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  • Impressii Ostinato: R. Bacalu Ben - Espress

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    Mstislav Tihoneac
    12 views2 pages
    This musical composition is titled "Impressii Ostinato" by R. Bacalu. It consists of a repeating ostinato pattern in the left hand throughout the piece, over which melodic material is played in the right hand. Dynamic markings and other instructions are provided to guide expression and pacing.

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    Original Title

    Impressii Ostinato

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    This musical composition is titled "Impressii Ostinato" by R. Bacalu. It consists of a repeating ostinato pattern in the left hand throughout the piece, over which melodic material is played in the right hand. Dynamic markings and other instructions are provided to guide expression and pacing.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    12 views2 pages

    Impressii Ostinato: R. Bacalu Ben - Espress

    Uploaded by

    Mstislav Tihoneac
    This musical composition is titled "Impressii Ostinato" by R. Bacalu. It consists of a repeating ostinato pattern in the left hand throughout the piece, over which melodic material is played in the right hand. Dynamic markings and other instructions are provided to guide expression and pacing.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Impressii

    Ostinato

      
    R. Bacalu

           
             
     = 58

         
    ben.espress

     
    simile

     
      

                  
            
    11


      
    16

        
              
    decresc.poco a poco


       
               
               
           
    19

                
    poco 

                       


    quasi improvv.
    22

                       
                 

    29


        
                
      

          
    32

          
        
    decresc. poco a poco

                     
                
    34

     
    

      
                 simile
         
                        
    piu mosso 100
    38

                  
       

                          
        

     

    46
                        
     
    2

      
    end frull.

                   
     
    52
    frull.

       

       
                           
     
    gliss

         
                 
    61 simile

     
      

     
                
                        
    67

        
         

    
                        
                 
               
    76

     
     
     

        

    83

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