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Art Inspires Art

By Laura Natario

Inspired by:
The sénances aren’t helping… by Carol Bove
A Noiseless Patient Spider by Walt Whitman
Experiences by Ludovico Einaudi
One’s unique perspective
and corporeality both
expresses and interprets
artistic form.
How does your
interpretations reflect
your perception of
artistic forms?
How do we observe and manipulate shapes in
dance?
What are some strategies dancers use to
explore and interpret movement?
How do choreographers use the principles of
design and cueing to create and manipulate
dancer’s shapes? How do they do that without
words?
What is the job of the choreographer?
What is the job of the dancers?
What is the creative relationship
between the choreographer and the
dancers?
What is cueing?
What types of cueing does the
choreographer use?
- kinesthetic
- visual
- verbal
-
PARTNER ACTIVITY
1. Sit facing away from one another
2. Create a shape with the skeleton that can be recreated on another body
3. DON’T SHOW YOUR PARTNER YOUR SKELETON!
4. Partner A cue Partner B to recreate the shape of their skeleton
5. Once complete, Partner A shows Partner B their skeleton and they point out
differences/similarities between the skeleton and Partner Bs body shape.
6. Reverse roles
Photo source:
https://www.metmuseum.org/exhibitions/listings/2021/facade-commissi
on-carol-bove

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