Believe

Me Composer: Takeshi Abo

Arranged and performed by: Frank Tedesco

 
Transcribed by: Zack Juarez
Steins;Gate OST

                   

              
Use sostenuto pedal on every chord change (roughly each measure)
 = 54


              
    
   



              


        
4




                         
        



            
        

      


    
7

       

     
    
 







       
   
       

               
Poco Piu Mosso  = 59


10


   
        


  

                             

    
   
13

 
             
 
    
     
        
         G.P. 



 
16




        
         


  

  




        
       



  
19 Piu Mosso  = 64

  
         
          


  




        
      

 
 
   

       
      

21

 
   
      

        



          
                
   
23

                
   
      


             
        
Piu Piu Mosso  = 66

           
Incredibly Aggressive

  
25

      
      

   


 
   
2
            
          
        
           
   
28

 3
   
 

      

  
     
 
pesante
           
          
      
        
30

   
         



  

         
   


          
    
  
 
   
 
32


              
  
       



    

      
      

 
       
34


 
             
 
dim.

  




  
dim.

       
    
Meno Mosso  = 62


36
pensive and tired




    

   


  
(dim.)


   
Rit................




(dim.)

3
                         
             
        
38

       
        
     
 

      
                       
         
41

                        
     

    
              
      
       


44

    


             


   

  





                
  
"Christina" Theme - she believed him


48 Waltz-like  = 82

     

         
        


   
            
  
54 rubato


 
           


