THEINDUSTRIAL REVOLUTION connesspon,
Se REVOLUTION reo
LSIMPACT ON ARCHITECTURE, .
{piistializaion burdened Architecture with teehneal deme likes wi
Aeeproof structures, heating, and. ventilating,
caiculstions beyond the knowledge
‘twstures seemed unworthy ofan Architect's Artistic Sensiblty,
ide span bridges,
red lot of mathematical
1.GIMPACT ON ACADEMICS —
haa kettle was osaized and a ingore competion: The French
toy eae Ws whee te inate wins wr sent ran nde oe at
formulated in the Ist of pret teacher like Jaeger Geran eon
reach Revlon red with he Acdeny of Aled Sedo
ceo! nas fomded to tain EiGincers EeleFuviomeres eet
nition to the importance ef moder Ci tan only formal
re, cist inthe es with emphasis on deg achetue san A toe
Structural innovations were made possible by the use of metal also led tinercased use of
‘acta in construction, Brieks&Timber were produced industrial. ~
C2i iron columns were used for compression replaced wooden posand Wroug
as used in beams for its high tensile strength,
Cast iron and Wrought iron took over a fire resistant roofing materia.
GLASS (instead of cited papers) became popular for windows panes
ise of Industrial Architecture; Demand for new types of buildings to meet sew secio-
noms nezds: Temple forms were too inflexible an envelope to contain the complicated
Functions ofa bani: or a goverment bu
Introduction of modem hinged&stiding windows.
R.C.C.1- Modern Revival of Conerete by th
bene. and es
on vw building programs,
Ligh ansparent Glas topped eazopy re nse
Barrel vault was preferred for punning commercial scade or covers stooping
[Lame go Independent economie vals
Development in Steet
replaced est fe snd roi to fr hig compres ad seals anand
much cheaper to produc
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Chapter §: BAUHAUS (German verb for "build") Architecture Hot
Boul
SAHISTORY Stavd|reher 12
Hiches Bauhaus, an art and architecture schooler Gerainy (191971933) jy
St 9eos
|e Aen co deig tit developed and taught became on of hemos inetd
in Modernist architecture! Bauhaus in Germany can be taken as one of the foremost
ural moveTnent that successfully catered the modern requirements.
fit ito the modern
ies into the ideals formed dating the midale ages by
Kin end Kilene
Founded by Walter Gropius merging the Weimar School of Arts and Crafts and the
Weimar Academy of Fine Arts, with the in
school, crafis school and academy of arts, The Baha
ntion of ereating 2 combined architecture
ifferent
9 -1928),
30-1933)
znd polities. Most ofthe contents of the workshops had been sold ofT during Woelé War I ts
ime that the “ultimate aim of all er ctivity ng”. And it
manif
+ Design inaovations asso drops
snd functionality, and the idea that mi
radically simplified forms, the
le. In 1907, AEG
n work forthe C
ioe Behrens as aristic
design. pbc
rated art and m
essellseha?)
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C rntects ofthe formative devades 0
TL jematured into moderns
—derraming of the international ste wasyasone theta
“continental jMentity, The desig solutions were indiffereat to |
Stle dominated prog
ually refer 1 the buildings and
before World War IL After World War
sigh wel inthe 19605
Madernism; The Modernist Movers
idea that “madiional” forms of at i
sas rooted i
Tie had beso
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eplance of We auto
ofthe future
juplification, hou
TUS architects of the sae period
the work of Louis Suiivan in Ci
af Leving taht
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13.4 PRETEXT
constructional patter
caderlying purpose
ture lourished in the Malla period, in 3 comp:
peach other. While varians ofthe p
syed Siithara styte. Buildings were most
linked by similarity of
sive variety of architectural styles, all
pier by thei ——
5 infegrated into a homogeneous COMP
ye an eX
=
itive environment with dif
Archie!
le are predominant, there
ences were b planning.
posts and beams,
wooden
Sun burnt and Kiln oF
was an extensive use of B:
the 19" Century
in the Neo-el
‘ging, mosily pala
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Kumar Narsingh Rana 2
432 CONTENT
Modern Are
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