Ori

and the Blind Forest

Piano Suite

           
Gareth Coker


              
 = 90

     
    
Ori Lost in the Storm


 
     
      


 
         
    
   


            
           
  
9 accel.  = 100


   

      
       


   
    
            
                 
14

  

             


 
  
    

     
  

  

  


           
20
First Steps into Sunken Glades

       
 
     


   

  





 
                     
22

     
  

   
                            
   
24

    
       
 

   

                

 
                
26

 
    
  
   

    
   
 
   
 
 

 
          
28



   


   

        
                       
              
30

      
       


     

                  
     
34

              
         
     
2
                   
         
            
 
39


           
         
    

           
   
        rit.

       
44

           
  
           
 

     
       
  The Sacrifice


48  = 90

  

  
  
           
   


      
 
52 

                               


            
   
56 

                               
  
  

3
        Restoring the Light, Facing the Dark
         
 = 150

             
rit.
60 

              
 
       


   


   


   
                          
64

  
                   
          


                
         
68

                     
           
  
       
    
    
       
73

  

      
         
  
 



      
             
     
78

           

     
  
    

   

4
      
            
          



83

    

           
         

       
  
    
       
  
88 

     
    
  
            
  
    
              
     
         

93

    
     
         

    
    
        
     
                  
    
98

    
      
     

       
    

    rit  
    
               
 
 = 80

      

Light of Nibel
103



       

            



5
   
              
  
1. 2.

          
 

rit.
109


    
   
     
 
 
