ct 4 Med. Bossa Avancé Russell Ferrante 1=154 Ciro) (As played by the Yellowjackets) tron - Cus’ E E%as EW) ceun MI 7 %E E a edie) = SS Fu Ne FET Fad x Eb, Be en SG ‘Gynth, counter-melody: 2nd x only) : Se Fs oS ae —— eo “7 Demat) bn zr , Cte els 2D’ma” Dims’ Dias! € SEY + =e . 9 RL ' 7 3st 7 Dat? Dui Bas : Boa? Boy? sHf, 12. 12 Ss = oe eo aoe o rs pe a Awe Am Cos, a . pt) Bhie: te. 9° he: te: be 2D be EF 4 i E ne) Bl, “Ge _ Gls (pnw! synth) BS Ema? Bb%.,, Eb Cow’, Dt) ZOE A D Fu. Ge Ew FF(2) Bias Bue fom al % E “ Cm fee na DEED) DS. al Coda (piano solos on AA, melody returns at [B] ). oO , (ito so) (Vamp, solo & Fade) EF = Je ADA AA FAD APPLE P- DALAL ADAP APD AD AA FT 7 add #11) Bu? Cu, E’. Es ECS [Me | OE = Ey a 2 Pere ad bass line) Pn. may double bass line at Intro and C. Alto doubles melody at B for out head. Each bar is subdivided into 4 beats + 2beats. Sample pn. comp rhythm at A: =, 111 FF [eo123 Med, Furk/Latin Freedomland 22 Russ Ferrante 1122 (A) gt x tenor doubles synth, melody (As played by the Yellowjackets) 2nd x tenor solos te CHS FHS ont) * : 2 E ¢ = Sy = ——— Brit” Bute, woe 5 ieee ay @ pein Biss DE Ew% Dtw’ —_ G#m? SaaS Fr _ ZA BISD (eynth) EW" 6 CB | CH " ent FF 5 drums & pore. fil SS SSS =a Zz —————_ DC, play AABB (tenor solos over synth. melody at A). Then continue to letter C. CIiFe = B G#" C# Fe Bi GH CF) DRE A = - A eee aH ea tbass) = i we . (ete) (Synth, solo) DF? B ci c# Vamp 8 solo till cue. On cue, DC. al Code. (©1991 Barua Mane Usd by Pemsson{ot x tenor plays melody 2nd x on: tenor solos radii E Ewe — D*u™ ete reed (Vamp, solo & fade) (tenor Fill Sample os ne at Sa (ete) Bass lin at eters C&D is fcly interpreted15 Geraldine Russell Ferrante (As played by the Yellowjackets) Eb con Fa. CS Abus Ab Rubato Cairo pr omy) 1756 [a]AW pus ab 5 Fm? (alto) (odd) 7 Cu Fa a6 5 BT mags Du GE Ew Se Fh, Fan, FTE On acts 2) 7 bya 7 . Ans, pew Eoug. x Cw Abu Ba? nese Med. Latin Grams enter) = 44 (Ebm) (Eb) (nara patch ab) Seno ee) (alto w/ pn. va) Ast lod variation bars pte 7 B] Abwilt land x alte blo Eom (Ge. & keyboards enter) : Bbw? Eb? ee Fe yt? Ban Emi? Eba?Cc] AME, oe AM? Emit E> Abmi!! ‘altos oa 1309) 7 Clad 7 4 145) BA Dw” Se Poh, FB CC , GD * ¥ ear, add $) vb: Bm? Ace pt By Ew ; Fas? Fg Eng Arm pawn baa Bpeus®) Cus Abt Bm? bs Ss so Bhat Ebuil™® Ab Aba” Eb — SG Erwse pp mE Abo# Fatt 8, BE 1500 a Abmit Fear io eb (sample Fill Bisa Ebi? (melody) Bow? (alto wi'pn, 8va) DBD} Abu" Em? Vamp & fade (Piano Fills) sample bass line at Bi 116y Med-sovFwk arg CON’ Home __,,,., ..Russfemnts J=a6 DisDT AGIs C DissD7 ATGhsGHT Aw (cteegn) DisD? ATG4us Cy DissD? AV7GIus CO ty (eynth) Ful Oe Be Ao. SS Fe Be Anon ee & r Se - (gtx. sole on DS) c. SES Fe EB AuTGui? Die a Fue %e Fe GH7 Awl Be 5 ah ~ er ee) Fe FT Sec Dwieto| (chords) 7 (ad synth) Ter Fh 206 Toth Mos, Rhy Lan Ma: Br Mae (RD Und By FrmEo Fung, Fo SG DisusD7 Aver By % ~~ Ce ny 3 fe Se F2u AT, Che AT Clos _ Fas ample ‘il) on Ye: = : (elec, loco) (QS (at: solo) al Coda) Gynth, solo) G ™ o- Fima™ 7F Fas” Ge f= 7 FFF ——— 7 Fu’ Se Fua7 on Gmi7 Cus & Sp Guit ve Pv eelee, AP ay (Vamp till cue) 7 va = (ete) fw GE Me Dy? = Se wees Fo Fe Gh? An FS Apr Bap i a ‘ Pe eee i: Fate? Foul GA —, 6A Tos =e == == —— ae eg aes c es GOT ATG Cs Fe% "eG fe Pa a ape i) -_--1—_— DisusD7 Ar7GIusGh7 Aw? = DssD7 Ab7Gtus Ca. tcp (Vamp € fill +411 cue) | ATG tus C ED dim? rit, Aiythm at _CT_ fe FT_ CT _ Aw ¥ oS (bars 12, 5€6)I Med.~ Slow Funk (Intro) 3-86 DS hus DA Gas c Goin’ Home (Bass) me DACs An SP Se pra Bes OTA Ges cf DhusD7A'7 Gus _C fc Ge EB Au supe Fue FG gs ee aie = SS Cc K e Am” Gmi7 Mee = : = SS = Pads oe Fis Ke we GET Au! Be Se owe —_—— =| =a FA FT = 7 Ce Cc Dui? SMG. Fa” G Ag SS SS Da7 FisSe Fis #7 Au? FA Ee gdp oe ng oa bebe ce Fa S_BS vE Ful, FeSED APTCfusC Dibus D7AP7 Gus C a =e 5 Le = SS} So econ o- Fma7 oe Fma™ = = Vee eee aE cae & Fa? PEAS cw Chis a Aco Gui? Gal cae == = — ~~ Vamp till cue) ' (Fu? Ge Ag ———S—— Fe % DT ANT G4us C re) % eg Lo 4 Sere Tae pee Dis DAV TChusGi7 Am” Divs D7 AT Gas, S = &) us DT AVTGfus C Age ae (Van ca till “a rit. a F7 cz (bars 12, 5¢6) ———— SY myst nin F7 o235 Man Facing North , . Bob Mintzer, Will Kennedy, Rubato Straight Bth’s Russ Ferrante, Jimmy Haslip 1274 NC bythe Yllowjacket) ig Se tet te ee Aas Ayu) ~ Cc a2) Abulonts Ope Fa The a =4 DS. solo on AVA. “pate After solos, jump to letter C. a? lot (po) Ew! = = eT Eh (ree) coal T Anat FE Een Bhat Fy a Arh MEN Eb? Ist & Dnd x tener “ag tes oD , | Bat Brd x ov tenor solos Im. (voices on Ta) Era? DSS. al 2nd ending ed edi al Coda Bom"!237 Rubato Straight 8's Man Facing North (Bass) 214 NG te = SS Med, Funk a $20 Tocet # eeftee septa * ff E t = Fi D ie De eS Aa] 5G Eba? Eb? Bin" $5} peg teero sre beso po Ra : Cc Fug = = I IM ? !(nelody w/ tenor) Abit’) 6, Fe B Cyt Ely Ox Oe *O. “en Cee tal + ES aia 8 a 35 ae te 6 Fe pa E emTDa? 15, 13404) . Ci ot Gia wi ee a Cul & Fl Se == :) — FFs tt a € Ebwi? © Gel pm CAD Bui! Sai te bee he Bre = =| “BA G 8 — SS — = = fa -f ES, A a oo A oe Ps Bem! Era? ee ane 3] Vamp, solo & fade (On recording, bass overdubs alow bassline a letter B, Melody at letter A is played behing the beatMed. Funk Matinee Idol Russ Ferrante tar) (Intro) (As played by The Yellowjackets) Sh hy Fy3 hh Taya a ~ Al (tené trp) (ec:pn) FG. » 5 care re mr |. MO Be s — Dux Se Sr te wh a ten. 6 trp) (ec-pn) Ayer yep re Ay SLL ates) + $A 4a Frinl banat. St Cy ~ ? Oe me | Gai Ce _ tH 2 aes =— ————— rap ee = Fe DeTinc™BTg) @ + &. smd asses aE an — ae u elec. piano solo on Al, indet. (take 15 ending each time). On cue, take 2"4 ending, play melody at B) (with repeat) then vamp and fade on ‘pay, melody twice, then solo) ional: take Coda on cue to end.= Med. Funk : K Ballad (Intro One Family opined tgetorens a= 62 (no repeat on DC) (ato) ew OW |e FF tin bb ds shh SY 6s) EEO Bhat Dhyana! Dt Cha? DIEM” Gut Eby? Edy AO) - o a ie wh) Ebi? ae WR Ss e =, S % aad ei ° Be. Paley Bris (t8) aoe re Ne FS Br ( da oP) F#T Gy Ee EE et oe % cea Et Bu? Fay Brey Ehufa, APE Ais, = -- eae eees ee mee oP FHT Gut 8 ow Eta Dhad Abn, prs) Sse ees Ree (aietyovoc) —— Ct FB OFT) Bw? gp CET Ewyy = SSS RSS Se Rs fue EA aE peo ree rer. = = Gu? Ent Eh, Pty Aut DY Grit DOR” BI wey Fes i=: Fe = PO al Cada) Ext ”© canm eB wis bod SS" (bs) (irene = eep vatding) vamp & build till cue) Cie = keep building (Wamp & build till cue (BAF alka pays weedy) -— 3, — = Pee 9 or | SIs sob yen Mp So 4 se A Chaney Baa Fax? Cor? Gr Ebay hy 7 Gtmat SMA Bw Fan? Cows my B® Bat Fy wt bia i 3 (molto rit) ase at in and Cada payed wih vation so pr pyc chr pont ought ea xe where erie maid. bass overdub at Coda (starts 3°4 x of inde vamp)319 7 Lyric: Lorra Pr "Medium Gospel Shuffle Revelation — lynsaraine Penny 2128p c (As played by the Yellowjackets) Trtre Gres Se EG a oe Held ae (Sea ) ate em) Gee BIS Gul gt - fe Sai ipa pe ver-y Jong, but af 1 knew ghd ths (01986 Brac MusAw : r Pa FCS 320 aa reve: ston he - Im so (Solos Nise sol, pn: 2nd, sas) 7 c GL ct Bess BS CT C#D OO" [DDD DD AAP FDP AAP ILA TPT F| Ue sony ba tac repeat) & Se 7 5. BIS G G6@GFEG Ci B® as B! ET EET 41 DL SVIIL 1TH? | Cc c#7% ope? Ent BU) Dat pst EAS A LEP T f = take me G 7 — Sccr bp + FLT DL 74 Solo on DE « (Last solo takes "On cue’ ending) DS ng Amt ares _ G 1 eS Fe 3 Fi DS. al Coda One (with repeat) se ae raps Du? ps cre CH Viet yo han! that h 5 (Hal time S % EwiAw?es fee rit.321 Medium Gos Gospel Shuffle Revelation (Bass) Cc 7p es es ere (nC —— 1). Sa wo (Tacet till 3rd x) A Gi ee eee $3 Pe 1G, 6,6, Auc ie Fe DES, G “(as is) ow ot fect 7 SILL 4S A LST FP te, Beas BE 5 Se SS322 cc o 6 & GF PDD FFP FT FE ee E Gc Cc Beas B® Cc cr (PLDT KT TITLE TD DI LT ot Dp DE En? EM) Dw? pier ce CRD LL SL LITT TILL DEL LL LT Fp Fea os ee : BC CS %C CPS Die ee eat ES: ~ "Solo on DE (Last solo take'On cue’ ending) GG cere a S PE Ew Aw” B CCT DG Ans G _ An! FFT 7 is Ss wr | DS. al Coda One (with repeat) Ew erg LAF PTT 12. °cew Aw, ©. 6 Me Go FewBt ec a CALL aLS | i= are Este! BCRussell Ferrante ol Med Up Funk Rush Hour dept een dp iy, Dus CPPius Dus Cus Anat) (Pg Beg C yo ae Dex (gir) # (Anal) (Amat) 7 Eee GFTUS) Em? Eee G1) ~ = a ¥s 2a (os) S ¥E ¥sfas HB Ole las Grams play Ternotes on hi-hat) ern Cus DiC Dus ¢ Bs DilsC hs D¥hus gine eh Hates Sample bass, line at for solos331 19 Jimmy Haslip Medium Latin Sonja’s Sanfona (Asplyedby The Yeoweke) dmg et G F : Fos — —f¢ BE E = = Re eae Ca pe #5 O97 aoe f = Fy Fevs Gus a ‘ores dig tac. F Fee cht (alto) ee (brass) N.C. Se Gyntnt Bir Eig) Final? Aor Ami? Brae ave Sve Batt *T Caitod as to GG Fu Ew Dai? = wie] oer aa es Ne a Ne De Ap Me LA Ne Ae Borcher ae fe ete oe ee, ATL "rag = Ne. F Gitowbs np onthe) 6 La Mae ie pen Mu UY FerminDual ~ Bu? Emi? ABan etl OO Asey Da? Awe Ces C7) Gut oo bx, A, Bu? B% (B) -O? — Fs % Ato Dos — SS — —_—" Catto wi (eed) @ oes (ent) NC. =e hase) (brass) (pare break) 1B Aleve oO E a a a =e DS. al Coda Two (@*) ret os 3) HF (bras) WY ynth, aly) he AP lay chores rom Dnata nor seal dang aso (og CD, Gruber Ete aCe moaly snd al ee ed hele333 Sonja’s Sanfona (Bass) Medium Latin 4-122 (6) “euec.b5) mf G ~ epee Peper ra ¥ aie A BY EAP F PA Aut Bo Be Suey Gi uw pyr Em7 Omi? AG, Ap Ata N.C. ee ne 2 fe A ADM heey (walt) Emit But -~ pg? b, Eby Buyg G y reBui? OW oul Be ie a Ey BY LS 6 ve. Apan ARCH) Dai? Ame i = Gui Clays C7at rut Fie put Dw Dsus +, 2 — 2 is Tacet (%) iss Faas) = EST ) (walto) DS. al Coda One (0) DS. al Coda Two (*) Red Fe ATOM gus Dien) Vamp £ fade) 3