UPSIDE DOWNSIDE

MIKE STERN

 
Medium Funk q = 86

(dr. fill) guitar fills (fade in/out effects with echo)
    
 

     

  
     
  
bass
   
        

   

2. 1. gtr
      

                             
          
 

 
2 A
      
              

1st x: guitar, 2nd x: guitar w/ ten. sax
 

  
    
    
   
             


bass line is played 8va b. on repeat & on D.S.

 
            
        
      
   

           


   
 
      
     
       
 

            
           


 
            
        
       
    

           

Transcribed by Ville V. (2011)

2

B1                    sax
 
1. guitar w/
to Coda 
     

  
ten.

  
     
               
C7äÁ

G‹7 B7#9 B¨9 A9 A¨7
 G¨7#11 F7

  

B2                 

2.

     
 
         
C7äÁ B¨9 A9 A¨9
       
B7#9 G¨7 F7 E^#5

G‹7
  
 
 
 

      
C1
    
                       
E¨7 D7 D¨7 C7
 
       

       
            
            
B7 B¨7 A7 A¨7
 
       

             
                     


G7 C7
       F7 E7#5
    
  
   5

  
  
        
 
      

 
   

   



  
E¨



1 C2             
3
    
                     

 
E¨7 D7 D¨7 C7
   
          
   

 
   
 
      
 
    
 
      
 


F7 E7 E¨7 D7
 
                

       
     
                    
D¨7 G¨7
  
 
F7
   

E7#5
        
 

                                 
 
  


 E¨   




D 
                
    
         
     
3
E¨ E¨ G7b9 C‹7
 

A¨/B¨
   
      

       

  
  
    
      
     
A¨ E¨ F‹7 B¨7 C‹7
   
 
E¨/G D¨7#11 A¨^
   
    


 
  
  
D.S.2 al Coda

( )
 
(play on D.S. only)
 


G‹7 G¨13 F7“

F13 B7åÁ 
  
   
    

4
GUITAR SOLO

                  
E E7

    
     

                 
        

       
F/E E E¨/E
       
      
   

 
 D¨/E     
             
  
D/E   C/E
 
  
  

E7
                
        

                
       

    
G‹7 C7 B7 B¨7 A7 A¨7 G¨7 F7 E7#5 E¨7
         
              

D.S.1, play C2 & D,
then D.S.2 al Coda

  
 rall. 

A¨7 E^b5
  
  

Guitar sounds one octave lower than written.