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  • Zacatlán-Guitarra Clásica 2

    Uploaded by

    Daniel Cortez
    2 views2 pages
    The document appears to be a musical score containing notation for various percussion instruments including guitarra clasica, guiro, and golpe. It provides instruction for playing techniques like sul tasto and sul ponticello and contains rhythmic patterns notated through symbols. The score involves multiple instruments and layers of percussion.

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    Original Title

    Zacatlán-Guitarra_clásica_2

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    © © All Rights Reserved

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    The document appears to be a musical score containing notation for various percussion instruments including guitarra clasica, guiro, and golpe. It provides instruction for playing techniques like sul tasto and sul ponticello and contains rhythmic patterns notated through symbols. The score involves multiple instruments and layers of percussion.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    2 views2 pages

    Zacatlán-Guitarra Clásica 2

    Uploaded by

    Daniel Cortez
    The document appears to be a musical score containing notation for various percussion instruments including guitarra clasica, guiro, and golpe. It provides instruction for playing techniques like sul tasto and sul ponticello and contains rhythmic patterns notated through symbols. The score involves multiple instruments and layers of percussion.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Guitarra

    clásica 2 Zacatlán

      
                 
    Arr Daniel Cortez Pedro Escobedo (1941)

            
                      
     = 100

         
      
               
                  
                 
    7

               sul tasto  
              
                                
    12

     
         
               
                   
     sul ponticello

           
    18

         
          
                       
    Guiro

         
           
         
    27

        

       
      
             
    33

    
         
                                  


    38

        
                              
    3 3
    3 


    3
    43

                                         


    49

                                          

    54
                                         
    2


    59

           


                                   
       
    64

    Golpe

          
      
             
                 
        
    70

           
                            
        
    75

        
                           
         
        
       
    80

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