GIS ESS H148)(1994) Ol & H pp. 107-136 J.S.Bach9] "232 2, yeRt FUSS Sao] de AF A Study of Performance Practice for the Ornaments in the "French Suites of J.S.Bach ee Abstract ‘This study has attempted to deal with the ornaments in the music of J.8.Bach who was the representative composer of the Baroque era when the oranaments indicated by signs were very much used. ‘This study especially concerns the performance practice of all the ornaments which occur in “the French Suite’ which is one of the most favorite repertoire for the piano performers. In order to express this great music closely to Bach’s own intention, the performer is keenly required to render the necessary ornaments properly because the ornaments in the Baroque music had a definite expressive function as a means of conveying affections. The ornaments in the Baroque period should, at least, retain something distinctive in comparison with those of earlier and later periods ‘They should be expressed closely to the characteristics and styles of Baroque ornaments. Today, the majority of players of Bach’s music still play the appoggiaturas short and before the beat, and habitually begin trills on the main notes. Such a way of execution would damage the composer’s intention and the inspiration of his music as well as the Baroque characteristics. ‘Therefore, a performer who plays Bach’s music must study of Bach's contemporaries and historical evidence. With these background and his own musical judgement, a player should deduce the most convincing interpretation by considering characteristics of his ornaments and the context to which the ornaments belong. > mageta} am 0 —107-2 HalettD ESE 1481994) 1. Al = Seppo Qed FSS UWAlee Gss] ais BPs} Uep.Y Ra, AALS AFA] SH Wize TWH 4, FUSe] Asien a He FUE Ala, PY G0) FEZ Aelal PYSY Selch o] YS Wa Aye ea Ade] AHA Atal A Aas vey) (Johann Sebastian Bach)2] @ Stel 7122 #44 Sl FYGES S UE AYS Soh] aay ASAch. Fs] Sat olds] moh Asad a Fae 72] V7} SHsta AF VE vps] 'HYA ZF (French Suite) of Eh Le FYSES WPA UTS seh PEA, EY ves Ale] 24 zo cy rho] AM + ee AF} @ aeltel] AAS Fa ad. 44) wey EYA £Fe] YLE GR BHAA FYSSS vb] Mls 29) AES] IE o) cl 7b BS] AAAS BBS Ads] SYS Be WAS feat UT al oleh. ube} Beto] of fz} vee Ads] Ge Aa7}Se PUSS clei) 71eR E “IAL, Sets] Ye AG Mechs ches] PYSS AS A. | o] HAT & des] Bae ave] od, dee Agee adad BU pdsesd AS JQl7] Aol ol JH] PHYS] SAYS Suse ape}. TYo|e Bs} ato} AMS] Ne) Te aalyel ae AS] Wala] Sa ae. ayBR RUPE ya Ad] HIS Ae AIS HES] sate] 1847] Axe Fetell HYLS2] 7] SS0] Pa) HAVE 7tS Stel BSS Fay Robmay, vb ats} He Aloe) abso] GALE PASS BW] ash wbspyb LOM AM ojaed ale] oh Ya) g se] =¥t Bps}(Wilhelm Friedmann Bach)% 7}=4] 1) Apel, Willi, Havard Dictionary of Music, P.629~633 2) ube] 7h ailC We KBE Serbs] Bol Massie. we des “vps ea = ub JHE Ala] SHAs2z first name initialS Wek St}. 2e DAME WALLS Mehr] Ma IS Bach(2et AMAce vss eel “sh ye 7st = 108-J.S.Bach9| "YA 23,01 UE PHS SYol We Aes 7| AA PASS AASelr}A]2(Explicationole FYS ERS »}s}2] FAS | aol Te BAB Asked. YA 7ALS ws} zis] FYSS] PWS BIDE WV wp} 22] Sto] ASA GE FL FY 7]Ese] o] EE ol Ues|A) Sar glel ol Sel HR HAYS AS cf Lolstz|7} Ge}. | ase] Alte Utd Ue FUSSI4S 250] Al Ne Sy BIAE (context) 9} alge] UES Hel A7] Wee] Ae 71Z9] Fase] Ab Ye S425] Gl ALS AS FE ULES AIA FS AAaE ve 2 Ese] A7] Fez Ach. cet ps} apie] aa S SHe|BS 2KAo} Male WAUME UNS AE AS sds FYSs) Haya zaoe we Be YS ASE AR AE AMIE SYA. AHS vets] FUSS F 4 ASADD vss] IE] IEF Sad SURE BSE FUE 1S E S8t Wp) ZASS BS $4 SHALES B44 dts + Mel Ge 4S HSS 4 PUSSY NESS BAFT, Head FRE me} = dA UH ARES BAZ vs yelsul Agee. aely Fs] By A SSS a pe aed Ss, PWS] dee SS ase We TVS que wIsD AVS Stet. SUM PYsel4y Hse] NSU Useolt Sa SE} 4] Gee APE 29 AS Fase] Gell ole] Ta FHS Bol Fal 2 aAAee Se Alte. BE A272] He 7]Sol da UUs 2 FS Al AHIAL4, VS SE SHAE} PepIY 2 A, a rte} ao] Aat Ty & Boy FRA wbsts] Pa sel| HE YS Taba Uget 1. Hea Alqe] Pass Fag ubs}e] ose] #7] wea Aq] asettel # WY ara Bst(C. P. E. Bach)= 29 AAA a] s2] SAA} Hal pss} Ae] wets get. “2H2 $2 141FzD BUA He 229} AMES ¥eltr} USl S42 S 3) Eas] FU] AD Me] $4 2A, 4, ASA. ASA, HA So] A RWS B gaee ¢, 4) Essay on the true art of playing Keyboard instruments.. p.79 -109-4 caches Eee M14g(1994) A LEz Helo] FAIS WAY Sct. Sets] EYL aso} a 4 US FH acd: @ 489] Ste Gz), Sda Be 2d yet Wyss BVA Fe} AAG ws AVS telSch. HISSS FAA Ast VIZ SHd AFS At 7S AST. FYS Mele 7d Hes WEE Ses] Fez a) #40 Esp} ges 7 Ve WSs Sel] aeh."ew see] wea AA] lela FUSS Tees] Aaa ate] od ays Agdse Tt Fle A AWA BS sk 715) ASS YS, 2e]r sol] SVS Wat. ] VE FAD FUSS HRS Aldo] gel SE Ha SetHeel Sala ave) ah) Ae se] tet. S8) UbstS] Bel (1685~1750) Fekel71= Me 1771S} 184 Auto} o]2| Ao] AVS SFA, 1a ARS Mea BS YFHol VL ols Bt Rat PISS SS AAS MG gle] ATES Medd wea Seb 3) adel yeaa Stes Sal esis PHVA AED lol ct. 22 7| H. $9) Age] Wate} ups} aldol) gheiay etus) 71S B4) lass] ee Uste] S2z H7i Ate At7} Vk. o] HVA SHE SE FUSS 72S PEGs B71 4 Beye] WYslo] PE SAA A, BE we AS vba} JER we) WE HE sal AS] We, AYES vps] Sees Asp aFet7] Malate ssp 2] e7t ASA] SES het UV AY WE TVS Abele D Aofeh. a] sq gh ttebed obs} able] ae tert 7h UA7} WS Bela, 2 He 9] al ah} etal vbs}(Anna Magdalena Bach)7} &21 a7} alsldel Ue ele. ee 22] Aa azht ese] SA AL ASE els] Bee] Y & UD, FAM Asol UNS FE Wl o]S Hysol M3zb ol Sat & 1 Be Uae FBS Bee Mal Als|Yo] geet watch. wbs}s) z}alety. EE 29] Helo] AKG HBSS FI Hegel aAs]eo} Ne AoE aah] y. o)S USS AH se] eS Bae Hele) BG. Peters. Bischoff. Urtext 22]2 Henle $2 Uae (HUM) oe} Be] Sch. o] UA Ss bse} ag de, HE 2] Helo] SA AS 4M, HE stat Als]gs Apes wat ap IA 4k, F3] VA Melia ABR aAsel zl che BS Serb S/H -110-J-S.Bach9| ‘HRA 23,0 UE! FAB Seo Be IFS Rad queue a slags} WAS Mae AL sada}. Feldepas Be Sv Met] SS SPB YO, tele} SEG Wyse] ety Gaz. et FUSS SE GE BH7} SSI. WBS Rule Hes VED APAMS UrtextUaes LAS Haat Set SHAS Abeta WV. AASe Aloo] Yet FYB ZYA ZH] YEE FAS ZS AAR AALS vbs}7} 29] obs Vals SET vbss Hal ay SS Fs Et}, 6] ERE 184/719] HE Aa7}+H2| FUYS Ao} haps FUSS Sead SqAE: gid] VEdoe dey ous hae ae ze] Hale}. Selep= eae zj4jels| FAN ARE BYR, 2 Ase] Pla] WA ulolde wbsbs] Sete} gleyay Ve] s zee US FRE ype] “Asal aye” o]e Fe) ge] Eker} o] ERE v}s}9] e477] FUSSY ZS VIED ao} He Ses} a FY] de He w lez deh. Ae ple Hae Bol wep 25 CARs Ud ER ME Wow Fely Sao eae aol 42] al alatol eh ~l1-6 AD Eee M148(1994) 9] SHA AS SLL Wal AS] Ao]z) sr ge}, aejBwe pga se Sats} & Mal AAaoe F$sla Ve BIS SS vbpe] Fskct. 1, Trillo: eat a2 £4 (Trill) 2. Mordant: ¥281=(Mordent) 3. Trillo und Mordant: $8 @a 21 Ea (Long trill with termination) 4, Cadence: && (Turn) 5. Doppelt-Cadence: 9] 77] #& & FYe ta 21 =a (Long trill with ascending prefix) 6. idem: SUVS “I Wepre Kel eo]AS “ob 77] He BPW gal 2 £@"(Long trill with descending prefix) #++ 7. Doppelt cadence und Mordant: 9 7] #2 & ¥UG3} Sa 2) 1 122 (Long trill with ascending prefix and termination) 8. idem: Holz “H9} Ap Kel} Olas “ok 7b] He S PNG S Ag Ga 2 £4 (Long trill with descending prefix and termination) 9. Accent Steigend: #77] &7#31-4(Ascending appoggiatura) 10. Accent Fallend: e}7}7] &J-2(Descending appoggiatura) 11. Accent und Mordant: #177] 27345} 2218 (Ascending appoggiatura and mordent) 12. Accent und Trillo: °i7}] s*I-25} £U (Descending appoggiatura and trill) 13. idem: No.123} $U% a4 -112-J.S.Bach9| "HEA Hol YEKt Pagel Feol A AF 7 °}2 M1 4]2(Arpeggio) ob=2]o+#2}6)(Appoggiatura: 3¢4]-2) tf 41 2295 (Longer mordent) ae £8 £e 2 EU(Trill or long trill) A240] = (slide) se]7}7] et=zle}-F2}(Appoggiatura moving by skip) Rye i Al ct=zle+-Fet(double appoggiatura) e182] FUSS) SS 4, AAS Sopp Sea 2zalq Aesialel 71 SE JoE vst] GE AUetoly Fs] = Ge 71SS0] yey god EyA 2502 79] WHE AME Brod age] des WHE. V. FUSS] ZZ Wet AAs RE a. 2A (Trill) o] FYSS EFI UE FE US AY ESS FES] AST ads 5 So] PLSH oFe] ach. o] ESSE WHILE Bde] Sal NE BAAD (passage)2] MME] G7] HE US EWS A FSS Baad. dds = 6) ol FAs] AreaS AA~AFe|FHAIS| No.9 No.10% sy] Bays See Als Ber. Fas] Ane] S Ge b¥AoyFeo] Guyxoes wz Sa (lse)ao] B 3g0] Git}. W.Emery # Bach’s Ornaments, 71% 2%, p.792 32%. 7) 29] SHo] Asia Ve @ BH -113-8 ACD eee M148 (1994) a 71S MS 4 obete VAR “b’ (flat WSHY Eel “#" (sharp WHS a H)e) #7151] US We Valal ESSA] WS welt wse SeFeer Ut Abel7 to] 2 + st Wee] UELS A FE Ae}. HAS] ASL GH a} SA) ach. lad FNS WE Hea YS) Hafele}. ws Fesho] west Ale] EQS Sa PF AES aAsspae AL|7} Asellal 4]4pspe} sy AAU Se ASN SS SAH Ad. SYS PS SF 7b We] ole MPVs FQM Belch. aaj Ps FAT EUS WGA AFA Als ag AS US wel Hel spal7} eet 259) Kio Ta TIS BVS 1. TSA Al4b VS zlal7t? (4)4p Pleo] BUH Hi ARS 7a lal 7k?) 2. Fs JES] e712 Y Al}? 3, Geb} Pel ASA Alel7t? (SSe] He] FS RAB WB Aart?) 4, Vga) S23 ale wel? $2] de] Lalo) Pas] Al ep HSS Aasepalea) wise} le ze S SMa) Be 71SES vsletel eh, AAS] So] EPH 1371S) HYG SS SrA BAS] 1S) S ahr} | | Beye] ue} RE ae AX Bqsrp, bow Tille trille pod wondant | deppelt - cadence + dappale = cadence saa, acre and lard svordant, ia trifle ier ef : $2] SES No.5.6.7.8N9| 7]Sa44 We] Awe] wok 7 AFL YE PYS)S AAS Sch. I ys] paar ae, ze] No.122) 4-2 Ware] (ob¥r]o}-Feh) s+ No.13W2] = -14-J.S.Bech2| "ZYA ZH,o YEH FASS Felol BH Ae 9 AAS EU SHS aA. lS Mbt} SAS] 7]ZLA mv o]s}ol of al 71 ~~ 9 Bale t. = = tr 24 Aa Ro] Moba + Ge] Be] yet ged. ojeja Pee wes} SS TARA AA} MLB Ss AAA lease AA Meh. oleae Ge Zope} EQS Ate A 477] BAAS SIVA AAS] S5} wea Ade] a ASS PLS Ba SYAES BoA] aa} BIS ao Meh b, == (Mordent) B2GS 7S oe 2 BAD Yeh. BPH ©] 71SE Mordante}s BAH Ale est Be Wag sha slab. — 1] PYRE FHS US SE WS ops] ES ——s a) ASE RAR olFelda, Fea ERE) SAS False] Sa) ale A719) wes) gall ae} ego] PFE ala wee] @ FE ach. o) FURS AAT Ab er Foto) ga SR aed owl | REMles Sf OMe] BASS VelFD get rey yea Ade] we at ASE 1 SAgso] HAAS Masts eh. wes 2 SS el Sold, he =4 F2] gel oe} BY SE BES Aelys a wages speech te NW 9 een 9} F7}a]2 E71}. FAAS Sze] y gapow shop 22 PAA sola Pa mb @ Sag Ge Edel ages Ech Passo Y wee}. ae Pe Beds rsebe wea) wep 2g 11 HE get. AMZ JSBach} FF: 7 LeWes gy] Vids a Ave He 1SE 4 ge] eed A eedes Wee Fal 2] le] $2 22} F3] asi Ae Jee] Se 4 ea FE Me olde yedes 2a al tl $89) ole we abalae veld gaol del: Wiza] Ga Be de Seow cloidgd vadies sye qa = eo] @ Atel a7] deel U2 bbe] oHea C.P.E.Bach7} B2Weol 6 el ah Qeh.8) wae 4. a a t ~ * -15-10 Halt =e A14B(1994) c. 3a(Turn) be tw usp} fAgel spell Aas Of BA] Bz] ro] He F We Belton ale} o] FUSS 472] S2SH Faslyy anos $25 US SE US AY Sola Aaatey F AA Ue BENE bless YF ch F EB Soh Sch. Moly obese elz]2) a EE ga) Holy Weepp eee} ge] Go) age AES EGA Te Se ae FUG] Aa UE SASS +o] dep pales] ae: PA] ado] we} Yalaleh Yas a UAL FG MS Ha) old AHF eles) 71a chest zo] 5 NS] & Abele Bodajes Be Deh 2. We PS v. O, aa ola FAs] ele Page) a Rot FNAB Aelel Se Am sede} 4s] Lz olzelal eae] Aaley Bwhe Hy olay He] MeLFE A Vo] SHALES) ae} ees ge] PE wet. ol F VASE FES AA Sola Gedo] V7 ash FYOS} ol waaES) ob] opt of telat] meh SM A BS Bae] obec Bal u 6] ce] Rapala 7} abe a ws Essay on the true art of playing keyboard instruments. p.127 -116-JS.Bacho| "HRA Sol YEhd False] Feo BE 11 d. +#}e]= (Slide) APS JASE Ha La) B71 slo} gale GL whee 23] ABO 6) F VES SE AGL} ope gol 7x x = HAs, o] PISS AS) AA] SHRY PYM. ae bt SE Ase sae Aas) a AQ FES AY qe ae}. clo] HYS 3] ol geal ad BF UR] F WE A NS] ASS So] AHOe Ass, TAVIS YEA vlna) Kol AHSo}oF Urb. o] FYSE ssh SAA al7] Alpapo] a9} gry py F Sol AMY, ©) FUSS wep] Agee yey goes wpsps} #e As] HE Als Fe] ae Usestaicd. cS Yue G.Muffat9s} H.Purcell!02] Azo] Eo] Rt FHYo]rf.11) o]-S Ay] gs} 7S vps] ww se Heat a FMS 4k wold Be AS wos” ad. G. Morar, 1695. » 4p H. Poncetc, 1696. oes eee wtih. FS] ee GaSe] Et EYAL 4H7} D’Anglebert!J= Azfol=o] Ae 7]|S9 FYS Sz} Zo] BolFa she}. colle 9) G.Muffat 1690~1770 22E eo}, Qe ay}, 47} 10) H-Purcell 1659-1695 @3, 437} 11) A.Dolmetch, Interpretation of the Music of Seventeenth and Kighteenth Centuries, p.242 12) H.D’Anglebert 1628-1691 284, 437} 13) Ibid, p.242 -117-12_Caldita See M1148(1994) A.Dolmetch slideS "}22 4)e} Qlei4] Yo Elevation, Slur SE HQANR CouleS 427] LA AGIASS UFZ Uh of VK ups 3 AlHol QelAls] PYSe Ve Ay Gl FMoWIS 2 B= AHH} A 7h debs} Uebel Ae dea) Aes sich. e. o+=5]7| 2 (Arpeggio) ofS 4)22) SE YARIS Yepyaal SL ebb ale AME St PNB, o} 7k } BA dest Zo] Shh] Ie ol Fe] y) Ee] Aslgelea te} PBA LA HHS] AND obeS(BaseS)olAl A]4Febo} Ape Ba alc. o} FYSS HLMAIL Hoo] get Sug Bae] Sse FAAES sel asst Pa, ©] PUSY ALE wea PEAI TYAS Heya lapel Ae] ANWAAolx}, Aas ofesia]e 77 GE HSUzlebR of Baal ee Bap red AAO ECE ASH US + Ut. S29) Seo] 4 Stella Set] ct] FRB Aly, clo] AP FL gE vse] eejep al QW AH “al -erjop papel & + ae}, F3] o] dats] Me HESS ey RAGE apse wow } heal] 22 WA ae HE BH7b Bh f, o}£2]°}-F2}(Appoggiatura) BAS FRAC AGS HH] VFI IVS Wale ae Fat Pagel Eh oe ASUS GS of Gols shat Se) AS riaich Beh hss 2} YAse|7}al Sela] o}ezlo-FEES ches} Be] #7! Bol Beh 14) Ibid, p.238 -118-J.S.Bache| "284 25,01 UE Fase! Seol Ae ae 13 $1918 accent steigendt 717] obzA) ol #2} 2182 accent fallend= Wei7}7) hE eES Yel}, ober AE TH 2BHe US HE US obey a da Se BIA BE FHLSVEY UWE HE WS F olay tal WMe27) FAVS AMeh. SE op RropHete Hat FAL] aA} gol) oh Re SUrk | Sal ale Ao] Uxkseolch. oezlo}Fetst FB Abele ol SS o] LA AA Ae] ASS WAsp lJ ES FHL HEYA AAs|olof shy} Ss] BRS FSA Ach. 2] HxollAls} Zo] wpse ozs Ga 2] BH] 7S C BH BoHRY AAS o] 71S ols] Fe SH (FR BRS 4 16#SE)Z E78 AHS Bo] ¥ + Ac. SY A gael ege] ys OQ 5 FF 2 F eh. o] Ze Me Aza EC He Se Aa a th, FAS) Awe) S SAE ope LS ols CHE SH obeAop eh o] GRALS BFL Se} (slurse] SS)o} speeded. AAR] LoAy of EAHA Fol] 2] 12) S7S Asha We AS BYE}, TAU, hE S TSS EASE AL SHE BA]s-E of Ezlo} Fe VAS Fela] 2H) 19] Dele Ashe Ale] obet FH 4H] 1 a ERG Fa) JG FE Mt, FF°) A SHAW UWyoe FF) 342] 2 gz | S7He As71= se Wee FH Bo] Are Ase AFR wel ach. H}s} Aloo BS cea} PeUCtE Oale} A obEAo}HebE c] | AGRE AS al SF ae. ofrlobHeph wF 16¥Sus Ve ge Sus se7lsigic} selebe a Bolte AF 7HeAt Be SOSH Uso] Mebde a 2 HSE BSehelay oley7ils] Belz cles) Ay eh, WAS ohexfo} Hep} 42SH9} BE vRa 2 SH Brae} aeje}e Pe SHS] ober) opFete] Wet ays} Aa cso] Act. 2H co] FYSS AS BH] Aelsie MAMe] 2Ae] AMM HAz|2] Fe rej] yD I Sr]s} SYS] fede Yt sho] obEAlob eS] BMS Beso ep. -119-14 Odie =Be 4EC1994) g. =°hsh= o}42]o+-Fe}(Appoggiatura moving by skip) oA ERE ober Ff EE obola Fel Fate) Sal Ael7y se 22 0) Fola|s MPA ober EE Behl, EebsHe obeAloHE Se Ya] Eopste e]7} ssp Ze] BP (QE) uch co] J qe det ee o] FASS] Fel Wa AE Sol ASe da al bEabees) aE S do] agra aaa h. @ e+¥\°¢}+2} (Double appoggiatura) Esta ASAE SLU bse] Hehe] -F 7] AL SH (FR BUSEY 16¥SE) B olFla SY PUSS 7G SF Me, 1S A ozo} Hep} yD Veh, Oo] FUR HR YABel ral Le] ZBsJo] gz] Vet. o] F 2] SOLS eo] Soll A bezlo+Hee F Ho] AZ Ud SQE)VeE oy Pe 9s WAT aAz ol PUSS SUA EE deel s+ Wel Bt FH de Ste WG sll saleet o] PUSS V7] HLA ats} clade eA tele ae giel Bega F $28 olla, ala FES FUSES EG aa ale zo] aeaolg. of Al }EAlO}PeS PERT SAL Uae L7lA Veh i. 3% 444-3(Compound Ornaments) ah iteeld due) @ me gel of se a old] atgel Oa do | Trilla unk Corday | date oder wed [dew iJ.S.Bacho| '2¥A FR,o] Ue PUBS] Feo Be IF 15 US AS Belch. ob YAsel7}a| Lola] Bol Ko] SE No. 3. 7. 8, 11, 12, 1352 U4] tec Eds} veW=s, ge g7ys Ga Ey ved ohEAlbES} BEWE ae]z o}Ezjo}Fets} EY FOR QA ots] Fy 22 ela Sd Pasole YF Act. ae SF 3.7.82] BHHY BS WEE BUY FAGLS UF] SY Hol oly] APIADZ, EE 13 = ad eo Fade BUS 448 Gq Segoe WHeste] co] YA) Belay awet Ath. oS SSS F747) ols) SS Atha Adse wat F 7H olss) FYSS| 7E7t Ad He] AHS sys] SZ WA He Paso] oa = ao] 1S FE Ue. a4 EE 11s} ER 12E F ANY PUSe] Gage Be ase] B7]s]o] NOEs o] F727) FSS UA) BY FUYSLS Ha ale Aol Sascha Ech, EH 112 o}¥Alo}H2}9} vedss ¥y FYSLS Ay obEzo}Fep} UR Bae Hl Fed AV +s FS] HHA] Pela] Seder} BH ch EHLQES Wej7p7lshe obEAlo} Hers} SUs| Pye zrl o]7 YA) opzAloh Sep} Baad Delts UA S7H Asta FH] Yejz] Yel da} Ede] 4 ale} ole] FUSS MoE vhs] Angetolal oF SEE sh} = ye Bs 7} A] FUSS HY FUSE SS SF Act. Tey Mola Ue vhs wT ) Bade AF] WANS BHe SF] Hehte FUG 2 Ae FASS 2 24 £34] Gehy] Ge PaUsel Halle AP] adolal als) statct zz, =. Vi. QA ZH] UENS HS] Ag tw yo} AAA a ze] aa 8S ery 27) 259] YS tes salsa} aAagste = AAAS FY ols}ol AFA] aol apep delea] HE Feo] 7S aleleh a4 Haold Ag FS cele] Gea ASS az shy, wes gas] Aa; we Seas] Galo] Seto Ha AS ual Fel olay -121-16 Hc Eee 1481994) A¥S TAA ARTS EWS, | Ea Fuge] Aap Meo SYAES gekst adsl glelee aeae weaq Saal cl bes asl golet Bztal a A Foe4e] av B S74] 284 ae THER Bate se gail, sad Be igeks 2 oly Fo) alo] of. ‘ol 2 wate} a EY apalstaleh ob SUSR BME PYSS BES Md Asp 2YA 1S alal @ AG 4 4 sled UES Uae evs Aas izes aE A ae pueiel Qa wee. 15) ahaha) oizled Ase Pl ge wk Bae] S44 aa Ae Poe sale}. ye BES A 1B Sol ge de veel >| 27} RYMAS S701 YE Ae) IS Me o) 44] be ‘a BA as}ate} 81. Suite 418 Allemande, =} #2, a] 2 "H], fzl712 92) Fel) BAL] S Ale FS] Mola dese zlae wz] eq = FHA] Fah Aof ee} ou ASE 15) J.S.Bach, #4 HL BRERA, pS -L2-J-S.Bach2| "Ze Z3,ol Yet Pals] Syol asl oF 17 et 2. Suite #1 Allemande, 7} %%, 4] 4 *H], pede a) o] we a) 24% uae) aes wer] ge das lead ee oles al Hee 289) 28 Walsh] Joe wade ge ve es Bee Ze] epgebehs ey. era 3. Suite 41%, Allemande, # G2, a] 5 Hy Soy HS AERA SUS 2) ad. AE FNS meds 4} Sq25S As4 aetelok Fee dart olls}ie gz) ebalelch 2] AF est Be 24 B FUt}.16) Bde] ASAo|D A7-eS] HAAle] Sal VS M, AME7; Me SB, Beja FH UH) Ne HH 2) Hol HRM HS OE Nd de PUG Re HE 16) Bach’s Ornaments, @71@ & p.72 -123-18 Hack ESE M148 (1994) aja] A]abslic alo] ebesicst Beh, by golzjs} E_e o] ee zal adele ola $H#2] 2US EmeryS FMA EM (Imperfect shake)e]et +E eh 4. Suite I" Allemande, # 22, 4 18 "H], 2 Sal + 3: 4 : o| telvtolass FRESH 21 ante] sats teste. Allemandes} aula a 9] Moderato @¥9) SEA) 42-3] BGS ald eek Et FAA) #7] 4lch. 7A 127) AES] $2 7hHAl sea} ale tle] GS ohestehat th 38 5. Suite AI Courante, FH, a) 2 eb] re) Ate] MEWS o} oft Q¥-2] BSE: a] 3 be] o}¥Ezlo}Fe}o} BBQs] BY 2d. {a 3H aos = $89] Aol} vlad Ae le e Rapala) oleh. Ie] —124-J-S.Bach2| ‘Hata 23,0 Het Pelsel Aylol ae az 19 Fs} MEWEE MEY SSS Yas |PEs oberoHS gal sel se ele Fue) ebgetelet Beh, tu 6. Suite a1 Courante. e YH, a] 8 "He] EW: a] 9 MH] Aeto} 9 tes Ede E@ dol ehee dase @ “G7 Ud. ola ae Hale) oP} SS BIE Aol OG MeGR RAG ee Eas ARE BPS ot eel obealob Rebs] Ais} ge Suge De Ae 7heahe} Aebeles| ASS Bole f = obestales) 71H Zo] Bolt F rhs] ge al 3 2 Mage 2 AME UF Hee Aeleh. e714 wept Ade o] 71S oe] 2 Ye] MeA] oa AHe2] sbge]ad C 0] A Hz) Saher) 2] Eo] Al7] Ack. o}] shiAlol4l wp} 2s]e] D’Anglebert®] 7]2178 34a rheae] achat yz}elep 2 7. Suite a1 Courante, # G2, a) 15 He], o}ezlo} Feb ER 17) p.13 D’Angleber eo] So] He 71S FY Bar -125-20 thal 28 1431994) ea < A re ol FEA oF Aaqoe wg ob] Bib RE as Fuso] 2 weal od SY SHS] BS] FEE Ashe Ae) za aa eh et¥ 8. Suite 411% Menuet I, 2} 2, a] 3 ete] got FM. Bolla] uPshS a Bday th °}™ 9. Suite alI Menuet1. ef St. al 6 Ube] 2, 1 God au “ = = 27] 41 abe EA} tre H7lstach. o] EYE ue 2] = — 126-J.S.Becho| ‘28+ 23,0] Yet Pagel Feo] We ae 21 H. o] SMe] Ve MAS ASA SHS AU = YE YE il Hala ae 29°) BUS FHA AA Ae] ASS] SHS Yala] Ger. EY Fe] ARB VBA QW] SS SM]He SAS Go] mB Geez olojale | AMS GS Sele Ae] J Aele}. 8 10. Suite a1 Menuet, tH, a} 3 rte], Aebe]= 4 304%. ez W wep} Abele PSS HT gd FEAT PIS ne th. eld) Wa FHS BAe yeay aAy(|ve arole az)e gee oS olSi7t MS Alelct, AAS upses] Anse RllAl AS] PAs} we ES] S$ Hebd, ole wept AcblE FUSS Ms SE we Wal #2 44 Wy FS Ale Base asta geh. 4M 11. Suite a1 Gigue, 2 HH a} 2 "HI, =a HR Eldan Aeaeleh. H a obeys] » ada d Ede Feely 0) A)shglis aha 27 oes 2} -127-22 cha ESA 1481994) Dannreuther!®= WZ Ee] “Aol B92] S48 BARA Male et gep."a FARE ALS 4} Eo] FH APE AS Yds Ges wa ct}. ae] o] FE vay we Feolee Eqs] Fee Mpspolja ads 4 9} AS GER woh ate Ze] 7b Pubspelep wep ee 12. Suite #1 Gigue, 2 da a] 21 He], Ea ASR PU a SAAl A zts}o] gt Ao]e}, op = $e 2 4= Ze] 7b & Ba) dich © 3} BPS} s]Fo]So] be obeys] AZ clo}4l woleh, o] BH a2 Leh] Yes] AQ |} HHA EF D, Belz che Ys] CFL BI byt FH] BC s} BP aela ce eS] Ast BE Asal alae] Wade. ole s}ahof M 70] 22 919) FYd FASS Be Ao] wbadalateh wl 2) 4 °] eta 13. Suite Sarabande, +} eb ¥] 1 vt] mes 2] ofxalopHe}s} REWES) Bays = obealobeeb: all 18) E.G.Dannreuther 1844-1905, $Y-8F, Mobs Fak, TH}, AEE —128-J-S.Bacho| "ZA 23,0) UE FAB Swot At ae 23 aaee §a Sarabande+FlY4 WSS AEs AHe] SRC. se}] oF SA} Bal Pa, of Lele ayselaabl SU a 1 obeys} a] 2 oh cs} opealobeehe 22 ae bec et 14, Suitel Sarabande, 4+ UH al 8 “4, o}¥zlo}-Fe}9} = wee BMPS] FE Wl Age] A Edele} Hel Feo] 2S ofezlo} Fee 16% AD 48] GS Fe] SSR BIL lac. SB] ob B. F So] HS ah a7 tte] GE ASS BYsp) Vez hes SASS shal BE EU blo] SASS wal obpe] ae we peas] eo abet ey a Qeh. 4H 15. Suitell Menuet, t} GH, 4] 25~26 vir], Ea 25-26 > —129-24 chACHED SSB MI143I(1994) o) Be VE he He VIS TA 2 BUSA vss] EH AA Belz) 2] No.5 29] PS Bea Met(AVyA Bz), o] SYS F ebro] a A algae} Sas] Be SASS ASsieal, chia ae] Fol welts al ate) best] = F AB] pep AVa + et. }% 16, Suitelll Allemande, 4 @%. 419 74, £9 44 3 24) Fe 159} Sas Fe] Pe MRWSS Aa. sel o] = Swe Hal dase So] Addex Veh 1a Bele wrist ge] = | Ad oY SS FES OPE Bel ASS so Be ol cy oc} oF » wSpo} eh ee 17, Suitelll Courante. 4 4, a] 24 hy], Ba _ , 1 bw eee = oe ~ —S eo mad 7 SoS o) PIS ELS oh] Fe heYS Tel a eVele Bla sae LEW SSkeh. whee] Ase] r}a]z2| No.6s+ No.8ell4] ele wet Abs} S = 130-J.S.Bacho| HBA FR, ol UE! PU] Ryol BW AF 25 A, SE AEIGES FE BIS 1] FUE Mss) 1S ade dee 2 ole aaleh. j7]4q G7} mecha sto} vet 4)4}3} Fae Fete] Gas] ge o] Sat Aa Ae BUS SYS Qa Ya FS] Gas ae A ee] sel7] SLR ANE AMA 10M OF Hale 1A SHS] A AES aoe D2 oleh. et4 18. Suitell Sarabande,} GH a] 9 Pte] Aeo}ezlo}Fets} EUS] ¥ wee gS, FH GE AEA BM Hal False Bl rl aeh wohl chee: Uvael obezlobpets} de] eal HAS Ashe ssln 2 Uizla4 EUS UFO. Webelos Swed op opel, wel FES] pola] Ajatsin EGS AtErlobeets] Waseda ules Se Ge 4. Feld 4 eho) SASL2 Pages Balad wea Fe] PUM Welch +2 19. SuiteV Sarabande, 4t #% 4] 1 oe] BEd=Es} EQ: A 2 Phe] ope] o}Hets} BEES HeAYS: x) 3 ele] ops aje}Feto} Eg #26 caNcHe® ESA AI14M(1994) °] Sarabande} * F AA] BS FUSe] wr}. HUFelpe Fygeou 3 Sap Wate] SLE Ege gordo V geld, F ye) wedse qag PISA wlte FS ade dey, F 9) ede vst] FHS Ged A EUV] SAS aes] Qe tela] Eds alee FH2] Se HA As & Ul SA e. atch. F HS] ob AlopHepe 0] |: AY BEB] 2017} Aaspele} Yeh. e220, SuiteV Sarabande, *} #% 4} 13 be] BS: a] 14 ve} } 22] 0} eb all 15 Pe] Ba Bo, wi sire a 5 i z ‘ D a —o | A 1. gol tes. Woke ay = 5 = A1Z*C]S] HVS FH wpe Fs} SY} Be] Aol] Broo}, “al &2) 23fe] BRAM et slch."a we Dannreuther2| F8(tu 11 H ALS FRE HAO] LBW HE HES 7a) 122, Emery7} séhc #4 =e Jo] eo] SHAE Aespepa Ver}. 14vtefo| is obz-) 4RGEE Erlseoup obealbeebe Jelshis He SE 2) Aol7} BRSME Bl ke7He Aa) bEzjobFetS] Aeo]g os Ye Ae Alaa Halls 2 2S FA] Gerd. ol 44) Se i] ae} Bee7b At ebaloh @ Voleh. o] FYE EA} Fee] Aol e 16USEE Ba Ayo 0) SAAS BESHE Sst Use] HN AL SH) GME > % ch Mae 7Hshe} 1D oJ Fel De] Ge | R$ DF 22 BUF Ya Yola7] Hele}. ch4) staal ofeslohy ~132-J.S.Bach2| HBA ZR,ol UE! PUB Aeol Bet ae 27 So] 4288 FE DY apelol] Masta 4S etejajajs] Ae D7 Ae Wal Ft] AVE PHAZE ol MAC] 7sste}. 15H] ES AAgeales F WS atc. eet Fe BISA FSS] AS Ak 7 Ass BIS Emo] Al shee} e}8 21. SuiteV Loure. 4A #2 a] 1.2 ete}, obEZlo}F et {or 4 2abe| ord aoe} wv xe = 2] Lourelt Ae BEES ofErob Fe} Helge] oH dae Fahy pep aa ade ol gold P] 9 lee) ase amet! obealppete) ahs FH Aol BAGS] VE BREHS FU ae Wo] Aas gel Wl. a = MES PAYS ebt|Z ws] FSS] Tyo ast} Gay] By ee ube] Seo) He BEAM PLS Hess Agel otche we a + ale} 300M} It Qe MNES] Ao]Uz o]el VR ass] aeer} 719) wo} ala) he EU 2 YAS PNG Ges} Uebel, aSi7}9} atte alas alla] a Ae] ol#elz| la] Uwkoms. we 7k) FNS GIS WA a AG AAD Fe ge Ueleh. teh} SeipEs] geval ase Ease 19) p.14-15 obezlob Feb aa as —133-