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  • Rondo

    Uploaded by

    Juan Peña Garcia
    5 views3 pages
    The document is a musical score for a rondo composition. It contains multiple sections with variations in instrumentation. The score uses musical notation symbols to indicate elements like tempo, dynamics, rhythm, and instrumentation for the different parts. It directs a piano, double bass, and cello through the piece in rounds that repeat with variations.

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    rondo

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    The document is a musical score for a rondo composition. It contains multiple sections with variations in instrumentation. The score uses musical notation symbols to indicate elements like tempo, dynamics, rhythm, and instrumentation for the different parts. It directs a piano, double bass, and cello through the piece in rounds that repeat with variations.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    5 views3 pages

    Rondo

    Uploaded by

    Juan Peña Garcia
    The document is a musical score for a rondo composition. It contains multiple sections with variations in instrumentation. The score uses musical notation symbols to indicate elements like tempo, dynamics, rhythm, and instrumentation for the different parts. It directs a piano, double bass, and cello through the piece in rounds that repeat with variations.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 3

    rondo

      
             
     
    Lento

     

                     
    cresc.

    
    Piano


        
    

         
    Contrabajo

           
    Violonchelo   

        
          
    3


    3 3 3

           
    2

               
                    
       
      
    Pno.

        
    
     

     
             
    Cb.

         
    Vc. 

               
    3 3 3 3

        
    4

               
           
       
      
    Pno.

       
    

           
    Cb.

          
    Vc.        
    3 3 3 3
     
       
                         
     3  3
    6

         
        
          
    3

     
    Pno. 3

        
    
       
             
    Cb.

              
    Vc.      3
    3 3 3

      
       
       
      
     
         
    8

      
          
    3 3 3 3

        
    Pno.

      
    Cb. 

         
       

    Vc.


            
     
         
    9

                
     
      
     
    Pno.

      
    

       
        
    Cb.

         
    Vc. 
    3 3 3 3

    2
                 
     
    10

              
                  
     
    Pno.

               
    

    Cb.

                 
    Vc. 

     
      
                 
    19

                    
    
    Pno.

                       
    Cb.  

                     
    Vc.  

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