend beyond the scales of Western
macros, with KOLs such as Kris Wu amassing over 46 million Weibo followers.
Influencer Tiers • Different influencer tiers exist, with the challenge of balancing the reach of macro
with the intimacy of micro, much like in other markets.
• Certain Chinese influencers may be considered influential by marketers in the West
but have a different style profile or a less appealing reputation back in China.
• Similarly to Western markets, there is a general movement towards some brands
working with influencers who have a smaller following within a specific vertical,
rather than a broad horizontal community.
• A significant number of influencers have their own fashion and beauty brands
and products, due to the incubator model.
• Influencer marketing is arguably more commercialised in China than some
Western markets. Rarely does a collaboration exist without financial exchange
Brand Relationships unless a high-end luxury brand is involved.
• Like other markets, influencer fees vary greatly based on the platform, the
influencer’s follower count, content requirements and campaign type.
• WeChat and Weibo campaigns are generally priced higher, though the growth
of platforms such as Xiaohongshu means pricing has become more dynamic.
• Similarly to Western markets, though later than in the West, there is a growing sense
of scepticism of branded content more broadly, not just branded content promoted
by KOLs.
Market sentiment • Trust is generally declining among consumers. This is especially true of younger post-
’90s Chinese netizens, accounting for the rise of social e-commerce, which appeals
to users looking for reliable reviews and recommendations from peers and micro
influencers more so than paid content.
businessoffashion.com 16
02
Building
Partnerships
businessoffashion.com
02: Building Partnerships
Establishing relationships with the right influencers is a great first step, but maximum value is
created by nurturing long-term, reciprocal partnerships.
Using influencers to market products is pronged approach to the relationship, “The transition from
not about advertising to your audience, “people associate [Blutstein] with the
it’s about interacting with them. Or as brand,” Stein says. This creates a win-win a transactional to a
Justin Rezvani, who founded Instagram exchange, whereby Gucci benefits from
influencer marketing firm theAmplify, Blutstein’s reach and engagement and reciprocal model means
puts it, “it’s influencer-relationship
management.” Brands need to think
Blutstein herself builds her own brand
equity by association with the brand.
that brands have to be
not only about how to develop and grow
The transition from a transactional to willing to devote significant
through their influencer strategy, but
also about how influencers can grow
a reciprocal model means that brands
have to be willing to devote significant
time and resources to work
with them, representing “a fundamental
change” in traditional marketing.
time and resources to work with today’s with today’s creators, either
creators, either in-house or via an agency.
Recalling the first six months of working Though the costs may seem steep at first, in-house or via an agency.”
with influencer Reese Blutstein, Brigade’s the payoff is worth it. When leveraged as
Max Stein says, “We were very careful a partner, influencers move from product
about the brands that we wanted to endorsers to more substantive brand
work with [to] make sure that they were ambassadors, and can ultimately help
brands that we could develop a significant to shape your brand strategy should
relationship with.” As such, Blutstein you choose.
partnered with brands like Gucci to
How to build these relationships? The
create campaigns that included a street
first steps include executing an effective
style shoot for Vogue.com, a sponsored
influencer outreach strategy, establishing
trip to Italy to promote a fragrance and
an objective-led payment model and
appearances at Milan Fashion Week
negotiating a fair contract for both parties.
with the brand. Thanks to the multi-
01 — Avoid cold calls While you don’t have to know every 03 — Only propose well-matched
project an influencer has completed, collaborations
Begin your influencer outreach by
it’s important to know what their
following and engaging with your targeted Demonstrate that you understand the
profiles are about in general and what
influencers on social channels where you influencer’s aesthetic and tone of voice
kind of partnerships they usually agree
will later want to work with them. Share before reaching out. Fashion writer
to (make it clear you’ve done your
their content, comment on their posts, and influencer Susie Lau, known online
homework in your initial outreach
and like their photos, all of which helps to as Susie Bubble, says while she rarely
message to them).
increase your brand visibility and build an works with beauty brands, she chose
online relationship. The approach at Kate Plus-size micro influencer Lottie to work with luxury French cosmetics
Spade involves following the influencer L’Amour says that she is frequently house Guerlain to promote their “Rouge
to get a feel for what they’re doing, where approached by fashion brands that want G” lipstick because “they are very,
they’re going and the other brands they are to gift her products to feature on her very fashion-oriented, because they’re
working with, then interacting with them Instagram feed but, when asked for their aesthetically like an object,” which
“directly human-to-human,” says Luba. size range, reveal they only extend to ultimately appealed to Lau’s style.
UK size 12 or 14. “I’m a size 24,” she
02 — Personalise your outreach says. “A quick look on my Instagram 04 — Share your goals
will show you that.”
Approaches are far less likely to garner You should have a very specific set of
a response if they are not personalised to And although it may seem obvious, make objectives and KPIs for your influencer
the influencer or agent. “It’s sort of what sure you’re getting the influencer’s real programme. And you should be transparent
I call the ‘get the people’ approach,” says name right, not just their username, with influencers about the nature of them
Man Repeller’s Leandra Medine Cohen. (L’Amour says, “you’d be surprised how from the outset. Man Repeller’s Medine
“A lot of brands don’t actually know or often that does happen”). Cohen always starts brand collaboration
care about the influencer they’re tapping.” conversations by asking for objectives.
businessoffashion.com 18
02: Building Partnerships
“Problem solving for another brand is one their professional qualifications. Agents
have been known to strike through any
The rules of relationship
of my favourite parts of what I do. You
can’t solve the problem if you don’t know mention of the term “influencer” in building, according
what the problem is,” she says. Without contractual agreements and replace it to influencers
this “you’re left to be treated like a show- with “talent” or “ambassador”. Whether
pony,” whereas sharing your goals can be you’re interacting directly with an
“Give me credit for really paying
incredibly revelatory, completely changing influencer or an agent, brands need to
attention to my audience and what
the influencer’s creative capacity. be collaborative, not transactional. This
engages them.”
means not asking for the influencer’s
05 — Make it easy fee upfront without any additional Lyn Slater, @iconaccidental
information. Aimee Song says that it’s 657.6k Instagram followers
Keep your email concise and the
a “turnoff” when a brand she hasn’t
subject line compelling. Influencers
worked with before reaches out and “Brands that are best at tapping the
receive hundreds of emails every day.
asks: “‘Hey, how much do you charge for talent have talent for a specific reason,
For micro influencers working without
x, y and z,’ without really introducing and they’re not trying to fit them in
representation, it can be helpful to share
me to their brand.” Take time to get to a box.”
details of the proposed collaboration
know the person, their preferences and
upfront, to allow them to make quick, Leandra Medine Cohen, @leandramcohen
how they work. “When there’s enough
informed decisions. Ensure that your 808k Instagram followers
respect between parties, that it is truly a
email includes a clear call-to-action
collaboration, and [it’s not] like buying
for next steps. “Communicate clearly what you want,
advertising space in a magazine,” adds
but then also listen.”
Macro influencer Aimee Song blogger, consultant and influencer
(@songofstyle), who has over five Camille Charrière. Tamu McPherson @tamumcpherson
million followers, says that brands she’s 231k followers
not previously worked with can make 08 — Meet in person
their outreach smoother by providing “If you nurture the relationship, both
Before you enter into a contract, brands
a slide deck to assist evaluation. This parties get more out of it.”
and influencers need to understand
might include the brand’s Instagram
each other. “Maybe you have a meeting, Susie Lau @susiebubble
handle, biography and website, in addition
maybe you have a brainstorm,” says 456k Instagram followers
to the reasons why the brand wants
Charrière, who advises on as much face
to partner with her and details of the
time as possible to establish partnership “If it’s just something that I wouldn’t
proposed collaboration.
fit. “You show all the other projects that wear normally, or use normally, then
you’re working on. Maybe you want to I wouldn’t work with them.”
06 — Be transparent
incorporate your other platforms, and if
Aimee Song @songofstyle
If your programme is built on gifting, be you’re someone who really has got other
5.2m Instagram followers
transparent about it. Influencers don’t channels, maybe you want to be doing
want to be told that they will be paid in something they haven’t thought of,” she
“If you invest in them, they will
exposure or product — “you can’t pay says. Higher tier influencers may expect to
over-deliver every time and they
rent with products,” says Pool Creatives’ meet with agents and brand executives to
will invest in you.”
Delphine Del Val. discuss the partnership. The key to making
any creative relationship work, however, is Tina Craig @bagsnob
Do not let fear of consumer opposition to to be willing to compromise. 450,000 Instagram followers
advertising prevent you from following
advertising standards and regulations “The brand has to be able to listen when
to declare the partnership. Not only is you say that something doesn’t work.”
it a legal requirement in most territories,
Camille Charrière @camillecharriere
but consumers do not want to feel like
724,000 Instagram followers
they are being duped. Describing the
collaboration with Leandra Medine
“I appreciate the fact that brands
Cohen, Kate Spade’s Luba says, “I think
value me enough to send me things
that there’s a trust in her followers that
for free, but if it’s not something I’m
if she does partner with someone, even
going to wear I end up donating it…
if it’s very clear that she’s being paid, that
I wish that brands would reach out
she’s made that choice for reasons that
before sending things.”
are true to her and to who she is.”
Isaac Hindin-Miller, @isaaclikes_
07 — Switch transactional 42,200 Instagram followers
relationships for collaborative ones
When working with influencers who have
professional expertise — for example,
stylists, photographers, editors, chefs,
or any number of other creatives — that
extends beyond their digital platforms,
acknowledge that you’d like to highlight
their unique skillset when designing
and pitching a collaboration. In fact,
some creatives are sensitive to the term
“influencer,” expressing that it diminishes
businessoffashion.com 19
02: Building Partnerships
Influencer becomes
Gifted product is the
salesperson rather
only upfront cost Influencer-curated
Commission Reward-style than collaborator
Incentivises influencers Instagram shops
to convert to sales Feels very commercial
to audiences
businessoffashion.com 20
02: Building Partnerships
Understand fees
Brands, influencers and agencies alike agree that the inconsistency of fees
can make influencer marketing feel like the Wild, Wild West. “It’s 50% science,
which probably means it’s 0% science,” says Brigade’s Stein. There is no rate
card or benchmark and, while not willing to reveal exact numbers, industry
sources have told BoF that there can be huge differences between fees paid
to influencers who have profiles of a similar scale and reach. Luckily, there
are a few guiding principles that can help you gauge appropriate remittance
for a fair value exchange when assessing a fee.
businessoffashion.com 21
02: Building Partnerships
Outline the length of time that the partnership will encompass. This varies from one-off to
year-long partnerships, and sometimes longer.
Term Also include the term for retaining partner content on an influencer’s feed, as influencers
may want to remove branded posts after a period of time.
Explain the territory that the contract encompasses. “Online-only worldwide” is common
for digital campaigns.
Territory and usage Usage also includes the platforms on which the assets will live, and any rights for reuse
by the brand. It is recommended that brands secure the right to leverage assets where
possible on paid social and non-social channels.
Negotiate whether you will pay to take the influencer talent out of the market with an
Exclusivity
exclusive arrangement and for which period of time.
Build in at least two layers of approval. This grants brands the right to reject the content
Approval if the creative brief has not been met. Brands will often request final sign-off before
publication of assets if they are paying for their creation.
Detail the payment model, amount and schedule. If using a flat-fee model, it’s
Payment terms recommended that payments are distributed throughout the partnership, such as 50% on
signature, 50% on completion. Payment is normally expected within 30 to 45 days.
Include language that ensures the influencer will responsibly comply with and not violate
Standards compliance
advertising standards and guidelines.
Clearly discern who owns assets. Reach a clear consensus and determine who owns social
IP ownership
content before, during and after campaigns.
Explain how the influencer’s data will be received and used internally by the brand, how it
Data protection
will be kept on record and for how long, in compliance with data protection laws.
Outline protocol if the influencer does not follow through on the contractual agreement,
Termination
including a crisis plan to provide a level of security for the brand’s investment.
businessoffashion.com The contents of this article are for general information purposes only and do not constitute legal advice. Specialist legal advice 22
should be taken in relation to specific circumstances.
02: Building Partnerships
Provide as detailed a creative brief as possible and agree on at least two rounds
Dispute about whether content is on brief
of approval
Influencer doesn’t show up to the Include a termination clause for worst-case scenarios. Arrange a proportion of the fee
agreed event to be paid upon delivery of work
Influencer dislikes the product Consider choosing another partner to avoid inauthenticity
Influencer is inexperienced and lacking Dedicate adequate resources to relationship management and provide as much creative
talent representation and administrative direction as possible
Your budget is at odds with an influencer’s Negotiate and never accept an initial offer. Use tools in your arsenal other than payment
quoted fee to demonstrate value
PR Consulting (PRC) filed a lawsuit PRC claims Sabbat shared just one post Lesson: Ensure that your influencer choice
against model, actor and influencer about Snapchat Spectacles and didn’t is in alignment with your brand and that
Luka Sabbat in October 2018 accusing shoot the photographs in public or return they are actually passionate about sharing
the social media star, who has 1.8 million data for analytics within the stipulated your product with their community.
Instagram followers, of failing to fulfil 24-hour window. The lawsuit claims Structure a level of security into your
a contractual brief to promote Snapchat Sabbat admitted the breach and refused contract by creating a payment model
Spectacles on Instagram in 2018. to reimburse the $45,000 upfront fee. that incentivises compliance; stagger
PRC is seeking $90,000 in damages. payments based on dates or deliverables,
In the filing which PRC made to the
so that payment can be made when a
Supreme Court of New York, it claimed While under-delivery is not uncommon,
brief is fulfilled. Your contract should
that Sabbat agreed to share one Instagram this kind of dispute is normally handled by
also include a termination clause which
feed post and three stories, and specified brands and agencies privately. Not only do
outlines the protocol for an influencer
the location of the photography, the CTA many find litigation to be expensive and
not delivering on your agreement to help
hyperlinks and swipe-up, in addition to the time-consuming, there’s a risk of creating
protect your investment.
review process and schedule for submitting a media storm in response to suing (and
data on comments, reach, likes and views potentially antagonising) an influencer
to PRC. PRC and Sabbat agreed Sabbat with such a large following, which could
would earn $60,000 for the deal, earning be potentially more damaging to the brand
most of the fee upon signature ($45,000, than the loss suffered from under-delivery
75% of the overall contract value). of an influencer’s work.
businessoffashion.com 23
02: Building Partnerships
Negotiation techniques
Payment Structure Understand your budget, business objectives and needs before entering agent or
influencer discussions
Contract Term Understand that acting as an influencer can be a full-time job; offering in-kind
product rather than payment is typically less appropriate in the industry (unless
there is potential for an ongoing relationship or future work)
Compensation Consider the perspectives of both sides — influencers value up-front transparency
from brands on objectives, creative freedom to meet audience expectations and fair
payment, so find compromise
Exclusivity Term Focus on building a long-term relationship rather than getting a one-off deal:
partnerships drive value
Other Levers Don’t just focus the contract negotiation on monetary compensation; consider
other things that may appeal to an influencer, such as creative freedom
Source: Unsplash
businessoffashion.com 24
02: Building Partnerships
Case study:
Benefit Cosmetics
Benefit Cosmetics UK’s
winning gifting strategy
While the beauty space is flooded with high-profile influencers, The goal of the strategy? “Always-on communication,” says
Benefit Cosmetics’ influencer partnerships strategy, rooted Harrison. To measure success of the gifting approach across
in gifting product, has proven successful. According to Tribe Instagram and YouTube, the two social channels Benefit focuses
Dynamics, the brand ranks number five in Earned Media Value on most, the brand measures mentions of a product name in
in the cosmetics segment, generating $565.5 million in EMV comparison with their competitors. The KPI is media exposure
in 2018 (for comparison, Anastasia Beverly Hills, the cosmetics and share of the conversation. “If they’ve listed it in a hashtag,
brand with the top performing EMV, generated just over or just spelled it out, that is a portion of a share of voice,” says
$1 billion during this time, followed by MAC which generated Harrison. With this objective in mind, the brand has found
$722.6 million). that the bigger the influencer and the higher the following,
the quicker they achieve their goals. When it comes to micro
“I would say 95% of our work [with influencers] is on an organic
influencers, Harrison says that “it takes a lot of resources and
basis,” says Annie Harrison, senior PR & influencer manager
budget when we don’t get bigger payback… everything we do
for Benefit Cosmetics in the UK, who leads the brand’s in-house
has to ladder up to achieving our KPIs.”
influencer team, which launched in early 2019.
The strategy seems to be working. The brand’s influencer
Benefit UK’s in-house influencer team is responsible for
marketing budget is up 13% year-over-year, Harrison says,
working with its database of 350 influencers (a roster the
with that money reapportioned from existing PR and digital
brand plans to expand to a minimum of 450 influencers
marketing funds. Its market share and share of voice for brow
by mid-2020) whose followings range from 50,000 to more
products is steadily growing year-on-year, she says, suggesting
than two million. The brand bases its influencer partnerships
that influencer marketing has had a direct impact on the brand’s
strategy primarily around gifting, relationship-building and
success in the brow category.
trips, Harrison explains. Each of its influencers receive new
products as they launch and are invited to brand events, On the paid-for sponsorship side that makes up approximately
some of which are exclusive experiential brand trips for 5% of their influencer marketing output– compared to the other
influencers with highly relevant audiences. For example, 95% dedicated to gifting – the brand contracts “brow heroes”,
in April 2019 the brand took some of the UK’s top beauty influencers from different backgrounds, ethnicities and ages who
influencers, such as Jamie Genevieve (1.2 million Instagram are contracted to post exclusively about Benefit products. The
followers), on a “Hoola Trip” to Holbox Island, Mexico to company plans on expanding their commercial partnerships over
re-promote the existing Hoola franchise and launch new the next few years to facilitate the use of trackable product links,
shade extensions. Influencers shared on their channels that ensure compliance with advertising standards and to safeguard
they were provided a range of Benefit products and took investment with contractual agreements, which they’ve not
part in activities, parties, dinners and more. introduced until now, says Harrison.
Lesson: Despite the movement away from product-as-payment, brands can still generate significant value
from well-executed gifting strategies. This is particularly suited to products that are low-cost and can be gifted
en masse without major cost to the business. The appropriate KPIs are therefore related to the reach of the
marketing message to evaluate mass adoption.
businessoffashion.com
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25
03
Executing
Engaging
Campaigns
businessoffashion.com
03: Executing Engaging Campaigns
There is no set template for the ‘right’ content strategy. Brands should leverage the influencer’s
knowledge of their own audience to determine the content that will resonate, how it should be
delivered and at what cadence.
Reciprocity
Personalised value
generated for the
consumer
Scarcity
Consensus
The uniqueness
Behaviour of other
of the product
similar people
or brand
Influence
Liking
Authority
Similarity between
Credibility of
influencer and
the influencer
consumer
Consistency
Repeated, expected
behaviour
businessoffashion.com 27
03: Executing Engaging Campaigns
Average Posts per Influencer (Jan & Feb Aggregate 2018 vs. 2019) Average Likes per Post (Jan & Feb Aggregate 2018 vs. 2019)
70 7000
60 6000
50 5000
Average Posts
Average Likes
40 4000
30 3000
20 2000
10 1000
0 0
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03: Executing Engaging Campaigns
businessoffashion.com 29
03: Executing Engaging Campaigns
Case study:
Good American
Establishing Good
American’s #GoodSquad
Body inclusivity is at the core of the apparel brand Good the earned media generated by number of posts and engagement
American’s DNA. The brand, which Emma Grede and Khloe rates, alongside site traffic and order numbers. The KPIs
Kardashian founded in 2016, offers sizes 00 through 24 in jeans for each campaign are bespoke, tailored to the focus of the
and athleisure. And its commitment to inclusivity is reflected announcement, time of year and anticipated reaction.
in its influencer marketing strategy.
What’s more, the brand doesn’t heavily dictate the content:
Finding the right partners to market Good American in an “We never write captions for them,” Girdler says. All that
authentic way wasn’t as easy as tapping the usual influencer energy spent cultivating trust with content partners has paid
and model network, says brand director Jamie Girdler. Instead, off: even after an influencer’s contract with the brand has been
the Good American team organised open castings with fans of fulfilled, influencers are still gifted product and usually continue
the brand. “We need to work with a really huge, diverse group to attend Good American events on their own. In turn, the
of women that are going to fairly represent themselves and our influencers continue to post about the brand – without being
customers in our campaign,” Girdler says. contractually obligated – because they are now part of what
Girdler calls the “Good American family.”
The #GoodSquad is now made up of about 100 official brand
ambassadors, from celebrities and curve models to girls from The brand has seen strong growth in return on ad spend
the open castings who are engaged in deals for anywhere compared with other paid channel tactics and monitors the
between three and six months. Instagram is the channel lifetime value of customers acquired through the influencer
where Good American focuses most of its marketing efforts, marketing channel on a continuous basis. Girdler says that the
including frequent round-ups of user-generated content. brand currently dedicates under a quarter of the marketing
The brand measures the success of a campaign by assessing budget to influencer marketing, and that this is set to grow.
Lesson: Carry the values of your brand identity into your influencer strategy and develop a community that
will maximise the power of your brand’s message. While not every brand will have the budget or resources
to dedicate to a community casting, they should ensure that their brand values and target consumer are
represented by their influencers.
businessoffashion.com 30
03: Executing Engaging Campaigns
Source: Unsplash
businessoffashion.com 31
03: Executing Engaging Campaigns
Case study:
MANGO
How prioritising creative
direction over creative control
helps #MangoGirls deliver
The #MangoGirls project began in 2016, having evolved according to the brand, the Mango Girls normally over-deliver.
from an earlier marketing strategy that highlighted “The reason I stayed on a journey with Mango for so
mid-aughts bloggers such as Andy Torres. The concept today long is because we kept on finding new ideas,” says Mango Girl
aims to associate the brand with women whose values and style Camille Charrière, whose partnership with the brand was
align with Mango’s spirit. The brand engages around 25 women renewed season-by-season.
at a time across five continents; ambassadors have included
Mango says the ultimate goal of the project is to expand what
Lucy Williams, Jeanne Damas, Ada Kokosar and Candela
its brand means to consumers, although it’s not just about
Pelizza, to name a few.
telling stories. “We do have KPIs,” the Mango spokesperson
says, adding that, “at the beginning, it was about the numbers,”
The influencers selected to be Mango Girls are chosen for
with emphasis placed on engagement metrics. But as the Mango
their personality, style and vision, in addition to their
Girls partnerships grew, so too did the brand’s community. “We
position in the wider fashion industry. “We don’t normally
have almost 100,000 organic posts by people who want to join
work with influencers that only do influencer jobs,” says
the squad. So this is really something you can measure, and it’s
a spokesperson for the brand. The average Mango Girl has
still growing every month.”
around 200,000 followers.
In order to assess if the #MangoGirls content published on
Mango Girls partner with the brand for a minimum of one
social media channels work, the brand compares an influencer’s
season or six months. They each make a selection of products
posts with their average engagement rates to see if it is above
from the collections on a monthly basis, style them as they
or below the average. In addition to comments and likes, the
wish, then create content in their own voices.
communications team looks at other metrics such as reach,
saves and shares, and click-throughs for links. If the content
A creative brief is shared with any new influencers to the brand,
has been published by media outlets, it also a sign of good
and they then agree on a fixed number of Instagram posts. But,
performance, says a spokesperson for the brand.
Lesson: A truly collaborative partnership works when both parties align on vision and when creative direction is
prioritised over creative control.
businessoffashion.com
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32
04
Measuring
Appropriate
Metrics
businessoffashion.com
04: Measuring Appropriate Metrics
The availability of data and measurement tools has increased alongside a growing appetite to
determine ROI for influencer marketing. But brands can reduce the friction of performance
measurement by selecting metrics that align with objectives.
Source: Unsplash
“No one would have taken Choose reliable metrics Use metrics aligned
one ad in [a publication], Given how much data is available, it’s
to your objectives
waited to see how much easy to try to measure everything.
Brands should first understand the Historically, engagement rates have been
they sold from that most widely used metrics for measuring the most common industry indicator of
success, then focus only on those that a successful influencer campaign. But
ad, and say, ‘We don’t align with their objectives. as influencers increasingly shift to fully
integrated brand partners, lower-level
want to advertise in that Influencer marketing metrics can be
mapped against a digital marketing funnel
metrics on the digital marketing funnel
magazine any more’” framework (see page 10). The widest
are becoming the industry focus.
metric at the top of the funnel is “Audience Justin Rezvani, founder of theAmplify
Max Stein Reach,” which is usually used to measure says that, “on the brand level, it’s always
awareness, and the deepest-level metric driving towards that last funnel metric,
is “Conversion,” regularly used to which is your customer acquisition cost.”
measure sales. He emphasises that influencers play a dual
role in that they attract new customers
While audience reach indicates the full
while also increasing long-term value
“potential reach” of a campaign through
for brands.
the total follower count of influencers,
that number is not indicative of the Understanding the business goals and
actual campaign reach. As Man Repeller’s influencer campaign objectives will
Medine Cohen says, “If I am averaging directly inform which metrics to track.
between 20,000 and 40,000 likes on If a brand is trying to build global brand
a photo, and on average between 150,000 awareness, for example, audience reach
and 250,000 people are seeing each and impressions will be most relevant to
of those photos, that’s still quite measure. Should the objectives of your
a discrepancy between that number and influencer marketing campaign change
the 800,000 that’s at the top of the page.” over time, you should also adjust your
As such, brands should evaluate audience selected metrics accordingly.
reach against other metrics as well as
qualitative measures.
businessoffashion.com 34
04: Measuring Appropriate Metrics
Metric Overview
• The full “potential reach” a post can get, calculated on the audience of the channel
where the post was published (for an Instagram post, this is the influencer’s full
follower count)
Audience Reach • If the aim is to gain brand awareness or promote content to as many people as
possible, celebrity or macro influencer reach is highest
• This is effective for awareness but can be much more difficult to measure ROI
• Generally, the wider the reach, the more expensive the campaign will be
• Comments, likes and shares on the relevant platform; this can also include
retweeting or pinning on Twitter and Pinterest.
• Users show their interest through various engagement behaviours; shares and
comments show more engagement than a “like,” which requires less effort
• Shares are the highest form of engagement, indicating a reader sees enough value
Engagement in content to share with their community
• An influencer with higher engagement from their audience is much more valuable
to brands
• Comments can also be valuable for sentiment analysis, which measures
overall customer attitudes towards the brand based on the content and tone
of customer commentary
• Response to a call to action that may span beyond just sales as a target
(e.g. newsletter sign-ups)
• ROI can be measured easily with a simple calculation: sale price per item multiplied
Conversion
by the number of extra items sold minus the cost of campaign
• If you are measuring something other than sales as a conversion, you should assign a
monetary value to each conversion
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04: Measuring Appropriate Metrics
Source: Unsplash
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04: Measuring Appropriate Metrics
Source: Unsplash
“At some point, scale 01 — Audience reach Brands will also need to make a transition
from mid-tier to macro influencers to
becomes a challenge if Audience reach widely varies depending
on the number and type of influencers
scale up impressions. “At some point,
scale becomes a challenge if you don’t
you don’t have the larger engaged, so think about the target
have the larger influencers. You can’t hit
consumer market the business is trying
influencers. You can’t hit to reach and compare the total potential
the impression and media threshold that
you need if you don’t use someone that
reach of the campaign against the total
the impression and media potential target market in your industry.
has a little bit of ‘umph’, ensuring that
the audience is correct,” says founder of
threshold that you need 02 — Impressions
theAmplify Justin Rezvani.
if you don’t use someone Like audience reach, the number of 03 — Engagement
that has a little bit of impressions a campaign achieves depends
on the scale of influencers engaged. On
Campaigns that have low audience reach
but high engagement rates are still
‘umph’, ensuring that the average, campaigns with impression rates
effective, as your content is driving real
above 3% are considered successful. And
audience is correct” while “cost per thousand” impressions,
consumer interaction. Benefit Cosmetics’
Harrison suggests benchmarking
or CPM, is a common digital marketing
Justin Rezvani engagement for influencers and the
metric for budgeting, there is no one
campaign overall. For Benefit Cosmetics,
single influencer rate card for the cost
“anything 3% upwards is good engagement.”
of impressions generated.
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04: Measuring Appropriate Metrics
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04: Measuring Appropriate Metrics
businessoffashion.com 39
Conclusion
The insights laid out in this Playbook should serve as the starting point in maximising
your influencer strategy. While creating effective influencer marketing involves
resources and a sustained commitment, influencers can be key brand partners in
forging a path towards deeper customer relationships and brand stories.
We can distil the learnings in this Playbook down into five key principles:
01 —
Base your influencer strategy around your understanding of the
consumer, your market, the message you want to convey and the
desired outcomes.
02 —
Invest in finding the right influencers; focus on alignment to your
brand and objectives rather than follower numbers.
03 —
Forge genuinely reciprocal relationships with your influencers
and engage in 360-degree integration.
04 —
Trust your influencers to understand their market; relinquish the
creative reins while making your objectives clear.
05 —
Establish your objectives and metrics in advance and monitor
throughout and after campaigns.
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05
Appendix
businessoffashion.com
Appendix
Earned
Media
Affiliations,
ambassadorship, Product collaboration
sponsored content Paid Shared Collaborating on and
Exchanging money for Media Media amplifying through
distribution of owned ads shared channels
or creative content
Owned
Media
Amplification
Distributing owned brand media
Occupation: Motivations:
Interests:
businessoffashion.com 42
Appendix
LOW HIGH
Reach
Sales power
Engagement power
Affordability
Experience
Ease of contact
Specificity of audience
Plot influencer selections onto this scale to evaluate their profile in line with your campaign objectives.
businessoffashion.com 43
Appendix
Campaign Name:
Description:
Platforms:
Key Objectives:
Product Name:
Tone of Voice:
Design Elements:
Location:
Required Hashtag(s):
Regulation
Requirements:
Styling
Recommendations:
Things to Avoid:
Brand Guidelines:
businessoffashion.com 44
Appendix
Gain additional
Sign-ups
subscribers to service
Advantages Disadvantages
The most popular platform for brand content strategies. As Instagram posts are the most common form of
An influencer posts a sponsored photo and caption on brand content, single posts can get lost in the noise and
Instagram Post Instagram featuring the brand – the brand can later reshare remain unseen.
or repurpose content based on agreed-upon terms. Less authentic feel – sponsored posts are common.
Video content – popular for a vlogger who can demonstrate Ineffective for non-product-based partnerships or
or show a product. Historically, most popular for make-up brands that do not have a video-friendly product.
YouTube or demonstrating clothing quality. Strong engagement Videos take quite a bit of work and therefore tend
from followers. to cost more than posting.
Twitter Post Very short and to the point – typically text-based. Less popular; Twitter engagement is lower.
businessoffashion.com 45
Appendix
businessoffashion.com 46
Further reading
BoF Education Courses
BoF Sources
Other Sources
Activate Marketing (2019). Double or Nothing: Betting Big on Influencer Marketing. Retrieved from: https://try.activate.social/
double-or-nothing-betting-big-on-influencer-marketing
AdWeek. (2016). Influencer marketing hit the mainstream in 2016. Retrieved from http://www.adweek.com/digital/influencer-
marketinghit-the-mainstream-in-2016-report/
Augustine, K. (2019). 1/5th of American Consumers Have Made a Purchase Based on an Influencer. Retrieved from CivicScience:
https://civicscience.com/1-5th-of-american-consumers-have-made-a-purchase-based-on-an-influencer/
Business Insider. (2018). The Influencer Marketing Report: Research, strategy & platforms for leveraging social media influencers.
Retrieved from: https://www.businessinsider.com/the-influencer-marketing-report-2018-1?r=UK&IR=T
Cialdini, R. (1984). Influence: The Psychology of Persuasion. Melbourne: Business Library.
businessoffashion.com 47
Further Reading
eMarketer. (2018). eMarketer Releases New Global Media Ad Spending Estimates. Retrieved from eMarketer: https://www.
emarketer.com/content/emarketer-total-media-ad-spending-worldwide-will-rise-7-4-in-2018
Erdogan, B. Z. (1999). Celebrity endorsement: A literature review. Journal of Marketing Management, 15(4), pp. 291–314.
Feick, L. F., & Price, L. L. (1987). The market maven: A diffuser of marketplace information. The Journal of Marketing, pp. 83–97.
Freberg, K., Graham, K., McGaughey, K., & Freberg, L. A. (2011). Who are the social media influencers? A study of public perceptions
of personality. Public Relations Review, 37(1), 90-92. doi:10.1016/j. Pubrev.2010.11.001.
Gartner. (2018). Luxury China: Influencers. Gartner.
Gladwell, M. (2002). The Tipping Point. Boston: Back Bay Books.
Hootsuite. (2019). The global state of digital in 2019. Retrieved from: https://hootsuite.com/en-gb/resources/digital-in-2019
Hume, J. (2018, August). State of Luxury Resale: Midyear 2018. Retrieved from The RealReal: https://realstyle.therealreal.
com/2018-fashion-resale-consignment-trends-millennials-sneakers/
InfluencerDB. (2018). Report: state of the influencer marketing industry. Retrieved from: http://info.influencerdb.com/state-of-
influencer-marketing-industry-report.
Katz, E., & Lazarsfeld, P. F. (1955). Personal influence: The part played by people in the flow of mass communications. New York:
Free Press.
Katz, E. (1957). The two-step flow of communication: An up-to-date report on an hypothesis. Public Opinion Quarterly, 21(1), pp.
61–78.
Kantar Millward Borwn. (2017). AdReaction: Engaging X, Y and Z. Kantar Millward Brown.
Lee, M., & Yuon, S. (2009). Electronic Word of Mouth (eWOM). International Journal of Advertising, 28(3), 473-499.
Mediakix. (2017). 93% of top celebrity social media endorsements violate FTC guidelines. Retrieved from Mediakix: http://mediakix.
com/2017/05/celebrity-social-media-endorsements-violate-ftc-instagram/#gs.7bh1rq
Mediakix. (2017). Instagram bots: how fake followers are impacting social media marketing. Retrieved from Mediakix: http://
mediakix.com/2017/05/instagram-bots-guide-what-marketers-should-know/#gs.7avdnn
Ohanian, R. (1990). Construction and validation of a scale to measure celebrity endorsers’ perceived expertise, trustworthiness, and
attractiveness. Journal of Advertising, 19(3), pp. 39–52.
Retail Dive. (2017). Study: Instagram influences almost 75% of user purchase decisions. Retrieved from: https://www.retaildive.
com/news/study-instagram-influences-almost-75-of-user-purchase-decisions/503336/
Watts, D. & Peretti, J. (2017). Viral marketing for the real world. Retrieved from: https://hbr.org/2007/05/viral-marketing-for-the-
real-world
Williams, R. (2016). The influencer economy. Los Angeles: Ryno Lab.
businessoffashion.com 48
Attributions and
Industry Sources
• Aimee Song, writer and influencer @songofstyle
• Ali Bird, director of The Wall Group
• Annie Harrison, senior PR and influencer manager at Benefit Cosmetics UK
• Camille Charrière, journalist, consultant and influencer @camillecharriere
• Charlotte Alexa, agent at Streeters Creative Management and Representation
• Conor Begley, co-founder and president of Tribe Dynamics
• Delphine Del Val, founder of Pool Creatives
• Drew Elliott, creative director of Paper magazine
• Hannah Løffler Schmidt, co-founder and managing director of Social Zoo
• Isaac Hindin-Miller, DJ and content creator @isaaclikes_
• Jamie Girdler, brand director of Good American
• Justin Rezvani, founder of theAmplify, Forbes 30 under 30 in marketing and advertising
• Lalena Luba, VP of global public relations for Kate Spade New York
• Leandra Medine Cohen, founder of Man Repeller and influencer @leandramcohen
• Lottie L’Amour , writer and influencer @lottielamour
• Lyn Slater, college professor and influencer @iconaccidental
• Mango, PR team
• Max Stein, founder and CEO of Brigade Talent
• Nicolaj Reffstrup, co-founder of Ganni
• Raina Penchansky, co-founder and chief executive of Digital Brand Architects
• Susie Lau, writer and influencer @susiebubble
• Tamu McPherson, photographer, editor and influencer @tamumcpherson
• Tina Craig, founder of Estate Five and influencer @bagsnob
Special Thanks
Sophie Agar; Alice Scholes; Suri Singh, Founder of Repeat Agency; Liesa Stecher.
businessoffashion.com 49
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