FERRED Guy LOMBARDO iY How's Your uiece? eo L ev a (fee ee fe Aguryt ACR i fe Ph, THE Sang]? Fad 1-1 Dei-r0¥, anal, Pw ARE ‘ies “Beha a, 7 Ao. eT Ay (6b Ev cre Ft @e fs 1 hes = ESE EE WASHiNG ANDTHE PuiuBine coine A- Loucs? I3 THE CoP-PEE THAT DURE MAKIN dsr AS Buyo 7 SiRois AS Yuk LOVE FoR Me, How's Due Je hi EDMtl SMITH Wi was AnD FEELING FINE, fecee tumen (1928) wens MEN ie ened ible ia nthy, ter NH GT & C7 Ge AF Ate a = Gt or Aine gt Fe = fe =e tr PAR AWAY, 2VE" THRU The Dale GAAS, PAR A WAM.603 fa Zh — £ 7 rER DO! Lit CY, WatreR Dowa.h soul (1928) veRse — Tift, oF th eek "a bar, x Gna. Fe Gun te Ga eer e Sei Se Doz aut ¥¢ Bé0, ¥az oy le BEB, Someriuu You zd 9 Heatly O05 Yhe iste, BAT DP Ace Miers Wate So cane — MaDe Me Aer THAT WAY. — CHO. . CH (267 prc 2. ct = zy — FOR To - DAY. (Re -mEm B50) Yes. TER - DAY, Yau = cage Cle ct cle ct gt z y ch a eat = ft p ‘san You'd sav "Yes" et OTOP ¥ ae You weuebn'r AY Ay “No” 7o- DAY.— TY SEsrenasy,— we Mide & DATE For Tonucite, ‘our £7 S%y Gt _-da ots ce ° = ae eee GuARTER PAST EIGHT, — RIG DOWN ET THE GARMEN GATE, in THE EVE~ Neale coc eee C% 7 BY tle namie, Pha-son Lee 13 Goud BE ou Lultst 10 TRY — cle ct 1 Saks ch So 7 a = = 7 Eh tfee | tf hus Be, Yovte Be, Li 8 DRES'D mw) THe = Best --DAY. UT tr v & Gi a SME USE OF WAS Tol Tit, — 7A TIN aR WAM. Wi G7 Hes-1- 7 Bb7 F 2 For o-Mor- Row si" 18" To= Aer:(51-53) Ot warns : Levin CHESAR (79/9) VERSE Fud-lHA Land, — Ab __ poe DF pom a er pte ir a Be of Fie YELLOW “a fll tne WartrEn Me THAT "You HAie A Dance Leke HUT 3 WEW.~ D7 rm ey DT Gin Ag bd) —_ uo Morte Fi-ser WAS cont To DHt-NA. Dut te LAST, ey Ae v7 We Em Au pb? LAS BUT Not THE LEAST, YouHIVE WiArfeD FoR oun SYRCOPATEDS MELODY. ‘And Now Tet Your ea cao. Dp a A AL pe DdepT sl oo, Hest se aa tf Eee ‘HBUE Got if 00, «Lk. HER THAT THs 15 WAT You Do: FIRST, By fe ar te 1b FROM oe Eyt sae} MEET DD A ERY “GUS Be & Shellie va a ab Me or ap 70 St = el ee ae eee p 6 SS = # Bey Saaits to And a WAY DOWN Law. — These usr Like Ho. ee Bites doa « we = oe dete ty Py tip pe ete ~_ r Lew Cen hou wen Wear Them CRV10 Swe Lees € FF “We ARE DRY, 50 Bena fr ¢ ¢ f Em 1 7 fe BEE 21 Ti fh i ARoun d Then I “fan ‘thee 10 (A eal” MAKOARINS Hen Be= Grr. — Miles PLAY vs 7 CHINEE Mnt-Do- Lins. Uihen eo A:Ww: ROGER GRAHAM (979) WA DAMES WHITE monte eg 6h 6%, c : = aS t ff - = < 2 O01 /W ChL-1- Fonsl-18 WAGE Te BALWY GREBzes Buow, THERE'S A FloWER GARDEN 21 vast. Pe un WiSten Ceasely tie “PELL You WNT Eve Heh@O's HEARD 1 ST Ti OTHER DAY, RAT o% 6Y “hop ae Know. fre Bunun Benvrirut FLow-ERS, 7 Boaw Eid DAY, An Mane The FROM A LITLE Bind. “IPS SUCH A SCAM DA-LOUS oY 7 Ge 7 ~ Bow ERs. St0~ RY ae Boor A PREATY Morne Guonvl WHEN Ae Ha. 7 <. . ££ St Ce 240 6% = t — {a je EE Aan ne Guones Cuma’ ue te 2AR-Len — WALL, % 0 6% GT G7/ Z os Riss A wid suu- Flow-e9 Ted Feet 6% or Tals, G7 c G7 fer Plawees Sw THEM Aad BE- Law To Maile Tlé ab CoeR= ANMIUM AND THE oe pe Y 1 1 ons Hot-i9 35K, THEN THEY FOLD EVRY FLOWER THAT They ME Dou! Tike GARDEN WALK. (at @ 67 Gi © a+ Ce __ Py ————— : ES ee PRA-GRMAT THA) Gut te “Crimson Rosebop Shd,"OW, ve-RY WELLS Comb € “ E7 t fEut Ht To THE OTHER AyeFlower GARDEN BUlEs - cont. 6 06 2 me OS : Pe Seta eee DAs iEs a Tie Ab 40 ure RE Pust. So LEt the Lind oF THe VALLEY Go ANd ene + A SPReAD The News, FAD THE NI = 0 ~ Let: "The bot Te FLOWER GARDEN Stow Buses E302. ra 1 Bb £7, Bbm _iebe tt = RSE PRETTY ANN Mo-RAN 40 W-TO A Ke ewe Wwortos By EDWARD WAL 2 fe mead) 2 Nhary Poole 0 © ‘ CAM, — At A Daweh, THE OTK-ER NTE, HER ACTIONS WERE A -SibHT. 6, 7 e7 Chin Fv Bh ey ev — THey Au, Asked Her WHY SHe sHook AND = SWAYED. 4“ F7 SaiD THAT TUE MEANS MY RUIN WHEN-ev-er Z HEAR iT PLAYED. Bw. bY GT miley Poa Mase WonideRuand Buu e4, L CAST Stud Sue mm MAY SHES Bia’, Tat BEINsTes=inl" Tune, Fuad corde! Mis oe? You sa0dd. er wer Say Dawn fae Line OF Mv some THERE Comes Tit Dinca Pesan ghee. 'g Gert V7 GY jo 7 Out mM e7 WMPLY Wicd — ‘A-Bout toe WanoéeeAnd6O7 Wim: MAZIG H. WIVELL Y che (7933) Fr DAYS: AND ATGHIS WILL Soom Be ct VERSE WEM-Ss You ARE SATLING =A-WAY FROM | ME. zr MAWES ME BLUE SAY Ile LOOD— pop etc @7 jeect a GO ay = po f te eee ma = BYE Ta Yau! Cause Z Kaw You Pek THM WAY 70. 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Laer “X wine. 0 Tel he Cees wFive 79 Yoel, Der 64? Dao E7 fame AT AG ‘Tie THe ao Se SS Pine Tikeu. Ld A cern Buse CAAOE WITH Yall, uk W: FRANK LOESSER (1939) is: MAT MALNECK a ot gt £7 fra Gar eb —— So a pap eS oe vense AEE Mi Bb Bi, “ONE be ROSTER ius 2 (EAL. ED 1 By by? EveEy? Ab =r ars SSS: = pT WWE ME eet SUE AS Bue oy 4 RUG, wig AY cts GE AY iW Life_waiieo ‘be CoLd — Titrw~ Gur Aon re ez E Bb7. | “eb “eh? ee pt ee Be hs Hee “Like — AGG, tee SE, | enn Bh ter is FURST Youle ARMS Cone STEALING, — Aud MY Ay 4 EL ev £2 = poe =a eee HERAT 60S Ou A Rowe consPar. THEN I GET THAT PEELING, — LIKE A we by 4 yl LITTLE PILE TOKST TM A TOKST-ER~ 7 AS % Buen A Rie emwords ay Lew Bow (1922) muse BY WALtéR DONALD Sou 2 2 G 2 Wasa Sanne Bar Me Cénd HauDSoMa Fa.0R WAN, wile eye Cer nS) HE war BACK TO = © cv TRiP on Asati, Down 7 Tué BAmGOdD LS-L&bs | ¢ o @ “bay, Feesine Kind GF GAY, Wilk = ASKED Ha WHY, HERE'S ALL We HAD 4 “po cy oe eo et Fac-DERD DL, fak~De— Ron dowel. 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Wann! einduor, Ea wot Bam “al erfou ld aot there, HE T WHEN << MENTIONED HE Look’? dist As Fr 2 -Bb_¢ Bh? ¥ g By REMY Coutbn'F Aaa 4 Bur VERSE 1 - ves ‘Sane AS He coud Be, 2 ‘Shane 7 Hin, Aud “WiMM? HE least 83) Tell. TI Shw A Pecibw 7 7 SoZ THOUMT Id w Wind HE Aye Of or ‘SehEARED. 7 4 “ikls Te au=LY chief MY, DES Taw die Ztg- HAVE TO TEAR ac ay CUT cut PAPER Aby wr F Deus iw Ge, —— AL oy —— Fr Whs-n'r MY MorHER Nel-aR LT ME ‘d By" gop 7? gees SSS a wailed, wanna a= aA =aT— Faiz On MY eTCe apne tise THEtR. 1 Zavie AUSTIN 1423 er ¢ gow Cc MY MAW ANT het! Brent. He sratscur care date Bur 160 Fin The ae. THAT Thieb fo Sra tie Pa GT Aud Hue We SAYS We Leyes Ko owe BuT “Mle dust Mow Warr And Sei. 1 7 5 R : 3 ? Z Love mY MAN BETTER Tl z Love MY~SertP, Loro!__2 cave mv Fada @ og beren tw X Love MYSELF. (Mio it Hae Dini? Hive ME — HE WOU HALE ND BO-DY giz” ANY WOMAN'S BLUES (Lovie Austin) Cheros 2) (My man ain’t actin’ right He stays out late at night ‘And still he says he loves no one but me 2) Butif find that gal “That tied to steal my pal Il gether told, just you wait and see Fibelde, feel blue, [don't know what to do Every wornan in my fx s bound to feel blue, too Verse 1) Lord, Hove my man better than I Jove myself Lord, Hove my man better than I love myself And if he don't have me, he won't have nobody else 2) ‘My man got teeth that light up on the street ‘My man got teeth that light up on the street : And every time he smiles he throws them lights on me 3) His voice ound like chimes, I mean the organ kind : His voice sound like chimes, 1 mean the organ kind ‘ And everytime he speak, his music ease my toubliVERSE sol cons 2 How ue = NEEER SNS PA~ THY ? XL Kitou WATS Tied Bée nd Me. — Listen, ANd Youks, a 7 1 7 Leff ME ALL Am CONE. — Wohl 02 THs aon! A 7 . See, 2edhiSe Tle coon man mar x be Z B47 Four WHEN = HeaRa wu Stemuan? MY Door. Dio You Bmee wike urowA Files monua! Aad DS- Ayr “ ~ + CoV~eR YouR 4000 May Div You A et FRost-¥ MORN aud 7 ev-én Wie uP ow A = 7 ~eai~ER Your boodMian Gone? Zr You Did, Yate ANd UYEM Snore US MOURA- Fut. (pay) OF AE ero Ne. FROSTY MORNING BLUES (E. Brown) Vase How come I'm blue as can be, how come I need sympathy? know what's troublin’ me, listen and you'll se, because ‘The good man that [ove left me all alone Woke up this morning at four, when I heard him slammin’ my door Chews *) Did you ever wake up on a frosty morning and discover your good man gone? Did you ever wake up on a frosty moming and discover your good man gone? Ifyou did you'll understand why I'm singin’ this mournful song. 2) Well, he didn't provide and he wasn't handsome, so he might not appeal to you ‘Well, he didn’t provide and he wasn't handsome, so he might not appeal to you But he give me plenty lovin’ and I never had to beg him to 3 Now my damper is down and my fire ain't bumnin’ and a chill’s all around my bed ‘My damper is down and my fire ain’t burnin’ and a chill’s all around my bed ‘When you lose 2 man you love, then a gal is usta good 2s dead. oom, oo(2OTWERS WTA SAME TrTLE 1M Book) @l3 (1924) Beo0ey 7 67, enreibe Raley MGR. VERSE Lovie Auwsrin 2 HO. 12.3. Hey. wees07l, Don't Siok Ma bates Moai = Hey Rous. wae vie, don't $b em uses Ko ear. 6 e7 e2 Ge a Ho co Her ==>: — —s — = ee sets be. i 8 Bowe wee-vas Heke. Bo. WEEVILS EVRY WHERE Yai Gige Ee 0.4 Z 7 c ot = 7 Weer Cowl ie Baur tase AY. Z Bhawettl ot batt Saw, LuDIT an the Bice, = Fu tee 7 lam sent sev: Bu 180 Sera! BN ot Doce a raeb eT c G13 CW SucePN BY MY seer, y Hey, bo-weevil, don’t sing them blues no more Hey, bo-weevil, don't sing them blues no more Bo-weevils here, bo-weevils everywhere you go 2) I'ma lone boweevil, been outa great long time Vma lone bo-weevil, been outa great long tim ‘Gonna sing this song to este bo-weevil'stoubli mind 3) T don’t want no sugar put into my tea don’t want no sugar put into my tea ‘Some mens are so evil, I'm scared they might poison me 4) I went downtown, I bought myself hat, I brought it back home, I laid iton the shelf Hooked at my bed, I'm tced sleepin’ by myself Tm tired lepin’ by myselfG+ By? e7 CHicAGO Bound ules (138) Cavie, AUST, Bh ALT Gm By? €y7 nz my SE a 5 2 SS 2a iat LS ATeHT, ZL sro. a—way AND LReD~ THis A £7 y EY F Bees FOR Gu-cA~60, aun 2 cust talT BE Sar—is ~ Bateson mY Besa: WY b Gu a M7. 2 — =, yo os Sey EH ae onous RE- FUSED 10 TALK. Beves— on mv) BRAM: MV fou Re FUSED TOTHEL, Bp. 4 FT 3 7 ZWAS Foutawine MY Daowy Bur a Ne? ‘Cena ” Late last night I stole away and cried Late lastnight I stole away and cried ‘That's a blues for Chicago, and I just cant be satisfied 2) Blueson my brain, my tongue refused to talk Blues on my brain, my tongue refused to talk 1 was followin’ my daddy, but my feet refused to walk 3) Mean old fireman, cruel old engineer Lord, mean old fireman, cruel old engineer f You took my man away and left his mama standin’ here 4) Bigred headline, tomorrow Defender news Big red headline, tomorrow Defender news ‘Woman dead down hore with old Chicago blues said blues.4 IRVING Couns 7. (424 VERSE x Fat W Love wont A SukeT Mid cen. He SMD AE LOVED ME r e . al We Said 12 Tb Pun A~ WAY wird Hon Maher Avek Wives We Wats Be. xb Z 2. E p Yet 1 oe | —— We A= ore HERE'S A~ one —— ri Nor work... Gaus: Ale Tis TP Real ee" TRAVEL AROUND FROM Tom 7 Fomen: — How HAPPY x woud Pec! But don't You Kiow, ME would. Z c Ho. 4 fat 1 2 a Get A work ai 2 7 . gy MAR ~ RY. Aa Lek Ties sweet tned ge HD, 7 THs ch eres 7 Ory &p ote L AY Mouey yo Ru A Bus Wass. Aub Wire A~né Z Wilow Yar ais Gly Ho.2 Gi 4 ABUT THIS MARRIED 7. sI Att Zire, [Ht We Vows eats Whe cor 1 Kaowi— AT IE A EER e y =7 By? So Fle. oh a tS ee aE 7 1 — aha Ea-TeR— YouR PRINT Gta: Tanwar Vouk Lies, And Lees Du. 7) ap [sroxen] ils, [wanna tell you about these sweet men. These men goin’ ‘ound here tryin’ to play cute. I'm hard on ya, boys, yes sir. [sue] Verse {fell in love with a sweet man once; he said he loved me too He said if run away with him what nice things he would do Td travel around fiom town to town, how happy I would fee! But don't you know, he would not work, ges take this tip from me Chorus 1} Geta workin’ man when you marry and let all these sweet men be Chil, it takes money torun a business, and with me I know you girls will agree (Neer PAGE for mere céloauses) oer, ry stew Your