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  • Flute Child of the Promise

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    Michael Lopez
    24 views1 page
    This musical composition is titled "Child of the Promise" with music by Jay Rouse and words by Rose Aspinall. It is for solo flute and contains musical notation throughout, including time signatures, key signatures, dynamics, articulations and expressive markings. The piece has multiple labeled sections that will be played by the flute soloist.

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    Original Title

    Child of the Promise-flute

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    This musical composition is titled "Child of the Promise" with music by Jay Rouse and words by Rose Aspinall. It is for solo flute and contains musical notation throughout, including time signatures, key signatures, dynamics, articulations and expressive markings. The piece has multiple labeled sections that will be played by the flute soloist.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    24 views1 page

    Flute Child of the Promise

    Uploaded by

    Michael Lopez
    This musical composition is titled "Child of the Promise" with music by Jay Rouse and words by Rose Aspinall. It is for solo flute and contains musical notation throughout, including time signatures, key signatures, dynamics, articulations and expressive markings. The piece has multiple labeled sections that will be played by the flute soloist.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    Flute

    CHILD OF THE PROMISE


    (Music by JAY ROUSE)

    
    BlackM Music Society

     
    Words by ROSE ASPINALL

            
     
            
     = 90

            

             


           
     
    14

        
           
                  
       
    19 1.

     
                       
          
    24

              
            
               
    33 2.


                

           
     
    39

              
                           
    molto rit.

     
    45

                            
        
     
    49

                      

      
        
    57

       
              

         
    64
    rit.

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