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  • "Su Sonrisa": Una Composicion Desde Los Pies Hasta El Alma 130

    Uploaded by

    Ale Mendez
    16 views2 pages
    This musical composition is titled "Su' sonrisa" and is written for solo flute. It was composed by Giovani Andrei and contains musical notation throughout, including tempo, notes, and dynamics. The piece is through-composed from beginning to end without repeating sections.

    Original Description:

    Original Title

    Su_sonrisa (1)

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    © © All Rights Reserved

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    This musical composition is titled "Su' sonrisa" and is written for solo flute. It was composed by Giovani Andrei and contains musical notation throughout, including tempo, notes, and dynamics. The piece is through-composed from beginning to end without repeating sections.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    16 views2 pages

    "Su Sonrisa": Una Composicion Desde Los Pies Hasta El Alma 130

    Uploaded by

    Ale Mendez
    This musical composition is titled "Su' sonrisa" and is written for solo flute. It was composed by Giovani Andrei and contains musical notation throughout, including tempo, notes, and dynamics. The piece is through-composed from beginning to end without repeating sections.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    "Su

    sonrisa"
    Una composicion desde
    Obra para Compositor:
    Flauta Traversa los pies hasta el alma Giovani Andrei

                         


          
     = 130

                                  
           
    10

                                         
             
    19

                                 
                   
    26

      
                                         
     

    33

      
      
                                     

    41

      

                     
                        
    48

      
      
                                          
     
    56

       

                             


        
    65

       
                            
    75

      

    Giovani Andrei
                   
    2

                   
    84

                  


                         
    91

      

              
                               

    98

     

     

                                         

    106

     

        
                    
                      
    114

     

         
                                    
    123

        

                                            
          
    132

       

         
                                    

    141

       

     
                                  
      
    150

      

    Giovani Andrei

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