REIK—- YU—Z2| KEITH JARRETT Ae yb E/E by Yasutosi:!mamori CHUO. ART PUBLISHING CO., LTD.FF RK HOR + Yel y hORRMIL J — KTSTANDARDS, VOL.I/4—% + ely be bt, STANDARDS, VOL.2/4—% + Ya by be boty, WORT I/— Ae Paevy be hUR ILIA FAT!) DEMOVIN KEN ME REEL T SAREE L, SAE TLR OMAR TT. HOR Vey hOPRIABIE, BAAPLET + VODBAOT IVA WR ey vt PECM) a, ERI FLY PAOMBEL VI, CNATOY 4 AP SP LARLSIAMMOTEA SAUTE LIDS BORIRILAS TAP YH B+ Fy ICD EL, AIMEE Lt. ROA ely KET AE Abilities ¢ & 0 ERRORS LOTR EARL TH ET. ROUT RS, BOAR, 7145 LOMB THODET HZ bE BEMLTOST, HSRC, WAPI SRAOIRD £5, REA DREN TS. TERE LIPERIS OGM > TOSORERWET. AWM AOR Ve by MIROBRIMTRERO TH, 2b, AMEBET SIC BD. MBF LTRS Lo SLB LLIETa or xe POR pbb VPIAL II 1— 3 AE ORE PEEP URAM LBP EL PHA eb ETP (@1F I SHOULD LOSE YOU 6 @1N LOVE IN VAIN: 0 4 Improvised by Keith Jarrett I.STELLA BY STARLIGHT Washinzzon & V.¥oune? 16 Ovi Tune: 36 Inproviation 0 Chord Progresion a7 Advice BB Improvised by Keith Jarrett 2.IT NEVER ENTERED MY MIND«-tior: & RRodger a Original Tune 50. Improvisation 2 Chord Progression 51 Advice 52 Improvised by Keith Jarreet 3.ALL THE THINGS YOU A RE©.-Hammerstcin, 1 & J.Kern>: 54 Original Tune 79 Improvisation D Chord Proyrossion 80 Advice 81 Improvised by Keith Jarrett 4.FALLING IN LOVE WITH LOVE(-Hr: & Rodger 83 Original Tuner Improvisation 0 Chord Proyression 102 Adviconen oe 4O3Biography - #-R-Tpbyk ey BALI O IGG. HEAL OTH oh Fe Hs BA KDANF > hOGA EMEA, KMS MCR TERRLUTAALOM DEMO. COM. WMECHDTLR: FI a Ey oY Say bode. ATA, HRADOBKEM< 6 IL EMI NIE, BARRA TD Lifo nS Lb Dot oOO. COLORED MDS LMAMO TO CIEAS. GERI ERI OLOOE OMA IR 2 18 EGAMLDS BERS, LS OT RR —-WOIRH EIN L. those —+ y RA ER DE TED HAITI Tb Z SAMMI TS OTH F 4 ARTHS. DED, AEA RET > Th, SOR TOMI RBA NED GNAS. SLT. KO EBERLE LIZ THIT B ROA Pye y bid, 1MSES BH SARBORBL LTR Ey rar EY FOURS RK, AE NORM Tob FARK Eure e va, zyade® 4 6 EIEBENY WOK L THT BRA AIL, BETET I EM TECTIA AE WS. LAT ROI ewe OTK D EAT, ALAMO EDS. Fon bora, BODY aL EHD. KATIE OLDE OMENS TO, 19624, QAP bt 2H WORRR EMS. 1 PMA L LTA RY ORAZ IAN. OTROS TST NHI AIR BMOT B SLC A CHNOM EROS, bas nay, TORS PUARABIN Ks RRL R ARLE TOF WK KOAN Ty KOHALC HSL. COM, PR ARTLOK SURI MO SLE BIL 24 Fe GRAOMF EARS 1S. WREAK ADA 2, GIN 2 7 eM NOLIONT Dots, UY x IOWREMS SET, F-ARARTHD AEM OLADORRME WUE Tot. ENMG. FS 2IORERADS DO. EALAHIOTOOR. TE DPA YY ACME BY ND ERY AIL, EI LEPAY EDC DBS ALBOTUS. EUT, 19GB ILDMID bY A EMA THT yD ZI ARRE OAD 20OMRs LORSIAA, ISTO AR rey PE BM LIAL ERM, TEI Fard VI Ry, FX AVR AAPY, Hon FTL GO OMENLOANE yb RIL CHB RAED ES MRT 7 TRS. ARE DMO LOET 7 » POWERS EU, Ue RECS HEME EEC OD Ty MAL Re AY PRUE y ay ERE LTHBT BEA YO SHY ATOSEL Len 7 ay bun (HAMM, ROPRMEL RAE ETE? BAL TR DILYS. MLO EALADU TOC AEREL KONA S, LH oTb, Yaz a—e YARHOAG. MCAG, ML C27 ay be—wane bot, Lod, 3H DEY ws ay b (ECM) IRA OY + AR AD AY He De bbl EH LE Ty STAR ORES ea — FRI, aD + eh pee OTST. TARBMNC 93K RAF EMME AUADRIEETH OR, EDR, YO, 200 BNF YR EULTAA AR UM Y ay EMRE LORE K D RIL TB. Mi= (EL 20K D 7 VS Ad BO Lay P~F 4 Tah bE OUPERAKO WENA TUB. HOA + Ye bik, SRY ARCH EMD LOL TERRELL BLT SILO OCH SES TETURA MOL TOE ORE MEL TOC BaF # bee.ARE BED ORGIES TORT @ improvised (YARRA ey hOTRRERMLE LD, @ Original Chora (2 fin 2 OF (2, Kittin a — Kale @linprovisationaChord Progression (2) FHA y MEkOT, VI ECHR a — Blt, IS Eo TAA YPM BO, Rite D YEH ENE LOM) at. LOMB, THA ITI Jobe RE, OEP TI FObHEOR ENS LIENS, @Advice (BAU IPN AZ EEO ERT T YEAS 97 LIPO CR MBRRORDEBIS CRT HY ET. ®"Improvisation>Chord Progression. NPY x4 F7I+ J — be R47, KO) ARIANA IC bo TRL THD BT. | = Phrygian ———-_____________ Phr | Lydian —_—_—— lLyd Mixo-Lydian ——_______ Mixo Aeolian ———______________. aeo Locrian Loe Lydian 7th —___________ ya 7th Altered Dominant —————____________ ait Combination of Diminished ———_____— Com Dim Whole Tone ——___________________ Whole Tone Harmonic Minor Scale Perfect 5th Below mp. 5+ Altered Dorian —————_____________ ait Dor Tonie Minor ——— Tone min Diminished ———--_____________ pim Blue NoteGE TYLA PTs Jb RF OMRON OOT, BREA TON FRITMT BS EMME EVES OT, Ye KOM OPAT CTE ab, OF E-LARMHE, va TRE, BL, Vr AMORA HO] BIBT, DPATK REV. WIR IBS, TOF Rady avo BtiSbiation x 074 PIL XIBOT IY EL EOI EED a EOE FCRBT ED, EUG BRTH. FAH VED, @2—K + R-ADKUT, KOHIE( DW [ [ecm | For | om oe -Eieo Gm) OFS — FES — FOAM EL THA MUS . LEM Gm' | Am? Di) O43, FOa— Kae GH AY YENI KE, H VFR * ROR Deby Nok THORNS, 4. ( a KidCo AOUHNTOES CORD SLPTNS, KOE ESNTHAT. @syyr7 + 3- KOR, : OV Ell’ VIEBIESHS, VE IPEBILS ES. OR SFY Sy a yeMASUO NIE, @%-A+ very holeit Hand VoicingicowT AOR Geb y KOLMNoicingls, Yay + 8 Ay (x XM) IC bo TH BASHISEN 277 YROLH VoicingL, PGi CRo TORT. ANBE AE AOL HVoicingt, LOHR BOOERHLESM, . OPE LOA-Z + eb y Meme POOH CALAMUS LC Lice, 2 mA LE Le AFOLUNoicingt 28458 L (SSE TH LT ETA, NO XA EY ATHMEDY LTC PES,(RELOA-A+Yab yb EP 7 sya) IF | SHOULD LOSE YOU Words by Leo Robin & Music by Ralph Rainger RECA: Medium Am Bm7(55) E7 Am thane = 3 Gm? cr F Gm7 ct F © Copyright 1995, 1962 by FAMOUS MUSIC CORPORATION AU Rights Reserved Used by permiasion Rights for Japan essigned to NICHION, INCAm Improvisation Am Bm7(b5) ET Bm7(b5)_ ET js Am Am Gm7 GmT7 cr czAm Bm%(55) ET Am Gm7 CT F Gm7 C7 F Fa7 (F Phrygian Scale )(RELOXHA VEL Yh ETZ +0) IN LOVE IN VAIN Words by Leo Robin & Music by Jerome Kern ‘sau: Rubato in Tempo Bb 7 ‘Theme om eK Gm7 Cm7 FT BP GT cm7 FT Dm7 Dm7(b5) G7 cm CmT(onB>) Am7(b5) DT © 1972 by 7.B, HARMS CO. ‘Authorized Selling Agent in Japan:High Note Publishing Co.,Ltd. 10Gm7 ~ Gm7(on0) c7 er cm7 FT Em7(5) E’m7 BbionD) —-Dbdim cm7 Cmi(onF) F7 B GT m7 g Cm7(onF) Fm7 BT tor Eb ; AT Dm Dm7(5) G7 cm? FT — = 4Improvisation Em7(5) E’m7 B Fv BP Gm cm? Fv Gm7 cm7 FT Bb G7 m7 ET Dm7 G7 cm7 Am7 DT cm7 FT Em7(b5) Ebm7 12B Dédim cmi7 FT o B G7 cm7 FT Fm7 BT cm FT B Theme @Coda Em7(5) Aq Dm a 2} —3— —~ 32 — — 13GTsus4 Gi cm7 Rubato Em7(65) Ebm7 Dbdim cm7 FT BSTELLA BY STARLIGHT Improvised by Keith Jarret OBALI-K — BRAIYI-ZX-S7Tome-w Words by Ned Washington Bd Music by Victor Young cm? Rubato abM7 = —3 Dm7 BbmM7(9) Am7 = ers a 3 t : d | pant — ty % = = 7 f Theme Em7(b5) AT(#9) Cm7 FT Fm7 BT Ebdim, AT B (am) — A7(69) Dm Bhmé6 FiaddG) ee = = S i Sg ae pe ey Pe ib ae oy : Bae as = ~ ae # —- — F Seer zoe AT. Dm7 C7 Am7()5) ATT Gr <= | SS -—= SSS SSS SS ti te here REE ee . Se & onmrioe se uy rawous wunc conronsre 16ab7(13) Gm7 Em7(5) i ate pe ec Dm7b5) G7 FT —— ——— errr Pee Pre wld Se “ == 2 | Dee #: 4 — zo a we F Theme FEA B APM7(#4) Em7(5) Al Dm75) G79) cm7 FT BM? Am7(b5) D7(9) Gm7 C7 gt —— 5 — co oe rere aaa eae eee gE Fey ooo jee) | 4 Bate 4 z - #4 2 tT P Am7 DI chm? Fim B7(b5) Ema7(i8) ie Fa! = = = isd {pt ae i eee dd = B v i wr FA7(13} DT? cmt: FT BMT of AT (13) 7 ee i k pa) — FS Le te — io. tet == ES 2 3 st 7 ae T : Ent Gm7(s5) AT DmMT Dm Bm AT@9) = a aa = aes it felis be aS . ytd bbe = De - 2 a= i => ot ST Dm7 Bim7 AT(9) | APM7¢4) —_G7(b13) GIM7@4) F7sus4 ci pewt7(48) bm? EM7 —Bbsus4 Pai E_ Dm? + “— bat [ire ry eee < [ee =F ; ‘ i ; bd a td be! = =e == aT vi - ThemeD BIR as Em7 AT Dm7 lt . a a GTalt Xn Em7(5) at 3 or ! ieee ; pais — oH Se fa 18Roe free BT = EP —" B b Em7($6) AT A eddy Pope Sd oy dg! © St [a] in Tempo d=J ATMG8) a4 Em7(5) DIM7 Gm Tonc. m7 F7(9)Fm7 BT EP hm B Em7(b5)_ AT Dm BbmT AT Dm’ Gm? CT Am7(65) DT G7 cm7(Cdim) cm7 67 —— 20EhmM7 Ebm7_Ab7sus4— Bb Em7(5) Als, —3— 3. G7 NE Cm7(Cm7(65)) GmionF FE’ [Em765) AT cm7 a 2a.B Em7(5) AT Dm Bm7 AT Dm7 (D7) Gm7 cr ‘Am 765) aa . 22Em 7(b5) (Em7) AT DT cm7(Cm7($5)) FT B page ohets) Em), 3 9 ATg cmt 23Eb BP Em7(65) AT Dm a 3 3 Bln? 9 9, At Dm Gm? ct Am1(5) 24G7 AT D7(Dm7(5)) B> FT cm7 25GIEmT6s) AT om? FT 3 aT si Fm7 Bb7 157 Em B Em7(b5) AT Dm Bbm7 AT Dm7 26Am7(65) B Em7(65)(Em9) 3 3, te 2728BP Ebm E> Bm7(5) 3 18 196 29Em 765) AT 30 D7 (Dm7(5)) G7m7 FT Fm7 a hm a Em7(b5) AT Bbm7 AT Dm Gm cr Am7($5) 31FT m7 (65) 738 323 3 Bass Solo Bass Solo Last Theme Em7(65) —3I ALe— ae cm7 FT Fm? Bb7(b9) Ebehdim) Eb ebm7 APT B Em7(5) AT ayI 3 a — 33Gm7 Cisys4 phn eH, qin aon Am7(b5) DI afi) 8va- 287 B 3 Em7 (b8) AT 32 34Rubato d=) i CmonF CmiCdim) ,_, monk my 4 G7 yonzes) Gadde) = & Fy cm? Cm7(b5) Dm 7(b5) G7(b5) Cm Em7(b5)A7 ‘l Ls i 7= 2355 a F 35STELLA BY STARLIGHT Words by Ned Washington & Music by Victor Young ORIGINAL TUNE Em7(b5) AT cm Bb Em7(b5) AT Dm F Gm7 a ams) GTaug cmt Em7($5) Al Dm7(b5) ——<——— cm7(b5) FT BP © Copyright 1946 by FAMOUS MUSIC CORPORATION All Rights Reserved Used by permission ‘Authorized to NICHION, INC, for sale only in Japan, South Korea & Formosa 36 G7 FTSTELLA BY STARLIGHT Words by Ned Washington & Music by Victor Young IMPROVISATION®CHORD PROGRESSION Em7(b5) Al LOC (alt Dor): Dm; Im7($5) vi Fm? Bb7 ‘Dor: I Dm: Im7(b5) vI Im bvim7 AT Dm (D7) Gm7 c7 Am7(b5) DT MK Do) Alt ‘Min: ff F: vi Im F: Im7 V7 G: -Im7(b5) v7 (Blavaug om7(Cdim ) cm? jole Tone: cm: V7 Im EbmT Abt Bb Bb ‘Dor— Be: Wm7 ovr 1 I Em7($5) sR Dm: Im7(b5) m7(Cm7(b5)) cm7 FT B BP F Im7 Bb: Im7 v7 I I copyright 1946 by FAMOUS MUSIC CORPORATION AlLRights Reserved Used by permission Authorized to NICHION, INC, for sale only in Japan, South Kores & Formosa 37STELLA BY STARLIGHT ADVICE BaREm’>s\s Ra CIs, LocrianTHOA\ F—A + Fe L-y bdLocrianeDoriane WUT THB, Ex. 1 Em7(55) Ex,2 Em7 E Locrian E Dorian 1 $9 63 1 65 HIB b7 Ex.3 Em7(E Dorian) a a wT Ex.4 Em7(E Dorian) , ATg 8va 7 HOR FHL y ba, Improvisationl= SU TEX SOCOM’ 3— K€ Tonic diminished OI/RR=BALT S (AAS SL5N%. (iB) Tonic diminished!s—AA0(=Major TonicisBUSNS. Minor Tonic US = Ett, HHA AERA. Ex.5 BFEOMMRes Let. GTaug GTaug m7(C dim) cm7 Cm: V7 v7 Im im 38Ex.618Cm’A‘Cdim (23M L f=lmprovisation Di BUTT. Cdimid, CmIERERL TLS = EIT Ex.6 G7 cm7(C dim) cm? Tonie dima — — mR (2) CdimaTonic dimaa— Kz, dima>Tension Noles ee nTost, Ex.8 C dim Cdim Tension Note @RiMBallade(Tempo Rubato)MPiano Soloist} SME AMIRI DUT. omia> BalladelsRomemaetoTOET. introduction (1 «seh ~ 3488) Theme (4M 8 ~19\8 8) Themed Sei 88 (20:Isah 8 ~41/19MH 1) Theme #39188 (42). & ~S0"1si5 4) G2) RAMThemeDAAAA'2, Themen 3\— KARTE TH 2 TOS = EIS = OBalladeDMRid, SAAT IID KR EMREL 1 OIL RT. FORD DATHOR + Dy Ly MAB OAIBURE BUMMADAS Tension Resolve (FLY ay + /— OMI, DE ays Job BA—K + bovaA SSR OMFS a REO BUF SS a DI RISC.) MSAARONLT, EEL TAMICH(T STension Resolve*, KIGMRLTHELII. 39Ex.9 Em7(b5) AT Om7 FT Fm7 BT @ ses dim) Ab 7 11-5 1-3 11-3 11-3 49-3 49-99 ve 4 3 r Dm: Im7(b5) virB: tm? v7 Eb; m7 v7 1 NT GE) OMI, Tonic diminishedD#E:#. = o>Tonic diminishedIsM:RS'. diminished Chord Ds > eet aTOst, Ex. 10 7 Em7(b5) AT Dm7(b5) G7 cm] i-3) B aM7 l-3 iL 9-3 9-3 F Dm: Im7(b5) V7 Cm: Im7(s5) V7 Bb: t. va i FORDE LY EL BAILI— FEMME DT SE LEDS T AIL I— KeMBIET TIE FRE THD ENTL £ DOL OBARL, WRB ERA a, RMN, AILSA KIS EI EYP DRIES TOES AEN TLE KEITH. RIE, WK DEA + Seb y OOM THEL ED Upper Structure Tiiadis. ATM HMA MS ts hI 7 K (SAVE) ELRMIET S br. ANUS, 2— KORMPC. MIRAI S NIN STF KORE RAET. LOL, FOR SL 2INOBBHNTO bh F1P KODADRONET, Ex, 11 Ex, 12 - ® ®» Dm7(b5) G7 oe G59) Cm Fu Le ha r 7 F é Cm:Im7(b5) V7 Im cm: V7 Im 40BODE F4F Kk C Drie RENN ITT KT EA, ATL CODMLASHET. (hou? + 2¢4+—TIWA EHS 27 —ILIS, Dorian, Melodic Minor, Natural Minor, Harmonic Minora4#%.) BV" (Dominant) i= V7), BL TIVE ODT ALA + HACE OTH SAveTT. ayn weet @Pedal Pointi=2UT. MB ORRERDO NTE AAT &D. ® BN w Bae B Be a 1o-ssa5 FOR U ely MEARS AMISbt > T. Pedal Pointe ALCS. = 0Pedalig Dominant Pedal TAL Pedal#EF = LIE T, EMBO —ES—OAMABSNS = ECEBLES LY Ex.1 F Gm7 FMTaug F Gm? F Gm? F_ Gm7 GmTonB? Gm? C7 F F Gm? F Gm7 __Gm7 C7 Gm7 C7 Ex.2 5 Ex.3 F6, F6 Gm7 F6 F6Gm7 FM7 Gm7 — FM7 Gm? FM7Gm7GmTonB> Fé Bm? F6 Bom? F6 Gm7 F6 Gm? F6 Gm7GmTonB F CToussGma FMT Fdim? eM? BM? FMT BMT? F Ctaues CTsuedont Ex.5 © Pedal- ” c 52(2) Bx, Ex2isThemel=élt SAROHUL, Ex, Exdidimprovisel= 7 SIBOEAL, ExSlt Last Theme It SAIRMBL, = OHI=Pedal AS — 2, MAN AM EBS — CABREL @EndingMtiiz. FOR Deby howe hy THSH, = @itkDEnding batonallty SBET TY + VOT, Endingt= NE) OAD DRA, Yrs Py AOE SK cmi('8) _omrong 188 53ALL THE THINGS YOU ARE Improvised by Keith Jarrett @BRLI-K — BRIYI—ZVol.A ow Words by Oscar Hammerstein, I Music by Jerome Kern Ceri ergead Person cd AmT D7(69) GMT7(5) G6 Fin B19) EM C709) Fm7 Bbm7 Em7 aM DM Dbm7 cCm7 dria! 8 © Copyright 1930, 1940 by T. B, HARMS CO. AIL Rights Reserved International Copyright Secured Authorized Selling Agent in Japan:High Note Publishing Co.,Ltd, 54Bm7(55) Bm7 E769) ADM. Gm? c7 cmt Fm? Bm7(5) ET EM 55Am7(¢5) D7 GM7 BI¢9) EM 56Dim7onG? Gh? M7 B m7(5) Bbm7 EDT (69)AeMT Am7 DT GMT AmT D7 GM? Fhm7 BT EMT Caug? Fm7 Bbm7 EMT AMT 58DM? a7 AMT Bm7 Brm7 Bh? eh 2M DMT G7 cM? 39cm7 Fm7 BT EMT AMT AmT pT GM7 Fim? BT EMT Caug? 60Ww oor Fm? DM7 Fm7 Bhm7 ahr Bhmn7 61 eT AbM7 Eby AbMT Bm7 AMTpDM7 G7 MT cm? Fm7 BT EM AMT Am7 DT GM7 Am7 DT GMT 62Fim Fm7 BT Bbn7 EM7 gb7 Caug? aT DIM7 Bm7 cbr EbT 63 aba Bm? c7Fm7 Bhn7 ET AMM7, cm7 Fm7 BT ebM7 174 abMT AmT DT GM? 178 64Amt bt GMT 65Bm? gy AbM7 cr Fm Bbm7 a AbMT 202 pM a? cM? 206 cm? Fm7 BT eb? 66AbM7 Am7 D7 cm7 Am7 DT Guz Fim? BT EMT Caug7 Fm7 Bbm7 ET abm7. 67DIM? Gr AbMT Bm7 Bhm7 EbT AbMT eT {e) Fm? Bbm7 Eb7 abM7 pM7 oT cM? 68E>M7 BT Fm7 cm? 2B 69Fm7 Bbm7 Eby AbMT hi b bi Bbn7 BT abM7 cD BmT ET AMT 70cM7 G7 DIM EbM7 Bb7 Fm7 m7 GM7 DT AmT AMM. GM? D7 Am7 nFim7 BT EM7 Caug7 Fm7 Bm7 ET AMT? pDu7 chr abm7 b Bm? 72pbM7 G7 cM? om7 Fm7 BT EbMT abM7 Am7 D7 GM7 Am7 3DI GM Fm7 BT EM? Caug? Fm7 Bbn7 EDT AbM7 DM7 abr AbM7 Bm7 Bb? 74EbT abM7 cr Bass Solo Bass Solo 38 Gm7 C7 Fm7 Bbm7 Eby abM7 DiM7 GT cM? cm7 Fm7 BT EM? AbM7 75AmT D7 GMT Am7 D7 GM7 Fen? Br a aM bbw ob aba Bm7 76Bon7 ET AbMT cT Last Theme Fm7 Binz ET aba Dem? GT M7 m7 Fm7 BbT EMM? ab? AmT D7 7GMT AmT DT GM? e Fm7 BT U EMT Caug? daJFmt?— Bhm7 ET AMT AMT Bm7(b5) BbmT Eb7 ab 78ALL THE THINGS YOU ARE Words by Oscar Hammerstein, I & Music by Jerome Kern INAL TUNE Fmt Bhn7 Bbm7 Pug © Copyright 1930, 1940 by T. B. HARMS CO, All Rights Reserved International Copyright Secured ‘Authorized Selling Agent in Japar:High Note Publishing Co.,Ltd,ALL THE THINGS YOU ARE Words by Oscar Hammerstein, I & Music by Jerome Kern |IMPROVISATION®CHORD PROGRESSION | ET AM Eon vi 1 Am7(5) ‘Alt Dor — m7(b5) V7 1 1 Am7 pt GM GM yo = Im vi I 1 Fm7(b5) BT EM Caug7 Te = “Alt(Whole Tone Aft Dor Alt Ton gomedim ") E: Im7 vi I Fm: v7 1, Fm? Bm? ET AbM Ab; Vim7 Im7 vi I pm or AM Bm7 Lyd 7 or v wat? 1 bum? Bbm7 ET AM c7 Mixo: Alt m7 vi I Fm: V7 © Copyright 1930, 1940 by 7B, HARMS CO. AIL Rights Reserved International Copyright Secured ‘Authorized Selling Agent in Japan:High Note Publishing Co.,Ltd 80ALL THE THINGS YOU ARE Words by Oscar Hammerstein, Il & Music by Jerome Kern ADVICE “AIL The Things You Are.IZP FSFE As Selby KOT IOS 4 ty aris ARMED LOK RRL FOR SAVRRRIN LT. NOI Ly AEH TSS = ABD. FERRRA ST 4 RF EBERIS DUT ROME 9 TOS, TERE IS, EM SOAR, INNA RUIN THOT. EAU EDIE, MTS CBD, HPAEEMET EASA, CLOT bf FHIE, Sr GERARD DEBE KATO SFA Ly hOB BORE S A COBD? OFA Se Ly bDQNY ERIE OA—SAlE, FAAS Ly MEL TOF ELC. QNY EMT LY POAT TN TRBL TOS. SSO QNe RM LOD, HEME LTABAL—I RAL. @TAIl the Things You Ares 2—AkHIZaA— Ko AEE YBROAICAI the Things You Are,D—AAIEA—K- 7-7 ERL THEI. Fm? Bm7 Em7 Al abn m7 Fm7 Bm7 ET EM. 81Fm7 Bm7 Em? AT AM Bh? Eb7 am o © Copyright 1990, 1940 by T. B, HARMS CO. AAllRigits Reserved International Copyright Secured ‘Authorized Selling Agent sn Japan:High Note Publishing Co.,12¢, 82FALLING IN LOVE WITH LOVE Improvised by Keith Jarrett Words by Lorenz Hart Music by Richard Rodgers Theme F (Gm7) F DT Gm7 3 Gm7 CT ee paces cT F — Em? 7 Copyright © 1988 by CHAPPELL & CO, INC, Rights for Japan assigned to CHAPPELL /INTERSONG K. K, 83G7(Dm7) G7 mo a Gm7 ©7(Gm7(5)) C7 F ran ™% Gm7 Gm7 cr Gm7 C7 DT F Em7 AT (Am7) (D7) Fae Neo 84Gm7 —_(Adim) _-—Gm7 cv ee Gm7 c7 7 mF F DT Gm7 F Em7 AT 85F F D7 Gm7 Gm7 cr ss Gm? C7 F Em? AT D7 Gm7 86cr DT Gm7 C7 BF Dt eo Gm7 Gm7 C7 Gm7 cr 87SeeeereeeEECeeeeeceeeeeeeeErteEEeECeeeeeeeeeetEeSesaaeeELaeeSS D7 Gm Fr c7 Gm7 AT Em7 c7 Gm7 88Gm7 D7 GIFs 2 C7 GmT AT EmTF Em? — AT D7 Gm7 Gm7 CT F Dz Gm7 c7 90cr Gm7 c7 Gm7 Al Em?Gm7 GmT c7 92 DT Gm93F D7 Gm7 94c7 Gm? cr Gm7Gm7 C7 96 Em7, ATBass Solo 8 bars (Piano & Drums) Bass Solo Last Theme F . D7 Gm7 : Gm7 CT F (Abdim)Gm7 cr F Em? AT 7Dm7 GT manna Gm7 (Gm 7($5)) C7 F DT Gm? cm? or cmt cr DT F Em7 Al m7?) 98Ending Gm7 (Adim) Gm7 c7 AT —~DT —~ 1__(h diem) ; 7 : 1 ——— Gm7 c7 (Bbm7) EP a, Gm7 : c7 AT DT by 99Gm7 cr AT DT 100FALLING IN LOVE WITH LOVE Words by Lorenz Hart & Music by Richard Rodgers ORIGINAL TUNE Tempo di Valse F Am Dm F C7sus4 cz Gm7 ct Se ee C7sus4 C7 C7sus4 c7 FM7 F6 FM7 F6 F F6 FM7 F6 ATsus4 AT G7 C7sus4 Gm7 CT ‘Copyright © 1958 by CHAPPELL & CO.,INC. Rights for Japan assigned to CHAPPELL /INTERSONG K. K. 101FALLING IN LOVE WITH LOVE Words by Lorenz Hart & Music by Richard Rodgers [IMPROVISATION®CHORD PROGRESSION Gm7 =Dor: Im? Sa i =e vr bi Timp. = AL 2 VT Gm? __Gm7 CT F br Gm7___c7 — Str aiixo—— fon —— timp. 5) = Dor —— io] Im? F: Im? v7 I ww Im? v7 Copyright @ 1998 by CHAPPELL. & CO. INC. [Rights for Japan ascigned to CHAPPELL/INTERSONG K. K, 102FALLING IN LOVE WITH LOVE [ADVICE “Falling in Love with Love’ D4—2 + 3b y bORBEABS > Tit OT, MO PRAISE TAR RUMHETSTL EI, BE) (ADCO RRT BBE Lett Hand Voicing (AF) OI 4 SL IAAREGH LOL BOET SPI THICIEL, REELT CHRO, DT KOHL F F DT Gm? Left Hand Voicing ment. GIEX1O#BICLeft Hand®, SR, SSNFICMAHEL ET. DYBHARD7 + — VDOC, WEEE htLeft Hand* AICO L TK HL, FORDE TD L MBRTIELeft Hand eH TODS HEL. WIF—A +o ely blSImprovisation® SigLeft Handid. #21: < MMANTOS. < OME ARATE AF BBR VAL F—FRMTSI CM KRUMIL hen, G2) Left Hand Voicing UC, ROMRMABAHIELT COREL. a @EndingIc2UT. Last Thomon383NWBE Dm DEnding TTA. Decepiive Cadence (MMAL) DHE LoTR T. 103Deceptive Cadence@)¥§%i (Key in C) ext Elly s(Em? 5) wi(ar) | Mi (Em?) s(x) > tee (Om) ——-—-—v 669) —— {vim} ——— 112¢00) | Mime (amr), HMI (APD) +117(D4 7) FOV 9) mE) a) tro) | 10 : Wie) [eon 566 ty stm) Ems 5) wr CA2) —Ilan(Om)—¥ 0 Totga— Wr(81)—— ~~ Ex2 WmRDeceptive Cadence DVT 141 (A b 47) — b 1 M7 (D b nar) 1 (Cc) Helm) <—sthay(Ob 0) 7 a —I (c) billy (Eb yn) — ML (Ab)—— $11 (04) —I (C) BERORE Ean: BUTARSMENS, #Ex20 Wm MDeceptive CadencetsVr—AOD HIKE BAT WLY, Deceptive Cadence IF #-HFA LT WmRIBHRASH LOTTE TH, Deceptive Cadence AA) Deceptive CadencoM@MI2+ EASA. BERRI DNTBEOM, ROITINED. ‘Type-I 1p loteas- Tim7(Om7) V1(G7): HL m7-s( Em7. 5) Vin(Ar) Tm7(Dm7) V3(Gr) 1(¢) Type It 1 rotena~ Bmx m2) — V6) —F tiv mais) (Fm ts) a EFT US A EAT) 1(0) Type Tallin. s—Wy—Mmy— Vo AIDE (JASNA (Ending ERDAS be Type WikV 1PRoot GHANon Oiatonie DF Ha = EA, SMSOUNM MA SMAIEBE 9 THOS. POA + Seley hSTypelEMGAL TOST, OI4 Tid, EndingDEROAHIABHNS bor IDA—K + Spry aveRLTHEL SI. 104Type-IOa— Sryr—rar Key of F , lorem Im7(Gm7) —_Vv7(C7)—} um7(Am7) ——w7 (07) ——am7(¢m7) ——v71c7) i AT Dz Gm7 CT ‘ Eb7 bt Gm? cr aoFeraroeoryenvar | EST abr Gm? cr Eb? DT GT c7 AT br Gmt Gm? c7 (oncy ete. FIA Seley bis Ill’, WY Me. Ve TEC AL, Ending HERL TUS, 105Pare rae ie cee ST ny ae oo SOL Ce nee et aeea ne Te eS ao i eon Postar eet poeaeee Sry POST en Seanad Eres ir TO aus Eos SS pei ean ery en Parente t Pern eco l y + H x x aa ay canny H Fs i D) Eg ae | MUA AY ae Reeee nen mees e Rea) Pee rsetee te) ee forectira ceteris1 = en PL LE aa Eater ool Va Hii LIE FUR LB APSE Co ete isuounn rose vou en rove wy vu I by Keith Jarret LA BY STARLIGHT AW I hy Keith Jarret NEVER ERED MY MIND thors tte Inproniedd by Keith Javett 3. ALL THE THINGS YOU AREwe I by Reith Jarre FIN LOVE WITH LOVES tts tkvntgors SAD ISBN4-88639-522~8 C0073 ¥2000e *2€fffi2.000F9