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  • Sogdian Ossuaries C

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    Юра Кулешов
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    Ossuaries - exhibition catalog

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    Sogdian_Ossuaries___C

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    Ossuaries - exhibition catalog

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
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    4 views8 pages

    Sogdian Ossuaries C

    Uploaded by

    Юра Кулешов
    Ossuaries - exhibition catalog

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content
    of 8
    CULTURE AND ART OF ANCIENT UZBEKISTAN 64 occyapun ‘Qooyaprn — omNa wa xapaxrepHes Nepr norpe anwnoro o6pana Coraa. Mo cnoeuy NpovexOKse- mo on canaanui c Xopeamow, orxyaa saumicTaoNs- ‘iu Cama wgon wareToanoHue creumamena rpO- ‘kon AMA OwMYoHK KOCTE?, 4 chopua ~ NDA Moyronbti mutex co cKATHOA KpAIKOR. B TOO PEMA AOKOP —corAMAcKIX oCcyapneR UNEeT ‘eonepuleHINO woe nponcxoMAoHNe. B ocHOBHOM enonssosanvce choAyouwe —KoMnOsAyOnle xem: apKaqa, 8 yeHTpE KOTOPOA ABE c NpHOT- pera CTBOpKauM, raprAHAs! © NOMEWEHHLI 1 hunk ronoaKan, Abe-oTwpe nmoronenecTKOSIe Doser, saninvaroiyue ecko cry. co TPR KOMNO- ‘Shunt 1e.0T cpesRaeUOMDPEKO® PPONCLOXK EHIME ‘nsvenoopoqeTBeHto eoerponse0asT jleKop pnicxic ‘capxocparce w nypevexix occyapwe nox NO3AWER winepins, Taxoe panexoe, a nepauin stn, samucreouaae npow2ouino ® canou Corne. KaX pas 90 Bpensi chopunpowanns secs occyepror0 06+ praa norpeGonus (xoxeu IV-V Bek) OT rowenith & Mano Aann « Upane Geman wa BocTox xpwcraane yaen. Ona 4 npuieers c cOG0R rorouse OOpasus! ‘aexopa. Ofyako cuwcn pager wKoHOrpadbm ocx exene CorAwaanna socnpiaisT Ho OLN m Ha ‘occyapiax 21H MOTABb! Cran COcTaBnAT» CONETa- tia, conepwiono Heaoauonnio 6 CpeAnseNHo- Iwopie. HecKoninko noaMe oocyaann ma Corna ppacnpoerpananuch w 9 Yas, HO Tam Ha win 80C- ‘RpousanqMnace, NO npenuiywecTBY, TOMAKO oAHe ‘opwansenrransiian cxoua ¢ poseTKaM. ‘Qcobuiun xy/noxectBeHHsiun OCTOMCToaNN OF- miaeven Gonbua rpynna urraunosanves Occya- fron. Havdonce paitino Ha Hix, © MSOGPEKeHHEN Crome ® apxaye 6oro8 corAMICKOrO naHTeOHa, ‘nomimaruce 8 nepson nonoerne Vil sexa 8 panonax sk aanaay or Canapeanne. Vrepecen nyt, KOTOpeA ‘ra KOUnOaAyAR nonara Ha CorANcKHe OcoyapI. Mecrias anare ucronssogana We obs Kepaun ‘pomne, a AparougHsie KoCTexpamnniua. KiraRC~ ke Worounink ynounHaIor TaKOTO pona .soneTyO Yny” © npaxou pogyrenen sascxoro wlaseTere, isrovosnani wx macrepa-rope®Ts, xopOwO SHaKO- ‘Mule © powtiaeaeKHsW CoONK samagpIex xonNer. ‘o-enanwouy, cxonctE0 KoCTexpanWiawa w apua = npawoyrorbibih RAK C HETEpeXCKATHOM KBE XO, yrpauennolt apKenHon Kounosnyneh,~ nape ‘no caHoro ws MacTepoR Na Meier cosas OCcyapHt ‘C nepeaucnenven corAitexoro awTeoNa, NOROS- ih evaaniicxams rapuau c na6opom annuecTa Seokix Oomecrs. Coxpanns ocnowy KownosHyn, Om exoHCTPyMpouaN spwTenbiie CGpass! coranc= x Boron v9 rpevecKix, samen HanGones Hote nprenann — aTpGyre. Tax, nanpr¥ep, BOAHO ‘GomECTAO ¢ BeCHIOM B OANOH M ManenEKAM A ‘chuiston 8 ApyrOR pyke Cras GoroM Oren no ‘roi Ana camujenton sonui u antrapenoM. Bp 2TET MaCTep CosAaN HOBtiA .anTH Ha apa COrBMCKOR NKOHOTpachw, OTM (OF .wio-6yanmicxoro", rocnoncTeoEaBwWero 8 fepeni 8 CorAINCKOA xBONMCH ‘BepomTo, Tor Xe ropeeT usroTCARN ne lwrannei (warpmu) ann penponyLDoaaram ‘Mponamenewun 2 TeppaKore. Occyapwnc: Hel, auinoswentoi ava watprya, cata ‘Tosehins HORAK MaTpHU: ANR 2TOTE NpoCTOMY apy gacrarosno Boino KyevTeOoCyepMo ‘ero B rine w o6mem KoMWo. CreAjouee Tone naopaxeri cnyrano narprUaten 8 tuactepcix. MvoroxparHoe nosTopenve pwsoaMno K YxyAWeNNO KaveCTBa fcnencrene “ero mnorne AeTann cravin ewraciuaen. Zina —MpORCHEHN n3060! emecrenunn-roraph, 8 MEpY OBOMK Sai ZynOMeCTeehwK eMOcO6HOCTOM, —MpOh Inpaoxy warp n oTrHexo8. HaKonnexe TaKM meron npnsoaano k cxeReHM (PeAyKHn) ‘crea n306paxoHR H SNaUTENLHOMY Citi Yyaanenno ov nepsonaNansroro npoToTHna.. Tpeacrasnensie na oxcrasKe oKsoUNNApS MoxeTpMpyioT Passe 9TaRs POAYKINMH HECK ‘raraox map, Occyapun © oTrvoKant Hi GniaKoro * FepsovaNaneioMy wrTeuna ob mon Ha ropoanuie Aypuen (N2470). Bonee na ne sransi peaya\yn apyrix sap Npogcrass axognaun ns Murrecana N2N2 471,472). ‘Bnocneacreiin coBAaiorcR wraunel © Hoh ‘pepeonaaiun (Ne-474) nn opHaMonrarieaenan x rosin (No 473), Janswesuioe nepedcaic ponexonyeT Ha MynnaKyprancxon (Ne475), rae suecro .nepownn" dwryp lospHee nporapoqcreo wrannosannen 086) aos suxoquT 9a npeaents nepsoKavaraHor Dbnacrn ¥, OAHOSPEMEHHO, © HX OKOPE HON vwenoriaoparecn wxconorpacbun, xaparepian Cormwiicxo} manana (Ne 476) n TopeETAR npirxogom Henanta npo#seqACTaO OC° ‘8 Corge noctenowio npexparnnoce 1 ocTa ‘pynns agonroe MecTHOR powerwe np ‘Saxopoveruin npooto @ Kpyrisix GurrOUNK Cony ossuany Ossuary ~ one of the features characterizing the ‘Soghdian burial ritual. nis origin & is linked wih ‘Khorezm, from where came the idea ol making special coffins forthe purification of bones, as well as their form ~ a square box with a slicing cover. But atthe ‘same time the deco ofthe Soghcian ossuary is o ato- talyiferent orgin. For the most patitisthe folowing compositions that were used:an arcade, in te middle ‘door wih open srutters, garlands withthe heads of 2-4 many petalled rosettes covering the entre wal ‘Al 3 compositions were ftom the Mediterranean and reproduced the decor of Roman sarcophagus. and Judaic ossuares relating to the period of the lator empire. Such, what a fest glance, appears tobe late borrowing occured in Soghciana its. Far when the ‘ossuarian burial ritual was coming into boing there {ond of the th — Sth cc.), Christians ard Jews were flesing to the East to escape persecutions in Asia Minor and Iran. They brought with them ready-made samples of docor. However, the iiea of the icono- ‘graphic designs alien to the Soghalans was not ac- ‘cepted by them, the motifs on the ossuaries com- prisec combinations that were impossible for the Mediterranean. Some time later, ossuaries trom ‘Soghdiana vegan to spread to Chach, but only one pallor with rosettes was used there ‘There is big group of stamped ossuaries that aro ‘noted forthe atstic mors. The earliest, with mages ff the Gods from the Soghcian pantheon pictured stancing in arcades appeared inthe frsthalfofthe 701 century in areas to west of Samarkand. Itisinteresting the way this compostion reached the Soghdian os- Suaries. The local nobility made use not ofthe usual Ceramic but rater of expensive bone depositories, Chinese sources write about somo kindof “golden tum withthe remains of a Chach rulers parents. They wore made by foreute masters, well cquainted with the works oftheir western colleagues. Evidently the similarity between the bone depository anc the casket a square boxwithafour sliding top docoratedwith an arcade composition, inspired one of the masters with the idea of making an ossuary with images from the Sogidian paritioon, not unlike the Byzantine casket ith Hellenistic delty. While retaining the basis of the ‘composition, he “constructed” trom the Groek Gods visual images of Soghdlan dety. replacing the most Import signs- the attributes. Thus, te water deity wih an oarin one hand anda small doiphin in the other hhand became a God of Fre wih a spade forthe holy ashes and small altar. As aresultthe master created & ‘new “Helleniste" version of Soghdlan iconography,

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