Professional Documents
Culture Documents
A l e x e i V r an i c h and S c o t t C . Sm i t h
Nighttime Sky
The other dramatic aspect of this unique part of the world is the nighttime sky.
At 13,000 feet above sea level the rarified air creates perfect celestial viewing con-
ditions, and modern shamans know the best locations on the landscape to watch
the stars “play” with each other and the sacred mountains along the horizon.
Stars are so numerous and brilliant that it is no wonder that Andean peoples
found meaning in the dark areas that in their eyes took the form of sacred ani-
mals: the snake, the llama, the partridge, the fox, and the frog (Urton 1981, 1985).
As the Milky Way rotates around the Southern Celestial Pole, a location not
marked by a star as in the Northern hemisphere but by a murky space, these
anthropomorphic “dark cloud” constellations—called yana phuyu in Quechua—
interact with the horizon of the sacred landscape (figure 6.2). The Huarochiri
manuscript, a colonial document written circa 1598 CE (Salomon and Urioste
1991), relates the story of one of these dark-cloud constellations called Yacana,
a llama whose eyes are marked by the stars Alpha and Beta Centauri. Yacana is
located in the Milky Way, which was called Mayu and conceptualized as a vast
celestial river. The myth recounts that Yacana descends to the Pacific Ocean dur-
ing the dry season to drink before returning to the highlands at the beginning
of the rainy season to deposit water in the mountains, thus feeding the highland
streams and rivers.
Dark-cloud constellations are particularly prevalent during the rainy season,
and, according to the Huarochiri manuscript, Yacana was specifically associ-
ated with the beginning of the rainy season (Salomon and Urioste 1991, 132–133;
Urton 1981, 111). The myth suggests that llamas and alpacas were metaphorically
associated with mountain streams and rivers. In addition, Yacana is accompa-
nied by a suckling calf, reinforcing the connection between the camelid birthing
Tiwanaku
The hallmark of public architecture is the sunken court, a general form that
begins around 1800 BCE and continues until the end of the Middle Horizon
(600–1000 CE). Sunken courts dot the landscape of the region, numbering as
high as an estimated eight hundred across the entire basin. The lack of sub-
stantial infrastructure such as roads and fortresses, along with similarities in
architectural form and a shared iconography, have fostered a consensus that
these Formative communities participated in a shared religious tradition rather
than forming part of a larger organization such as a state (K. L. M. Chávez 1988;
S. J. Chávez and Chávez 1975). The largest and most elaborate sunken court was
built in a fairly nondescript area of the southern basin, 15 km from the shore, at
Tiwanaku (figure 6.3, top). Over the next millennium, other monumental sites
in the southern basin would wither while some of the largest structures ever
erected in the Andes would crowd around Tiwanaku’s sunken court. In such
a dynamic and disturbed setting, it is difficult to reconstruct the earliest form
of Tiwanaku, but it seems that the sunken court was intentionally preserved
and remained in use for nearly a millennium while the rest of the site was built
and rebuilt many times over. Centuries of post-Tiwanaku erosion buried the
structure, which perhaps accounted for its obscurity during the colonial period
(beginning 1532 CE) until its excavation in 1903.
The form of this sunken court follows the general pattern of sunken courts,
although its dimensions (28 m × 26 m and 2 m deep) make it the largest example
of this type of architecture in the Titicaca basin (figure 6.4). The walls consist
step, one white limestone step, and one gray-green andesite step. While this
entrance was centrally located along the wall, the other three entrances to the
court were off center, similar to the entrance to the Tiwanaku court described
above. Investigation of the landscape and celestial alignments evident in the con-
struction has suggested similar patterns to the Tiwanaku court (Benítez 2013).
The central southern entrance frames the prominent snow-capped southern
peak Sajama, while an observer standing in the northern entrance would see
the mountain Cerro Chijcha, itself a significant archaeological site, framed in
the western entrance. As was the case at Tiwanaku, the celestial llama Yacana is
framed by the southern entrance: an observer standing in the western threshold
would observe Alpha and Beta Centauri rise over the multicolored steps, framed
by the sandstone pillars (Benítez 2013, 94–95).
Conclusions
The Lake Titicaca basin was a landscape inscribed with the movement of herd-
ers and caravans. Objects, ideas, people, and animals moved along dynamic
circuits connecting far-flung geographies. Resources from distant regions and
References
Albornoz, Cristóbal de. 1989 [1581/1585]. “Instrucción para descubrir todas las huacas del
Pirú y sus camayos y haziendas.” In C. de Molina and C. de Albornoz, Fábulas y mitos de
los incas, ed. Henrique Urbano and Pierre Duviols, 135–198. Crónicas de America, vol.
48. Madrid: Historia 16.
Aveni, Anthony. 2001. Skywatchers. Austin: University of Texas Press.
Benítez, Leonardo. 2013. “What Would Celebrants See? Sky, Landscape, and Settlement
Planning in the Late Formative Southern Titicaca Basin.” In Advances in Titicaca Basin