! ". .-:::n =r::::ses s:ih tLe d:ffere:: artic jla:ic:s a:cc:C:::g to tLe azlr4piis ltr artlcuttllton.s.

E d:*:: -: ::--:--: ---- r.t?t c,;:Citioi. relas:ng ard co::tracting the torg.re sith the muscles of the lips,
&--s- ::-*- a :-: :-:i: -is:les -r the san:le manner,so that the s-hole macln'ne,the lips,tongue and
:l:,- ;':i:: -- -i-.r-:- P-:.,--:-{ throuqh Group Oru shouTd takeabout four monutes. Rest afew moments
T-j,. allous the different rnuscles of the mac/dne to become active andelastic,
d tfte tilmd to circulate through the 1ips, which keeps them fresh and responsive.

GROUP TWO
tr rmld uot adrise practice of this second group unless you have an excellent embouchure ard
a piay th higbs notes with*ase, and without strain of any kind. Remember you want ta build
rt y,sg rgr'Jj*e ,oot to destroy it by tiring the different muscles, and numbing the lips.

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?-=r-:ng each of these five exercises (in Groult ?wo) according to the specified metronome
:=-::. iour times in one breath, should take about three minutes, or seven minutes forthetx'o

-{:':er I had practiced these exercises daily for six months,very carefully and correctly, I aug-
=::,:e1 Groult Two,five more steps, playing inDh,D,Eb,E and F,each four times in one breath.
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