ay Won at ESpance Parone Yi Tale to onan snd Modetaion THE BIGHESS 0By now it is customary to engage the work of Rem Koolhaas in terms of its active ignmant with processes of cultural transfor- mation, its planned instabilities and flexible components —an architecture designed as a dynamic ingredient of perpetual social flux and reorganization. Delirious New York is frequently reat as a manifesto outlining how architecture (and by implication other forms of cultural invention) could become immanent to a mutating id of modernization rather than function as static or enduring ‘monuments exterice te it. And certainly Koolhaas’s antireformist urhanist thought proposes collaborating with, if not emulating, 9.14 gnu nea emma nOE HT eG AION AAAS AYHLYND) motprpe je angers yr iol 0236 sg en » \uncontrolied forces of development rather than formu- lating anything self-consciously remedial that would attempt to rationalize or “solve” social disorder. jonathan orary uc sven us eosin profile of Koons’ work te a0 Upon tech coupe ys in we st ely working apa he ss” nedrteton For Bs p= nisin nels of piagreidng og of dere ‘per nd plying tbe rol of demeoper") etnies wl zich denn ofthe pees x may of penn fa > fa wheats he ought of oan i how the eb reogtion of ie ctalcene ofthe oder [05 = re Ni pe) inp ome a undeaading oh overs Ing protene anoint of denen (a of aoa ‘a estes wr bm be ite of eof re ‘ur of experience he st fa deed ge gn Ce fon which meer ae zmthow bee excel, Lut aber oe chance by «hog sd eotganuaton engage feo of ooaain Thee ae proces th jetion an desbor Wwoueer sre Bix and rte, at extort ngs toro the exchanges, a nna eat edo of com tmoaton an coeanyion, bt ie Koha werden Usuy tae the gener few ovis eomempery expe spe he coming peo bl omnianiong Information newts he sad ston f ago! bo ing fice of oderazaon, Bat Roca sets undestnd hehe it pongo eto used yd opening? fnew surat fe” tad oof images an a ae not ky Inceaon of he emence of an oening smooth paneary fet of echange Dts of new day, dearer, fons vs Nahin, ane pete for Rol, sew care ‘access ee psn Slace the 9th nmi cru dmesion fhe arpa of ssdemation ht ben what Moet afr led he coma ee with the agua amis" eh eerins Py- ‘Steand cal acommadg een process of etnation an ration trong which he votes cor de afin requrenens of pals Duc whl oe night wat 0 penton Roots und ee evi he cts ofthe "eleng” von of modern (feta ot by Mas), els i es aa wr feos velo to modernist and ise: Bade pag xpreion 00 repre pls of eapone © ‘nadernet ane bd # Cosy erg BAL 00 oe band exiting perenne aC aw veloc, Be {pose fener: ofmnton of mew wees in pcep- rl ones (exempted boa cyepce cee nthe enc athe snese hn of at moe eat ha erate ree og, ta rao consmuni epic pont) Hookup bod up 4 Sepymene af toca! memory tat eer pan by the righ of sali and ot vor dip inn edebaory hinonmsss be aledscpie mossatn of tcholora Cooomaion Bade a, doomed by he pn gd Aaping wings wre he sf bn ooh es snd demtone, a Tip ie the ile phe: of he ‘mone ed, rendering te et cyte and ce nes ofp eorgeeation tig onside of ie ply one of einai ens allowing ache become lneled ihe Pat ‘al eboreto0 of the cxseate Mewoets of rt coc thes lenis wa pete as mei hetwom he oie pone of mterazaton and amore ering of oe paves ad dees IFRoolhats work laces ace fin cool ended soc opti i 6 ako a-uepian aad A, ay ‘het eying oes nsf eroges. 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Ate eine oon not plepag ta onguton of age ad dite ‘sured eavtonmen, wach bao founded co theca 26 pot praon hasan bags One ofthe aie ‘ars of re Deter of anon ws he sane a soc cobesvenet depen these and ey of ie oma betwen nals i 4 en coc mera he ‘eer numberof cones The Cmpuiertermin eens open ‘ok a at fp pf nna ge at» eon whe cemmarcton 28 Sesion are reac igi ane of fect ane eg. ono modes of xchange ed neice and wo wore fms of redunany. obs sees {© predace ongenion tn whic a palpble ere of ‘ocal/esoumenat cova oychial and sensory feck, ad Jenarhete sla lich the nial ow of he lon ‘Hat thei of madras ect” an anes lanofibe Gene Ci Spas 915